can you use we in a literary essay

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How To Avoid Using “We,” “You,” And “I” in an Essay

• Posted on October 27, 2022 October 27, 2022

Maintaining a formal voice while writing academic essays and papers is essential to sound objective. 

One of the main rules of academic or formal writing is to avoid first-person pronouns like “we,” “you,” and “I.” These words pull focus away from the topic and shift it to the speaker – the opposite of your goal.

While it may seem difficult at first, some tricks can help you avoid personal language and keep a professional tone.

Let’s learn how to avoid using “we” in an essay.

What Is a Personal Pronoun?

Pronouns are words used to refer to a noun indirectly. Examples include “he,” “his,” “her,” and “hers.” Any time you refer to a noun – whether a person, object, or animal – without using its name, you use a pronoun.

Personal pronouns are a type of pronoun. A personal pronoun is a pronoun you use whenever you directly refer to the subject of the sentence. 

Take the following short paragraph as an example:

“Mr. Smith told the class yesterday to work on our essays. Mr. Smith also said that Mr. Smith lost Mr. Smith’s laptop in the lunchroom.”

The above sentence contains no pronouns at all. There are three places where you would insert a pronoun, but only two where you would put a personal pronoun. See the revised sentence below:

“Mr. Smith told the class yesterday to work on our essays. He also said that he lost his laptop in the lunchroom.”

“He” is a personal pronoun because we are talking directly about Mr. Smith. “His” is not a personal pronoun (it’s a possessive pronoun) because we are not speaking directly about Mr. Smith. Rather, we are talking about Mr. Smith’s laptop.

If later on you talk about Mr. Smith’s laptop, you may say:

“Mr. Smith found it in his car, not the lunchroom!” 

In this case, “it” is a personal pronoun because in this point of view we are making a reference to the laptop directly and not as something owned by Mr. Smith.

Why Avoid Personal Pronouns in Essay Writing

We’re teaching you how to avoid using “I” in writing, but why is this necessary? Academic writing aims to focus on a clear topic, sound objective, and paint the writer as a source of authority. Word choice can significantly impact your success in achieving these goals.

Writing that uses personal pronouns can unintentionally shift the reader’s focus onto the writer, pulling their focus away from the topic at hand.

Personal pronouns may also make your work seem less objective. 

One of the most challenging parts of essay writing is learning which words to avoid and how to avoid them. Fortunately, following a few simple tricks, you can master the English Language and write like a pro in no time.

Alternatives To Using Personal Pronouns

How to not use “I” in a paper? What are the alternatives? There are many ways to avoid the use of personal pronouns in academic writing. By shifting your word choice and sentence structure, you can keep the overall meaning of your sentences while re-shaping your tone.

Utilize Passive Voice

In conventional writing, students are taught to avoid the passive voice as much as possible, but it can be an excellent way to avoid first-person pronouns in academic writing.

You can use the passive voice to avoid using pronouns. Take this sentence, for example:

“ We used 150 ml of HCl for the experiment.”

Instead of using “we” and the active voice, you can use a passive voice without a pronoun. The sentence above becomes:

“150 ml of HCl were used for the experiment.” 

Using the passive voice removes your team from the experiment and makes your work sound more objective.

Take a Third-Person Perspective

Another answer to “how to avoid using ‘we’ in an essay?” is the use of a third-person perspective. Changing the perspective is a good way to take first-person pronouns out of a sentence. A third-person point of view will not use any first-person pronouns because the information is not given from the speaker’s perspective.

A third-person sentence is spoken entirely about the subject where the speaker is outside of the sentence.

Take a look at the sentence below:

“In this article you will learn about formal writing.”

The perspective in that sentence is second person, and it uses the personal pronoun “you.” You can change this sentence to sound more objective by using third-person pronouns:

“In this article the reader will learn about formal writing.”

The use of a third-person point of view makes the second sentence sound more academic and confident. Second-person pronouns, like those used in the first sentence, sound less formal and objective.

Be Specific With Word Choice

You can avoid first-personal pronouns by choosing your words carefully. Often, you may find that you are inserting unnecessary nouns into your work. 

Take the following sentence as an example:

“ My research shows the students did poorly on the test.”

In this case, the first-person pronoun ‘my’ can be entirely cut out from the sentence. It then becomes:

“Research shows the students did poorly on the test.”

The second sentence is more succinct and sounds more authoritative without changing the sentence structure.

You should also make sure to watch out for the improper use of adverbs and nouns. Being careful with your word choice regarding nouns, adverbs, verbs, and adjectives can help mitigate your use of personal pronouns. 

“They bravely started the French revolution in 1789.” 

While this sentence might be fine in a story about the revolution, an essay or academic piece should only focus on the facts. The world ‘bravely’ is a good indicator that you are inserting unnecessary personal pronouns into your work.

We can revise this sentence into:

“The French revolution started in 1789.” 

Avoid adverbs (adjectives that describe verbs), and you will find that you avoid personal pronouns by default.

Closing Thoughts

In academic writing, It is crucial to sound objective and focus on the topic. Using personal pronouns pulls the focus away from the subject and makes writing sound subjective.

Hopefully, this article has helped you learn how to avoid using “we” in an essay.

When working on any formal writing assignment, avoid personal pronouns and informal language as much as possible.

While getting the hang of academic writing, you will likely make some mistakes, so revising is vital. Always double-check for personal pronouns, plagiarism , spelling mistakes, and correctly cited pieces. 

 You can prevent and correct mistakes using a plagiarism checker at any time, completely for free.

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Should I Use “I”?

What this handout is about.

This handout is about determining when to use first person pronouns (“I”, “we,” “me,” “us,” “my,” and “our”) and personal experience in academic writing. “First person” and “personal experience” might sound like two ways of saying the same thing, but first person and personal experience can work in very different ways in your writing. You might choose to use “I” but not make any reference to your individual experiences in a particular paper. Or you might include a brief description of an experience that could help illustrate a point you’re making without ever using the word “I.” So whether or not you should use first person and personal experience are really two separate questions, both of which this handout addresses. It also offers some alternatives if you decide that either “I” or personal experience isn’t appropriate for your project. If you’ve decided that you do want to use one of them, this handout offers some ideas about how to do so effectively, because in many cases using one or the other might strengthen your writing.

Expectations about academic writing

Students often arrive at college with strict lists of writing rules in mind. Often these are rather strict lists of absolutes, including rules both stated and unstated:

• Each essay should have exactly five paragraphs.
• Don’t begin a sentence with “and” or “because.”
• Never include personal opinion.
• Never use “I” in essays.

We get these ideas primarily from teachers and other students. Often these ideas are derived from good advice but have been turned into unnecessarily strict rules in our minds. The problem is that overly strict rules about writing can prevent us, as writers, from being flexible enough to learn to adapt to the writing styles of different fields, ranging from the sciences to the humanities, and different kinds of writing projects, ranging from reviews to research.

So when it suits your purpose as a scholar, you will probably need to break some of the old rules, particularly the rules that prohibit first person pronouns and personal experience. Although there are certainly some instructors who think that these rules should be followed (so it is a good idea to ask directly), many instructors in all kinds of fields are finding reason to depart from these rules. Avoiding “I” can lead to awkwardness and vagueness, whereas using it in your writing can improve style and clarity. Using personal experience, when relevant, can add concreteness and even authority to writing that might otherwise be vague and impersonal. Because college writing situations vary widely in terms of stylistic conventions, tone, audience, and purpose, the trick is deciphering the conventions of your writing context and determining how your purpose and audience affect the way you write. The rest of this handout is devoted to strategies for figuring out when to use “I” and personal experience.

Effective uses of “I”:

In many cases, using the first person pronoun can improve your writing, by offering the following benefits:

• Assertiveness: In some cases you might wish to emphasize agency (who is doing what), as for instance if you need to point out how valuable your particular project is to an academic discipline or to claim your unique perspective or argument.
• Clarity: Because trying to avoid the first person can lead to awkward constructions and vagueness, using the first person can improve your writing style.
• Positioning yourself in the essay: In some projects, you need to explain how your research or ideas build on or depart from the work of others, in which case you’ll need to say “I,” “we,” “my,” or “our”; if you wish to claim some kind of authority on the topic, first person may help you do so.

Deciding whether “I” will help your style

Here is an example of how using the first person can make the writing clearer and more assertive:

Original example:

In studying American popular culture of the 1980s, the question of to what degree materialism was a major characteristic of the cultural milieu was explored.

Better example using first person:

In our study of American popular culture of the 1980s, we explored the degree to which materialism characterized the cultural milieu.

The original example sounds less emphatic and direct than the revised version; using “I” allows the writers to avoid the convoluted construction of the original and clarifies who did what.

Here is an example in which alternatives to the first person would be more appropriate:

As I observed the communication styles of first-year Carolina women, I noticed frequent use of non-verbal cues.

Better example:

A study of the communication styles of first-year Carolina women revealed frequent use of non-verbal cues.

In the original example, using the first person grounds the experience heavily in the writer’s subjective, individual perspective, but the writer’s purpose is to describe a phenomenon that is in fact objective or independent of that perspective. Avoiding the first person here creates the desired impression of an observed phenomenon that could be reproduced and also creates a stronger, clearer statement.

Here’s another example in which an alternative to first person works better:

As I was reading this study of medieval village life, I noticed that social class tended to be clearly defined.

This study of medieval village life reveals that social class tended to be clearly defined.

Although you may run across instructors who find the casual style of the original example refreshing, they are probably rare. The revised version sounds more academic and renders the statement more assertive and direct.

Here’s a final example:

I think that Aristotle’s ethical arguments are logical and readily applicable to contemporary cases, or at least it seems that way to me.

Better example

Aristotle’s ethical arguments are logical and readily applicable to contemporary cases.

In this example, there is no real need to announce that that statement about Aristotle is your thought; this is your paper, so readers will assume that the ideas in it are yours.

Determining whether to use “I” according to the conventions of the academic field

Which fields allow “I”?

The rules for this are changing, so it’s always best to ask your instructor if you’re not sure about using first person. But here are some general guidelines.

Sciences: In the past, scientific writers avoided the use of “I” because scientists often view the first person as interfering with the impression of objectivity and impersonality they are seeking to create. But conventions seem to be changing in some cases—for instance, when a scientific writer is describing a project she is working on or positioning that project within the existing research on the topic. Check with your science instructor to find out whether it’s o.k. to use “I” in their class.

Social Sciences: Some social scientists try to avoid “I” for the same reasons that other scientists do. But first person is becoming more commonly accepted, especially when the writer is describing their project or perspective.

Humanities: Ask your instructor whether you should use “I.” The purpose of writing in the humanities is generally to offer your own analysis of language, ideas, or a work of art. Writers in these fields tend to value assertiveness and to emphasize agency (who’s doing what), so the first person is often—but not always—appropriate. Sometimes writers use the first person in a less effective way, preceding an assertion with “I think,” “I feel,” or “I believe” as if such a phrase could replace a real defense of an argument. While your audience is generally interested in your perspective in the humanities fields, readers do expect you to fully argue, support, and illustrate your assertions. Personal belief or opinion is generally not sufficient in itself; you will need evidence of some kind to convince your reader.

Other writing situations: If you’re writing a speech, use of the first and even the second person (“you”) is generally encouraged because these personal pronouns can create a desirable sense of connection between speaker and listener and can contribute to the sense that the speaker is sincere and involved in the issue. If you’re writing a resume, though, avoid the first person; describe your experience, education, and skills without using a personal pronoun (for example, under “Experience” you might write “Volunteered as a peer counselor”).

A note on the second person “you”:

In situations where your intention is to sound conversational and friendly because it suits your purpose, as it does in this handout intended to offer helpful advice, or in a letter or speech, “you” might help to create just the sense of familiarity you’re after. But in most academic writing situations, “you” sounds overly conversational, as for instance in a claim like “when you read the poem ‘The Wasteland,’ you feel a sense of emptiness.” In this case, the “you” sounds overly conversational. The statement would read better as “The poem ‘The Wasteland’ creates a sense of emptiness.” Academic writers almost always use alternatives to the second person pronoun, such as “one,” “the reader,” or “people.”

