critical thinking activities for literature

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10 of the Best Literary Analysis Activities to Elevate Thinking

Inside this Post: Ready to elevate your literary analysis lessons? This post is full of engaging and effective activities to help students master literary analysis topics.

Literary analysis has become the beating heart of English classes around the world. When students read a text, we want them to peel back the layers one by one, appreciating the deeper meaning that lies within each sentence. As English teachers, many of us connect with texts easily and persevere through complex literature naturally. For our students, this process is not always as enjoyable.

In this post, you’ll find suggestions for elevating thinking with middle and high school students. These ideas can be used with paired or individual texts and can be differentiated to reach a variety of learners.

Engaging and Effective Literary Analysis Activities

Literary analysis elements are best when they are engaging and elevate thinking without frustrating students. I’ve played around with different approaches, and these are the key elements that resonate most with students.

1. Thinking Aloud

One of the best feelings as a teacher is knowing you have an entire class full of teenagers engaged. It’s amazing how every single student in a classroom is in tune with think alouds. Something about making thinking transparent challenges students of all readiness levels. With literary analysis lessons, I love providing think alouds with the whole class. Whether we do this via face to face instruction or by creating a short video for virtual classrooms, we have to model our thinking.

Here’s an example with “All the world’s a stage” from William Shakespeare’s As You Like It …

This speech, at first, seems complicated. But, Shakespeare is talking about the world being a stage, and I think there is something deeper to what he is saying. Let’s go back again and look for clues. The men and women are players on the stage. He writes that they have their exits and entrances. I’m trying to visualize that in my head now. The world is a stage, the people are actors, and when they walk on and off the stage, that is their theatrical entrance and exit. Now that I understand he is using this speech as an extended metaphor, I wonder why would Shakespeare is choosing to compare these two things?

When modeling literary analysis, we can break down our thought process. If we write a written response, we can scaffold by color coding our thoughts in order to highlight the necessary critical thinking steps.

• First, acknowledge what is confusing or uncertain about the text. What might we be missing as readers?
• Second, make observations.
• Third, apply reading strategies (in this case, I used visualizing).
• Last, teach students to ask questions that probe at the deeper meaning and reason for the writing.

2. Graphic Organizers

Graphic organizers are one of my go-to strategies for elevating thinking . We can use them to differentiate and to guide students as we work in small groups. I like to keep a variety of literary analysis graphic organizers for any text on hand so that I can be responsive. If students show a need to work on analyzing a specific literary element – characterization, plot, theme, conflict, etcetera – I use a graphic organizer as we read a text or excerpt together, modeling my thinking. Then, students can practice using the same organizer in small groups, partners, or independently.

Literary analysis consists of asking a bunch of questions to lead students to deeper thinking, and graphic organizers are a bridge that walks students down that path of purposeful questioning.

Grab this print and digital literary analysis graphic organizer for analyzing song lyrics – one of secondary students’ favorite texts to pick apart!

Nothing grabs a student’s attention like an image! Visuals are amazing tools for introducing literary analysis skills. I always begin my literary analysis unit with pictures. Using an image, we can quickly show students how to differentiate between summarizing and analyzing . Then, we can walk them through the steps of acknowledging what we might be missing, making observations, applying reading strategies, and questioning for deeper meaning.

Consider using images from a variety of sources. We can try historical images, political cartoons, famous paintings, graphic novels, wordless picture books, advertisements, or even just regular photographs.

I even work this type of analytical thinking into my vocabulary activities ! Students get used to interpreting photos and using textual evidence to support their thinking.

4. One Pagers

One pagers are one of my favorite literary analysis activities. In order to make them meaningful, I incorporate scaffolding . So, students have access to standards-aligned goals and questions that prompt their responses to the text. Choice helps as well. We can allow students to choose digital or traditional , response angles, and even texts.

In terms of literary analysis benefits, we can really focus on asking students to cite textual evidence to track a universal theme. While doing so, students can draw conclusions about how literary elements work together or how they provide tension to impact a reader’s overall takeaway.

5. Colorful Charts

Mood and tone can be tricky for students to analyze. So that they can understand the difference between them but also so that they see how mood and tone work in tandem, I began using an equalizer metaphor . Students can use color and amplification to analyze how mood and tone change throughout a literary work. By creating a visual representation, there’s a direct connection between the mood and the storyline.

How does setting impact mood , and how does mood impact the conflict in the story?

For instance, the quiet beauty of the Capulet garden sets the stage for a romantic balcony scene, but the noisy bustle of the lewd fighting in the Verona streets helps to define the conflict and tension between the two feuding families.

With tone , how does the author’s word choice and sentence structure in each section convey his or her attitude in the work?

As we study the amplification of tone in the play Romeo and Juliet , we see a consistent change from light-hearted comedy to an intensely poetic and tragic seriousness. Over the course of the play, one might say that Shakespeare’s juxtaposition creates an overall sympathetic tone toward the star-crossed lovers.

6. Get Moving

One of the issues when it comes to citing evidence in a literary analysis essay is finding relevant support. Sometimes, it seems like the lines students select from literature are completely disconnected from what they are writing. That may be because they don’t truly understand how their thesis connects to their main points or how their main points connect to the evidence. For some students, there are too many degrees of separation!

A kinesthetic option to address this issue involves Post-Its (or colored text boxes if you are doing this digitally) and a t-chart. At the top of the paper (use big paper or a white board if you can do this together in the classroom!), write the analytical point. What conclusion can students draw about characters, setting, or another literary element that would support their thesis statement?

Under that, label the T-Chart as “Relevant” and “Off Topic.” Then, you have some options.

BASIC: You identify support for students in advance and have them sort the support based on its relevance. Could they use it to analyze the text, or is it off topic?

ADVANCE: Ask students to find examples of relevant and off-topic lines from the text.

A MIXTURE:   Provide students with a handful of lines they can sort into relevant and off-topic categories, and then ask them to find a couple more examples on their own.

To increase the engagement factor, use some washi tape on the floor in the shape of whatever makes the most sense – a character outline for analyzing character, a house for analyzing setting, a circle for analyzing a universal theme. Then, have students stick their Post-It notes inside or outside of the shape. Inside indicates that the evidence is relevant, and outside means it’s off-topic.

7. Children’s Books

We don’t always think to use picture books with older students , but they are one of my absolute favorite ways to scaffold literary analysis! Because picture books are short, we can cover an entire (and often complex) story in a short period of time. And, we can continually refer back to that text throughout the school year. Because picture books are accessible for all students, they will remember sharing the story together, and you can really make significant strides with whole-class discussions and small group lessons.

Try using picture books to teach Notice and Note signposts, language, aesthetics, and theme . One of my favorite ways to use picture books is teaching students to analyze how dialogue impacts decisions, propels action, and develops characters. For example, in the book Elbow Grease , the protagonist is motivated to participate in a race for which he is the underdog simply because some crass comments from his friends make him angry. This really is the turning point in the story, which makes it convenient to analyze how dialogue can lead to decisions and actions that change the course of a storyline.

8. Short Films

For a thousand and one reasons, I adore short films. They’re short (obvious, I know), which makes them ideal for modeling and mini lessons. Plus, they are visually captivating and apply to a wide age range. And, generally, they hold quite a bit of depth and leave room for a variety of interpretations.

During first quarter with ninth graders, I built in a yearly routine of watching short films during our literary analysis unit and having students complete their first full analytical essay. It’s fun. I can model using a short film I enjoy. Then, I get to read a wide range of responses from students who choose different texts. To scaffold for struggling writers, I suggest a few short films I am very familiar with; this way, I can guide them if they get stuck or confused.

You can also build in short films by using them with poetry for paired text analysis .

9. Reading Strategies

One of the building blocks of literary analysis is having a good foundation in apply reading strategies. It’s fun to model what readers do. We can show students how analyzing texts and re-reading for deeper meaning helps us with writing and then ask students to practice those skills.

For instance, when students begin to understand that authors have a purposeful craft that impacts their reading experience, it empowers them to pick that craft apart, studying the nuances of what makes it work. And, it gives them an advantage as authors themselves. They may think,  I remember how the author’s purposeful use of short, staccato sentences and onomatopoeias increased the suspense during that scene. Maybe I should use those techniques in this part of my story to add an emotional element for my readers.

These are some of the graphic organizers I’ve used to scaffold reading strategy work with the whole class, and then students can transfer those skills to small group or independent practice, using the same organizer if necessary.

10. Social Media Activities

Social media is everywhere. We might as well use it as a relevant option for analyzing literature! One of my favorites is booksnaps , and I tie in Snapchat by having them take a photo of part of the text they want to analyze. Then, they add interpretations, images, and text as well as a caption with a more detailed analysis. I call these Snap-a-Books.  I also created a Spot-a-Book analysis option, reminiscent of Spotify playlists. Students can create playlists relevant to character analysis, setting analysis, conflict analysis, and more!

And, that’s ten! I hope you’ve found some meaningful literary analysis activities to spark creative, critical thinking in your classroom.

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19 Short Stories and Questions For Critical Thinking

Apr 2, 2024

There have been rumblings in different online teacher groups recently about replacing novels with short stories and informational articles in middle and high school English classrooms. I have to admit I was shocked when I first read the comments because I am a book lover at heart, but since then, I’ve considered that there are several pros and cons to this approach.

Short stories and other smaller texts can provide a briefer timeline to complete tasks, and this process is helpful when there is already SO MUCH curriculum to cover. Short stories and related activities can also be more engaging for our students because of the exposure to diverse voices and themes! Using short stories and lessons provides students with amazing choices to meet their needs and preferences!

On the other hand, incorporating mainly short stories and other shorter passages means students’ already-pressed attention spans (as a result of social media influences and pervasive sources of technology) are reinforced. Plus, students miss out on the more complex stories within longer pieces of fiction that are, dare I say, life-altering! A novel can provide opportunities for sustained reading and layers for analysis that shorter pieces of literature like short stories and related texts cannot offer.

Ultimately, no matter where you find yourself on the issue, I think we can all agree that short stories and their counterparts can be vital, effective, and helpful in the modern classroom!

Continue reading for 19 Short Stories and Questions For Critical Thinking!!

Need help with Test Prep ?  Check out this  FREE Pack of 3 Test Prep Activities  to help students achieve success on standardized tests!

Table of Contents

19 Short Stories and Questions – Suggestions for Teaching Them

You don’t need to remove all novels to be able to include short stories and smaller passages like vignettes, articles, and narratives; there’s a time and place for all genres! But if you’re thinking about ways to include more short stories and fun activities, check out this list of 19 varied short stories and critical thinking questions as well as suggestions for teaching them in middle school and high school.

