Critical analysis examples of theories
The following sentences are examples of the phrases used to explain strengths and weaknesses.
Smith’s (2005) theory appears up to date, practical and applicable across many divergent settings.
Brown’s (2010) theory, although parsimonious and logical, lacks a sufficient body of evidence to support its propositions and predictions
Little scientific evidence has been presented to support the premises of this theory.
One of the limitations with this theory is that it does not explain why…
A significant strength of this model is that it takes into account …
The propositions of this model appear unambiguous and logical.
A key problem with this framework is the conceptual inconsistency between ….
The table below summarizes the criteria for judging the strengths and weaknesses of a concept:
Evaluating Concepts
Key variables or constructs identified | key variables or constructs omitted or missed |
Clear, well-defined, specific, precise | ambiguous, vague, ill-defined, overly general, imprecise, not sufficiently distinctive overinclusive, too broad, or narrowly defined |
Meaningful, useful | conceptually flawed |
Logical | contradictory |
Relevant | questionable relevance |
Up-to-date | out of date |
Critical analysis examples of concepts
Many researchers have used the concept of control in different ways.
There is little consensus about what constitutes automaticity.
Putting forth a very general definition of motivation means that it is possible that any behaviour could be included.
The concept of global education lacks clarity, is imprecisely defined and is overly complex.
Some have questioned the usefulness of resilience as a concept because it has been used so often and in so many contexts.
Research suggests that the concept of preoperative fasting is an outdated clinical approach.
The table below summarizes the criteria for judging the strengths and weaknesses of an argument, viewpoint or idea:
Evaluating Arguments, Views or Ideas
Reasons and evidence provided support the argument | the reasons or evidence do not support the argument - overgeneralization |
Substantiated (supported) by factual evidence | insufficient substantiation (support) |
Evidence is relevant and believable | Based on peripheral or irrelevant evidence |
Unbiased: sufficient or important evidence or ideas included and considered. | biased: overlooks, omits, disregards, or is selective with important or relevant evidence or ideas. |
Evidence from reputable or authoritative sources | evidence relies on non reputable or unrecognized sources |
Balanced: considers opposing views | unbalanced: does not consider opposing views |
Clear, not confused, unambiguous | confused, ambiguous |
Logical, consistent | the reasons do not follow logically from and support the arguments; arguments or ideas are inconsistent |
Convincing | unconvincing |
Critical analysis examples of arguments, viewpoints or ideas
The validity of this argument is questionable as there is insufficient evidence to support it.
Many writers have challenged Jones’ claim on the grounds that …….
This argument fails to draw on the evidence of others in the field.
This explanation is incomplete because it does not explain why…
The key problem with this explanation is that ……
The existing accounts fail to resolve the contradiction between …
However, there is an inconsistency with this argument. The inconsistency lies in…
Although this argument has been proposed by some, it lacks justification.
However, the body of evidence showing that… contradicts this argument.
The table below provides the criteria for judging the strengths and weaknesses of methodology.
An evaluation of a methodology usually involves a critical analysis of its main sections:
design; sampling (participants); measurement tools and materials; procedure
Evaluating a Methodology
Research design tests the hypotheses or research questions | research design is inappropriate for the hypotheses or research questions |
Valid and reliable method | dubious, questionable validity |
The method addresses potential sources of bias or measurement error. confounding variables were identified | insufficiently rigorous measurement error produces questionable or unreliable confounding variables not identified or addressed |
The method (sample, measurement tools, procedure) allows results to be generalized or transferred. Sampling was representative to enable generalization | generalizability of the results is limited due to an unrepresentative sample: small sample size or limited sample range |
Sampling of cohort was representative to enable generalization sampling of phenomena under investigation sufficiently wide and representative sampling response rate was sufficiently high | limited generalizability of results due to unrepresentative sample: small sample size or limited sample range of cohort or phenomena under investigation sampling response rate was too low |
Measurement tool(s) / instrument(s), appropriate, reliable and valid measurements were accurate | inappropriate measurement tools; incomplete or ambiguous scale items inaccurate measurement reliability statistics from previous research for measurement tool not reported measurement instrument items are ambiguous, unclear, contradictory |
Procedure reliable and valid | Measurement error from administration of the measurement tool(s) |
Method was clearly explained and sufficiently detailed to allow replication | Explanation of the methodology (or parts of it, for example the Procedure) is unclear, confused, imprecise, ambiguous, inconsistent or contradictory |
Critical analysis examples of a methodology
The unrepresentativeness of the sample makes these results misleading.
The presence of unmeasured variables in this study limits the interpretation of the results.
Other, unmeasured confounding variables may be influencing this association.
The interpretation of the data requires caution because the effect of confounding variables was not taken into account.
The insufficient control of several response biases in this study means the results are likely to be unreliable.
Although this correlational study shows association between the variables, it does not establish a causal relationship.
Taken together, the methodological shortcomings of this study suggest the need for serious caution in the meaningful interpretation of the study’s results.
The table below provides the criteria for judging the strengths and weaknesses of research results and conclusions:
Evaluating the Results and Conclusions
Chose and used appropriate statistics | inappropriate choice or use of statistics |
Results interpreted correctly or accurately | incorrect interpretation of results the results have been over-interpreted For example: correlation measures have been incorrectly interpreted to suggest causation rather than association |
All results were explained, including inconsistent or misleading results | inconsistent or misleading results not explained |
Alternative explanations for results were considered | unbalanced explanations: alternative explanations for results not explored |
Significance of all results were considered | incomplete consideration of results |
Results considered according to consistency with other research or viewpoints Results are conclusive because they have been replicated by other studies | consistency of results with other research not considered results are suggestive rather than conclusive because they have not been replicated by other studies |
Results add significantly to existing understanding or knowledge | results do not significantly add to existing understanding knowledge |
Limitations of the research design or method are acknowledged | limitations of the research design or method not considered |
Results were clearly explained, sufficiently detailed, consistent | results were unclear, insufficiently detailed, inconsistent, confusing, ambiguous, contradictory |
Conclusions were consistent with and supported by the results | conclusions were not consistent with or not supported by the results |
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What does it mean to critically evaluate something or to provide a critical review? We won’t lie – these terms are complicated. But the following paragraph, and the rest of this blog post below, may help your understanding:
Typically, the word “critical” has a negative connotation. Think of words like “critique” and “criticise” and you see why. However, with essay writing, being asked to write “critically” does not necessarily mean you need to be negative. Instead, you are voicing your opinion in a logical and coherent way that is based upon evidence and evaluation.