Personal experience in academic writing

The question of whether personal experience has a place in academic writing depends on context and purpose. In papers that seek to analyze an objective principle or data as in science papers, or in papers for a field that explicitly tries to minimize the effect of the researcher’s presence such as anthropology, personal experience would probably distract from your purpose. But sometimes you might need to explicitly situate your position as researcher in relation to your subject of study. Or if your purpose is to present your individual response to a work of art, to offer examples of how an idea or theory might apply to life, or to use experience as evidence or a demonstration of an abstract principle, personal experience might have a legitimate role to play in your academic writing. Using personal experience effectively usually means keeping it in the service of your argument, as opposed to letting it become an end in itself or take over the paper.

It’s also usually best to keep your real or hypothetical stories brief, but they can strengthen arguments in need of concrete illustrations or even just a little more vitality.

Here are some examples of effective ways to incorporate personal experience in academic writing:

• Anecdotes: In some cases, brief examples of experiences you’ve had or witnessed may serve as useful illustrations of a point you’re arguing or a theory you’re evaluating. For instance, in philosophical arguments, writers often use a real or hypothetical situation to illustrate abstract ideas and principles.
• References to your own experience can explain your interest in an issue or even help to establish your authority on a topic.
• Some specific writing situations, such as application essays, explicitly call for discussion of personal experience.

Here are some suggestions about including personal experience in writing for specific fields:

Philosophy: In philosophical writing, your purpose is generally to reconstruct or evaluate an existing argument, and/or to generate your own. Sometimes, doing this effectively may involve offering a hypothetical example or an illustration. In these cases, you might find that inventing or recounting a scenario that you’ve experienced or witnessed could help demonstrate your point. Personal experience can play a very useful role in your philosophy papers, as long as you always explain to the reader how the experience is related to your argument. (See our handout on writing in philosophy for more information.)

Religion: Religion courses might seem like a place where personal experience would be welcomed. But most religion courses take a cultural, historical, or textual approach, and these generally require objectivity and impersonality. So although you probably have very strong beliefs or powerful experiences in this area that might motivate your interest in the field, they shouldn’t supplant scholarly analysis. But ask your instructor, as it is possible that they are interested in your personal experiences with religion, especially in less formal assignments such as response papers. (See our handout on writing in religious studies for more information.)

Literature, Music, Fine Arts, and Film: Writing projects in these fields can sometimes benefit from the inclusion of personal experience, as long as it isn’t tangential. For instance, your annoyance over your roommate’s habits might not add much to an analysis of “Citizen Kane.” However, if you’re writing about Ridley Scott’s treatment of relationships between women in the movie “Thelma and Louise,” some reference your own observations about these relationships might be relevant if it adds to your analysis of the film. Personal experience can be especially appropriate in a response paper, or in any kind of assignment that asks about your experience of the work as a reader or viewer. Some film and literature scholars are interested in how a film or literary text is received by different audiences, so a discussion of how a particular viewer or reader experiences or identifies with the piece would probably be appropriate. (See our handouts on writing about fiction , art history , and drama for more information.)

Women’s Studies: Women’s Studies classes tend to be taught from a feminist perspective, a perspective which is generally interested in the ways in which individuals experience gender roles. So personal experience can often serve as evidence for your analytical and argumentative papers in this field. This field is also one in which you might be asked to keep a journal, a kind of writing that requires you to apply theoretical concepts to your experiences.

History: If you’re analyzing a historical period or issue, personal experience is less likely to advance your purpose of objectivity. However, some kinds of historical scholarship do involve the exploration of personal histories. So although you might not be referencing your own experience, you might very well be discussing other people’s experiences as illustrations of their historical contexts. (See our handout on writing in history for more information.)

Sciences: Because the primary purpose is to study data and fixed principles in an objective way, personal experience is less likely to have a place in this kind of writing. Often, as in a lab report, your goal is to describe observations in such a way that a reader could duplicate the experiment, so the less extra information, the better. Of course, if you’re working in the social sciences, case studies—accounts of the personal experiences of other people—are a crucial part of your scholarship. (See our handout on  writing in the sciences for more information.)

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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Is it recommended to use "we" in research papers?

Is it recommended to use "we" in research papers? If not, should I always use passive voice?

• writing-style
• passive-voice

• Related: Style Question: Use of “we” vs. “I” vs. passive voice in a dissertation –  herisson Commented Dec 3, 2016 at 16:12
• 1 It's over a decade late, but I've seen multiple answers and comments here suggest use of subjects like "I" and "this researcher", so I feel obligated to point out that for papers going under double-blind peer review, use of such singular subjects can significantly bias the reviewer by tipping them off to the fact that there is only one author. This is effectively a form of de-anonymization, and it would make sense for some publishers to consider this a bad thing. In such a case, "we" might be preferred over "I"... but you should definitely check with the publisher to be sure. –  Alexander Guyer Commented Feb 15, 2022 at 5:57

3 Answers 3

We is used in papers with multiple authors. Even in papers having only one author/researcher, we is used to draw the reader into the discussion at hand. Moreover, there are several ways to avoid using the passive voice in the absence of we . On the one hand, there are many instances where the passive voice cannot be avoided, while, on the other, we can also be overused to the point of irritation. Variety is indeed the spice of a well written scientific paper, but the bottom line is to convey the information as succinctly as possible.

• 1 Thanks, Jimi. So you suggest that using "we" not a really bad thing as long as not overusing it, right? –  evergreen Commented Mar 2, 2011 at 23:46
• @evergreen: Definitely. Take a look at the best papers out there; we is used liberally. It really cannot be avoided, especially in experimental research writing. –  Jimi Oke Commented Mar 2, 2011 at 23:48
• 5 Since this is an English site, I feel obliged to point out that “at the end of the day” and “the bottom line is” are almost synonym, and anyway close enough in meaning to clash horribly when put next to each other. Furthermore, you simply can’t follow “the bottom line is” with “on the other hand”. That contradicts the whole meaning of “bottom line”. –  Konrad Rudolph Commented Mar 3, 2011 at 8:34
• @Konrad: Great points you make here. I don't necessarily agree with your final sentences, but I guess I went for too much color, resulting in an overkill of idiomatic phrases. But this is not a well-written scientific paper :) And I guess it also shows that too much spice is usually not a good thing! –  Jimi Oke Commented Mar 4, 2011 at 1:13
• There is alleged to be a research paper, by a single author, who wrote: "We with to thank our wife for her understanding..." –  GEdgar Commented Nov 14, 2011 at 15:22

APA (The American Psychology Association) has the following to say about the use of "we" (p. 69-70).

To avoid ambiguity, use a personal pronoun rather than the third person when describing steps taken in your experiment. Correct: "We reviewed the literature." Incorrect: "The authors reviewed the literature." [...] For clarity, restrict your use of "we" to refer only to yourself and your coauthors (use "I" if you are the sole author of the paper). Broader uses of "we" may leave your readers wondering to whom you are referring; instead, substitute an appropriate noun or clarity your usage: Correct: "Researchers usually classify birdsong on the basis of frequency and temporal structure of the elements. Incorrect: "We usually classify birdsong on the basis of frequency and temporal structure of the elements" Some alternatives to "we" to consider are "people", "humans", "researchers", "psychologists", "nurses", and so on. "We" is an appropriate and useful referent: Correct: "As behaviorists, we tend to dispute... Incorrect: "We tend to dispute..."

It's definitely OK to use "we" in research papers. I edit them professionally and see it used frequently.

However, many papers with multiple authors use such constructions as "the investigators," or "the researchers." In practice, there really aren't that many occasions when the authors of a scientific paper need to refer to themselves as agents. It happens, sure. But not that often.

Rather, the Introduction, Methods, Results, and Conclusion sections should speak for themselves. Any reference to the authors should be minimal as except in rare cases they are not germane to the findings.

• 1 “It’s definitely OK” … well, if it’s merely OK, then what are the alternatives? Using the passive voice extensively sounds stilted and sometimes a pronoun simply cannot be involved. So is “I” OK when writing as a single author? In my experience, this is a complete no-go for various reasons. –  Konrad Rudolph Commented Mar 3, 2011 at 8:37
• 5 As noted above, instead of "I," constructions such as "this researcher" are normal. "We" is a pronoun used when one author is writing on behalf of a team or group, but usually "the researchers" or the passive voice is used. It also depends on both the field and the journal in question. –  The Raven Commented Mar 3, 2011 at 12:19

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How do expert writers avoid using "I" when they have to refer to themselves in their article?

How do competent authors, in a refined and perhaps (slightly) formal way, refer to themselves without saying I ? I've seen the term "this writer" somewhere. How is it with a native? Are there other terms that are a little bit more formal and delicate than I is?

• word-choice

• 1 In journalism and reporting, they sometimes use "your correspondent" or "your [word that describes journalist on reporting duty]" –  George Capote Commented Jul 25, 2014 at 21:03
• 3 "one", possibly. " One does not simply refer to themselves " –  Mateo Commented Jul 25, 2014 at 23:18
• 2 One of the best-written mathematics books I know (Wilfrid Hodges, Model Theory) starts with a section on conventions used in the book, as is usual. But this one includes the following gem: "'I' means 'I' and 'we' means 'we'." And the author really uses the two pronouns in this way without any attempts to hide his personality. Maybe this approach only works in mathematics and hard science, where people sometimes say things such as: "You are right, yesterday you proved the main theorem in my book is wrong and today I found my mistake." And it's not the end of the world, either. –  Hans Adler Commented Jul 26, 2014 at 16:20
• 1 Don't be afraid to use the right word in the right situation. Sometimes that word is "I." Just don't talk about yourself so much in your papers. –  ssdecontrol Commented Jul 26, 2014 at 18:56
• 3 My point was that it's bad style for a single person to write "as we showed in an earlier paper" or "as the author has shown previously". Instead, write either "as I have shown previously" or just "for a proof of ... see [1]". "We will see in the next section" is fine, though, as it includes the readers. –  Hans Adler Commented Jul 26, 2014 at 21:25

12 Answers 12

Use of pronouns like "I" and "me" in a narrative will tend to cast the writer as the protagonist. Use of other forms such as "yours truly" or non-reflexive "myself" tends to cast the author into a "supporting character" role.

Suppose someone is writing about Mr. Smith's performance in a chess tournament and, after saying "In round one, Mr. Smith played against Alec Jones" and describing his performance in that round, went on to say "In round two, Mr. Smith played against me". A reader might expect the description of the round to be focused on the writer, rather than on Mr. Smith. If instead the text had been "In round two, Mr. Smith played against yours truly."

Some people cringe at non-reflexive usages of "myself". I personally don't find them objectionable when used in either the imperative or passive voice, with the purpose of suggesting semantic equivalence between the person writing or speaking and others. For example, if Mr. Smith asks people "Please submit reports to Mrs. Robinson, Mrs. Jones, or to me", that would suggest that submissions to him would be perceived differently. Using the non-reflexive "...or to myself" would suggest that the set of people to whom forms may be submitted includes him, but he has no special significance within that set.

Even though the non-reflexive "myself" is often useful, there are many places where it just doesn't work, especially with the active voice, or when used with verbs that would be amenable to reflexive usage. For narrative situations, "yours truly" is concise but effective; it conveys no implication that the character in the story were affected by the fact that they would later be written about. By contrast, "this author" implies that the writer's status as an author was significant to the events described.

What's important is to recognize that there are many ways an author can refer to himself, and usage of forms other than simple first-person pronouns is not merely a matter of being "cute", but often carries somewhat different meanings and implications.