1.  “The Most Dangerous Game” 

“The Most Dangerous Game” is one of my absolute favorite short stories and overall plots to teach! This suspenseful short story by Richard Connell follows the harrowing ordeal of Sanger Rainsford, a skilled hunter who becomes the prey of a deranged aristocrat named General Zaroff. Stranded on Zaroff’s secluded island, Rainsford must outwit the cunning general in a deadly game of survival, where the stakes are life and death. 

SUGGESTIONS FOR TEACHING:

• You could focus on the setting (description of time and place) and examine how the setting changes throughout the story.
• Students could learn about the plot (major events in the story) and list the major events and evidence as they read.
• Define foreshadowing (hints for what will happen by the end of the story) and encourage students to hypothesize about what will happen after every page.
• Analyze the character development (how a character changes over time) of Rainsford and highlight his traits/actions as you read along.

CRITICAL THINKING QUESTIONS:

• How does the setting contribute to the tension and suspense in the story?
• How does the author use foreshadowing? How does the author hint at the danger Rainford is facing?
• What inferences can you make about the main character and the changes he undergoes from the beginning to the end of the story?

If you want to teach plot elements and plot analysis , check out this lesson bundle for the story , which includes comprehension quizzes and a variety of activities!

2.  “An Occurrence at Owl Creek Bridge”

Ambrose Bierce’s story is a gripping tale set during the American Civil War, where a Southern civilian named Peyton Farquhar faces execution by hanging after attempting to sabotage a Union railroad bridge. As Farquhar falls through the trapdoor, time seems to stretch, and he experiences a surreal moment, only to realize his grim reality. 

Integrating historical texts with other short stories and passages like “An Occurrence at Owl Creek Bridge” will make history come more alive and relevant for our students!

• Teach about irony (when the opposite occurs from what is expected) and how it plays a role throughout the story.
• Explain the term characterization (how a character is depicted) by looking at direct and indirect references while reading with your students.
• Discuss the major themes (messages) of the story and how they connect to our modern era within a Socratic Seminar.
• How does the author use characterization to convey Peyton Farquhar’s thoughts, emotions, and motivations?
• What is the purpose of irony in this story? How does its use affect the reader’s interpretation and understanding of events?
• What is the significance in our contemporary/real world of the themes of the story, including reality and fantasy, the passage of time, and the consequences of actions?

Ensure students’ understanding of the story with this set of reading questions that are perfect for state test prep, too !

3.  “The Masque of the Red Death”

This chilling tale from Edgar Allan Poe is set in a secluded abbey where Prince Prospero and his wealthy guests attempt to escape a deadly plague known as the Red Death. Despite their isolation efforts, the guests are confronted with their own mortality as a mysterious figure in a blood-red mask appears.

If you have not read any short stories and poems from Poe, this story is a perfect journey into the horror genre!

• The setting (description of time and place) plays a MAJOR role in the story, so following the Prince from room to room and highlighting the imagery (description that connects to the five senses) is very important when reading.
• If you have not introduced mood  (emotion intended for the reader to experience), this story is PERFECT for delineating its progression from start to finish.
• As students read, you might guide them through identifying various examples of  symbolism  (object, person, or place that represents something else); each room, objects within, and the “antagonist” is symbolic in some way!
• How does the author convey the tone of the story? How would you, as the reader, describe the story’s mood?
• What role does the plot structure (focus on the different rooms) play in shaping the reader’s understanding of the story?
• What is the purpose of the symbolism in the story such as the clock and the masked figure?

Check out this EASY-TO-TEACH bundle , you can practice with your students, so they will feel more confident analyzing higher-level language in “The Masque of the Red Death!”

4.  “The Cask of Amontillado”

Another chilling tale from Poe is the classic story “The Cask of Amontillado.” This one is set during Carnival in an unnamed Italian city. The plot centers on a man seeking revenge on a ‘friend’ he believes has insulted him. If your students are anything like mine, they will relish the ending particularly!

This is just one more of Poe’s short stories and tales that will capture the mind of every reader!

•  As you plan for this short story, be sure to encourage your students to analyze the changing setting (description of time and place); following Fortunato from scene to scene will help your students track what is really going on.
• This story is the perfect moment to teach about dialogue (conversation within someone=internal and/or between someone and someone/thing else=external); Montresor certainly means more than what he SEEMS to say!
• You might also offer a mini-lesson on the 3 types of irony and how each plays a role in the story: verbal (when a person says the opposite of what is really intended), situational (an action occurs that is the opposite from what the reader expects), and dramatic (a character expects a result, but the opposite occurs and the audience can tell what will happen)!
• Describe Montresor. What are his motives and personality?
• What inferences can you make about Montresor’s mindset based on his dialogue?
• What is the purpose of the family’s motto and the carnival atmosphere? 

Check out this Short Story Activity & Quiz Bundle for Edgar Allan Poe’s “The Cask of Amontillado,” which contains questions and answers modeled after various reading standardized tests as well as pre-quiz reading comprehension questions, graphic organizers, and a writing activity to get students thinking critically about this classic short story involving REVENGE!

Want 7 more teaching ideas for one of Poe’s epic short stories and questions to go with it? Click below!

5.  “To Build a Fire”

This story by Jack London describes the treacherous journey of a man through the harsh Yukon wilderness during extreme cold. Despite warnings and the company of a loyal dog, the man’s arrogance and underestimation of nature’s power lead to a tragic end.

Short stories and ideas related to survival in nature are still relevant today! Who knows when you might get lost on a hike or crashland in no man’s land?

• This story is PERFECT for a bit of  literary analysis  (examining the impact of various ideas, elements, or themes within a piece of literature); you could hone in on literary devices, characterization, theme, etc.!
• Integrating clips from survival shows will help students see connections to the world and extend their thinking by comparing (recognizing similarities) and contrasting (recognizing differences) varied experiences!
• Write a short narrative about surviving 24 hours in a different setting (description of time and place).
• How does the author use irony? Provide an example and explain. 
• What real-world connections can be made between this story and our contemporary life? 
• What is the story’s message about preparedness and respecting nature?

Grab these engaging short stories and activities to make teaching this Jack London story stress-free!

6.  “The Cactus”

Told from the point of view of a young man at his former lover’s wedding, the narrator retells their story. Like most of O. Henry’s short stories and texts, this one has a twist that involves the titular cactus plant.

The ending will end in a bit of fun for your students!

• Introduce diction (word choice) and its impact within the story by hyperfocusing on specific words within the story . Students can look up definitions, locate synonyms, create their own sentences, replace the words, etc.
• Investigate twist endings (unexpected finish to a story); before reading the end of the story, ask students to guess why the girl “rejected” him. Some students may know the answer before reading it!
• Describe the main characters. What similarities and differences are evident? How does this affect the story’s action?
• What inferences can you make about Trysdale and his feelings about love and marriage?
• What are the real and symbolic meanings of the cactus?

This resource packed with questions and answers, graphic organizers, and writing activities is sure to get your students thinking about this love story driven by misconceptions.

7.  “After Twenty Years”

This tale of friendship and betrayal focuses on the reunion of two old friends after twenty years apart on a New York City street corner. As they reminisce, something is revealed that demonstrates the reality of their bond as well as the choices they’ve made in life.

If you have not read O. Henry’s short stories and incorporated character analysis yet, this is your chance! The story is not long and can be completed in one to two class periods!

• Sometimes, we ask students to visualize (create a picture) in their minds, but why not give them the opportunity to use their artistic skills to draw the two characters?
• As students read, annotate for a description of each character; then, students can do a character analysis (investigation of the characters’ similarities and differences).
• What type of irony is used in the story? How does its use affect your interpretation and understanding of the story?
• How does the urban setting contribute to the mood of the story?
• What is the story’s message about friendship and loyalty?

Examine the links between loyalty and duty with this set of resources designed specifically for this O. Henry story.

8.  “The Lottery”

“The Lottery” is the quintessential short story for middle school or high school English! Shirley Jackson’s “The Lottery” tells the story of an annual ritual that takes place in a seemingly idyllic town. When the townsfolk gather for the lottery drawing, a shocking turn of events demonstrates the dark side of human nature and their ties to (outdated) traditions.

• Introduce the terms suspense (uncertainty and/or excitement leading up to a major event) and tension (anxiety or uneasy feelings experienced by characters). While reading, identify evidence that relates to each of these concepts and chat/write about their impact on meaning and plot.
• Teach title (the name of the text) analysis. The title of “The Lottery” is perfect for teaching the impact of the title and audience expectations. Before reading, students may write what they believe the story will be about based on the title. After reading, students can complete a quick write responding to their previous expectations! You can do a text analysis for all short stories and poems!
• What role does the plot structure play in building suspense and tension? (Consider the revelation of the lottery’s ‘prize’ in particular.)
• What social commentary is being made through the story and its characters?
• Describe Mr. Summers, Tessie, and Old Man Warner. What does the story reveal about their role in the community and their feelings about the lottery?

Give yours elf a breath of fresh air with this NO PREP curriculum that integrates test prep within the teaching of literature by using Shirley Jackson’s quintessential story!

9.  “The Pedestrian”

This Ray Bradbury story follows a lone walker in a futuristic society in which everyone else is consumed by technology, particularly the television. One evening, the walker encounters a police car that questions his unusual behavior and the end is quite unexpected! (Most of Bradbury’s short stories and texts connect to the future and technology in some way!)

• This story exemplifies Dystopian Literature (texts that include a supposedly perfect future society marred in some way by governmental or societal oppression). Using this story to introduce this type of literature is always fun for students because they will easily make connections to other dystopic short stories and poems!
• Teach about mood (the emotional impact of a story’s description/action). The goal is to get students to deepen their critical thinking skills by recognizing how the mood changes and the purpose for that change!
• How does the author use foreshadowing and suspense to build the mood of the story?
• What is the central theme of the story? How might it connect with our current world?
• What similes and metaphors does Bradbury use to describe the community and its members? What is notable about these comparisons?

With this resource about Bradbury’s “The Pedestrian,” you can just print and teach the lesson and activities with EASE! 

10.  “The Gift of the Magi”

This 1905 story by O. Henry relays a tale about a couple struggling to make ends meet. Throughout the story, they both figure out gifts to buy one another for Christmas and realize what love truly means!

• Review character traits (how a character is depicted internally and externally). Log the traits of each character within the story and how they are important to the meaning of the story.
• Extend (move beyond the text) critical thinking skills by encouraging students to think and write about other people. If they had $1,000 to spend on someone else, how would they spend the money and why?