When faced with the task to “critically evaluate” or to provide a “critical review”, it is important to remember that there is going to be some element of description. But you need to be able to build on that description to further justify your point. Let’s go through some examples.
Descriptive writing really focuses on answering the four ‘w’ questions – what, where, who, when. In descriptive writing you are going to need to focus on the following:
Who | What | Where | When |
---|---|---|---|
Who is the author? | What is this about? | Where does this take place? | When does this occur? |
Who is affected? | What is the context? | ||
Who is involved? | What is the main point? |
As you can see from the table above, all of the ‘w’ questions are really important and are essential components to writing a good essay . The purpose of these components is to let the reader get the essential information they need to understand the main idea. Yet if you stop here, you only end up with a descriptive essay, which does not meet the requirements of criticality that are requested by the professor or TA.
Critical writing gives you the opportunity to go beyond the descriptive, so when you critically evaluate or critically review something, you are moving toward analysis and evaluation. This type of critical writing asks you to assess the how, why, what if, so what and what next questions. As you will begin to notice, these questions require much more explanation that the ‘w’ questions (each of which you could likely answer in 10 words or less). Let’s look at some of these questions below:
How | Why | What if | So what | What next |
---|---|---|---|---|
How does this occur? | Why did this occur? | What if we are wrong? | What does this mean? | Is it transferable? |
How does it work? | Why was that done? | What if there was a problem? | Why is this significant? | What can we learn from it? |
How do the parts fit into the whole? | Why this argument / solution? | What if a certain factors were changed/ altered/ removed? | Is this convincing? Why? Why not? | What needs doing now? |
Anyone who has done a lot of writing or who has seen many students’ writing will tell you that there are plenty of ways to write an essay . Yet while there are many strategies, when writing in English, there are certain expectations that the reader has when working through a paragraph or larger piece of writing. Therefore, in order to satisfy the reader that you have successfully completed a critical review or evaluation, you need to make sure that the reader gets what they are expecting.
The first step is to carefully read the article/piece of work that you are going to be critically assessing. Often, students feel like, just because something has been published in an academic journal, that it is an excellent piece of writing that cannot be questioned. But this isn’t necessarily true. The author of that article made certain decisions during the research and writing processes. It is your job to evaluate and analyse what they have done and whether the author has presented any evidence that you can draw conclusions from or make links between areas of knowledge.
In an academic journal article, there are often two places where you will be able to find the easiest opportunities to critically evaluate the work: the methodology and the discussion. In the methodology, the author has made certain decisions about how they are going to answer the research question presented. They have usually (in empirical research) identified a sample, context, and certain instruments (e.g. questionnaire, interviews, observations, etc.). Perhaps one of the easiest ways you can critically evaluate this information is to determine whether or not the sample size is big enough or whether the context applies globally or only to the region where the research took place. For example, a sample of 250 undergraduate students might seem like a lot, but if they are all from a remote area of Pakistan, their situation may not be applicable to undergraduate students who are studying in the UK. Highlighting this issue is one of the more basic forms of criticality because you are applying your own judgements to a situation.
Another area where you might be able to critically evaluate a paper is in the discussion section. It’s in this section where the author expresses their point of view and how their findings relate to other aspects of research. In some articles, you might find that the author has made claims . So if we consider the same group of 250 undergraduate students in Pakistan, the author might find that of the 250 students 225 felt that learning English was important for job security in the future. Therefore, the author might claim that students should learn English if they want to secure a good job in the future. With this argument you could evaluate whether this statement is actually true. We already know that 250 is not representative globally, but we can also assume that students in a remote area of Pakistan may not have access to the same opportunities as students in Beijing. These students may come to a different conclusion about English (potentially).
The point of a critical evaluation is to demonstrate that you can think beyond what you are being told. By taking steps to question what is being written and presented to you, you may be better able to write a critical review and to reflect on how and why the author took the position they did. No research study is perfect and it is your job to determine what could have been modified or changed to fit a different situation.
Focus on directive essay words: “summarise”, focus on directive essay words: “elaborate”.
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What is in this guide, definitions, putting it together, tips and examples of critques.
This guide is meant to help you understand the basics of writing a critical analysis. A critical analysis is an argument about a particular piece of media. There are typically two parts: (1) identify and explain the argument the author is making, and (2), provide your own argument about that argument. Your instructor may have very specific requirements on how you are to write your critical analysis, so make sure you read your assignment carefully.
A deep approach to your understanding of a piece of media by relating new knowledge to what you already know.
“If we are uncritical we shall always find what we want: we shall look for, and find confirmations” Karl Popper, cited in: Critical Thinking (Tom Chatfield)
Critical writing needs critical thinking. While most of this guide focuses on critical writing, it is first important to consider what we mean by criticality at university. This is because critical writing is primarily a process of evidencing and articulating your critical thinking. As such, it is really important to get the 'thinking bit' of your studies right! If you are able to demonstrate criticality in your thinking, it will make critical writing easier.
Williams’ (2009:viii) introduces criticality at university as:
“being thoughtful, asking questions, not taking things you read (or hear) at face value. It means finding information and understanding different approaches and using them in your writing.
Critical thinking requires you to carefully evaluate not just sources of information, but also the ideas within them and the arguments they develop. This is an essential part of being a student at university. You cannot simply believe everything you read or are told. For some people, this can feel uncomfortable as this requires you to critique published authors and notable academics. While this may feel inappropriate, it is one of the foundations of academic debate. Indeed, for any given topic or issue, there are many equally valid academic positions. To be effective in your critical thinking, you need to use both scepticism and objectivity :
Scepticism requires you to bring doubt and a questioning attitude to your academic work. In essence, you must ensure you do not automatically accept everything you hear, read or see as true (Chatfield, 2018). This requires you to question everything you hear, read or see . This is the first step towards developing a critical approach.