• 7 If in the second round, Mr. Smith played against the author, any circumlocution like "yours truly" or even "the author" will sound like just that: a circumlocution, and thus awkward and unprofessional. In such a situation, any semi-competent author will use "me", period end of story. –  Martha Commented Jul 25, 2014 at 21:47
• 1 Is there any source for acceptability of a non-reflexive meaning of "myself"? –  Ari Brodsky Commented Jul 27, 2014 at 7:21

Many competent writers will challenge the assertion that "the perpendicular pronoun" (I) really needs to be avoided. Others seem to believe that only third person is acceptable, or that no person should ever be mentioned unless specifically talking about people.

My own take is that this is all a matter of style, and whatever you pick -- as long as it sounds natural and you're consistent about it -- is probably fine. If I'm writing for my employer, I'll follow my employer's style guidelines. If I'm writing for publication, I'll follow the publication's preferences. If I'm writing without those constraints, my writing is generally only slightly more formal than my speech.

Competence precludes finding oneself needing to mean "I" but having to say "this writer" - or, variously:

• your correspondent
• this ink-stained wretch (please, no!)

TBH, the form hardly matters - silk purses and sow's ears, etc.

• 23 Exactly. A genuinely expert writer avoids introducing himself into a literary context where his presence is deprecated. An essay is like any other social occasion. If you belong there, you may introduce yourself in the first person without offense. If you don't belong there, you shouldn't be trying to sneak in unnoticed by pretending to be somebody else. –  StoneyB Commented Jul 25, 2014 at 4:54
• 8 I used to favor "your humble narrator" for a while. Then I decided I wasn't all that humble and often wasn't narrating. –  keshlam Commented Jul 25, 2014 at 5:16
• 2 I agree with StoneyB. If I have a reason to write about myself, then I'll use "I" (and "me", "my", etc.). If I don't have a reason to write about myself, I won't. –  Andreas Blass Commented Jul 25, 2014 at 16:55

In science, it is quite common to use "we" instead of "I" even if there is only one author.

• 15 In maths, "we can see" or whatever can imply "You, the reader, and I", which I think is quite nice. –  GKFX Commented Jul 25, 2014 at 13:04
• True, that is another meaning of the scientific "we". –  painfulenglish Commented Jul 25, 2014 at 13:36
• In science it is common because most papers are published by two or more authors! So the impression that "we" is common might be a false one. In my experience, single authors always refer to themselves as "I" in the natural sciences. –  user5645 Commented Jul 28, 2014 at 9:14
• There definitely are single-author papers which use "we". However, people sometimes feel uncomfortable using this form, and change everything to passive voice to avoid it. –  painfulenglish Commented Jul 29, 2014 at 6:45
• Formally this is called 'royal we', which has uncomfortably arrogant connotations, although I agree, it's used. –  Jeff-Inventor ChromeOS Commented Aug 13, 2014 at 5:38

It seems to depend on the context, and even more so on the type of writing. Some answers have addressed it, it's strange that none have aggregated different scenarios where one would want to avoid referring to oneself directly.

• In journalism, it's generally frowned upon to use "I." I've seen many cases of "your correspondent" in most of the articles I read. "Your author" is also possible, though maybe not so much for journalism.
• In most scientific cases, authors sometimes avoid using a reference to themselves entirely by using the passive voice. I found that this is common here .
• In other academic scenarios, many do use "I" but I've seen many research papers which use "we" even when referring to the single author. Mathematic proofs, for example, always say "we know that..." or "we can see from ... that..."

Of course it's always good to do a bit of research on the particular scenario in which you are.

• 3 As commented above, the mathematical "we" means "the author and the reader", so it's certainly appropriate even with only one author. –  Steve Jessop Commented Jul 26, 2014 at 9:39
• I disagree. Both meanings exists. When I write "We studied problem x" in a paper, I mean me and possibly my co-authors, but certainly not the reader. I'm quite sure many other scientists use "we" in this way. –  painfulenglish Commented Jul 28, 2014 at 17:19

I see two main contexts:

The author of the work is also relevant to the subject under discussion. Then the author should use the third person and a name. "Reports must be submitted in triplicate to both Itsme and Steve Jessop". "Mr. Jessop has responsibility for X, whereas Itsme handles Y". It might matter which of us wrote that text, we might have collaborated on it. Someone who cares can check the top of the document, but it's not relevant to the matter at hand, so let's not mess about identifying professional responsibilities relative to authorship of the document.

The author wants to personalize the authorial voice. This generally isn't what you want in formal writing, but might be done from an excess of ego or an excess of honesty that you're writing a personal opinion or experience.

In this case, assuming you want to avoid "I", then you say "the author", "this author", "this reviewer", "this observer", and so on. Identify the role whose point of view you're trying to inject. So for example a journalist who attended a political event might first lay out the facts in the usual way, and then mention "this observer" when giving a more subjective view: "Following the speeches a fistfight occurred, but this observer was unable to determine who started it" makes clear that even to those in the room it was not necessarily obvious what was going on.

Whether you should want to avoid "I" at all is probably outside the scope of the question, but personally I think it depends in large part on whether you think the reader knows or cares who is addressing them. Extreme case, a newspaper report with no by-line shouldn't use "I", because the reader can't know who that is even if they want to. Even with a by-line, a reporter's style avoids it. An opinion piece has a lot more scope to use "I".

• For things like memos which, while written by people, are supposed to speak in the voice of the company those people are representing, it is entirely appropriate for the author to refer to himself by name just as would anyone else. In cases where the author has a personal voice, however, such a thing might prompt readers to wonder whether the author and the person identified were the same person, or whether the text was actually written by the claimed author; such distractions might be avoided if you refer to yourself as "Steve Jessop (yours truly)". –  supercat Commented Jul 27, 2014 at 17:30
• Well, "yours truly" to mean "me" is awful, but that's a matter of taste since it's entirely comprehensible. Anyway in writing it's just an indirect way of saying "the author" or "your correspondent", i.e. it's the person who would sign off a letter "yours truly". –  Steve Jessop Commented Jul 28, 2014 at 10:22

This writer is correct.

For example:

Exercise has many benefits. Proponents of exercise find there is a large variety of exercise options to fit different lifestyles. Barack Obama goes running in the morning. Jane Doe attends a weekly dancing class. I myself do press ups and stomach crunches in between writing stints through out the day.

The writer can remove the first person perspective by replace 'I myself' with 'this writer'.

Exercise has many benefits. Proponents of exercise find there is a large variety of exercise options to fit different lifestyles. Barack Obama goes running in the morning. Jane Doe attends a weekly dancing class.This writer does press ups and stomach crunches in between writing stints through his writing day.

• 1 What evidence do you have to proclaim it as "correct"? –  curiousdannii Commented Jul 27, 2014 at 0:45
• Why not, "Press ups and stomach crunches can be accomplished in between writing stints throughout the day"? Or, "in between performing sedentary tasks..."? –  user26732 Commented Aug 12, 2014 at 19:45

In the natural sciences, the use of the personal pronouns "I" (for one author) and "we" (for two or more authors) is perfectly fine. In fact, you must use these pronouns, if you refer to yourself!

For example the Manual (2009) of the American Psychological Association clearly states (pp. 69-70):

Attribution. Inappropriately or illogically attribution action in an effort to be objective can be misleading. Examples of undesirable attribution include use of the third person, anthropomorphism, and use of the editorial we . Third person. To avoid ambiguity, use a personal pronoun rather than the thrid person when describing steps taken in your experiment. Correct: We reviewed the literature. Incorrect: The authors reviewed the literature. Anthropomorphism. Do not attribute human characteristics to animals or to inanimate sources. Correct: The staff for the community program was persuaded to allow ... Incorrect: The community program was persuaded to allow ... An experiment cannot attempt to demonstrate , control unwanted variables , or interpret findings , nor can tables or figures compare (all of these can, however, show or indicate ). Use a pronoun or an appropriate noun as the subject of these verbs. I or we (meaning the author or authors) can replace the experiment . Editorial we. For clarity, restrict your use of we to refer only to yourself and your coauthors (use I if you are the sole author of the paper). Broader uses of we may leave your readers wondering to whom you are referring; instead substitute an appropriate noun or clarify your usage: Correct: As behaviorists, we tend to dispute ... Incorrect: We tend to dispute ...

The fundamental rule of all APA syle are "precision and clarity" (p. 68):

"Make certain that every word means exactly what you intend it to mean."

See also this post in the APA Style Blog: Use of First Person in APA Style .

If the work has a list of references, then refer one can refer to the reference as if referring to any one else's reference. As an alternative, one can refer to the name of the content of what they want to reference instead of using the attribution of the content's creator (ie, "I").

In legal writing there is an easy answer: you refer to the roles played rather than the individuals who undertook them. So if you are writing a brief and complaining that the judge did something you didn't like, you wouldn't write, "the judge did not let me present evidence" but, "counsel for plaintiff was prevented from presenting evidence." Because in this context personalities do not matter.

While this question is directed towards non-fiction, the winds of what the French call "autofiction" are blowing and I think we will see a greater use of the first person in all types of writing. Even though Rimbaud famously wrote, " Je est un autre." ( I is someone else.)

If the writer is truly an expert, then they refer to themselves so enigmatically that they set the 2000-year-old standard for how to subtly promote oneself:

http://en.wikipedia.org/wiki/Disciple_whom_Jesus_loved

Use "I" all you want. I was taught the same thing in school: "don't use "I" because of whatever". That's total BS.

If you haven't already, read "Journey to the End of the Night " by Celine, one of the best books in French literature. You'll see how you can write a masterpiece not just using "I" everywhere, but also making intentional grammar/syntax errors in every other sentence!

PS: the book is translated from the French at Project Nutenberg, for free...

• 1 Welcome to ELU.SE. I don't believe it's all that convincing to explain something you believe to be the case in English by referring to French literature, I'm afraid. "Don't bother" might be a reasonable answer, but needs some English substantiation. –  Andrew Leach Commented Jul 26, 2014 at 13:23
• 1 The pleasure is all mine. I am afraid that you are wrong though. The fact that the book is French is completely irrelevant for this conversation. It is for the exact same reason the word "I" should be avoided in French as it is in English. Furthermore, I was not referring to "Voyage jusqu'au bout de la nuit", but to its English translation "Journey to the End of the Night". –  user83260 Commented Jul 26, 2014 at 16:29

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Can I use 'we' and 'I' in my essay? Introducing corpus linguistics

This page was published over 7 years ago. Please be aware that due to the passage of time, the information provided on this page may be out of date or otherwise inaccurate, and any views or opinions expressed may no longer be relevant. Some technical elements such as audio-visual and interactive media may no longer work. For more detail, see how we deal with older content .

What is a corpus?

But what exactly is meant by a corpus? A corpus (plural corpora) is basically a collection of texts, selected and organised in a principled way, and stored on a computer so that you can search easily. It could be anything from a few hundred words (e.g. a collection of your Facebook status updates) or several billion words (e.g. corpora compiled from trawling webpages).

You can search corpora that already exist, using a 'concordancer' or other types of software, or you could even build your own corpus if you want to investigate a particular type of text and you can't find an existing corpus.

Googlefight

We're all now used to searching large collections of texts quickly. Every time you use a search engine you're effectively trawling through vast numbers of entries.

So why don't linguists just use Google as a large corpus to find out how language works? Searching the web works as a very rough and ready way of quickly getting a sense of how language items are used.

You might be interested in trying a 'Google fight' to resolve disputes over how frequently two words or phrases are used! Go to www.googlefight.com . Here's what I found when I searched for 'we' and 'I':

So 'I' wins the Googlefight. But what does this actually mean?

If you search the web using Google or another search engine, your search will include all sorts of webpages – and duplicates of webpages. You also don't have any idea about the kinds of text the word appears in or about the other words your search item is used with (the 'co-text').

If we want to know whether 'we' is more common than 'I' in student essays, for example, looking on Google wouldn't be a very good way to go about it. And if we wanted to know if one group of students (for example Engineering students) use 'we' in their academic writing more than another group (such as History students) then an internet search wouldn't be any help at all.