• How would you describe Della and Jim, and their relationship?
• What values do the characters have, when you consider their actions and decisions?
• Explain how dramatic irony is used in the story. Is it necessary? Is it effective? Why or why not?

This tale is a great addition to your short stories and questions unit around the winter holidays! Save yourself time at that time of the year with this lesson bundle . 

11.  “The Monkey’s Paw” 

“The Monkey’s Paw” is a classic horror story about the White family who come into possession of a mystical monkey’s paw that grants three wishes. Despite warnings, they use it and then face devastating consequences as a result.

• Teach about the elements of the horror/suspense genre (Ex. Scary movies are typically dark, stormy, surprising, morbid, etc.).
• Create a thematic statement (message relayed by the text in a complete sentence). There is no perfectly created theme (message) unless it is directly stated by the author; however, students can create a theme by supporting their ideas with evidence from the story!
• What is the main theme of the story? Or how does the author communicate the themes of greed or fate? Is one stronger than the other?
• Are Mr. and Mrs. White more alike or different from one another? How do you know?
• Should we be afraid of the unknown? What message does the story share? Do you agree or disagree?

Examine W.W. Jacobs’ classic story with this set of questions and answers along with rigorous reading and writing activities . While it is ideal for a spooky season, the story is valuable for its ability to hook readers any time of year!

12.  “Lamb to the Slaughter” 

This classic story with a killer plot twist is about a woman who kills her husband and gets away with murder thanks to cooking a leg of lamb!

• You could introduce the plot elements (exposition, rising action, climax, falling action, resolution), encourage students to identify major events to fit each element and write down textual evidence to support their ideas.
• Complete a film analysis (examination of film techniques and their effects) to compare/contrast the short story with the classic Alfred Hitchcock television episode.
• What is Mary Maloney’s state of mind? Does it remain the same or does it change throughout the story? Explain.
• Is the resolution of the story satisfying? Why or why not? Why do you think the author ended it as he did?
• How does irony contribute to the theme of deception in the story? Explain.

Spice up your middle school English or high school English class with this short stories and activities bundle for Dahl’s famous story!

13.  “The Tell-Tale Heart” 

Poe’s classic psychological thriller is narrated by an unnamed protagonist who insists on their sanity while recounting how they murdered an old man. The narrator is haunted by the sound of the victim’s beating heart, which ultimately drives him to confess to the crime despite not originally being a suspect. 

• Teach symbolism (object, person, or place that represents something else) by focusing on the heart and eye . The author used these symbols in various ways!
• Investigate psychology (the study of the human mind) as a part of the story. Determine what is fact and what is fiction within the narrator’s mind.
• What does the story reveal about the human psyche?
• What is the deeper meaning of the two key symbols in the story – the beating heart and the eye of the old man?
• What role do the narrator’s inner thoughts play in the development of the plot?

This Short Story Comprehension Bundle offers quick (and effective!) ways to assess students’ learning and understanding of the story. It’s easy to use and will no doubt save you time too!

14.  “The Scarlet Ibis” 

Emotional short stories and their counterparts have a place as well in English classrooms! This short story by James Hurst about two brothers is a heartbreaking must-read. Through flashbacks, the unnamed narrator tells the life story of his younger sickly brother William Armstrong, who is nicknamed Doodle. And the end…well, you’ll see.

• Define and explain the purpose of a flashback (referring back to the past within a story). Think about the implications of never thinking back on the past or always thinking about the past.
• Complete a comparison chart between Doodle and the Ibis as you read along. Then, students can create a visual of each after they have ready by using their own evidence!
• What is the meaning of the story’s title and the presence of a scarlet ibis in the story?
• What is the central theme of the story? How do the events of the story support this chosen theme?
• How does the author use personification for the storm? What effect does this have on the story?

This flexible resource features critical thinking questions and answers as well as writing and reading activities for students to explore Hurst’s heartbreaking story.

15.  “The Veldt” 

This science fiction story by Ray Bradbury was first published as “The World the Children Made” and it is quite fitting as a title! The story focuses on a futuristic world in which a video screen can be controlled and it turns out to be more than simple virtual reality! By the story’s conclusion, the world the children made is the downfall of their parents. 

• Compare and contrast “The Veldt” with “The Pedestrian,” two short stories and dystopic texts by Ray Bradbury. Analyze the similarities and differences of both short stories and create a thematic statement that connects to both texts!
• Make connections to our current reality in the 21st century. Locate research about the implications of technology on young people and integrate this information as you discuss this short story.
• How does the author address the theme of technology versus humanity in the story? Do you agree with this commentary? Why or why not?
• How does the nursery reflect the personalities of Wendy and Peter in this story?
• Do you know the story of Peter Pan and his friend Wendy? What connections can you make between it and this story by Ray Bradbury?

Ray Bradbury’s classic short stories and similar passages are the BEST to teach in middle and high school English! With so much to dive into, they are sure to be a hit with your students. Grab this set of activities to extend your students’ engagement with rigorous reading and writing activities about “The Veldt.” 

16.  “The Necklace” 

A woman who longs for a life of luxury and elegance beyond her means faces consequences when she loses a borrowed necklace. Guy de Maupassant’s story ends with a twist that has the reader question the value of material possessions. 

• I love comparing this short story with O. Henry’s “The Gift of the Magi.” You might choose to focus on the theme, characterization, setting, etc.
• Summarize (writing about the main idea with details) each chunk of the story as you read with your students. Instead of asking students to write a paragraph, you could ask students to create each summary in only one sentence.
• The story explores vanity, deception, and the consequences of striving for social status. Which theme do you think is the most important? Explain with support from the story.
• Is Mathilde Loisel a likable character? Does this change during the story? Does it matter if the reader likes her? Why or why not?
• What clues does the author provide throughout the story that foreshadow the twist at the story’s end?

Focus on the standards with this Short Story Lesson Bundle for “The Necklace” by Guy de Maupassant!

Need help with implementing activities for “The Necklace?” See below!

17.  “A Vendetta” 

Guy de Maupassant’s late-19th-century story is all about REVENGE. A mother is obsessed with creating a plan to avenge her son’s murder and she then puts the plan into action with a morbid outcome.

• There are so many texts that involve REVENGE! Why not use this concept as a focus for a thematic unit (texts linked to a similar concept and/or message)? You could read “A Poison Tree,” “The Cask of Amontillado,” and “Lamb to the Slaughter” as well as “A Vendetta” with the intention of writing about all 4 for a comparison/contrast paper, presentation, or seminar.
• Analyze the development (how a character changes over time) of the mother and the dog throughout the story; you might annotate for similarities and differences as well as their motivations!
• What comment is the story making about the nature (or need) for justice? Do you agree or disagree? Why or why not?
• What similes and metaphors does the author use to communicate the main character’s feelings about the vendetta?
• How does the author use details to explain the main character’s thoughts, feelings, and motivation?

Add these activities for this lesser-known work to your short story plans. It’s sure to keep things fresh for your short stories and activities unit! 

18.  “Thank You, Ma’am” (also known as “Thank You, M’am”)

This heartfelt story by Langston Hughes tells the story of Luella, an older woman in the neighborhood, who is nearly robbed by a young man named Roger. In response to Roger, Luella brings him back to her home and treats him with an abundance of kindness, which has a profound effect on Roger.

This tale is at the top of the list for the BEST short stories and passages for upper middle and younger high school students!

• Introduce perspective and/or point of view (how a story is told: 1st, 2nd, 3rd omniscient, 3rd limited, 3rd objective). Students might rewrite the story from another perspective or extend the story using the perspective of one of the main characters.
• Review plot elements with a focus on the exposition (introduction to the characters, setting, and conflict), climax (highest point of interest/turning point of the story), and resolution (how the story is concluded and/or resolved in some way.) You could assign an activity surrounding each concept: visualization of the scene, a journal response to the event, or a short response focused on how the element is important to the overall theme!

• Do you believe in second chances? What does the story say about second chances? 
• How might the climax of the story also be seen as the turning point in Roger’s life?
• How would you describe Mrs. Luella Bates Washington Jones? Are her actions expected or unexpected in the story? Consider from Roger’s and the reader’s point of view.

Click to check out all of the details for this BUNDLE with differentiated options , which includes a Test Prep Quiz (with varied options), Venn Diagrams, Graphic Organizers, and Writing Responses!! 

19.  “Click Clack the Rattle Bag”

This short story by Neil Gaiman is creepy and fun in the best ways possible! The narrator is taking care of his girlfriend’s little brother and walking him to bed when the child asks for a story. Instead of the narrator sharing a story, the boy shares about the Click Clacks who drink their prey and leave behind rattling bodies. The end is too good to be missed!

Short stories and plots like those in “Click Clack the Rattle Bag” will most certainly engage even your most struggling learners!

• We all know that test prep can be tough as many reading passages are, well, boring! Why not accomplish some test prep with your students and incorporate 5 standardized test-related questions ? You could focus on theme, structure, order of events, characterization, etc.!
• Help students make inferences (acknowledging and hypothesizing about the impact of details that are not directly referenced or stated) as the scene moves along. Students can analyze the change in the setting, the little boy himself, the story the boy is telling, and specific phrases from the story.
• What details in the story contribute to its eerie atmosphere or mood? Or what figurative language devices does Neil Gaiman use to create a sense of suspense in the story? 
• How does the author use ambiguity in the story? Is it effective or not? Explain.
• What inferences can you make about the relationship between the narrator and the young boy?

This “Click Clack the Rattle Bag” Quiz Pack for middle and high school students uses the Common Core standards and contains questions and answers modeled after various state standardized tests! Make teaching this amazing short story by Neil Gaiman SIMPLE & EASY!

Why should we incorporate more short stories and activities in our teaching?

While I would never advocate replacing all novels with short stories and smaller texts, there is still something to be said about spending quality time with short stories and excerpts. 

Including short stories and standards-based activities is an ideal option to improve reading comprehension and develop skills, especially in middle and high school English classes!

SHORT STORIES AND ACTIVITIES RESOURCES: 

This  Short Stories and Test Prep Questions ULTIMATE BUNDLE with Lessons, Quizzes, and Activities uses the Common Core standards with reading comprehension QUESTIONS and ANSWERS for 18 short stories such as “The Most Dangerous Game,” “The Monkey’s Paw,” “The Tell-Tale Heart,” “After Twenty Years,” “The Gift of the Magi,” “The Veldt,” “The Lottery,” “The Pedestrian,” etc. modeled after various state reading exams.

Make teaching short stories and activities SIMPLE & EASY!

Just PRINT & TEACH with engaging short stories and lessons!!

Need more fun ideas for teaching short stories and corresponding activities? Check out my store Kristin Menke-Integrated ELA Test Prep !