Objectivity requires you to approach your work with a more neutral perspective . While it is not possible to take yourself out of your work, when you are engaging in critical thinking you need to acknowledge anything that influences your perspective. This is very important as without this level of self-awareness you can focus more on your opinion than developing a reasoned argument.
Remember, you CAN criticise the experts - the University of Sussex make this point well here: Critical Thinking: Criticising the experts .
This page has so far demonstrated the importance of asking questions in all of your academic work and learning. Questions are the root of criticality. Questions engage you in active thought, requiring you to process what you are hearing, reading, seeing or experiencing against what you already know. All questions, however, are not as equally probing. Questions like 'what', 'when' and 'who' tend to be more descriptive in contrast to questions like 'how' or 'so what' which are much more critical .
When engaging in critical thinking, you need to use a range of questions to fully consider the topic or issue you are trying to understand. Descriptive questions are great for developing your initial understanding, but you also need to consider more analytical and evaluatory questions to fully engage in critical thinking . The diagram below introduces some of the core critical questions:
Based on: University of Plymouth
Most of your critical thinking should be directed towards your reading of the literature. This is because the literature forms the basis of all academic writing, serving as the evidence for whatever point(s) you are trying to make. Our Reading at University SkillsGuide contains some useful sections which apply criticality to determining source reliability and identifying an argument. Direct links to these can be found below:
Glossary of Grammatical and Rhetorical Terms
In composition , critical analysis is a careful examination and evaluation of a text , image, or other work or performance.
Performing a critical analysis does not necessarily involve finding fault with a work. On the contrary, a thoughtful critical analysis may help us understand the interaction of the particular elements that contribute to a work's power and effectiveness. For this reason, critical analysis is a central component of academic training; the skill of critical analysis is most often thought of in the context of analyzing a work of art or literature, but the same techniques are useful to build an understanding of texts and resources in any discipline.
In this context, the word "critical" carries a different connotation than in vernacular, everyday speech. "Critical" here does not simply mean pointing out a work's flaws or arguing why it is objectionable by some standard. Instead, it points towards a close reading of that work to gather meaning, as well as to evaluate its merits. The evaluation is not the sole point of critical analysis, which is where it differs from the colloquial meaning of "criticize."
"[I]n response to the challenge that a lack of time precludes good, critical analysis , we say that good, critical analysis saves time. How? By helping you be more efficient in terms of the information you gather. Starting from the premise that no practitioner can claim to collect all the available information, there must always be a degree of selection that takes place. By thinking analytically from the outset, you will be in a better position to 'know' which information to collect, which information is likely to be more or less significant and to be clearer about what questions you are seeking to answer." (David Wilkins and Godfred Boahen, Critical Analysis Skills For Social Workers . McGraw-Hill, 2013)
"Being critical in academic enquiry means: - adopting an attitude of skepticism or reasoned doubt towards your own and others' knowledge in the field of enquiry . . . - habitually questioning the quality of your own and others' specific claims to knowledge about the field and the means by which these claims were generated; - scrutinizing claims to see how far they are convincing . . .; - respecting others as people at all times. Challenging others' work is acceptable, but challenging their worth as people is not; - being open-minded , willing to be convinced if scrutiny removes your doubts, or to remain unconvinced if it does not; - being constructive by putting your attitude of skepticism and your open-mindedness to work in attempting to achieve a worthwhile goal." (Mike Wallace and Louise Poulson, "Becoming a Critical Consumer of the Literature." Learning to Read Critically in Teaching and Learning , ed. by Louise Poulson and Mike Wallace. SAGE, 2004)
"[I]n my first-year composition class, I teach a four-week advertisement analysis project as a way to not only heighten students' awareness of the advertisements they encounter and create on a daily basis but also to encourage students to actively engage in a discussion about critical analysis by examining rhetorical appeals in persuasive contexts. In other words, I ask students to pay closer attention to a part of the pop culture in which they live. " . . . Taken as a whole, my ad analysis project calls for several writing opportunities in which students write essays , responses, reflections, and peer assessments . In the four weeks, we spend a great deal of time discussing the images and texts that make up advertisements, and through writing about them, students are able to heighten their awareness of the cultural 'norms' and stereotypes which are represented and reproduced in this type of communication ." (Allison Smith, Trixie Smith, and Rebecca Bobbitt, Teaching in the Pop Culture Zone: Using Popular Culture in the Composition Classroom . Wadsworth Cengage, 2009)
"When dealing with a game's significance, one could analyze the themes of the game be they social, cultural, or even political messages. Most current reviews seem to focus on a game's success: why it is successful, how successful it will be, etc. Although this is an important aspect of what defines the game, it is not critical analysis . Furthermore, the reviewer should dedicate some to time to speaking about what the game has to contribute to its genre (Is it doing something new? Does it present the player with unusual choices? Can it set a new standard for what games of this type should include?)." (Mark Mullen, "On Second Thought . . ." Rhetoric/Composition/Play Through Video Games: Reshaping Theory and Practice , ed. by Richard Colby, Matthew S.S. Johnson, and Rebekah Shultz Colby. Palgrave Macmillan, 2013)
"The current critical turn in rhetoric and composition studies underscores the role of the visual, especially the image artifact, in agency. For instance, in Just Advocacy? a collection of essays focusing on the representation of women and children in international advocacy efforts, coeditors Wendy S. Hesford and Wendy Kozol open their introduction with a critical analysis of a documentary based on a picture: the photograph of an unknown Afghan girl taken by Steve McCurry and gracing the cover of National Geographic in 1985. Through an examination of the ideology of the photo's appeal as well as the 'politics of pity' circulating through the documentary, Hesford and Kozol emphasize the power of individual images to shape perceptions, beliefs, actions, and agency." (Kristie S. Fleckenstein, Vision, Rhetoric, and Social Action in the Composition Classroom . Southern Illinois University Press, 2010)
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Published on 26 March 2020 by Jack Caulfield . Revised on 5 May 2022.
A dissertation is a large research project undertaken at the end of a degree. It involves in-depth consideration of a problem or question chosen by the student. It is usually the largest (and final) piece of written work produced during a degree.
The length and structure of a dissertation vary widely depending on the level and field of study. However, there are some key questions that can help you understand the requirements and get started on your dissertation project.