To answer the question in the title to this article, we'd get a more accurate result by searching a collection of student writing such as the British Academic Written English or 'BAWE' corpus (pronounced 'boar' like the animal).

This corpus contains not just essays but also lab reports, case studies, literature reviews, and other types of writing that undergraduate and masters students do at university. Here I've used the free site Sketch Engine Open and I've searched the whole BAWE corpus:

From this screenshot, we can see that BAWE contains 15,718 instances of 'we' (or 1,885 per million words). A similar search for 'I' reveals that there are 13,069 instances in the whole student corpus (or 1,568 per million words).

So in the BAWE corpus, 'we' is more frequent than 'I'; this is the opposite result to Googlefight. Searching a corpus of student writing gives us results from this type of text and not from all texts found on the web.

A concordancer (unlike Googlefight) also shows us the co-text, that is, the words appearing before and after our search term (in this case 'we'). Another piece of software that shows us the co-text to 'I' and 'we' is the 'Wordtree'. Below you can see a search for words occurring after 'we'. You can access the Wordtree online .

So, is 'we' or 'I' more common in essay-writing? The answer overall from our search of the BAWE corpus is that 'we' is more common. But to give a more useful and accurate answer, you might want to also look at particular disciplines such as English Literature or Biological Sciences.

And you might also want to consider whether you're writing an 'essay' or a 'literature review' or a 'lab report'.

But in overall student writing 'we' takes first place!

Follow-on links

Using sketch engine to explore the bawe corpus.

The free version of Sketch Engine gives access to several corpora, including BAWE. From the homepage of Sketch Engine, choose a corpus, then click ‘concordance’ and type a word or phrase in the text box. This will produce a list of concordance lines which can then be sorted. The ‘help’ function gives very clear guidance for more advanced searches.

Reading more about BAWE

You can find out more about the British Academic Written English corpus (BAWE) from the BAWE website .

Corpus linguistics resources

For useful links, look at this site . Click on ‘CBL Links’ for information on corpora, software and courses.

You could also look for free, short courses on Futurelearn, such as The University of Lancaster's Corpus Linguistics

And from The Open University...

• You might like The Open University course Exploring English Grammar
• Try a free sample of English Grammar In Context on OpenLearn
• If you're a bit more advanced, consider the postgraduate course Language, literacy and learning in the contemporary world - there's an OpenLearn course sample on learning a second language

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• Originally published: Monday, 20 January 2014
• Body text - Creative Commons BY-NC-SA 4.0 : The Open University
• Image 'Should this be I or should this be we?' - Emanuele Rosso under CC-BY-NC-ND licence under Creative-Commons license
• Image 'A screengrab comparing the number of returns for I against We on Google' - Copyright: Googlefight
• Image 'Screengrab showing instances of the word 'we' in the British Academic Written English corpus as returned by SketchEngine' - Copyright: Sketchengine
• Image 'A screengrab from Wordtree showing the words which follow we' - Copyright: Wordtree

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Writing A Literary Analysis Essay

• Library Resources
• Books & EBooks
• What is an Literary Analysis?
• Literary Devices & Terms
• Creating a Thesis Statement This link opens in a new window
• Using quotes or evidence in your essay
• APA Format This link opens in a new window
• MLA Format This link opens in a new window
• OER Resources
• Copyright, Plagiarism, and Fair Use

citation generators

Easybib  – Answer questions about your reference source and Easybib shows you how it should look in the bibliography

Ottobib  – Enter the ISBN of any book and Ottobib gives you the bibliographic information you need for your research paper in MLA, APA, and other styles.

Supporting your argument

The key concept of a literary analysis is to  prove your interpretation by finding a pattern of examples in the literature that support your idea.  All arguments introduced in a literary analysis must be supported by evidence. In a literary analysis, evidence is found mainly from the work you are discussing but you can also use information from secondary sources as well.  Conducting research for a literary analysis will be intensive and time-consuming because you will have to go through the text in detail to pull out passages, sentences, paragraphs that highlight your thesis. 

Using quotes and evidence in essays

Use the following rules when inserting quotations or evidence into your essay:

1. Lead into the quote with an introductory phrase. Do not insert floating quotations! This means a quote must be introduced by the writer before inserting into the essay.

Examples of introductory phrases:

• According to the text...
• The author states...
• In paragraph __, it says...
• In the short story...
• According to the passage....

2. Provide context for each quotation. Explain when the quote takes place, who is involved, and information or background to the quote. Then explain why the quote is relevant to your argument or how it proves your claim.

3. All quotations, just like all paraphrases, require a formal citation.  Surround  direct quotes from a literary work with quotation marks and add an in-text citation at the end of the quote. Place citation information in your bibliography at the end of your essay.

Links & Resources

Integrating Quotations

Integrating Quotations | Part 1 (MLA)

Integrating Quotations | Part 2 (MLA)

Integrating Quotations | Part 1 (APA)

Integrating Quotations | Part 2 (APA)

• << Previous: Sources & Research
• Next: APA Format >>
• Last Updated: Jan 24, 2024 1:22 PM
• URL: https://wiregrass.libguides.com/c.php?g=1191536

• Literary Terms
• Definition & Examples
• When & How to Write an Essay

I. What is an Essay?

An essay is a form of writing in paragraph form that uses informal language, although it can be written formally. Essays may be written in first-person point of view (I, ours, mine), but third-person (people, he, she) is preferable in most academic essays. Essays do not require research as most academic reports and papers do; however, they should cite any literary works that are used within the paper.

When thinking of essays, we normally think of the five-paragraph essay: Paragraph 1 is the introduction, paragraphs 2-4 are the body covering three main ideas, and paragraph 5 is the conclusion. Sixth and seventh graders may start out with three paragraph essays in order to learn the concepts. However, essays may be longer than five paragraphs. Essays are easier and quicker to read than books, so are a preferred way to express ideas and concepts when bringing them to public attention.

II. Examples of Essays

Many of our most famous Americans have written essays. Benjamin Franklin, Thomas Paine, and Thomas Jefferson wrote essays about being good citizens and concepts to build the new United States. In the pre-Civil War days of the 1800s, people such as:

• Ralph Waldo Emerson (an author) wrote essays on self-improvement
• Susan B. Anthony wrote on women’s right to vote
• Frederick Douglass wrote on the issue of African Americans’ future in the U.S.

Through each era of American history, well-known figures in areas such as politics, literature, the arts, business, etc., voiced their opinions through short and long essays.

The ultimate persuasive essay that most students learn about and read in social studies is the “Declaration of Independence” by Thomas Jefferson in 1776. Other founding fathers edited and critiqued it, but he drafted the first version. He builds a strong argument by stating his premise (claim) then proceeds to give the evidence in a straightforward manner before coming to his logical conclusion.

III. Types of Essays

A. expository.

Essays written to explore and explain ideas are called expository essays (they expose truths). These will be more formal types of essays usually written in third person, to be more objective. There are many forms, each one having its own organizational pattern.  Cause/Effect essays explain the reason (cause) for something that happens after (effect). Definition essays define an idea or concept. Compare/ Contrast essays will look at two items and show how they are similar (compare) and different (contrast).

b. Persuasive

An argumentative paper presents an idea or concept with the intention of attempting to change a reader’s mind or actions . These may be written in second person, using “you” in order to speak to the reader. This is called a persuasive essay. There will be a premise (claim) followed by evidence to show why you should believe the claim.

c. Narrative

Narrative means story, so narrative essays will illustrate and describe an event of some kind to tell a story. Most times, they will be written in first person. The writer will use descriptive terms, and may have paragraphs that tell a beginning, middle, and end in place of the five paragraphs with introduction, body, and conclusion. However, if there is a lesson to be learned, a five-paragraph may be used to ensure the lesson is shown.

d. Descriptive

The goal of a descriptive essay is to vividly describe an event, item, place, memory, etc. This essay may be written in any point of view, depending on what’s being described. There is a lot of freedom of language in descriptive essays, which can include figurative language, as well.

IV. The Importance of Essays

Essays are an important piece of literature that can be used in a variety of situations. They’re a flexible type of writing, which makes them useful in many settings . History can be traced and understood through essays from theorists, leaders, artists of various arts, and regular citizens of countries throughout the world and time. For students, learning to write essays is also important because as they leave school and enter college and/or the work force, it is vital for them to be able to express themselves well.

V. Examples of Essays in Literature

Sir Francis Bacon was a leading philosopher who influenced the colonies in the 1600s. Many of America’s founding fathers also favored his philosophies toward government. Bacon wrote an essay titled “Of Nobility” in 1601 , in which he defines the concept of nobility in relation to people and government. The following is the introduction of his definition essay. Note the use of “we” for his point of view, which includes his readers while still sounding rather formal.

 “We will speak of nobility, first as a portion of an estate, then as a condition of particular persons. A monarchy, where there is no nobility at all, is ever a pure and absolute tyranny; as that of the Turks. For nobility attempers sovereignty, and draws the eyes of the people, somewhat aside from the line royal. But for democracies, they need it not; and they are commonly more quiet, and less subject to sedition, than where there are stirps of nobles. For men’s eyes are upon the business, and not upon the persons; or if upon the persons, it is for the business’ sake, as fittest, and not for flags and pedigree. We see the Switzers last well, notwithstanding their diversity of religion, and of cantons. For utility is their bond, and not respects. The united provinces of the Low Countries, in their government, excel; for where there is an equality, the consultations are more indifferent, and the payments and tributes, more cheerful. A great and potent nobility, addeth majesty to a monarch, but diminisheth power; and putteth life and spirit into the people, but presseth their fortune. It is well, when nobles are not too great for sovereignty nor for justice; and yet maintained in that height, as the insolency of inferiors may be broken upon them, before it come on too fast upon the majesty of kings. A numerous nobility causeth poverty, and inconvenience in a state; for it is a surcharge of expense; and besides, it being of necessity, that many of the nobility fall, in time, to be weak in fortune, it maketh a kind of disproportion, between honor and means.”

A popular modern day essayist is Barbara Kingsolver. Her book, “Small Wonders,” is full of essays describing her thoughts and experiences both at home and around the world. Her intention with her essays is to make her readers think about various social issues, mainly concerning the environment and how people treat each other. The link below is to an essay in which a child in an Iranian village she visited had disappeared. The boy was found three days later in a bear’s cave, alive and well, protected by a mother bear. She uses a narrative essay to tell her story.

VI. Examples of Essays in Pop Culture

Many rap songs are basically mini essays, expressing outrage and sorrow over social issues today, just as the 1960s had a lot of anti-war and peace songs that told stories and described social problems of that time. Any good song writer will pay attention to current events and express ideas in a creative way.

A well-known essay written in 1997 by Mary Schmich, a columnist with the Chicago Tribune, was made into a popular video on MTV by Baz Luhrmann. Schmich’s thesis is to wear sunscreen, but she adds strong advice with supporting details throughout the body of her essay, reverting to her thesis in the conclusion.

VII. Related Terms

Research paper.

Research papers follow the same basic format of an essay. They have an introductory paragraph, the body, and a conclusion. However, research papers have strict guidelines regarding a title page, header, sub-headers within the paper, citations throughout and in a bibliography page, the size and type of font, and margins. The purpose of a research paper is to explore an area by looking at previous research. Some research papers may include additional studies by the author, which would then be compared to previous research. The point of view is an objective third-person. No opinion is allowed. Any claims must be backed up with research.

VIII. Conclusion

Students dread hearing that they are going to write an essay, but essays are one of the easiest and most relaxed types of writing they will learn. Mastering the essay will make research papers much easier, since they have the same basic structure. Many historical events can be better understood through essays written by people involved in those times. The continuation of essays in today’s times will allow future historians to understand how our new world of technology and information impacted us.