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You are here, unit 5: facilitating critical thinking through literature, introduction.

Literature is an effective tool for engaging students in critical thinking. By teaching children to analyse and evaluate literary texts appropriate to their age and interests, we can help them develop critical thinking skills. This involves seeing relationships between events, drawing inferences, analysing events, synthesising evidence and evaluating both the content of a text and the language used to the express ideas contained within it.

Unit outcomes

Upon completion of this unit you will be able to:

Terminology

Teacher support information

The literature class gives a teacher the opportunity to engage students in discussions about the ideas expressed in literary texts. This exercise benefits students in two ways: firstly, it gives them an opportunity to express their own ideas about life and relationships, values and beliefs, and interests and dislikes; secondly, it forces them to use a more complex set of structures and a more “advanced” range of vocabulary. As a language teacher in a literature class, you can exploit this situation by engaging students in group and pair activities to read sections of texts and then give their opinions about characters in the text, for example, or the style of writing — whether it is interesting, humorous, tragic, and so on. This will let students practise expressing opinions, drawing inferences, explaining cause-and-effect relationships, comparing facts and applying ideas they have gleaned from literature to new situations. In addition, they will learn how to analyse texts based on logical reasoning and to synthesise and evaluate the information in the texts.

Activity 1: Using literature to develop critical thinking: Drawing inferences from a text

Activity 2: Evaluating a literary text

Activity 3: From critical to creative skills: Participating in creative writing workshops

Activity 4: Collaborative creative writing: Creating a big book

Unit summary

Reflections

Resource 1: Inferring information from a literary text: A sample text

Inferential questions:

Why do you think Trudy’s mother was shouting at her?

Does Trudy understand her responsibilities?

Is Trudy a tidy person?

Look up the meaning of the word “curious” in your dictionary. Is Trudy a curious person?

Did Trudy’s grandfather finally get to spend his life with Betty?

Do you think it was normal for girls and boys to meet freely during Trudy’s grandfather’s time?

Resource 2a: Critically reflecting on and responding to literary texts: Asking evaluative questions

Resource 2b: How to write a journal entry (worksheet)

Teacher question and answer

10+ literary analysis practice worksheets + activities for your ELA class

by mindroar | Oct 10, 2022 | blog | 0 comments

Now, our previous post was about how to teach your students to do a literary analysis or critical analysis.  By now, you might be wondering if you can easily find a literary analysis practice worksheet to help your ELA students learn critical analysis skills. 

I figured that a follow-up post of worksheets and activities that you can quickly and easily use would be in order.

So if you are teaching your students literary analysis skills and you need a little help, check out these great literary analysis activities and worksheets to use in your ELA classroom.

1. Nouvelle ELA – quote analysis

The first resource we have for you today is this PowerPoint and analyzing quotes activity by Nouvelle ELA.  

The aim of the resources is to help your students learn to analyze and embed quotes in their writing.

In this fun literary analysis lesson, students analyze movie quotes and then have scaffolded help to practice embedding those quotes into their writing.  Students practice the skills of:

• Identifying who said the quote
• Summarizing the context of the quote, and
• Analyzing why the quote matters

Included in the activity are

• an editable PowerPoint that introduces how to analyze quotes
• an Interactive notebook lesson
• literary quote analysis homework worksheet that is print and go
• and an editable literary quote analysis homework sheet

2. A moonlighting English teacher – prose analysis and close reading

The second literary analysis practice worksheet we have today is this prose analysis and close reading bundle by A moonlighting English teacher.

The bundle includes activities to help students understand over 55 high-level literary terms, as well as practice and improve their skills in close reading and critical analysis.

While most of the resources were designed with specific texts in mind, most are able to stand alone as individual lessons or resources and are easily adaptable to whatever texts you are using in your class.  

Included in the bundle are:

• a list of every literary term and definition covered in each activity  in the bundle
• AP Literature prose analysis essay materials, including prose analysis passages and activities from The Poisonwood Bible , The Things They Carried , The Good Earth , Nectar in a Sieve , and Remembering
• an AP Literature prose analysis essay activity that helps students break down two official sample essays
• AP Literature prose essay materials, including advice and model outlines, a self-assessment, an a general rubric
• seven creative activities to analyze literary devices in any novel or story, which is also distance-learning compatible
• an activity to scaffold improving prose analysis commentary using Nectar in a Sieve
• an activity on diction and motifs using The Good Earth
• two quote analysis activities using The Good Earth
• a nonfiction analysis and a rhetorical analysis handout
• an activity on humor using The Poisonwood Bible
• an activity on specific syntax devices using The Poisonwood Bible and an activity on the usage of low diction using The Things They Carried
• a general AP Literature prose analysis essay practice/outline worksheet
• creative activities on tone using The Poisonwood Bible and irony using Cry, the Beloved Country
• and a self-created prose essay assignment 

3. Reading the rapids – identifying literary elements

Other great literary analysis lessons include these ones by Reading the rapids.  This fun bundle will help your students identify literary elements.

Students learn and reinforce their learning by watching animated shorts, using graphic organizers, applying their learning in activities, and assessing their peers.  Literary elements students learn about include:

• direct and indirect characterization 
• types of conflict (man vs self/man/society/technology/nature/supernatural) 
• what is and is not an inference
• types of irony 
• juxtaposition
• mood and tone
• personification

The bundle covers many different CCSS and each lesson plan states which skills are covered in that lesson.

The author also has this great free literary device inventory and reflection to help you work out your students’ level of knowledge about literary devices.  It also uses animated shorts so that the activity is fun and engaging for students to complete.

3. Tracee Orman – showing evidence from the text

The next literary analysis practice worksheet is included in this activity by Tracee Orman. In the activities, students will learn how to adequately show evidence from the text. 

In the activity, students use three non-fiction texts and questions to practice citing evidence from the text.  Suggested answers for each question are included, as well as the evidence students should use.

The passages include interesting scenarios including

• a woman and her son are sprayed with poop from a plane flying overhead
• a woman takes in two kittens only to find out they’re bobcats
• a federal court rules on whether a monkey (or other animal/non-human) can sue for copyright infringement.

The files are provided as non-editable PDFs or a Google slides version of the worksheet for students to respond to digitally.

4. Reading and writing haven – analyzing different text types

The next literary analysis practice worksheet we have for you is this bundle by Reading and writing haven. The bundle enables students to practice analyzing a variety of texts, including non-fiction, fiction, paired texts, short films, movies, advertisements, and poetry.  

The materials and the scaffolding guiding questions and prompts enable students to better understand how to analyze texts.  Included in the bundle are  

• a direct instruction presentation and guided notes that breaks down the concept of analyzing 
• a whole-class analyzing activity that uses a poem, a short film, and two political cartoons (suggested use is included) 
• an assignment that contains scaffolded questions to use with any text
• a short film analysis assignment (of Night and Day ) with scaffolded questions and an extended response (film available on YouTube)
• seven graphic organizers to use with a variety of texts (commercials, songs, fiction, nonfiction, poems, movies, and paired texts – text suggestions/recommendations with links are included)
• a pre- and post-assessment 
• a literary analysis essay example to help move students from analyzing verbally to analyzing in a literary analysis format
• an editable single-point rubric and outline with guiding questions to accompany the literary analysis essay
• a unit overview (recommendations for order and text ideas)
• suggested texts and links to sources to use for whole-class modeling purposes

5. Secondary Sara – finding evidence from the text

Another way to get your students to practice literary analysis when studying any novel is by using this fun activity by Secondary Sara.

The Common Core-aligned activity is set up as a “conspiracy theory” that students have to “prove”.  To do so, students practice finding and using evidence to back up a claim. 

In the activity, student groups choose a question about the novel and come up with a “conspiracy theory” (thesis) to answer that question.

While reading, small groups gather text evidence from the novel and analyze it using a four-step method: What does it SAY?, What does it MEAN?, Why does it MATTER?, How does it prove your THESIS?

Once they have completed the novel and graphic organizer, students give presentations on their thesis and the evidence they collected to support it. 

The rest of the class actively listens by following along with their own listening guide to track who said what.

You can also use an optional follow-up essay assignment to individually assess literary analysis skills.

Included in the download are:

• a rubric that clearly assesses speaking standards
• teacher guide that provides essential questions, I Can statements, CCSS standards for grades 6-8, a sample calendar of lessons, and tips for successful implementation of the group project. 
• directions sheet and rubric
• thesis statement development/approval sheet
• case file planning sheet (chart to collect and analyze text evidence while reading)
• listening guide for presentations
• sample PowerPoint template to give students so they know how to format and organize all of their evidence (and it helps them transition into an essay later)
• literary analysis essay assignment (directions and rubric)
• Google, Word, and PDF versions
• bonus pages: a nonfiction activity to research what conspiracy theories are, evaluating evidence in a theory mini-lesson, and analyzing the quality of an essay’s claims mini-lesson 

7. Write on with Miss G – low-risk literary analysis practice

Another fun literary analysis practice worksheet is included in this speed-dating lesson by Write on with Miss G.  The discussion and literary analysis activities work with any novel.

In the activity, students are paired up to discuss questions aligned with the Common Core standards.  After each round, students rotate to a new partner and discuss a new question.

By the end of class, students will have interacted with 15+ peers and discussed 15+ questions! This means students get lots of low-risk, repeated practice in the peer-to-peer setting. 

This literary analysis practice activity enables your entire class to participate in literary analysis in a low-risk setting and set students up for success in whole-class discussions (that you can do following the speed-dating lesson).

This activity works best at the end of a novel, as it contains questions that ask about “the big picture” (theme, symbolism, etc.)

• detailed teacher instructions
• editable student worksheet with an exit ticket
• 27 editable  Common Core-aligned question cards 
• blank question cards (so you can add your own questions)

Literary elements covered in the questions include

• author’s choices
• author’s purpose
• character development
• word choice
• point of view
• objective summary
• and structure

8. Tracee Orman – interactive flipbook

Another literary analysis practice worksheet is included in this interactive notebook flipbook for any novel by Tracee Orman.

You can choose to use the literary analysis activity as an interactive flipbook, or you can choose to use them as literary analysis practice worksheets.  

The activities cover six main areas.  These areas are

• character development: students must analyze how the setting, events, and other characters have influenced each other
• setting: students analyze how the setting affects the tone of the story and how different themes utilize the setting to convey their messages
• point-of-view: students evaluate either first-person, third-person limited, or third-person omniscient narration–depending on the novel or story–and how different events, the setting, and other characters impact the way it is narrated; students also analyze why the author chose that perspective and how it influences different themes 
• plot analysis: students choose different events from the novel and analyze how each contributes to the tension and conflict in the story; students also evaluate the author’s structure of the story and why/how the author uses various literary techniques for storytelling
• literary and figurative devices: students examine the words used in various quotes and how they change or impact the tone and mood of the story; students also identify and explain various figurative language devices such as simile, metaphor, personification, hyperbole, idiom, and imagery
• overall effects: students dissect a theme to see which characters, events, and elements of the setting helped deepen its meaning of it.