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When and why do you have to write a dissertation, who will supervise your dissertation, what type of research will you do, how should your dissertation be structured, what formatting and referencing rules do you have to follow, frequently asked questions about dissertations.
A dissertation, sometimes called a thesis, comes at the end of an undergraduate or postgraduate degree. It is a larger project than the other essays you’ve written, requiring a higher word count and a greater depth of research.
You’ll generally work on your dissertation during the final year of your degree, over a longer period than you would take for a standard essay . For example, the dissertation might be your main focus for the last six months of your degree.
The dissertation is a test of your capacity for independent research. You are given a lot of autonomy in writing your dissertation: you come up with your own ideas, conduct your own research, and write and structure the text by yourself.
This means that it is an important preparation for your future, whether you continue in academia or not: it teaches you to manage your own time, generate original ideas, and work independently.
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During the planning and writing of your dissertation, you’ll work with a supervisor from your department. The supervisor’s job is to give you feedback and advice throughout the process.
The dissertation supervisor is often assigned by the department, but you might be allowed to indicate preferences or approach potential supervisors. If so, try to pick someone who is familiar with your chosen topic, whom you get along with on a personal level, and whose feedback you’ve found useful in the past.
Your supervisor is there to guide you through the dissertation project, but you’re still working independently. They can give feedback on your ideas, but not come up with ideas for you.
You may need to take the initiative to request an initial meeting with your supervisor. Then you can plan out your future meetings and set reasonable deadlines for things like completion of data collection, a structure outline, a first chapter, a first draft, and so on.
Make sure to prepare in advance for your meetings. Formulate your ideas as fully as you can, and determine where exactly you’re having difficulties so you can ask your supervisor for specific advice.
Your approach to your dissertation will vary depending on your field of study. The first thing to consider is whether you will do empirical research , which involves collecting original data, or non-empirical research , which involves analysing sources.
An empirical dissertation focuses on collecting and analysing original data. You’ll usually write this type of dissertation if you are studying a subject in the sciences or social sciences.
There are many different empirical research methods you can use to answer these questions – for example, experiments , observations, surveys , and interviews.
When doing empirical research, you need to consider things like the variables you will investigate, the reliability and validity of your measurements, and your sampling method . The aim is to produce robust, reproducible scientific knowledge.
A non-empirical dissertation works with existing research or other texts, presenting original analysis, critique and argumentation, but no original data. This approach is typical of arts and humanities subjects.
The first steps in this type of dissertation are to decide on your topic and begin collecting your primary and secondary sources .
Primary sources are the direct objects of your research. They give you first-hand evidence about your subject. Examples of primary sources include novels, artworks and historical documents.
Secondary sources provide information that informs your analysis. They describe, interpret, or evaluate information from primary sources. For example, you might consider previous analyses of the novel or author you are working on, or theoretical texts that you plan to apply to your primary sources.
Dissertations are divided into chapters and sections. Empirical dissertations usually follow a standard structure, while non-empirical dissertations are more flexible.
Empirical dissertations generally include these chapters:
Sometimes the order or naming of chapters might be slightly different, but all of the above information must be included in order to produce thorough, valid scientific research.
If your dissertation doesn’t involve data collection, your structure is more flexible. You can think of it like an extended essay – the text should be logically organised in a way that serves your argument:
The chapters of the main body can be organised around different themes, time periods, or texts. Below you can see some example structures for dissertations in different subjects.
This example, on the topic of the British press’s coverage of the French Revolution, shows how you might structure each chapter around a specific theme.
This example, on the topic of Plato’s and More’s influences on utopian socialist thought, shows a different approach to dividing the chapters by theme.
This example, a master’s dissertation on the topic of how writers respond to persecution, shows how you can also use section headings within each chapter. Each of the three chapters deals with a specific text, while the sections are organised thematically.
Like other academic texts, it’s important that your dissertation follows the formatting guidelines set out by your university. You can lose marks unnecessarily over mistakes, so it’s worth taking the time to get all these elements right.
Formatting guidelines concern things like:
If you’re unsure about the formatting requirements, check with your supervisor or department. You can lose marks unnecessarily over mistakes, so it’s worth taking the time to get all these elements right.
Referencing means properly listing the sources you cite and refer to in your dissertation, so that the reader can find them. This avoids plagiarism by acknowledging where you’ve used the work of others.
Keep track of everything you read as you prepare your dissertation. The key information to note down for a reference is:
Different referencing styles each have their own specific rules for how to reference. The most commonly used styles in UK universities are listed below.
& | An author–date citation in brackets in the text… | …corresponding to an entry in the alphabetised reference list at the end. |
---|---|---|
A superscript or bracketed reference number in the text… | …corresponding to an entry in the numbered reference list at the end. | |
A footnote in the text that gives full source information… | …and an alphabetised bibliography at the end listing all sources. |
You can use the free APA Reference Generator to automatically create and store your references.
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The words ‘ dissertation ’ and ‘thesis’ both refer to a large written research project undertaken to complete a degree, but they are used differently depending on the country:
The main difference is in terms of scale – a dissertation is usually much longer than the other essays you complete during your degree.
Another key difference is that you are given much more independence when working on a dissertation. You choose your own dissertation topic , and you have to conduct the research and write the dissertation yourself (with some assistance from your supervisor).
Dissertation word counts vary widely across different fields, institutions, and levels of education:
However, none of these are strict guidelines – your word count may be lower or higher than the numbers stated here. Always check the guidelines provided by your university to determine how long your own dissertation should be.
At the bachelor’s and master’s levels, the dissertation is usually the main focus of your final year. You might work on it (alongside other classes) for the entirety of the final year, or for the last six months. This includes formulating an idea, doing the research, and writing up.
A PhD thesis takes a longer time, as the thesis is the main focus of the degree. A PhD thesis might be being formulated and worked on for the whole four years of the degree program. The writing process alone can take around 18 months.
If you want to cite this source, you can copy and paste the citation or click the ‘Cite this Scribbr article’ button to automatically add the citation to our free Reference Generator.