List of Terms

• Alliteration
• Amplification
• Anachronism
• Anthropomorphism
• Antonomasia
• APA Citation
• Aposiopesis
• Autobiography
• Bildungsroman
• Characterization
• Circumlocution
• Cliffhanger
• Comic Relief
• Connotation
• Deus ex machina
• Deuteragonist
• Doppelganger
• Double Entendre
• Dramatic irony
• Equivocation
• Extended Metaphor
• Figures of Speech
• Flash-forward
• Foreshadowing
• Intertextuality
• Juxtaposition
• Literary Device
• Malapropism
• Onomatopoeia
• Parallelism
• Pathetic Fallacy
• Personification
• Point of View
• Polysyndeton
• Protagonist
• Red Herring
• Rhetorical Device
• Rhetorical Question
• Science Fiction
• Self-Fulfilling Prophecy
• Synesthesia
• Turning Point
• Understatement
• Urban Legend
• Verisimilitude
• Essay Guide
• Cite This Website

Literary Analysis Essay

Literary Analysis Essay Writing

Last updated on: May 21, 2023

Literary Analysis Essay - Ultimate Guide By Professionals

By: Cordon J.

Reviewed By: Rylee W.

Published on: Dec 3, 2019

A literary analysis essay specifically examines and evaluates a piece of literature or a literary work. It also understands and explains the links between the small parts to their whole information.

It is important for students to understand the meaning and the true essence of literature to write a literary essay.

One of the most difficult assignments for students is writing a literary analysis essay. It can be hard to come up with an original idea or find enough material to write about. You might think you need years of experience in order to create a good paper, but that's not true.

This blog post will show you how easy it can be when you follow the steps given here.Writing such an essay involves the breakdown of a book into small parts and understanding each part separately. It seems easy, right?

Trust us, it is not as hard as good book reports but it may also not be extremely easy. You will have to take into account different approaches and explain them in relation with the chosen literary work.

It is a common high school and college assignment and you can learn everything in this blog.

Continue reading for some useful tips with an example to write a literary analysis essay that will be on point. You can also explore our detailed article on writing an analytical essay .

On this Page

What is a Literary Analysis Essay?

A literary analysis essay is an important kind of essay that focuses on the detailed analysis of the work of literature.

The purpose of a literary analysis essay is to explain why the author has used a specific theme for his work. Or examine the characters, themes, literary devices , figurative language, and settings in the story.

This type of essay encourages students to think about how the book or the short story has been written. And why the author has created this work.

The method used in the literary analysis essay differs from other types of essays. It primarily focuses on the type of work and literature that is being analyzed.

Mostly, you will be going to break down the work into various parts. In order to develop a better understanding of the idea being discussed, each part will be discussed separately.

The essay should explain the choices of the author and point of view along with your answers and personal analysis.

How To Write A Literary Analysis Essay

So how to start a literary analysis essay? The answer to this question is quite simple.

The following sections are required to write an effective literary analysis essay. By following the guidelines given in the following sections, you will be able to craft a winning literary analysis essay.

Introduction

The aim of the introduction is to establish a context for readers. You have to give a brief on the background of the selected topic.

It should contain the name of the author of the literary work along with its title. The introduction should be effective enough to grab the reader’s attention.

In the body section, you have to retell the story that the writer has narrated. It is a good idea to create a summary as it is one of the important tips of literary analysis.

Other than that, you are required to develop ideas and disclose the observed information related to the issue. The ideal length of the body section is around 1000 words.

To write the body section, your observation should be based on evidence and your own style of writing.

It would be great if the body of your essay is divided into three paragraphs. Make a strong argument with facts related to the thesis statement in all of the paragraphs in the body section.

Start writing each paragraph with a topic sentence and use transition words when moving to the next paragraph.

Summarize the important points of your literary analysis essay in this section. It is important to compose a short and strong conclusion to help you make a final impression of your essay.

Pay attention that this section does not contain any new information. It should provide a sense of completion by restating the main idea with a short description of your arguments. End the conclusion with your supporting details.

You have to explain why the book is important. Also, elaborate on the means that the authors used to convey her/his opinion regarding the issue.

For further understanding, here is a downloadable literary analysis essay outline. This outline will help you structure and format your essay properly and earn an A easily.

DOWNLOADABLE LITERARY ANALYSIS ESSAY OUTLINE (PDF)

Types of Literary Analysis Essay

• Close reading - This method involves attentive reading and detailed analysis. No need for a lot of knowledge and inspiration to write an essay that shows your creative skills.
• Theoretical - In this type, you will rely on theories related to the selected topic.
• Historical - This type of essay concerns the discipline of history. Sometimes historical analysis is required to explain events in detail.
• Applied - This type involves analysis of a specific issue from a practical perspective.
• Comparative - This type of writing is based on when two or more alternatives are compared

Examples of Literary Analysis Essay

Examples are great to understand any concept, especially if it is related to writing. Below are some great literary analysis essay examples that showcase how this type of essay is written.

A ROSE FOR EMILY LITERARY ANALYSIS ESSAY

TO KILL A MOCKINGBIRD LITERARY ANALYSIS ESSAY

THE GREAT GATSBY LITERARY ANALYSIS ESSAY

THE YELLOW WALLPAPER LITERARY ANALYSIS ESSAY

If you do not have experience in writing essays, this will be a very chaotic process for you. In that case, it is very important for you to conduct good research on the topic before writing.

There are two important points that you should keep in mind when writing a literary analysis essay.

First, remember that it is very important to select a topic in which you are interested. Choose something that really inspires you. This will help you to catch the attention of a reader.

The selected topic should reflect the main idea of writing. In addition to that, it should also express your point of view as well.

Another important thing is to draft a good outline for your literary analysis essay. It will help you to define a central point and division of this into parts for further discussion.

Literary Analysis Essay Topics

Literary analysis essays are mostly based on artistic works like books, movies, paintings, and other forms of art. However, generally, students choose novels and books to write their literary essays.

Some cool, fresh, and good topics and ideas are listed below:

• Role of the Three Witches in flaming Macbeth’s ambition.
• Analyze the themes of the Play Antigone,
• Discuss Ajax as a tragic hero.
• The Judgement of Paris: Analyze the Reasons and their Consequences.
• Oedipus Rex: A Doomed Son or a Conqueror?
• Describe the Oedipus complex and Electra complex in relation to their respective myths.
• Betrayal is a common theme of Shakespearean tragedies. Discuss
• Identify and analyze the traits of history in T.S Eliot’s ‘Gerontion’.
• Analyze the theme of identity crisis in The Great Gatsby.
• Analyze the writing style of Emily Dickinson.

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Frequently Asked Questions

What should a literary analysis essay include.

A good literary analysis essay must include a proper and in-depth explanation of your ideas. They must be backed with examples and evidence from the text. Textual evidence includes summaries, paraphrased text, original work details, and direct quotes.

What are the 4 components of literary analysis?

Here are the 4 essential parts of a literary analysis essay;

No literary work is explained properly without discussing and explaining these 4 things.

How do you start a literary analysis essay?

Start your literary analysis essay with the name of the work and the title. Hook your readers by introducing the main ideas that you will discuss in your essay and engage them from the start.

How do you do a literary analysis?

In a literary analysis essay, you study the text closely, understand and interpret its meanings. And try to find out the reasons behind why the author has used certain symbols, themes, and objects in the work.

Why is literary analysis important?

It encourages the students to think beyond their existing knowledge, experiences, and belief and build empathy. This helps in improving the writing skills also.

What is the fundamental characteristic of a literary analysis essay?

Interpretation is the fundamental and important feature of a literary analysis essay. The essay is based on how well the writer explains and interprets the work.

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Cordon. is a published author and writing specialist. He has worked in the publishing industry for many years, providing writing services and digital content. His own writing career began with a focus on literature and linguistics, which he continues to pursue. Cordon is an engaging and professional individual, always looking to help others achieve their goals.

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Literary Analysis Essay

Literary Analysis Essay - Step by Step Guide

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Published on: Aug 16, 2020

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Literature is an art that can inspire, challenge, and transform us. But how do we analyze literature in a way that truly captures its essence? 

That's where a literary analysis essay comes in. 

Writing a literary analysis essay allows you to delve into the themes, characters, and symbols of a literary work. It's a chance to engage with literature on a deeper level and to discover new insights. 

In this comprehensive guide, we will take you through the process of writing a literary analysis essay, step by step. Plus, you’ll get to read some great examples to help you out!

So let’s dive in!

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What is a Literary Analysis Essay?

Literary analysis is a process of examining a literary work in detail to uncover its meaning and significance. 

It involves breaking down the various elements of a work, such as plot, character, setting, and theme. And then analyzing how they work together to create a specific effect on the reader.

In other words, literary analysis is an exercise in interpretation. The reader of a work asks questions about what the author means to say, how they are saying it, and why. 

A literary analysis essay is an essay where you explore such questions in depth and offer your own insights.

What is the Purpose of a Literary Analysis Essay?

In general, the purpose of a literary analysis essay is as follows: 

• To gain a greater understanding and appreciation of the work.
• To be able to think critically and analytically about a text. 

Content of a Literary Analysis 

A literary analysis essay delves deep into the various aspects of a literary work to examine its meaning, symbolism, themes, and more. Here are the key elements to include in your literary analysis essay:

Plot Analysis 

Plot refers to the sequence of events that make up the storyline of a literary work. It encompasses the main events, conflicts, and resolutions that drive the narrative forward. 

Elements of Plot Analysis 

The elements of a plot typically include:

• Exposition: The introduction of the story that establishes the setting, characters, and initial circumstances.
• Rising action: A set of events or actions that sets the main conflict into motion, often occurring early in the story.
• Conflict: The series of events that build tension and develop the conflict, leading to the story's climax.
• Climax: The turning point of the story, where the conflict reaches its peak and the outcome hangs in the balance.
• Falling Action: The events that occur after the climax, leading towards the resolution of the conflict.
• Resolution: The point in the story where the conflict is resolved, providing closure to the narrative.

Character Analysis 

Character analysis involves studying the role, development, and motivations of the characters in a literary work. It explores how characters contribute to the overall narrative and themes of the story.

Elements of Character Analysis 

• Identification of major and minor characters.
• Examination of their traits, behaviors, and relationships.
• Analysis of character development and changes throughout the story.
• Evaluation of the character's role in advancing the plot or conveying themes.

Symbolism and Imagery Analysis 

Symbolism and imagery analysis focuses on the use of symbols, objects, or images in a work. It analyzes and explores the use of literary devices to convey deeper meanings and evoke emotions. 

Elements of Symbolism and Imagery Analysis 

• Identification of key symbols or recurring motifs.
• Interpretation of their symbolic significance.
• Analysis of how imagery is used to create vivid mental pictures and enhance the reader's understanding and emotional experience.

Theme Analysis 

Analyzing the theme involves exploring the central ideas or messages conveyed in a literary work. It examines the underlying concepts, or messages that the author wants to convey through the story.

Elements of Theme Analysis 

• Identification of the main themes or central ideas explored in the text.
• Analysis of how the themes are developed and reinforced throughout the story.
• Exploration of the author's perspective and the intended message behind the themes.

Setting Analysis 

The Setting of a story includes the time, place, and social context in which the story takes place. Analyzing the setting involves how the setting influences the characters, plot, and overall atmosphere of the work.

Elements of Setting Analysis 

• Description and analysis of the physical, cultural, and historical aspects of the setting.
• Examination of how the setting contributes to the mood, atmosphere, and themes of the work.
• Evaluation of how the setting shapes the characters' actions and motivations.

Structure and Style Analysis 

Structure and style analysis involves studying the organization, narrative techniques, and literary devices employed by the author. It explores how the structure and style contribute to the overall impact and effectiveness of the work.

Elements of Structure and Style Analysis 

• Analysis of the narrative structure, such as the use of flashbacks, nonlinear timelines, or multiple perspectives.
• Examination of the author's writing style, including the use of language, tone, and figurative language.
• Evaluation of literary devices, such as foreshadowing, irony, or allusion, and their impact on the reader's interpretation.