Using these literary analysis practice worksheets or interactive notebooks, students practice higher-level critical-thinking skills which include analysis, synthesis, inference, summarizing, and more.

The activities can be used at any point in the text and can be reused at any point, making them even more versatile. They are perfect for stations, group work, or individual independent reading.

9. Teen tech university – analyzing author’s tone

The next literary analysis practice worksheet is included in this activity by Teen tech university, which focuses on teaching students how to analyze the author’s tone in writing.  

Included in the product are

• an analyzing tone Google Slides presentation (30+ slides)
• DIDLS charts for strategic tone analysis – they show students how to analyze diction, imagery, details, language, and syntax
• four poems to analyze – they are all on the same subject but have a different tone
• teacher’s key for ALL poems and activities
• tone tweets activity – students analyze 15 real-life tweets with a student handout and a teacher answer key
• engaging reading passages for practice and application
• an assessable application activity – a high school graduation where two teens with very different viewpoints
• a writing application activity – My greatest fear
• tone words reference sheet (positive, neutral, and negative connotation)
• annotation activities for active reading and examples
• teacher notes and pacing guide
• Google Drive sharing links for all resources AND pdf handouts provided for printing options.

10. Celebrating Secondary – literary analysis of short films

Another fun way to get your students to practice literary analysis is to use short films to introduce, practice, or review the process.  This bundle by Celebrating secondary enables students to practice literary analysis in a low-risk setting by analyzing short films.

Included in the bundle are two products: Literary analysis using Pixar short films and Literary analysis using short films.  Literary topics and skills covered by the activities include:

• characterization
• connotation
• social commentary
• author’s purpose
• and many more

The product includes links to Pixar shorts, including Bao, Lou, Lifted, Partly Cloudy, and La Luna .  It also includes links to short films, including Lambs, Nuggets, Snack Attack, Soar, and The Little Shoemaker .

A suggested answer key is included, but because the activities are analysis-based answers will vary.  

11. Miss Fits – “recipe” of a text analysis

The last literary analysis practice worksheet is included in this recipe book project by Miss Fits.

In the CCSS-aligned project, students show their understanding and interpretation of the main ideas and themes of a literary work in a fun and creative way. They will practice citing textual evidence to support their examination of a literary work, including themes and characterization. 

This activity works fantastically with books that have a large emphasis on food, such as 

Lara Esquivel’s Like Water for Chocolate , Eat, Pray, Love by Elizabeth Gilbert, Sweetbitter by Stephanie Danler, or The Joy Luck Club by Amy Tan.  

However, it can also be used with other texts, with the creator saying she’s used it with a class reading George Orwell’s 1984 and another student using it as an alternative project for  The Handmaid’s Tale.

Included in the product are:

• an assignment sheet explaining the objective and instructions for the project
• rubric (editable version also included)
• an imagery tracker
• a creative symbolism exercise
• step-by-step recipe worksheet to help students create their projects, and
• sample entries

Want more literary analysis content?

Check out these blog posts

• Literary analysis: how to teach your ELA students to analyze
• 5 research-backed reasons you should be teaching mind mapping

Want a literary analysis example to show your ELA students? Sign up to have an example literary analysis of Jane Austen’s Emma delivered to your inbox.

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Activities to Help Students Make Connections With Literature

Ela lesson planning , reading & literature.

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Incorporating strategies into your lessons for making connections to literature will help students to become more engaged readers and develop the ability to comprehend texts on different levels. Each of these strategies, broken down into text-to-self, text-to-text, and text-to-world connections can be used in the classroom or adapted for online learning by creating breakout rooms instead of physical groups, or using Jamboard as a brainstorming platform, for example. 

Text-To-Self Connections

Character Trait Mind Map

• Create a whole-class mind-map of character traits for a character 
• Assign pairs a character trait to find an example of in the text, and add to the mind-map 
• Students individually choose a character trait from the mind-map and write about how they can relate to the example given

Snowball Reflections 

• Hand out different reflection prompts that ask students to reflect on a connection they can make to specific events in the plot, or to how a character felt at that point in the story 
• Once they’ve written something down (anonymously), they crumple it up and throw their “snowball” into the middle of the room 
• Everyone chooses a new snowball and reflects on the connection the previous person made before making their own connection

Diamante Poem

• Students choose an event from the plot which resulted in the character feeling a specific emotion 
• Students write a diamante poem that connects the character to themselves using the following formula: 
• Line 1: Character’s name 
• Line 2: two words describing how they feel 
• Line 3: three words describing why they feel this way
• Line 4: four words describing how this emotion feels
• Like 5: three words describing why you can relate
• Line 6: two words describing how you felt similarly
• Line 6: Your name

Seeking his revenge 

Emotional wounds never heal

Feeling so betrayed

Text-To-Text Connections

Four Corners Investigation 

• Display pictures from four different movies that students are familiar with in the four corners of the classroom
• Ask students to stand in the corner with the movie that they feel relates to the text being studied in class
• Each of the four groups will then graffiti all of the similarities between the texts (the movie and the class text) and then present to the class 

Thematic Elements Memory Matching Game 

• Place cards face down, each describing how different themes are portrayed in a story, as well as how the same themes are portrayed in other texts (books, movies, etc.) so that each theme from the class text has a pair in the game from another text 
• Students take turns trying to make matches 
• The student who collects the most matching pairs wins 

Story Soundtrack 

• Assign a specific scene or chapter from a piece of literature, or let students choose their scene if the text has been completely read
• Ask students to imagine this text has been turned into a movie – what song might be appropriate to play during this scene? 
• Students write about how their song choice suits the mood, and plot of the scene – Do the lyrics relate in some way? Is the tone of the song similar to the tone in the scene? 
• To extend this activity into a larger assignment, students can create an entire soundtrack of songs for the text as a whole and explain their text-to-text connections between song choices and the text

Text-To-World Connections

Newspaper Collage 

• Create a bulletin board collage of news articles that relate to the issues and themes in a class text
• Each student should contribute one article and contribute the text-to-world connection between the class text and the article (the article can be current or historical)

Sharing Circle 

• Divide class into small groups and provide each group with an article that relates to the issues and themes in a class text
• After groups discuss, arrange chairs in a circle and conduct a whole-class sharing circle by asking students to share one thing they learned from the articles, one thing they found surprising, or one question they still have after reading 
• Then as a whole group, discuss how the articles relate to the class text

Getting Sketchy 

• Provide students with a selection of events in the plot that could relate to real-world events (or let them choose)
• Students look online for an image depicting a real-world event that relates to the plot – this activity works especially well when you are working with a text that references historical events or takes place in a specific time period
• Students cut the image in half vertically and glue to a piece of paper so that they have a blank half they can draw on. Students then draw the other half of the picture but include details to relate it to the text – for example, incorporating one of the characters or setting details

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Multiple Perspectives: Building Critical Thinking Skills

• Resources & Preparation
• Instructional Plan
• Related Resources

This lesson develops students' critical thinking skills through reading and interacting with multiple-perspectives texts. Students analyze selected texts, using metacognitive strategies such as visualizing, synthesizing, and making connections, to learn about multiple points of view. By studying Doreen Cronin's Diary of a Spider/ Worm/ Fly books, students develop a model for an original diary based on an animal of their choosing. Students conduct online research on their chosen animal and use the information gathered to create several diary entries from the perspective of that animal. Students' completed diaries are shared with the class and the larger school community.

Featured Resources

• Fish Is Fish : This Leo Lionni book encourages students to use their skills in thinking from different perspectives.
• Fish Is Fish Script: The script, written by the lesson author, contains original text from the book as well as some new additional text.
• Doreen Cronin as Our Mentor: This printout summarizes the types of entries Doreen Cronin uses in her Diary of a Spider/Worm/Fly books and provides students with ideas and starting points for their own diary entries.
• Websites for Research: A list of excellent, easy-to-navigate student-oriented websites that provide facts on all types of animals.

From Theory to Practice

• As a result of state standards that require students to engage in critical and analytical thinking related to texts, teachers have been turning toward the notion of critical literacy to address such requirements. Though it is an educational buzz word, there is no clear definition of critical literacy, which creates difficulties for teachers who attempt to incorporate deep, critical thinking into their instruction but do not get much guidance from state standards as to how to design instruction.
• Clarke and Whitney provide a three-part framework for incorporating critical literacy into the classroom: (1) Students start by digging beyond the surface of a text, deconstructing it, and then analyzing and interrogating the layers of meaning; (2) students take what they have learned from analyzing the text to reconstruct it and create new ways of thinking; and (3) by taking what they have learned from deconstructing and reconstructing the text, the students can connect to the larger world and even take social action.
• Multiple-perspective books, which intentionally emphasize different viewpoints, help students develop critical thinking skills and learn how to see beyond their own lives to the world outside. Such books, coupled with Clarke and Whitney’s framework, help students to understand, visualize, and empathize with someone else’s struggles.

Common Core Standards

This resource has been aligned to the Common Core State Standards for states in which they have been adopted. If a state does not appear in the drop-down, CCSS alignments are forthcoming.

State Standards

This lesson has been aligned to standards in the following states. If a state does not appear in the drop-down, standard alignments are not currently available for that state.

NCTE/IRA National Standards for the English Language Arts

• 1. Students read a wide range of print and nonprint texts to build an understanding of texts, of themselves, and of the cultures of the United States and the world; to acquire new information; to respond to the needs and demands of society and the workplace; and for personal fulfillment. Among these texts are fiction and nonfiction, classic and contemporary works.
• 3. Students apply a wide range of strategies to comprehend, interpret, evaluate, and appreciate texts. They draw on their prior experience, their interactions with other readers and writers, their knowledge of word meaning and of other texts, their word identification strategies, and their understanding of textual features (e.g., sound-letter correspondence, sentence structure, context, graphics).
• 4. Students adjust their use of spoken, written, and visual language (e.g., conventions, style, vocabulary) to communicate effectively with a variety of audiences and for different purposes.
• 5. Students employ a wide range of strategies as they write and use different writing process elements appropriately to communicate with different audiences for a variety of purposes.
• 7. Students conduct research on issues and interests by generating ideas and questions, and by posing problems. They gather, evaluate, and synthesize data from a variety of sources (e.g., print and nonprint texts, artifacts, people) to communicate their discoveries in ways that suit their purpose and audience.
• 8. Students use a variety of technological and information resources (e.g., libraries, databases, computer networks, video) to gather and synthesize information and to create and communicate knowledge.
• 11. Students participate as knowledgeable, reflective, creative, and critical members of a variety of literacy communities.
• 12. Students use spoken, written, and visual language to accomplish their own purposes (e.g., for learning, enjoyment, persuasion, and the exchange of information).