Caulfield, J. (2022, May 05). What Is a Dissertation? | 5 Essential Questions to Get Started. Scribbr. Retrieved 3 September 2024, from https://www.scribbr.co.uk/thesis-dissertation/what-is-a-dissertation/
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There are some obvious differences: an essay is relatively short – usually 1500 to 2500 words – and you are told clearly what to do by someone else. For example: Describe and evaluate major theories of globalisation.
A dissertation is a subject you chose for yourself. The first usage of the word in the English language in 1651 also gives a useful starting definition: “an extended written treatment of a subject”.
Another useful clue is found in the Latin origin of the word – dissertation comes from a Latin word ‘dissertare’ = ‘to debate’.
What does the word ‘debate’ imply? A discussion involving different points of view or sets of ideas. A dissertation will therefore not only examine a subject but will review different points of view about that subject.
Here’s another definition that underlines some more important characteristics of a dissertation: “a substantial paper that is typically based on original research and that gives evidence of the candidate’s mastery both of her own subject and of scholarly method.”
A dissertation will show that the writer knows her subject, the key facts and different points of view in it – but it also advances a point of view resulting from original research. Remember that ‘original’ does not mean ‘something that’s never been done before’ but rather ‘something that you do for yourself’.
A dissertation also “gives evidence of the candidate’s mastery […] of scholarly method”. This sounds terribly daunting but don’t be put off. The phrase is telling you that you will have to lift your game to write a successful dissertation. ‘Scholarly method’ means that you will be expected to do more and better reading and research than for a standard undergraduate essay. It means that your work will display accuracy and skill in its investigation and discussion of a subject. It means that your discussion will give evidence of critical analysis i.e. standing back from your subject and weighing up pros and cons. It means you will show that you understand that, for example, aspects of particular theories or viewpoints are open to question.
The Critical Turkey
Essay Writing Hacks for the Social Sciences
One of the most sought-after, and yet misunderstood, attributes of a social science essay or dissertation is originality. To achieve a grade in the 90s range here at Edinburgh (that is, an A++, an exceptionally good mark), for example, according to our marking descriptors , your essay needs to display ‘an exceptional degree of insight and independent thought’, ‘flair’, and indeed ‘originality’. Independent analysis and originality, however, should not just be a consideration for the higher grade ranges. Rather, this blogpost suggests to think of it as a scale ranging from complete unoriginality (to be avoided) to very high degrees of originality (to be pursued, but within the limits of good scholarship). Below are suggestions how to avoid the former, and how to work towards the latter.
Let’s start at the very pinnacle of originality, as this will help you understand why originality is such a priced asset in academia, and where this whole thing is coming from. Before you read this section, though, I want to emphasise that this is not what is normally expected from an undergraduate student essay. You can achieve excellent grades without it. You don’t need this even for an A+ (in Edinburgh terms, an 80s essay), it might just be what takes you from an A+ to an A++ (90s). This level of originality means you have come up with what is often referred to as an ‘original contribution’, a genuinely new idea, typically based on some original data (for example from interviews or questionnaires that you have yourself designed, planned and conducted) that adds genuinely new insight and understanding to the body of existing knowledge. This level of originality is a requirement if you are doing a PhD, it certainly helps with your Master’s or Bachelor’s thesis, but is very unusual and not typically expected in standard essay writing. For professional academics, however, originality is a key currency. It’s what gets their research published in prestigious journals, and forms an important part of academic reputation.
This is so you understand where the people who are teaching you, grading your essays, and writing such marking descriptors are coming from. For them, for us, it’s key to what we do. For you, however, certainly up to the level of where you write your dissertation, this kind of originality is not something you typically need to worry about (there might be exceptions, for example if an assignment specifically asks you to come up with an original research idea).
Still, if you want to go for it, do go for it. What you should know, however, is that you can only do this on the basis of really, really knowing the topic you are writing about very, very well. In order to contribute new insights, you need to know what insights already exist. Sometimes you might have an idea that you haven’t read about anywhere else, but that doesn’t mean someone else hasn’t had that idea first. If it’s already out there, it’s not your original idea, even if you discovered it on your own terms. This means before you can lay claim to your new idea being original, you need to do a lot of reading, and gain a lot of knowledge. Only this extensive knowledge gives you the ability to identify the gaps in the existing knowledge, and whether or not your new idea really does make the contribution you think it makes. In your essay or dissertation, you then also need to explicitly address this, usually through some kind of literature review that summarises the existing ideas and arguments, identifies the gaps of knowledge, and explains how your new idea addresses these gaps.
Sounds tough? It is. And I haven’t even started on how to design your own research project, collect your own data etc. It is indeed beyond the scope of this blogpost. It needs a lot of focus and dedication, and that is why this kind of originality is usually reserved for bigger research projects, in which you have time to do all that digging, and time to do all that original research. For a standard university essay, it means a lot of extra work for marginal gains.
The good news however, is that the above is only one kind of originality. There is a different kind that can be employed, and that can be used throughout your essay. This is not so much a matter of introducing new data or ideas (ie what you put in your essay), but a question of how you discuss existing information, how you write, how you assemble your argument, how you bring the readings into discussion with each other etc. The focus here indeed shifts from the what to the how .
Let’s start with what you should try to avoid. On this end of the spectrum there is unoriginal writing. This is writing that mostly just repeats what others have written before, with little of your own input or critical discussion. Such an essay will make the usual, obvious points and not add much to it. It can show itself, for example, in entire paragraphs being mere summaries of one of the readings, without integrating it with the essay argument or with other relevant readings. In other cases, there might be integration with other readings or the argument, but only in a way that someone else (another reading or the lecture on the topic) has done before. This re-telling of parts of a lecture is indeed not too uncommon in weaker essays, and at times the exact same references and sometimes even the exact same quotes are used as the lecture does.
For this case especially, a word of warning: This last example is not just unoriginal, it is poor scholarship and potentially plagiarism. You must not just retell the story in the same way someone else has, whether this is the lecture or another reading, pretending it’s your own work.
Avoid, then, mere summaries of readings. And avoid summaries of other people’s summaries of other literature. At best, this type of unoriginality will make the difference between a B and a C (ie it is typically what prevents an essay from reaching the B or 60s level in our marking scheme). At worst, it is plagiarism, and will get you into trouble.