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How to Write a Literary Analysis Essay?  

Writing a great literary analysis piece requires you to follow certain steps. Here's what you need to do to write a literary essay:

Preparing for Your Essay 

The pre-writing process for writing a literary analysis essay includes the following:

• Choosing a literary work to analyze
• Reading and analyzing the work
• Taking notes and organizing your thoughts
• Creating an outline for your essay

Choosing a Work to Analyze 

As a student, you would most probably be assigned a literary piece to analyze. It could be a short story, a novel, or a poem.  However, sometimes you get to choose it yourself.

In such a case, you should choose a work that you find interesting and engaging. This will make it easier to stay motivated as you analyze the work and write your essay.

Moreover, you should choose a work that has some depth and complexity. This will give you plenty of material to analyze and discuss in your essay. Finally, make sure that your choice fits within the scope of the assignment and meets the expectations of your instructor.

Reading and Analyzing 

Once you've chosen a literary work, it's time to read the work with careful attention. There are several key elements to consider when reading and analyzing a literary work:

• Plot - The sequence of events that make up the story. Analyzing the plot involves examining the structure of the story, including its exposition, rising action, climax, falling action, and resolution.
• Characters - The people or entities that populate the story. Analyzing characters involves examining their motivations, personalities, relationships, and development over the course of the story.

Want to learn more about character analysis? Head to our blog about how to conduct character analysis and learn easy steps with examples.

• Setting - The time, place, and environment in which the story takes place. Analyzing the setting involves examining how the atmosphere contributes to the story's overall meaning.
• Theme - The underlying message or meaning of the story. Analyzing themes involves examining the work's central ideas and how they are expressed through the various elements of the story.

Moreover, it's important to consider the following questions while analyzing:

• What is the central theme or main point the author is trying to make?
• What literary devices and techniques has the author used?
• Why did the author choose to write this particular work?
• What themes and ideas are present in the work?

These questions will help you dive deeper into the work you are writing about.

Take Notes and Gather Material 

As you read and analyze the literary work, it's important to take notes so you don't forget important details and ideas. This also helps you identify patterns and connections between different elements of the piece.

One effective way to take notes is to list important elements of the work, such as characters, setting, and theme. You can also use sticky notes, highlighters, or annotations to mark important passages and write down your ideas.

Writing Your Literary Analysis Essay 

Once you have read a piece of literature and taken notes, you have all the material you need to write an essay. Follow the simple steps below to write an effective literary analysis essay.

Create an Outline for Your Essay 

Firstly, creating an outline is necessary. This will help you to organize your thoughts and ideas and ensure that your essay flows logically and coherently.

This is what your literary essay outline would look like: 

Writing the Introduction 

Writing your essay introduction involves the three following parts:

• Begin the introductory paragraph with an engaging hook statement that captures the readers' attention. An effective hook statement can take many different forms, such as a provocative quote, an intriguing question, or a surprising fact. 

Make sure that your hook statement is relevant to the literary work you are writing about. Here are a few examples of effective hooks:

• Afterward, present the necessary background information and context about the literary work. For instance, 
• Talk about the author of the work or when and where it was written. 
• Give an overview of the work or why it is significant. 
• Provide readers with sufficient context so they can know what the work is generally about.
• Finally, end the introduction with a clear thesis statement . Your thesis statement should be a concise statement that clearly states the argument you will be making in your essay. It should be specific and debatable, and it should provide a roadmap for the rest of your essay.

For example, a thesis statement for an essay on "Hamlet" might be: 

Watch this video to learn more about writing an introduction for a literary analysis essay:

Writing the Body 

Here are the steps to follow when writing a body paragraph for a literary analysis essay:

• Start with a topic sentence: 

The topic sentence should introduce the main point or argument you will be making in the paragraph. It should be clear and concise and should indicate what the paragraph is about.

• Provide evidence: 

After you have introduced your main point, provide evidence from the text to support your analysis. This could include quotes, paraphrases, or summaries of the text.

• Explain and discuss the evidence:

Explain how the evidence supports your main point or argument or how it connects back to your thesis statement.

• Conclude the paragraph: 

End the paragraph by relating your main point to the thesis and discussing its significance. You should also use transitions to connect the paragraph to your next point or argument.

Writing the Conclusion 

The conclusion of a literary analysis essay provides closure to your analysis and reinforces your thesis statement. Here's what a conclusion includes:

• Restate your thesis statement: 

Start by restating your thesis statement in a slightly different way than in your introduction. This will remind the reader of the argument you made and the evidence you provided to support it.

• Summarize your main points: 

Briefly summarize the main points you made in your essay's body paragraphs. This will help tie everything together and provide closure to your analysis.

• Personal reflections:

The conclusion is the best place to provide some personal reflections on the literary piece. You can also explain connections between your analysis and the larger context. This could include connections to other literary works, your personal life, historical events, or contemporary issues.

• End with a strong statement: 

End your conclusion with a strong statement that leaves a lasting impression on the reader. This could be a thought-provoking question, a call to action, or a final insight into the significance of your analysis.

Finalizing your Essay

You've completed the first draft of your literary analysis essay. Congratulations!

However, it's not over just yet. You need some time to polish and improve the essay before it can be submitted. Here's what you need to do:

Proofread and Revise your Essay 

After completing your draft, you should proofread your essay. You should look out for the following aspects:

• Check for clarity: 

Make sure that your ideas are expressed clearly and logically. You should also take a look at your structure and organization. Rearrange your arguments if necessary to make them clearer.

• Check for grammar and spelling errors: 

Use spelling and grammar check tools online to identify and correct any basic errors in your essay. 

• Verify factual information:

You must have included information about the work or from within the work in your essay. Recheck and verify that it is correct and verifiable. 

• Check your formatting: 

Make sure that your essay is properly formatted according to the guidelines provided by your instructor. This includes requirements for font size, margins, spacing, and citation style.

Helpful Tips for Revising a Literary Essay 

Here are some tips below that can help you proofread and revise your essay better:

• Read your essay out loud:

Reading your essay out loud makes it easier to identify awkward phrasing, repetitive language, and other issues.

• Take a break: 

It can be helpful to step away from your essay for a little while before starting the editing process. This can help you approach your essay with fresh eyes and a clearer perspective.

• Be concise:

Remove any unnecessary words or phrases that do not add to your argument. This can help to make your essay more focused and effective.

• Let someone else proofread and get feedback: 

You could ask a friend or a teacher to read your essay and provide feedback. This way, you can get some valuable insights on what you could include or catch mistakes that you might have missed.

Literary Analysis Essay Examples 

Reading a few good examples helps to understand literary analysis essays better. So check out these examples below and read them to see what a well-written essay looks like. 

How to Write a Literary Analysis Essay

Literary Analysis Essay Example

Sample Literary Analysis Essay

Lord of the Rings Literary Analysis

The Great Gatsby Literary Analysis

Literary Analysis Example for 8th Grade

Literary Analysis Essay Topics 

Need a topic for your literary analysis essay? You can pick any aspect of any work of literature you like. Here are some example topics that will help you get inspired:

• The use of symbolism in "The Great Gatsby" by F. Scott Fitzgerald.
• The theme of isolation in "The Catcher in the Rye" by J.D. Salinger.
• The portrayal of social class in "Pride and Prejudice" by Jane Austen.
• The use of magical realism in "One Hundred Years of Solitude" by Gabriel Garcia Marquez.
• The role of women in "The Handmaid's Tale" by Margaret Atwood.
• The use of foreshadowing in "Lord of the Flies" by William Golding.
• The portrayal of race and identity in "Invisible Man" by Ralph Ellison.
• The use of imagery in "The Road" by Cormac McCarthy.
• The theme of forgiveness in "The Kite Runner" by Khaled Hosseini.
• The use of allegory in "Animal Farm" by George Orwell.

To conclude,

Writing a literary analysis essay can be a rewarding experience for any student or writer, But it's not easy. However, by following the steps you learned in this guide, you can successfully produce a well-written literary analysis essay. 

Also, you have got some examples of essays to read and topic ideas to get creative inspiration. With these resources, you have all you need to craft an engaging piece. So don't hesitate to start writing your essay and come back to this blog whenever you need.

The deadline is approaching, but you don't have time to write your essay? No worries! Our analytical essay writing service is here to help you out!

At CollegeEssay.org, we have a team of professional and experienced literature writers who can help you craft a compelling literary essay. Our affordable and reliable essay writing website focuses on providing high-quality essays and deliver them timely.

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Frequently Asked Questions

What are the 4 components of literary analysis.

The four main components of literary analysis are: 

• Conflict 
• Characters 
• Setting 

What is the fundamental characteristic of a literary analysis essay?

Interpretive is the fundamental characteristic of a literary analysis essay. 

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Are the words "I, we, us, his, her, he, she" all prohibited in thesis writing? [duplicate]

I am writing my masters thesis. My instructor told me not to use "I, we, us, his, her, he, she" in the thesis anywhere. Are all these words prohibited in thesis writing?

I am writing my thesis in cloud security (computer science), specifically homomorphic encryption in the cloud.

• writing-style

• 6 Related questions: academia.stackexchange.com/questions/11659/… and english.stackexchange.com/questions/48/… –  badroit Commented Jun 25, 2016 at 21:43
• 2 It is indeed a common view in academic writing. There is a significant minority opposed to it. I personally prefer to write in whatever way happens to be the easiest to understand. –  Superbest Commented Jun 25, 2016 at 22:04
• 2 @Superbest In certain fields, presumably. Try writing philosophy without using any personal pronouns! –  cfr Commented Jun 26, 2016 at 0:44
• 1 Has your instructor seriously told you to avoid not only first-person pronouns (‘I/me’, ‘we/us’), but also third-person pronouns (‘he/him’, ‘she/her’, etc.)? That is absolutely insane, ludicrous, bonkers, ridiculous, and utterly useless advice. It is completely impossible to write any kind of even reasonably grammatical, readable, or normal English without using third-person pronouns. Such a requirement (if that is indeed what your advisor requires) ought to be enough to file a complaint against the advisor, or at least to consider switching advisors if possible/feasible. –  Janus Bahs Jacquet Commented Jun 26, 2016 at 12:56
• 1 You don't need standard guidelines for every field. Just look at the papers in your field. Indeed, how are you going to write a thesis without looking at papers? –  David Richerby Commented Jun 26, 2016 at 13:18

4 Answers 4

These words are not necessarily prohibited, but there is an old norm in academic writing to avoid personal pronouns (the pronouns you listed). The reasoning behind the norm is that it makes for more objective writing, but it can also lead to the use of quite awkward passive voice phrasing. Because avoiding these pronouns does not necessarily make writing better , there is a counter-trend today which emphasizes writing clearly, even if that means you occasionally use "I" or "we".

Your supervisor will ultimately be one of the people evaluating your thesis, so it is important to take their preferences into account, but if you feel that writing without pronouns leads to too many awkward phrasings or otherwise makes your writing less clear, then I think it is worth pointing that out to your professor.

Note that this also tends to vary by discipline. In some fields, for example, the use of "we" to refer to the author (and collaborators or the readers) is entirely normal. In other fields, though, I have heard that it sounds pretentious. Try asking your colleagues and other mentors what they think the norms are in your field as well.

• 18 "In some fields, for example, the use of we' ... is entirely normal." Indeed. It's ubiquitous in theoretical computer science and pure mathematics, to the extent that not using it would look like bizarre circumlocution. To paraphrase somebody who may have been Churchill, the passive voice is the sort of bloody nonsense up with which ... er, I can't even work out how to write that sentence in the passive voice. –  David Richerby Commented Jun 25, 2016 at 20:45
• 4 In Literature, too, one had better be able to refer to characters with "he", "she", "his" and "hers"... ;-P –  Dronz Commented Jun 25, 2016 at 20:58
• 6 @DavidRicherby: Presumably "nonsense up with which should not be put". (Cf. the standard "nonsense that should not be put up with".) –  ruakh Commented Jun 25, 2016 at 21:01
• 2 @ruakh Something like that, yeah. I kept trying to insert a "that" that wasn't ever going to work. –  David Richerby Commented Jun 26, 2016 at 1:35
• 3 @DavidRicherby I am the sort of person up with this sort of nonsense will not be put by. –  Janus Bahs Jacquet Commented Jun 26, 2016 at 12:50

This is highly field dependent. Actually, in certain social fields such as women/gender studies, African American studies, ethnography, etc. it is required to use "I", to disclose any biases. "I am a 30 year old white male" etc.