Materials and Technology

• Computers with Internet access (one computer per student, if possible)
• Pencils, crayons, markers, colored pencils, erasers
• Construction paper for cover of diary (one piece for each student or student pair)
• Seven Blind Mice by Ed Young (Philomel, 1992)
• Fish Is Fish by Leo Lionni (Random House, 1998)
• Diary of a Worm by Doreen Cronin (HarperCollins, 2003)
• Diary of a Spider by Doreen Cronin (HarperCollins, 2005)
• Diary of a Fly by Doreen Cronin (HarperCollins, 2007)
• Assorted Zoobooks or Ranger Rick magazines
• Baseball caps labeled Fish and Frog (optional)
• Fish Is Fish Script
• Diary Entry Template
• Doreen Cronin as Our Mentor
• Diary Planning Sheet
• Research Notes
• Can I See Different Perspectives?
• Partnership Reflection Form
• Self-Assessment: What Did I Learn?
• Sketch to Stretch
• Fish Is Fish Venn Diagram
• Websites for Research
• Teacher Rubric: Student Diary Entries
• Teacher Rating Form: Sketch to Stretch
• Teacher Rubric: Fish Is Fish
• Red-Eyed Tree Frog

Preparation

• Print out several copies of the Red-Eyed Tree Frog photograph (enough for a small group of students to share) and cut each photograph into several pieces.
• Make one copy for each student of Sketch to Stretch , Can I See Different Perspectives? , Fish Is Fish Script , Fish Is Fish Venn Diagram , Doreen Cronin as Our Mentor , Diary Planning Sheet , Research Notes , and Self-Assessment: What Did I Learn?
• Make three copies for each student of the Partnership Reflection Form .
• Make five copies for each student of the Diary Entry Template .
• Bookmark Websites for Research on classroom computers or bookmark each of the websites on the list.
• Print one copy each of the Teacher Rubric: Student Diary Entries , Teacher Rating Form: Sketch to Stretch and Teacher Rubric: Fish Is Fish .
• Obtain one copy of Seven Blind Mice by Ed Young and practice reading aloud.
• Obtain one copy of Fish Is Fish by Leo Lionni for teacher reference.
• Obtain multiple copies of Diary of a Worm , Diary of a Spider , and Diary of a Fly by Doreen Cronin.
• Obtain an assortment of Zoobooks and or Ranger Rick magazines for initial research.
• Reserve time in the computer lab for Session 5, if necessary.
• Familiarize yourself with all of the Websites for Research so you can assist students in navigating and searching these sites.
• If desired, have students bring in baseball caps prior to Session 3 and label each cap with either Fish or Frog . Each student needs a baseball cap, and because students will be working in partners, one student will receive the “Fish” label and the other student will receive the “Frog” label.

Student Objectives

Students will

• Develop a basic understanding of narrative perspective
• Become aware of the presence—and the value—of including different voices in a text; and understand how presenting an issue from various vantage points adds multiple layers of meaning
• Practice research skills by using both print and online sources
• Organize and synthesize facts from research
• Use critical literacy skills to view life from the perspective of a selected animal
• Practice writing factual information from a specific point of view, in a diary format
• Develop teamwork skills through working with a partner and sharing the responsibilities of research, planning, writing, and creating the final diary from the chosen animal’s perspective

Session 1: An Introduction to Multiple Perspectives

• To begin the exploration of perspective, explain to students that you are going to give them a small piece of a larger picture, which has been cut into pieces.
• Model how to create a picture based on a small part of the photograph.
• Organize students into small groups of 3–4 students. After groups have been formed, distribute pieces of the photograph to the members of each group. Have students draw what they think the rest of the photo might look like, without looking at the other pieces. (Remind them to focus on their part only.)
• Have the members of each group share their illustrations with one another. Engage students in discussion about the similarities and differences of their illustrations. Ask them to predict what the entire picture might be.
• Assemble all of the pieces of the picture to reveal the entire image.
• Connect to photograph activity, where each student formed a different idea of the original photograph because each was seeing it from a different perspective.
• Point out that there are always at least two sides to every story, which is why people go to court and why teachers ask each student involved in a disagreement to tell his or her side of a story.
• Explain that we come to understand a character’s perspective by creating mental images.
• When we pay attention to a character’s perspective (or all of the characters’ perspectives), we are engaging in critical thinking , and this kind of thinking helps us be better readers.
• Sum up the explanation of perspective with the analogy of “walking in someone else’s shoes.” In the case of reading, you are taking off your own shoes and putting on the narrator’s shoes to walk through the story.

Session 2: <em>Seven Blind Mice</em>

• Introduce the book Seven Blind Mice by telling students that it shows the perspective of seven different characters. Explain that they will first take apart (deconstruct) the story and sketch it from each character’s perspective and then put together all of their images and see if they can get an idea of the entire picture.
• Distribute a copy of the Sketch to Stretch sheet to each student and explain that each block is to be used to depict the perspective of one of the mice in the story.
• Activate students’ schema by having them briefly discuss how a mouse’s perspective is different from a human’s. Before reading, have students pretend to take off their shoes and imagine that they are putting on a mouse’s shoes.
• Read aloud Seven Blind Mice . Stop after each mouse’s description of the object ( pillar , snake , spear , cliff , fan , rope ) and have students complete a box on their Sketch to Stretch sheet.
• Before reading the ending of the book, have the students try to put together the images from the different perspectives to infer what the entire picture might be. After this discussion, finish the book.
• To close the lesson, have the students complete the self-assessment form Can I See Different Perspectives?

Session 3: Walking in a Character’s Shoes

• Introduce the book Fish Is Fish and ask students to predict what the book might be about. Also encourage them to ask questions about the book and think about what kinds of pictures they might see in the book. Encourage students to explain their thoughts as they discuss.
• Review the idea of perspective and connect it to Fish Is Fish . Ask students whose perspective they think Fish Is Fish will be told from and why. Then explain to the students that Fish Is Fish is told from the very different perspectives of a fish and of a tadpole that turns into a frog.
• Create student partnerships (2 students—if an odd number of students, one group of 3 and modify the activities as necessary). Students will complete the remaining sessions and activities with this partner.
• Distribute copies of the Fish Is Fish Venn Diagram and explain how students will fill in the characteristics of Fish and Tadpole/Frog in the appropriate spaces as they read.
• Distribute copies of the Fish Is Fish Script . The students will verbally read aloud the script with their partners. Note to students that whoever reads Fish’s part also must read as Narrator 1 and the partner who reads Frog’s part must also read Narrator 2. Provide students with the appropriate labels for their baseball caps (optional).
• Circulate and observe as students read through script with their partners.
• When students have read through about half of the script (about the halfway mark where Fish and Frog say good night), ask them to stop and jot down their thoughts about each character’s perspective. After they finish the book, they will complete the Fish Is Fish Venn Diagram and discuss as a pair.
• Have students discuss in their pairs which character (Fish or Frog) had a more positive perspective of life and why. Then, share thoughts as a class.
• To close the lesson, ask students whether playing the part of the fish and the frog after learning about perspective helped them feel as though they were thinking like the fish or frog.

Session 4: Using an Author as a Mentor

• Tell students that during the next two lessons they will complete a project using their skills of thinking from the perspective of someone or something else.
• Introduce Diary of a Spider , Diary of a Worm , and Diary of a Fly , and ask students how the books are similar. (Make sure students’ response is that they are all the diary of something.) Also ask students to predict what kind of project they think they will be working on (creating a diary from the perspective of an insect/animal).
• Tell students that they will be writing a diary from the perspective of an animal of their choosing. Students will be working with the partners they read with during the last session to create this diary. At this time, students can just begin to think about which animal they would like to “become.” A final decision does not need to be made at this point in time.
• Ask students how they think they could learn about the perspective of a particular animal (researching, asking questions, reading about the animal).
• Tell students that similarities among an author’s books can be used to form a “recipe” for another story. Distribute one copy of each book to each set of partners. If there aren’t enough copies, give each partnership one book and allow students to skim for about three minutes and then rotate with another group. After students have looked through the books, ask students what similarities they notice among the Diary of a Spider/Worm/Fly books. What is similar in the story lines? The entries?
• Distribute copies of Doreen Cronin as Our Mentor . Read through the list of “ingredients,” and have each student identify at least four entries they would like to emulate in their diary. You may want to require that all diaries follow Cronin’s formulas for beginning and ending but that the fifth entry of each student will be either the beginning or the ending. Encourage students to use different diary entry ideas within their pairs and to choose different items to emulate, as they will be writing the diary together.
• Distribute a copy of the Research Notes worksheet to each student, and have students go over the different types of facts they should look for about the animal.
• Provide students with time to discuss with their partners what animal they will research. You may want to go through your magazines ahead of time so you know which animals you have information for. Different partnerships may choose the same animal as long as information sources are available for each partnership.
• Bring students back together for short whole-class instruction. Model how to form additional questions students will need to answer to complete their animal diaries. For example, for a diary entry about the animal at school, you might think aloud, “Hmmm, we learn things in school. What might this animal need to learn when it is young or at some point during its lifetime?” For a diary entry about a nightmare the animal might have, you could think aloud: “Well, when I have nightmares they are always about something I am afraid of, so what might this animal be afraid of—afraid enough to have a nightmare?”
• Guide students to begin skimming through the Zoobooks or Ranger Rick magazines to gather some information about animals. Quickly review how the headings on each page can guide the reader to particular information.
• To close the session, have two sets of partners meet and share information about what they have found.

Session 5: Gathering the Ingredients

• When we read a story we see it from the perspective, or point of view, of the narrator, who may also be a character in the story.
• Different characters in the story have different perspectives on the events.
• Awareness of different perspectives is a type of critical thinking.
• Remind students that they will be working to write a diary from the perspective of a chosen animal. If necessary, review research and note-taking techniques.
• Have students review the preliminary research they conducted with Zoobooks or Ranger Rick magazines during the last lesson, and formulate some additional questions they would like to answer through their research.
• In the computer lab or on classroom computers, have students open the Websites for Research . Explain that students should use these sites to find information about their chosen animals and answer as many questions as possible on the Research Notes worksheet. Assist students in navigating the sites and finding the needed information. Partners can work together to gather the information, or each partner can work separately and compare and combine information in the end.