How to write in an original way, then? To start with, there are two layers to consider. The first one is critical analysis, the second is original argument. Both are expressed in both the macro-organisation of your essay and the micro-level of how you write.
I have written in more detail on how to be critical in social science essay writing in this blogpost . Do read it if you want more detail. To summarise the main points, first, you need to critically engage with the literature. This means questioning the assumptions different authors build on, having a closer look at the methodology they use, contextualising them with other studies that have been done on the topic, but also understanding the context in which the work has been produced, and how this might have influenced the author and their motives. Do not misunderstand critical engagement with disagreeing with the author. You might disagree, but there is also such a thing as critical appreciation, in which you agree with someone precisely because you have examined their work in detail, and have found them to be convincing. This, too, demonstrates critical engagement. This first element of critical analysis mostly shows itself on the micro-level of how your write your essay, how you present your ideas and those of others, always with an attention to the details of the studies you present, and an awareness of different interpretations.
Second, critical analysis can mean formulating a critique of the social/political phenomenon you are looking at. This means asking the power question: How does power, and how do hierarchies and inequalities (economic, political, symbolic etc.) show themselves in how, for example, poverty is discussed in media discourses, policy responses to climate change, or the design of school curricula? This second element of critical analysis can play a key part in how you organise your essay on the macro-level, and how you assemble your overall argument. You can thus organise and structure your essay around a key ctitique that puts into focus the role of such power and hierarchy relations.
And this brings me to the point on ‘original argument’. It depends a little on the essay question, but it is almost always a good idea to formulate an argument, an arguable statement relating to the essay question, introduced in the introduction, and serving as a lynchpin throughout your essay. This could be, for example, ‘this essay argues that tabloid media discourses on poverty are deliberately designed by their owners to blame poverty on the poor, and legitimise welfare cuts and a low-tax, low-spend government’, or it could be ‘that the resistance by policy-makers against sustainable policies, particularly in the US, can be explained by the economic power and political influence the fossil fuel industry still holds, both in the form of financing so-called ‘science’, and through lobbying various levels of government’. Or it could be ‘This essay will argue that the way British history is taught, in particular in its ‘small island’ version introduced by the conservative government in English schools, aims at isolating British history from its colonial context, and obscuring the role of colonial exploitation in the development of the modern British state’.
Let’s keep some perspective here. The above examples are very detailed and nuanced thesis statements that you might see in an A+ essay – something you maybe want to strive for, if your ambitions are that way inclined. But even more reduced versions (e.g. ‘I am going to argue that the school curriculum is an expression of still-existing colonial relations’ or ‘poverty discourses serve to legitimise welfare cuts’) will go a long way. The important thing is that whatever your argument is, it should indeed be arguable, that is, one should be able to argue against it. And indeed, as you then proceed to write your essay, you should anticipate various counter-arguments, what someone else might say and what evidence they might use to argue against you. Address these counter-arguments as appropriate, and show why you find them less convincing.
The essay, then, in a macro-sense, can be organised around such an argument. On the micro-level of how this shows itself as you write along, you then need to develop this argument as your essay proceeds. This is done primarily through signposting, adding a sentence or two at the end of each point or paragraph, making the connections between the different points clearer, and how they relate to the argument. Signposting is usually understood as improving the flow of the essay. This is indeed one of its functions. There is another function, however, which is that it actually helps you develop, and bring to the fore, what your argument is. When it finally comes to the conclusion at the end of your essay, you merely need to bring the different strings of the argument together, and put them into context with the essay or research question.
Both critical analysis and original argument take you beyond merely reproducing what is already out there. They help you develop your own take on things, and put your own stamp on the essay. They will demonstrate your credentials as an independent, critical thinker. They are the keys that will help you unlock ‘originality’ in your essay.
Part 2 of ‘How to be original’ will go a step further, and suggest two techniques for turbocharging your originality, (a) using case studies and (b) theoretical frameworks. Stay tuned for updates.
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We’re reviewing our resources this spring (May-August 2024). We will do our best to minimize disruption, but you might notice changes over the next few months as we correct errors & delete redundant resources.
A Critical Reflection (also called a reflective essay) is a process of identifying, questioning, and assessing our deeply-held assumptions – about our knowledge, the way we perceive events and issues, our beliefs, feelings, and actions. When you reflect critically, you use course material (lectures, readings, discussions, etc.) to examine our biases, compare theories with current actions, search for causes and triggers, and identify problems at their core. Critical reflection is not a reading assignment, a summary of an activity, or an emotional outlet. Rather, the goal is to change your thinking about a subject, and thus change your behaviour.
Tip: Critical reflections are common in coursework across all disciplines, but they can take very different forms. Your instructor may ask you to develop a formal essay, produce weekly blog entries, or provide short paragraph answers to a set of questions. Read the assignment guidelines before you begin.
Writing a critical reflection happens in two phases.
A popular method for analyzing is the three stage model: What? So What? Now what?
In the What? stage, describe the issue, including your role, observations, and reactions. The what? stage helps you make initial observations about what you feel and think. At this point, there’s no need to look at your course notes or readings.
Use the questions below to guide your writing during this stage.
In the second So What? stage, try to understand on a deeper level why the issue is significant or relevant. Use information from your first stage, your course materials (readings, lectures, discussions) -- as well as previous experience and knowledge to help you think through the issue from a variety of perspectives.
Tip: Since you’ll be using more course resources in this step, review your readings and course notes before you begin writing.
Below are three perspectives you can consider:
In the third Now what? stage, explore how the experience will shape your future thinking and behaviour.
Use the following questions to guide your thinking and writing:
After completing the analysis stage, you probably have a lot of writing, but it is not yet organized into a coherent story. You need to build an organized and clear argument about what you learned and how you changed. To do so, develop a thesis statement , make an outline , write , and revise.
Develop a clear argument to help your reader understand what you learned. This argument should pull together different themes from your analysis into a main idea. You can see an example of a thesis statement in the sample reflection essay at the end of this resource.
Tip: For more help on developing thesis statements, see our Thesis statements resource
Once you have a clear thesis statement for your essay, build an outline. Below is a straightforward method to organize your essay.