I know advisers that would outright reject a thesis that doesn't explicitly use "I" in this manner (or at least something like "the author is ___").

The particulars vary incredibly by field and by journal. It's a fairly old practice to try and use passive form instead of active form, which appears to be what your instructor is suggesting. There is no "list" so much as the idea is to talk from the standpoint of what was being done (The experiment was conducted vs. I conducted the experiment). It has been suggested that the former passive form is harder to understand and the latter active form is preferred for clarity, but many academics (typically older professors, set in their ways) like the "traditional" passive style.

• 3 In my opinion, there is no reason to avoid those words in your field. However, as @dmh said, you should do what your instructor asks even if it doesn't make sense. Later, when you get to journal submission, the journal authorship guidelines will help you improve clarity and may encourage active voice. –  Mekki MacAulay Commented Jun 25, 2016 at 18:36
• 3 In mathematics publications 'we' is used all the time. I recently read a new paper with 5 uses in the abstract, and 78 uses overall. –  Forever Mozart Commented Jun 25, 2016 at 19:56
• 1 @vivek I suggest you look at some journal publications in your area. If they often use "we", there's no reason you shouldn't. I'd suggest that you discuss it with your professor, though -- don't just hand him your finished thesis with a note saying, "The passive voice was used throughout." –  David Richerby Commented Jun 25, 2016 at 20:46
• 1 I read research paper fully homomorphic encryption over integers with shorter public keys in which author use ' we' often. –  user3464093 Commented Jun 26, 2016 at 8:56
• 1 This 'passive form' business derives ultimately from Strunk & White. Unfortunately it isn't what they actually said . –  user207421 Commented Jun 27, 2016 at 1:53

There are two potential problems in using we .

• It can be ambiguous.
• It can place undue emphasis on the researcher.

A sensible rule for we in science is that you can use it if and only if you mean " we, the author and the reader ".

So you can't say " we did experiment X " in chemistry but you can say " we differentiate this function to obtain fact A " in a mathematical proof. The latter use does not suffer from the ambiguity and egotism of the first.

From the same rule it follows that you can never use I . Unless you really have to . This would be very rare in computer science.

Some people have lists banning the use of words like we . These people should be ignored unless they are your professor.

Not the answer you're looking for? Browse other questions tagged thesis masters writing-style .

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Literary Terms

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Included below is a list of literary terms that can help you interpret, critique, and respond to a variety of different written works. This list is by no means comprehensive, but instead offers a primer to the language frequently used by scholars and students researching literary works. This list and the terms included in it can help you begin to identify central concerns or elements in a work that might help facilitate your interpretation, argumentation, and analysis. We encourage you to read this list alongside the other guides to literary interpretation included on the OWL Website. Please use the links on the left-hand side of this page to access other helpful resources.

• Characterization : The ways individual characters are represented by the narrator or author of a text. This includes descriptions of the characters’ physical appearances, personalities, actions, interactions, and dialogue.
• Dialogue : Spoken exchanges between characters in a dramatic or literary work, usually between two or more speakers.
• Genre : A kind of literature. For instance, comedy, mystery, tragedy, satire, elegy, romance, and epic are all genres. Texts frequently draw elements from multiple genres to create dynamic narratives. Alastair Fowler uses the following elements to define genres: organizational features (chapters, acts, scenes, stanzas); length; mood (the Gothic novel tends to be moody and dark); style (a text can be high, low, or in-between depending on its audience); the reader’s role (readers of a mystery are expected to interpret evidence); and the author’s reason for writing (an epithalamion is a poem composed for marriage) (Mickics 132-3).
• Imagery : A term used to describe an author’s use of vivid descriptions “that evoke sense-impressions by literal or figurative reference to perceptible or ‘concrete’ objects, scenes, actions, or states” (Baldick 121). Imagery can refer to the literal landscape or characters described in a narrative or the theoretical concepts an author employs.
• Plot : The sequence of events that occur through a work to produce a coherent narrative or story.
• Point of View: The perspective (visual, interpretive, bias, etc.) a text takes when presenting its plot and narrative. For instance, an author might write a narrative from a specific character’s point of view, which means that that character is our narrative and readers experience events through his or her eyes.
• Style : Comprising an author’s diction, syntax, tone, characters, and other narrative techniques, “style” is used to describe the way an author uses language to convey his or her ideas and purpose in writing. An author’s style can also be associated to the genre or mode of writing the author adopts, such as in the case of a satire or elegy with would adopt a satirical or elegiac style of writing.
• Symbol(ism): An object or element incorporated into a narrative to represent another concept or concern. Broadly, representing one thing with another. Symbols typically recur throughout a narrative and offer critical, though often overlooked, information about events, characters, and the author’s primary concerns in telling the story.
• Theme : According to Baldick, a theme may be defined as “a salient abstract idea that emerges from a literary work’s treatment of its subject-matter; or a topic recurring in a number or literary works” (Baldick 258). Themes in literature tend to differ depending on author, time period, genre, style, purpose, etc.
• Tone : A way of communicating information (in writing, images, or sound) that conveys an attitude. Authors convey tone through a combination of word-choice, imagery, perspective, style, and subject matter. By adopting a specific tone, authors can help readers accurately interpret meaning in a text.
• First person : A story told from the perspective of one or several characters, each of whom typically uses the word “I.” This means that readers “see” or experience events in the story through the narrator’s eyes.
• Second person : A narrative perspective that typically addresses that audience using “you.” This mode can help authors address readers and invest them in the story.
• Third person : Describes a narrative told from the perspective of an outside figure who does not participate directly in the events of a story. This mode uses “he,” “she,” and “it” to describe events and characters.

Types of Prose Texts

• Bildungsroman : This is typically a type of novel that depicts an individual’s coming-of-age through self-discovery and personal knowledge. Such stories often explore the protagonists’ psychological and moral development. Examples include Dickens’ Great Expectations and Joyce’s A Portrait of the Artist as a Young Man .
• Epistolary : A novel composed primarily of letters sent and received by its principal characters. This type of novel was particularly popular during the eighteenth century.
• Essay : According to Baldick, “a short written composition in prose that discusses a subject or proposes an argument without claiming to be a complete or thorough exposition” (Baldick 87). A notable example of the essay form is Jonathan Swift’s “A Modest Proposal,” which uses satire to discuss eighteenth-century economic and social concerns in Ireland.
• Novella : An intermediate-length (between a novel and a short story) fictional narrative.

Terms for Interpreting Authorial Voice

• Apology : Often at the beginning or conclusion of a text, the term “apology” refers to an instance in which the author or narrator justifies his or her goals in producing the text.
• Irony : Typically refers to saying one thing and meaning the opposite, often to shock audiences and emphasize the importance of the truth.
• Satire : A style of writing that mocks, ridicules, or pokes fun at a person, belief, or group of people in order to challenge them. Often, texts employing satire use sarcasm, irony, or exaggeration to assert their perspective.
• Stream of consciousness : A mode of writing in which the author traces his or her thoughts verbatim into the text. Typically, this style offers a representation of the author’s exact thoughts throughout the writing process and can be used to convey a variety of different emotions or as a form of pre-writing.

Terms for Interpreting Characters

• Antagonist : A character in a text who the protagonist opposes. The antagonist is often (though not always) the villain of a story.
• Anti-hero : A protagonist of a story who embodies none of the qualities typically assigned to traditional heroes and heroines. Not to be confused with the antagonist of a story, the anti-hero is a protagonist whose failings are typically used to humanize him or her and convey a message about the reality of human existence.
• Archetype : “a resonant figure of mythic importance, whether a personality, place, or situation, found in diverse cultures and different historical periods” (Mickics 24). Archetypes differ from allegories because they tend to reference broader or commonplace (often termed “stock”) character types, plot points, and literary conventions. Paying attention to archetypes can help readers identify what an author may posit as “universal truths” about life, society, human interaction, etc. based on what other authors or participants in a culture may have said about them.
• Epithet : According to Taafe, “An adjective, noun, or phase expressing some characteristic quality of a thing or person or a descriptive name applied to a person, as Richard the Lion-Hearted” (Taafe 58). An epithet usually indicates some notable quality about the individual with whom it addresses, but it can also be used ironically to emphasize qualities that individual might actually lack.
• Personification : The artistic representation of a concept, quality, or idea in the form of a person. Personification can also refer to “a person who is considered a representative type of a particular quality or concept” (Taafe 120). Many classical deities are good examples of personifications. For instance, the Greek god Ares is a personification of war.
• Protagonist : The primary character in a text, often positioned as “good” or the character with whom readers are expected to identify. Protagonists usually oppose an antagonist.

Terms for Interpreting Word Choice, Dialogue, and Speech

• Alliteration : According to Baldick, “The repetition of the same sounds—usually initial consonants of words or of stressed syllabus—in any sequence of neighboring words” (Baldick 6). Alliteration is typically used to convey a specific tone or message.
• Apostrophe : This figure of speech refers to an address to “a dead or absent person, or an abstraction or inanimate object” and is “usually employed for emotional emphasis, can become ridiculous [or humorous] when misapplied” (Baldick 17).
• Diction : Word choice, or the specific language an author, narrator, or speaker uses to describe events and interact with other characters.

Terms for Interpreting Plot

• Climax : The height of conflict and intrigue in a narrative. This is when events in the narrative and characters’ destinies are most unclear; the climax often appears as a decision the protagonist must make or a challenge he or she must overcome in order for the narrative to obtain resolution.
• Denouement : The “falling action” of a narrative, when the climax and central conflicts are resolved and a resolution is found. In a play, this is typically the last act and in a novel it might include the final chapters.
• Deus Ex Machina : According to Taafe, “Literally, in Latin, the ‘god from the machine’; a deity in Greek and Roman drama who was brought in by stage machinery to intervene in the action; hence, any character, event, or device suddenly introduced to resolve the conflict” (43).
• Exposition : Usually located at the beginning of a text, this is a detailed discussion introducing characters, setting, background information, etc. readers might need to know in order to understand the text that follows. This section is particularly rich for analysis because it contains a lot of important information in a relatively small space.
• Frame Narrative : a story that an author encloses around the central narrative in order to provide background information and context. This is typically referred to as a “story within a story” or a “tale within a tale.” Frame stories are usually located in a distinct place and time from the narratives they surround. Examples of stories with frame narratives include Canterbury Tales, Frankenstein , and Wuthering Heights .
• In media res : Beginning in “the middle of things,” or when an author begins a text in the midst of action. This often functions as a way to both incorporate the reader directly into the narrative and secure his or her interest in the narrative that follows.

Terms for Interpreting Layers of Meaning

• Allegory : A literary mode that attempts to convert abstract concepts, values, beliefs, or historical events into characters or other tangible elements in a narrative. Examples include, Gulliver’s Travels, The Faerie Queene, Pilgrim’s Progress, and Paradise Lost .
• Allusion : When a text references, incorporates, or responds to an earlier piece (including literature, art, music, film, event, etc). T.S. Eliot’s The Waste Land (1922) offers an extensive example of allusion in literature. According to Baldick, “The technique of allusion is an economical means of calling upon the history or the literary tradition that author and reader are assumed to share” (7).
• Hyperbole : exaggerated language, description, or speech that is not meant to be taken literally, but is used for emphasis. For instance, “I’ve been waiting here for ages” or “This bag weighs a ton.”
• Metaphor : a figure of speech that refers to one thing by another in order to identify similarities between the two (and therefore define each in relation to one another).
• Note that metonymy differs subtly from synecdoche, which substitutes a part of something for the whole. For example, the phrase "all hands on deck" can substitute for the more awkward "all people on deck."
• Parody : a narrative work or writing style that mocks or mimics another genre or work. Typically, parodies exaggerate and emphasize elements from the original work in order to ridicule, comment on, or criticize their message.
• Simile : a figure of speech that compares two people, objects, elements, or concepts using “like” or “as.”