Session 6: Planning for the Diary

• Have students review their Research Notes from the previous session and select interesting facts to include in their animal diaries.
• Decides who will write the opening entry and who will write the closing entry
• Decides on dates for entries 1–10 ahead of time so that the entries are in consecutive order when written and then combined to form the diary
• As students finish planning, provide each student with five copies of the Diary Entry Template . Students can begin working on their entries today and complete them in Sessions 7 and 8.

Sessions 7 and 8: Writing From a Different Perspective

• If not distributed during the last session, provide each student with five copies of the Diary Entry Template . Allow students 30–40 minutes to work on constructing journal entries from their animal’s perspective. Encourage them to use their skills in thinking from another’s perspective while creating journal entries. Guide and assist students as needed while they create their journal entries.
• After students have written all of their entries, they should illustrate the various entries.
• Have students create a diary cover including the title ( Diary of a ______) and the name(s) of the author(s). Assist students in assembling their diaries, alternating pages by student.

Session 9: Sharing Our Learning

Set aside a class session for partner sets to share their diaries with the class orally. Since students worked in pairs, photocopy the diaries so that each partner has a copy. After sharing, make sure to distribute Self-Assessment: What Did I Learn? form for each student to complete independently.

• Have students use Microsoft PowerPoint or Smart Notebook software to create a digital version of their diaries. Assist them in adding a soundtrack of themselves reading the diary aloud if desired. Upload to the school website to share with students’ families, other classes, and the community.
• Have students visit younger classes and share their diaries as read-alouds or in a Readers Theatre format.
• To continue their study of multiple perspectives, have students read The Big Orange Splot by Daniel Pinkwater and rewrite the text as a script for Readers Theatre.
• Have students shadow another person—mother, father, teacher, sibling, or even a pet—for several days, taking notes and, if possible, interviewing the subject. Students could then write a diary from the perspective of the person they “shadowed,” using Doreen Cronin’s entries as models.
• Students can use Fish Is Fish Script for a Readers Theatre performance.
• Students can visit the Diary of a Fly website to remind them of their project and connect their learning to technology.

Student Assessment / Reflections

• At the end of Session 1, have students assess their ability to understand characters’ perspectives using the self assessment Can I See Different Perspectives?
• Use the Teacher Rating Form: Sketch to Stretch to reflect upon the students’ success with the Sketch to Stretch activity in Session 2.
• Use the Teacher Rubric: Fish Is Fish to assess students’ success with using critical thinking skills to think from different perspectives.
• Observe as the students discuss the similarities between Doreen Cronin’s books, as well as the entries they are interested in. Are students noticing similarities? Are they focusing on a particular subject that they find interesting?
• Observe students as they formulate additional questions for research. Are their questions appropriate for finding the information needed for their diary entries? Are students formulating questions with ease or do they require assistance in formulating questions?
• Observe students as they engage in research on the web. Are students locating information with ease? Are they using their worksheets to record and organize information?
• Assess students’ writing, research, and critical thinking skills through the use of the Teacher Rubric: Student Diary Entries .
• Students will reflect on their work by completing an end-of-unit Self-Assessment: What Did I Learn?
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Critical Thinking with Literature: It’s Problem-Solving

• By Sharon Crowley
• June 29, 2015

Critical thinking tops the list of skills students need for success in the complex 21st century. When it comes to science and math, most people equate critical thinking with problem solving. In those content areas, students apply their understanding of basic concepts to a task for which the solution is not known in advance. By grappling with a challenging problem, students extend their learning. Critical thinking about literature is not so different. With a written work, the problem or task is often an open-ended, text-based question. Students use their comprehension of the text to develop interpretations—or solutions to the problem.

If you want your students to engage in higher-order thinking as they read and discuss literature, include these key elements of problem-solving activities:

Genuine, intriguing questions. To think critically, there must be something to think critically about. With literature, it’s a text that leaves your students puzzling and asking questions about a character, event, symbol, or structure. Predictable or moralistic texts with flat characters don’t generate intriguing questions. When texts are sufficiently complex, the questions that spring from them present engaging problems.

Divergent answers. Just as genuine problems in math or science allow for multiple strategies and solutions, a discussion-worthy question about a piece of literature should invite multiple interpretations or answers. In Shared Inquiry discussions, considering divergent ideas is what drives students to find deeper meaning in a text.

Ample evidence. As in math or science, for an answer or solution to be sound, there must be relevant reasons behind it. Likewise, ideas about the meaning of literary texts must be supported with the evidence from the work itself. Evidence and reasoning make ideas valid and debatable. Without evidence, ideas are simply guesses.

Opportunities to evaluate evidence. Some pieces of scientific or mathematical data are more compelling than others. The same is true when exploring a question about a rich work of literature. Collaborative discussion is a time for participants to share the evidence that supports their ideas, to weigh that evidence, and to strengthen ideas by debating each other’s assertions or suggesting additional evidence.

Collaboration. A good discussion question, or problem, is one that students want to work on together. Just as students benefit from combining their skills and perspectives when solving a math or science problem, discussing an interpretive question as a group yields more thoughtful and considered answers than if students had worked alone. Follow-up questions that ask students to clarify, elaborate, and explain their ideas help deepen and enliven the conversation.

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A Deep Dive into 10 Thought-Provoking Critical Thinking Exercises

Today, information bombards us from all directions, and the ability to think critically has become a paramount skill. Beyond the rote memorization of facts, critical thinking exercises involve the analysis, evaluation, and synthesis of information to make informed decisions. In this comprehensive guide, we’ll explore ten engaging and effective critical thinking exercises designed to enhance cognitive abilities, foster intellectual agility, and contribute to overall cognitive excellence.

List of Critical Thinking Exercises: 

1. socratic questioning: unlocking wisdom through dialogue.

The Socratic method, with its roots in ancient philosophy, serves as a foundational exercise for critical thinking. It involves posing open-ended questions stimulating thoughtful dialogue and exploring complex topics. The exercise encourages individuals to engage in structured discussions, challenging assumptions, and dissecting various perspectives on a chosen subject matter.

Exercise: Organize or participate in Socratic discussion groups where participants tackle topics ranging from ethical dilemmas to societal issues. The goal is to foster an environment where thoughtful questioning leads to a deeper understanding of the subject matter.

2. Brain Teasers and Puzzles: Nurturing Analytical Thinking

Solving puzzles, riddles, and brain teasers is a classic exercise for enhancing problem-solving skills and developing cognitive flexibility. Engaging in these activities challenges the mind, fostering creativity and adaptability.

Exercise: Dedicate regular time to solving Sudoku, crosswords, or logic puzzles. These exercises provide mental stimulation and improve memory, concentration, and logical reasoning.

3. Debate Club Participation: Sharpening Persuasive and Analytical Skills

Joining a debate club provides a platform to practice constructing persuasive arguments, critically evaluating opposing viewpoints, and refining communication skills. The exercise encourages individuals to think on their feet, respond to counterarguments, and strengthen their ability to convey ideas convincingly.

Exercise: Actively participate in structured debates on topics ranging from current affairs to philosophical dilemmas. This fosters the development of not only critical thinking but also effective communication.

4. Case Study Analysis: Applying Critical Thinking to Real-World Scenarios

Analyzing real or hypothetical case studies allows individuals to apply critical thinking exercises to assess situations and propose effective solutions. This exercise mimics the problem-solving demands of various professions and prepares individuals to think critically in real-world contexts.

Exercise: Review business case studies, legal scenarios, or medical cases, identifying key issues and recommending strategic approaches. This hands-on approach enhances decision-making skills.

5. Concept Mapping: Visualizing Complex Ideas for Better Understanding

Creating visual representations of ideas, relationships, and hierarchies through concept mapping enhances understanding and promotes analytical thinking. This exercise encourages individuals to see the interconnectedness of concepts and improves visual-spatial thinking.

Exercise: Utilize mind maps or concept maps to illustrate complex concepts or plan projects. This visual approach aids in organizing thoughts, identifying relationships between ideas, and enhancing overall comprehension.

6. Decision-Making Simulations: Learning Through Virtual Scenarios

Participation in decision-making simulations replicates real-world scenarios, encouraging thoughtful analysis and strategic thinking. This exercise allows individuals to make decisions within a controlled environment, experiencing the consequences of their choices.

Exercise: Explore online simulations or business strategy games that require strategic decision-making. These simulations provide a risk-free environment for learning and testing different decision-making approaches.

7. Read Diverse Perspectives: Broadening Horizons through Literature

Exposure to a variety of perspectives, cultures, and ideologies through literature and diverse media broadens understanding and encourages critical thinking. This exercise prompts individuals to consider alternative viewpoints and challenges preconceived notions.

Exercise: Read books, and articles, or watch documentaries from authors with differing viewpoints. This exposure to diverse perspectives fosters empathy, cultural awareness, and a more nuanced understanding of the world.

8. Critical Writing Exercises: Articulating Coherent Arguments

Developing analytical writing skills involves articulating coherent arguments and supporting them with evidence, fostering clarity and logical reasoning. This exercise enhances the ability to express complex thoughts in a structured and persuasive manner.

Exercise: Engage in writing essays or analyses on thought-provoking topics. Focus on constructing compelling arguments with evidence-based reasoning. This exercise not only hones critical thinking exercises but also improves written communication.

9. Ethical Dilemma Deliberation: Exploring Morality and Decision-Making

Delving into ethical dilemmas requires individuals to examine the moral implications of decisions, considering multiple ethical frameworks. This exercise encourages individuals to think critically about the consequences of their actions on both a personal and societal level.

Exercise: Engage in discussions and analyze ethical scenarios, exploring the ethical dimensions of various decisions. This exercise prompts individuals to consider the broader implications of their choices.

10. Data Analysis Challenges: Making Informed Decisions Based on Data

Enhancing quantitative critical thinking involves interpreting and drawing conclusions from data, promoting data literacy. This exercise empowers individuals to make informed decisions based on quantitative information.

Exercise: Work with datasets, analyze trends, and draw meaningful insights. Developing proficiency in data analysis enhances the ability to make evidence-based decisions in various contexts.

Conclusion:

Cultivating cognitive excellence through critical thinking exercises is a journey that requires active engagement in diverse exercises. The ten exercises presented in this guide offer a comprehensive range of activities to foster cognitive agility. From engaging in Socratic questioning to tackling ethical dilemmas and analyzing data, these exercises empower individuals to approach challenges with a discerning and analytical mindset. Embrace the journey of continuous intellectual development through these practical and stimulating critical thinking exercises, and witness the transformative power of a sharpened mind.