Time to get writing! Work from your outline and give yourself enough time for a first draft and revisions.
Even though you are writing about your personal experience and learning, your audience may still be an academic one. Consult the assignment guidelines or ask your instructor to find out whether your writing should be formal or informal.
Below are sample annotated paragraphs from one student’s critical reflection for a course on society and privilege.
Background/context of reflection : I became aware of privileged positions in society only in recent years. I was lucky enough, privileged enough, to be ignorant of such phenomena, but for some, privilege is a daily lesson of how they do not fit into mainstream culture. In the past, I defined oppression as only that which is obvious and intentional. I never realized the part I played. However, during a class field study to investigate privileged positions in everyday environments, I learned otherwise. Thesis: Without meaning to, I caused harm by participating in a system where I gained from others’ subtle oppression. In one of these spaces, the local mall, everything from advertisements to food to products, to the locations of doorways, bathrooms and other public necessities, made clear my privilege as a white, heterosexual male.
Topic sentence : Peggy McIntosh describes privilege as an invisible knapsack of tools and advantages. This description crystalized for me when I shopped for a greeting card at the stationary store. There, as a white, heterosexual male, I felt comfortable and empowered to roam about the store as I pleased. I freely asked the clerk about a mother’s day card. Writer’s past position: Previously, I never considered that a store did anything but sell products. However, when I asked the sales clerk for same sex greeting cards, she paused for a few seconds and gave me a look that made me feel instantly uncomfortable. Some customers stopped to look at me. I felt a heat move over my face. I felt, for a moment, wrong for being in that store. I quickly clarified that I was only doing a report for school, implying that I was not in fact homosexual. Writer’s current position: The clerk’s demeanor changed. I was free to check, she said. It was the only time during the field study that I had felt the need to explain what I was doing to anyone. I could get out of the situation with a simple clarification. But what if I really was a member of the homosexual community? The looks and the silence taught me that I should be feared. I realized that, along with its products, the store was selling an image of normal. But my “normality” was another person’s “abnormality.” After I walked out of the store I felt guilty for having denied being homosexual.
Summary of learning: At the mall I realized how much we indirectly shame nonprivileged groups, even in seemingly welcoming spaces. That shame is supported every time I or any other privileged individual fails to question our advantage. And it leads to a different kind of shame carried by privileged individuals, too. Value for self and others: All of this, as Brown (2003) documents, is exacerbated by silence. Thus, the next step for me is to not only question privilege internally, but to publicly question covert bias and oppression. If I do, I may very well be shamed for speaking out. But my actions might just encourage other people to speak up as well.
Sample paragraphs adapted from James C. Olsen's Teaching Portfolio from Georgetown University .
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Methodology
Published on August 23, 2019 by Amy Luo . Revised on June 22, 2023.
Critical discourse analysis (or discourse analysis) is a research method for studying written or spoken language in relation to its social context. It aims to understand how language is used in real life situations.
When you conduct discourse analysis, you might focus on:
Discourse analysis is a common qualitative research method in many humanities and social science disciplines, including linguistics, sociology, anthropology, psychology and cultural studies.
What is discourse analysis used for, how is discourse analysis different from other methods, how to conduct discourse analysis, other interesting articles.
Conducting discourse analysis means examining how language functions and how meaning is created in different social contexts. It can be applied to any instance of written or oral language, as well as non-verbal aspects of communication such as tone and gestures.
Materials that are suitable for discourse analysis include:
By analyzing these types of discourse, researchers aim to gain an understanding of social groups and how they communicate.
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Unlike linguistic approaches that focus only on the rules of language use, discourse analysis emphasizes the contextual meaning of language.
It focuses on the social aspects of communication and the ways people use language to achieve specific effects (e.g. to build trust, to create doubt, to evoke emotions, or to manage conflict).
Instead of focusing on smaller units of language, such as sounds, words or phrases, discourse analysis is used to study larger chunks of language, such as entire conversations, texts, or collections of texts. The selected sources can be analyzed on multiple levels.
Level of communication | What is analyzed? |
---|---|
Vocabulary | Words and phrases can be analyzed for ideological associations, formality, and euphemistic and metaphorical content. |
Grammar | The way that sentences are constructed (e.g., , active or passive construction, and the use of imperatives and questions) can reveal aspects of intended meaning. |
Structure | The structure of a text can be analyzed for how it creates emphasis or builds a narrative. |
Genre | Texts can be analyzed in relation to the conventions and communicative aims of their genre (e.g., political speeches or tabloid newspaper articles). |
Non-verbal communication | Non-verbal aspects of speech, such as tone of voice, pauses, gestures, and sounds like “um”, can reveal aspects of a speaker’s intentions, attitudes, and emotions. |
Conversational codes | The interaction between people in a conversation, such as turn-taking, interruptions and listener response, can reveal aspects of cultural conventions and social roles. |
Discourse analysis is a qualitative and interpretive method of analyzing texts (in contrast to more systematic methods like content analysis ). You make interpretations based on both the details of the material itself and on contextual knowledge.
There are many different approaches and techniques you can use to conduct discourse analysis, but the steps below outline the basic structure you need to follow. Following these steps can help you avoid pitfalls of confirmation bias that can cloud your analysis.
To do discourse analysis, you begin with a clearly defined research question . Once you have developed your question, select a range of material that is appropriate to answer it.
Discourse analysis is a method that can be applied both to large volumes of material and to smaller samples, depending on the aims and timescale of your research.
Next, you must establish the social and historical context in which the material was produced and intended to be received. Gather factual details of when and where the content was created, who the author is, who published it, and whom it was disseminated to.
As well as understanding the real-life context of the discourse, you can also conduct a literature review on the topic and construct a theoretical framework to guide your analysis.
This step involves closely examining various elements of the material – such as words, sentences, paragraphs, and overall structure – and relating them to attributes, themes, and patterns relevant to your research question.
Once you have assigned particular attributes to elements of the material, reflect on your results to examine the function and meaning of the language used. Here, you will consider your analysis in relation to the broader context that you established earlier to draw conclusions that answer your research question.
If you want to know more about statistics , methodology , or research bias , make sure to check out some of our other articles with explanations and examples.