Works Cited

For more information or to read about other literary terms, please see the following texts:

Baldick, Chris. Oxford Dictionary of Literary Terms . Oxford University Press, 2001.

Mikics, David. A New Handbook of Literary Terms . Yale University Press, 2007.

Taafe, James G. A Student’s Guide to Literary Term s. The World Publishing Company, 1967.

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• The four main types of essay | Quick guide with examples

The Four Main Types of Essay | Quick Guide with Examples

Published on September 4, 2020 by Jack Caulfield . Revised on July 23, 2023.

An essay is a focused piece of writing designed to inform or persuade. There are many different types of essay, but they are often defined in four categories: argumentative, expository, narrative, and descriptive essays.

Argumentative and expository essays are focused on conveying information and making clear points, while narrative and descriptive essays are about exercising creativity and writing in an interesting way. At university level, argumentative essays are the most common type. 

In high school and college, you will also often have to write textual analysis essays, which test your skills in close reading and interpretation.

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Table of contents

Argumentative essays, expository essays, narrative essays, descriptive essays, textual analysis essays, other interesting articles, frequently asked questions about types of essays.

An argumentative essay presents an extended, evidence-based argument. It requires a strong thesis statement —a clearly defined stance on your topic. Your aim is to convince the reader of your thesis using evidence (such as quotations ) and analysis.

Argumentative essays test your ability to research and present your own position on a topic. This is the most common type of essay at college level—most papers you write will involve some kind of argumentation.

The essay is divided into an introduction, body, and conclusion:

• The introduction provides your topic and thesis statement
• The body presents your evidence and arguments
• The conclusion summarizes your argument and emphasizes its importance

The example below is a paragraph from the body of an argumentative essay about the effects of the internet on education. Mouse over it to learn more.

A common frustration for teachers is students’ use of Wikipedia as a source in their writing. Its prevalence among students is not exaggerated; a survey found that the vast majority of the students surveyed used Wikipedia (Head & Eisenberg, 2010). An article in The Guardian stresses a common objection to its use: “a reliance on Wikipedia can discourage students from engaging with genuine academic writing” (Coomer, 2013). Teachers are clearly not mistaken in viewing Wikipedia usage as ubiquitous among their students; but the claim that it discourages engagement with academic sources requires further investigation. This point is treated as self-evident by many teachers, but Wikipedia itself explicitly encourages students to look into other sources. Its articles often provide references to academic publications and include warning notes where citations are missing; the site’s own guidelines for research make clear that it should be used as a starting point, emphasizing that users should always “read the references and check whether they really do support what the article says” (“Wikipedia:Researching with Wikipedia,” 2020). Indeed, for many students, Wikipedia is their first encounter with the concepts of citation and referencing. The use of Wikipedia therefore has a positive side that merits deeper consideration than it often receives.

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An expository essay provides a clear, focused explanation of a topic. It doesn’t require an original argument, just a balanced and well-organized view of the topic.

Expository essays test your familiarity with a topic and your ability to organize and convey information. They are commonly assigned at high school or in exam questions at college level.

The introduction of an expository essay states your topic and provides some general background, the body presents the details, and the conclusion summarizes the information presented.

A typical body paragraph from an expository essay about the invention of the printing press is shown below. Mouse over it to learn more.

The invention of the printing press in 1440 changed this situation dramatically. Johannes Gutenberg, who had worked as a goldsmith, used his knowledge of metals in the design of the press. He made his type from an alloy of lead, tin, and antimony, whose durability allowed for the reliable production of high-quality books. This new technology allowed texts to be reproduced and disseminated on a much larger scale than was previously possible. The Gutenberg Bible appeared in the 1450s, and a large number of printing presses sprang up across the continent in the following decades. Gutenberg’s invention rapidly transformed cultural production in Europe; among other things, it would lead to the Protestant Reformation.

A narrative essay is one that tells a story. This is usually a story about a personal experience you had, but it may also be an imaginative exploration of something you have not experienced.

Narrative essays test your ability to build up a narrative in an engaging, well-structured way. They are much more personal and creative than other kinds of academic writing . Writing a personal statement for an application requires the same skills as a narrative essay.

A narrative essay isn’t strictly divided into introduction, body, and conclusion, but it should still begin by setting up the narrative and finish by expressing the point of the story—what you learned from your experience, or why it made an impression on you.

Mouse over the example below, a short narrative essay responding to the prompt “Write about an experience where you learned something about yourself,” to explore its structure.

Since elementary school, I have always favored subjects like science and math over the humanities. My instinct was always to think of these subjects as more solid and serious than classes like English. If there was no right answer, I thought, why bother? But recently I had an experience that taught me my academic interests are more flexible than I had thought: I took my first philosophy class.

Before I entered the classroom, I was skeptical. I waited outside with the other students and wondered what exactly philosophy would involve—I really had no idea. I imagined something pretty abstract: long, stilted conversations pondering the meaning of life. But what I got was something quite different.

A young man in jeans, Mr. Jones—“but you can call me Rob”—was far from the white-haired, buttoned-up old man I had half-expected. And rather than pulling us into pedantic arguments about obscure philosophical points, Rob engaged us on our level. To talk free will, we looked at our own choices. To talk ethics, we looked at dilemmas we had faced ourselves. By the end of class, I’d discovered that questions with no right answer can turn out to be the most interesting ones.

The experience has taught me to look at things a little more “philosophically”—and not just because it was a philosophy class! I learned that if I let go of my preconceptions, I can actually get a lot out of subjects I was previously dismissive of. The class taught me—in more ways than one—to look at things with an open mind.

A descriptive essay provides a detailed sensory description of something. Like narrative essays, they allow you to be more creative than most academic writing, but they are more tightly focused than narrative essays. You might describe a specific place or object, rather than telling a whole story.

Descriptive essays test your ability to use language creatively, making striking word choices to convey a memorable picture of what you’re describing.

A descriptive essay can be quite loosely structured, though it should usually begin by introducing the object of your description and end by drawing an overall picture of it. The important thing is to use careful word choices and figurative language to create an original description of your object.

Mouse over the example below, a response to the prompt “Describe a place you love to spend time in,” to learn more about descriptive essays.

On Sunday afternoons I like to spend my time in the garden behind my house. The garden is narrow but long, a corridor of green extending from the back of the house, and I sit on a lawn chair at the far end to read and relax. I am in my small peaceful paradise: the shade of the tree, the feel of the grass on my feet, the gentle activity of the fish in the pond beside me.

My cat crosses the garden nimbly and leaps onto the fence to survey it from above. From his perch he can watch over his little kingdom and keep an eye on the neighbours. He does this until the barking of next door’s dog scares him from his post and he bolts for the cat flap to govern from the safety of the kitchen.

With that, I am left alone with the fish, whose whole world is the pond by my feet. The fish explore the pond every day as if for the first time, prodding and inspecting every stone. I sometimes feel the same about sitting here in the garden; I know the place better than anyone, but whenever I return I still feel compelled to pay attention to all its details and novelties—a new bird perched in the tree, the growth of the grass, and the movement of the insects it shelters…

Sitting out in the garden, I feel serene. I feel at home. And yet I always feel there is more to discover. The bounds of my garden may be small, but there is a whole world contained within it, and it is one I will never get tired of inhabiting.

Though every essay type tests your writing skills, some essays also test your ability to read carefully and critically. In a textual analysis essay, you don’t just present information on a topic, but closely analyze a text to explain how it achieves certain effects.

Rhetorical analysis

A rhetorical analysis looks at a persuasive text (e.g. a speech, an essay, a political cartoon) in terms of the rhetorical devices it uses, and evaluates their effectiveness.

The goal is not to state whether you agree with the author’s argument but to look at how they have constructed it.

The introduction of a rhetorical analysis presents the text, some background information, and your thesis statement; the body comprises the analysis itself; and the conclusion wraps up your analysis of the text, emphasizing its relevance to broader concerns.

The example below is from a rhetorical analysis of Martin Luther King Jr.’s “I Have a Dream” speech . Mouse over it to learn more.

King’s speech is infused with prophetic language throughout. Even before the famous “dream” part of the speech, King’s language consistently strikes a prophetic tone. He refers to the Lincoln Memorial as a “hallowed spot” and speaks of rising “from the dark and desolate valley of segregation” to “make justice a reality for all of God’s children.” The assumption of this prophetic voice constitutes the text’s strongest ethical appeal; after linking himself with political figures like Lincoln and the Founding Fathers, King’s ethos adopts a distinctly religious tone, recalling Biblical prophets and preachers of change from across history. This adds significant force to his words; standing before an audience of hundreds of thousands, he states not just what the future should be, but what it will be: “The whirlwinds of revolt will continue to shake the foundations of our nation until the bright day of justice emerges.” This warning is almost apocalyptic in tone, though it concludes with the positive image of the “bright day of justice.” The power of King’s rhetoric thus stems not only from the pathos of his vision of a brighter future, but from the ethos of the prophetic voice he adopts in expressing this vision.

Literary analysis

A literary analysis essay presents a close reading of a work of literature—e.g. a poem or novel—to explore the choices made by the author and how they help to convey the text’s theme. It is not simply a book report or a review, but an in-depth interpretation of the text.

Literary analysis looks at things like setting, characters, themes, and figurative language. The goal is to closely analyze what the author conveys and how.

The introduction of a literary analysis essay presents the text and background, and provides your thesis statement; the body consists of close readings of the text with quotations and analysis in support of your argument; and the conclusion emphasizes what your approach tells us about the text.

Mouse over the example below, the introduction to a literary analysis essay on Frankenstein , to learn more.

Mary Shelley’s Frankenstein is often read as a crude cautionary tale about the dangers of scientific advancement unrestrained by ethical considerations. In this reading, protagonist Victor Frankenstein is a stable representation of the callous ambition of modern science throughout the novel. This essay, however, argues that far from providing a stable image of the character, Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as. This essay begins by exploring the positive portrayal of Frankenstein in the first volume, then moves on to the creature’s perception of him, and finally discusses the third volume’s narrative shift toward viewing Frankenstein as the creature views him.

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

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At high school and in composition classes at university, you’ll often be told to write a specific type of essay , but you might also just be given prompts.

Look for keywords in these prompts that suggest a certain approach: The word “explain” suggests you should write an expository essay , while the word “describe” implies a descriptive essay . An argumentative essay might be prompted with the word “assess” or “argue.”

The vast majority of essays written at university are some sort of argumentative essay . Almost all academic writing involves building up an argument, though other types of essay might be assigned in composition classes.

Essays can present arguments about all kinds of different topics. For example:

• In a literary analysis essay, you might make an argument for a specific interpretation of a text
• In a history essay, you might present an argument for the importance of a particular event
• In a politics essay, you might argue for the validity of a certain political theory

An argumentative essay tends to be a longer essay involving independent research, and aims to make an original argument about a topic. Its thesis statement makes a contentious claim that must be supported in an objective, evidence-based way.

An expository essay also aims to be objective, but it doesn’t have to make an original argument. Rather, it aims to explain something (e.g., a process or idea) in a clear, concise way. Expository essays are often shorter assignments and rely less on research.

The key difference is that a narrative essay is designed to tell a complete story, while a descriptive essay is meant to convey an intense description of a particular place, object, or concept.

Narrative and descriptive essays both allow you to write more personally and creatively than other kinds of essays , and similar writing skills can apply to both.

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