Research bias
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Academic writing integrates evidence from sources to create your own critical arguments. We're not looking for a list of summaries of individual sources; ideally, the important evidence should be integrated into a cohesive whole. What does the evidence mean altogether? Of course, a critical argument also needs some critical analysis of this ...
A critical essay is a form of academic writing that analyzes, interprets, and/or evaluates a text. In a critical essay, an author makes a claim about how particular ideas or themes are conveyed in a text, then supports that claim with evidence from primary and/or secondary sources. In casual conversation, we often associate the word "critical ...
Critical discussion is the key to writing evidence-based, impact-making essays. If you know the art of writing arguments-based essays with supporting facts and figures, you will likely convince readers to believe in your thesis statement.. Most researchers make the mistake of writing essays without critically discussing their thesis statements with the supporting facts and figures, which can ...
in a way that expresses or involves an analysis of the merits and faults of a work of literature, music, or art. talk or write about (a topic) in detail, taking into account different issues or ideas. So, in short, a critical discussion requires you to weigh up the strengths and weaknesses of a theory, concept (or work of some sort), and write ...
To be critical, or to critique, means to evaluate. Therefore, to write critically in an academic analysis means to: judge the quality, significance or worth of the theories, concepts, viewpoints, methodologies, and research results. evaluate in a fair and balanced manner. avoid extreme or emotional language. You evaluate or judge the quality ...
Typically, the word "critical" has a negative connotation. Think of words like "critique" and "criticise" and you see why. However, with essay writing, being asked to write "critically" does not necessarily mean you need to be negative. Instead, you are voicing your opinion in a logical and coherent way that is based upon ...
This guide is meant to help you understand the basics of writing a critical analysis. A critical analysis is an argument about a particular piece of media. There are typically two parts: (1) identify and explain the argument the author is making, and (2), provide your own argument about that argument.
Critical analysis is a process of examining a piece of work or an idea in a systematic, objective, and analytical way. ... Reiterate your thesis statement and summarize your main points; Provide a final evaluation of the text, object, or event based on your analysis ... Consider how these elements contribute to the overall meaning of the text ...
5. Proofread and refine your work. Read through your critical analysis to ensure it sounds as professional as it should. Correct any spelling and grammatical errors and awkward phrasing when you see it. Reading your critical analysis out loud can help you identify more areas for improvement.
This is because critical writing is primarily a process of evidencing and articulating your critical thinking. As such, it is really important to get the 'thinking bit' of your studies right! If you are able to demonstrate criticality in your thinking, it will make critical writing easier. Williams' (2009:viii) introduces criticality at ...
Level Up Your Team. See why leading organizations rely on MasterClass for learning & development. Critical analysis essays can be a daunting form of academic writing, but crafting a good critical analysis paper can be straightforward if you have the right approach.
A dissertation is a lengthy research paper written as a requirement to earn an academic degree. Typically, students must write a dissertation toward the end of their program to both prove their knowledge and contribute new research to their field. The term dissertation is sometimes used interchangeably with thesis paper.
When you read a paper that claims to follow a 'critical approach', employ a 'critical perspective' or 'critical theory', this is usually what they mean. If your essay question is asking you to 'critically examine' or 'critically evaluate' a topic, this is potentially also what is meant (although it could also be a reference ...
A critical analysis essay requires you to analyze a subject and determine its meaning, backing it with evidence and ideas of your own. We've got examples to help you write one.
In composition, critical analysis is a careful examination and evaluation of a text, image, or other work or performance. Performing a critical analysis does not necessarily involve finding fault with a work. On the contrary, a thoughtful critical analysis may help us understand the interaction of the particular elements that contribute to a ...
Revised on 5 May 2022. A dissertation is a large research project undertaken at the end of a degree. It involves in-depth consideration of a problem or question chosen by the student. It is usually the largest (and final) piece of written work produced during a degree. The length and structure of a dissertation vary widely depending on the ...
What is meant by critical? To be critical does not mean to criticise in an exclusively negative manner. To be critical of a text means you question the information and opinions in the text, in an attempt to evaluate or judge its worth overall. What is meant by evaluation? An evaluation is an assessment of the strengths and weaknesses of a text.
There are some obvious differences: an essay is relatively short - usually 1500 to 2500 words - and you are told clearly what to do by someone else. For example: Describe and evaluate major theories of globalisation. A dissertation is a subject you chose for yourself. The first usage of the word in the English language in 1651 also gives a ...
Step-by-step guide to critical analysis with literature review log sheet. My step-by-step 15-page PDF guide on how to critically analyse a piece of academic literature is now available to buy in my shop. Click on the image below to go straight there! How to critically analyse a piece of academic literature. £35.00.
A thesis is an in-depth research study that identifies a particular topic of inquiry and presents a clear argument or perspective about that topic using evidence and logic. Writing a thesis showcases your ability of critical thinking, gathering evidence, and making a compelling argument. Integral to these competencies is thorough research ...
One of the most sought-after, and yet misunderstood, attributes of a social science essay or dissertation is originality. To achieve a grade in the 90s range here at Edinburgh (that is, an A++, an exceptionally good mark), for example, according to our marking descriptors, your essay needs to display 'an exceptional degree of insight and independent thought', 'flair', and indeed ...
Critical thinking is the ability to effectively analyze information and form a judgment. To think critically, you must be aware of your own biases and assumptions when encountering information, and apply consistent standards when evaluating sources. Critical thinking skills help you to: Identify credible sources. Evaluate and respond to arguments.
Tip If you are writing the literature review as part of your dissertation or thesis, reiterate your central problem or research question and give a brief summary of the scholarly context. You can emphasize the timeliness of the topic ("many recent studies have focused on the problem of x") or highlight a gap in the literature ("while ...
Critical Reflection. A Critical Reflection (also called a reflective essay) is a process of identifying, questioning, and assessing our deeply-held assumptions - about our knowledge, the way we perceive events and issues, our beliefs, feelings, and actions. When you reflect critically, you use course material (lectures, readings, discussions ...
Critical discourse analysis (or discourse analysis) is a research method for studying written or spoken language in relation to its social context. It aims to understand how language is used in real life situations. When you conduct discourse analysis, you might focus on: The purposes and effects of different types of language.