Also Read: 10 Team-Building Games That Promote Critical Thinking

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5 Critical Thinking Skills Every Kid Needs To Learn (And How To Teach Them)

Teach them to thoughtfully question the world around them.

Little kids love to ask questions. “Why is the sky blue?” “Where does the sun go at night?” Their innate curiosity helps them learn more about the world, and it’s key to their development. As they grow older, it’s important to encourage them to keep asking questions and to teach them the right kinds of questions to ask. We call these “critical thinking skills,” and they help kids become thoughtful adults who are able to make informed decisions as they grow older.

What is critical thinking?

Critical thinking allows us to examine a subject and develop an informed opinion about it. First, we need to be able to simply understand the information, then we build on that by analyzing, comparing, evaluating, reflecting, and more. Critical thinking is about asking questions, then looking closely at the answers to form conclusions that are backed by provable facts, not just “gut feelings” and opinion.

Critical thinkers tend to question everything, and that can drive teachers and parents a little crazy. The temptation to reply, “Because I said so!” is strong, but when you can, try to provide the reasons behind your answers. We want to raise children who take an active role in the world around them and who nurture curiosity throughout their entire lives.

Key Critical Thinking Skills

So, what are critical thinking skills? There’s no official list, but many people use Bloom’s Taxonomy to help lay out the skills kids should develop as they grow up.

Source: Vanderbilt University

Bloom’s Taxonomy is laid out as a pyramid, with foundational skills at the bottom providing a base for more advanced skills higher up. The lowest phase, “Remember,” doesn’t require much critical thinking. These are the skills kids use when they memorize math facts or world capitals or practice their spelling words. Critical thinking doesn’t begin to creep in until the next steps.

Understanding requires more than memorization. It’s the difference between a child reciting by rote “one times four is four, two times four is eight, three times four is twelve,” versus recognizing that multiplication is the same as adding a number to itself a certain number of times. Schools focus more these days on understanding concepts than they used to; pure memorization has its place, but when a student understands the concept behind something, they can then move on to the next phase.

Application opens up whole worlds to students. Once you realize you can use a concept you’ve already mastered and apply it to other examples, you’ve expanded your learning exponentially. It’s easy to see this in math or science, but it works in all subjects. Kids may memorize sight words to speed up their reading mastery, but it’s learning to apply phonics and other reading skills that allows them to tackle any new word that comes their way.

Analysis is the real leap into advanced critical thinking for most kids. When we analyze something, we don’t take it at face value. Analysis requires us to find facts that stand up to inquiry, even if we don’t like what those facts might mean. We put aside personal feelings or beliefs and explore, examine, research, compare and contrast, draw correlations, organize, experiment, and so much more. We learn to identify primary sources for information, and check into the validity of those sources. Analysis is a skill successful adults must use every day, so it’s something we must help kids learn as early as possible.

Almost at the top of Bloom’s pyramid, evaluation skills let us synthesize all the information we’ve learned, understood, applied, and analyzed, and to use it to support our opinions and decisions. Now we can reflect on the data we’ve gathered and use it to make choices, cast votes, or offer informed opinions. We can evaluate the statements of others too, using these same skills. True evaluation requires us to put aside our own biases and accept that there may be other valid points of view, even if we don’t necessarily agree with them.

In the final phase, we use every one of those previous skills to create something new. This could be a proposal, an essay, a theory, a plan—anything a person assembles that’s unique.

Note: Bloom’s original taxonomy included “synthesis” as opposed to “create,” and it was located between “apply” and “evaluate.” When you synthesize, you put various parts of different ideas together to form a new whole. In 2001, a group of cognitive psychologists removed that term from the taxonomy , replacing it with “create,” but it’s part of the same concept.

How To Teach Critical Thinking

Using critical thinking in your own life is vital, but passing it along to the next generation is just as important. Be sure to focus on analyzing and evaluating, two multifaceted sets of skills that take lots and lots of practice. Start with these 10 Tips for Teaching Kids To Be Awesome Critical Thinkers . Then try these critical thinking activities and games. Finally, try to incorporate some of these 100+ Critical Thinking Questions for Students into your lessons. They’ll help your students develop the skills they need to navigate a world full of conflicting facts and provocative opinions.

One of These Things Is Not Like the Other

This classic Sesame Street activity is terrific for introducing the ideas of classifying, sorting, and finding relationships. All you need are several different objects (or pictures of objects). Lay them out in front of students, and ask them to decide which one doesn’t belong to the group. Let them be creative: The answer they come up with might not be the one you envisioned, and that’s OK!

The Answer Is …

Post an “answer” and ask kids to come up with the question. For instance, if you’re reading the book Charlotte’s Web , the answer might be “Templeton.” Students could say, “Who helped save Wilbur even though he didn’t really like him?” or “What’s the name of the rat that lived in the barn?” Backwards thinking encourages creativity and requires a good understanding of the subject matter.

Forced Analogies

Practice making connections and seeing relationships with this fun game. Kids write four random words in the corners of a Frayer Model and one more in the middle. The challenge? To link the center word to one of the others by making an analogy. The more far out the analogies, the better!

Learn more: Forced Analogies at The Owl Teacher

Primary Sources

Tired of hearing “I found it on Wikipedia!” when you ask kids where they got their answer? It’s time to take a closer look at primary sources. Show students how to follow a fact back to its original source, whether online or in print. We’ve got 10 terrific American history–based primary source activities to try here.

Science Experiments

Hands-on science experiments and STEM challenges are a surefire way to engage students, and they involve all sorts of critical thinking skills. We’ve got hundreds of experiment ideas for all ages on our STEM pages , starting with 50 Stem Activities To Help Kids Think Outside the Box .

Not the Answer

Multiple-choice questions can be a great way to work on critical thinking. Turn the questions into discussions, asking kids to eliminate wrong answers one by one. This gives them practice analyzing and evaluating, allowing them to make considered choices.

Learn more: Teaching in the Fast Lane

Correlation Tic-Tac-Toe

Here’s a fun way to work on correlation, which is a part of analysis. Show kids a 3 x 3 grid with nine pictures, and ask them to find a way to link three in a row together to get tic-tac-toe. For instance, in the pictures above, you might link together the cracked ground, the landslide, and the tsunami as things that might happen after an earthquake. Take things a step further and discuss the fact that there are other ways those things might have happened (a landslide can be caused by heavy rain, for instance), so correlation doesn’t necessarily prove causation.

Learn more: Critical Thinking Tic-Tac-Toe at The Owl Teacher

Inventions That Changed the World

Explore the chain of cause and effect with this fun thought exercise. Start it off by asking one student to name an invention they believe changed the world. Each student then follows by explaining an effect that invention had on the world and their own lives. Challenge each student to come up with something different.

Learn more: Teaching With a Mountain View

Critical Thinking Games

There are so many board games that help kids learn to question, analyze, examine, make judgments, and more. In fact, pretty much any game that doesn’t leave things entirely up to chance (Sorry, Candy Land) requires players to use critical thinking skills. See one teacher’s favorites at the link below.

Learn more: Miss DeCarbo

This is one of those classic critical thinking activities that really prepares kids for the real world. Assign a topic (or let them choose one). Then give kids time to do some research to find good sources that support their point of view. Finally, let the debate begin! Check out 100 Middle School Debate Topics , 100 High School Debate Topics , and 60 Funny Debate Topics for Kids of All Ages .

How do you teach critical thinking skills in your classroom? Come share your ideas and ask for advice in the WeAreTeachers HELPLINE group on Facebook .

Plus, check out 38 simple ways to integrate social-emotional learning throughout the day ..

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• What is Critical Thinking?

The ability to think critically calls for a higher-order thinking than simply the ability to recall information.

Definitions of critical thinking, its elements, and its associated activities fill the educational literature of the past forty years. Critical thinking has been described as an ability to question; to acknowledge and test previously held assumptions; to recognize ambiguity; to examine, interpret, evaluate, reason, and reflect; to make informed judgments and decisions; and to clarify, articulate, and justify positions (Hullfish & Smith, 1961; Ennis, 1962; Ruggiero, 1975; Scriven, 1976; Hallet, 1984; Kitchener, 1986; Pascarella & Terenzini, 1991; Mines et al., 1990; Halpern, 1996; Paul & Elder, 2001; Petress, 2004; Holyoak & Morrison, 2005; among others).

After a careful review of the mountainous body of literature defining critical thinking and its elements, UofL has chosen to adopt the language of Michael Scriven and Richard Paul (2003) as a comprehensive, concise operating definition:

Critical thinking is the intellectually disciplined process of actively and skillfully conceptualizing, applying, analyzing, synthesizing, and/or evaluating information gathered from, or generated by, observation, experience, reflection, reasoning, or communication, as a guide to belief and action.

Paul and Scriven go on to suggest that critical thinking is based on: "universal intellectual values that transcend subject matter divisions: clarity, accuracy, precision, consistency, relevance, sound evidence, good reasons, depth, breadth, and fairness. It entails the examination of those structures or elements of thought implicit in all reasoning: purpose, problem, or question-at-issue, assumptions, concepts, empirical grounding; reasoning leading to conclusions, implication and consequences, objections from alternative viewpoints, and frame of reference. Critical thinking - in being responsive to variable subject matter, issues, and purposes - is incorporated in a family of interwoven modes of thinking, among them: scientific thinking, mathematical thinking, historical thinking, anthropological thinking, economic thinking, moral thinking, and philosophical thinking."

This conceptualization of critical thinking has been refined and developed further by Richard Paul and Linder Elder into the Paul-Elder framework of critical thinking. Currently, this approach is one of the most widely published and cited frameworks in the critical thinking literature. According to the Paul-Elder framework, critical thinking is the:

• Analysis of thinking by focusing on the parts or structures of thinking ("the Elements of Thought")
• Evaluation of thinking by focusing on the quality ("the Universal Intellectual Standards")
• Improvement of thinking by using what you have learned ("the Intellectual Traits")

Selection of a Critical Thinking Framework

The University of Louisville chose the Paul-Elder model of Critical Thinking as the approach to guide our efforts in developing and enhancing our critical thinking curriculum. The Paul-Elder framework was selected based on criteria adapted from the characteristics of a good model of critical thinking developed at Surry Community College. The Paul-Elder critical thinking framework is comprehensive, uses discipline-neutral terminology, is applicable to all disciplines, defines specific cognitive skills including metacognition, and offers high quality resources.

Why the selection of a single critical thinking framework?

The use of a single critical thinking framework is an important aspect of institution-wide critical thinking initiatives (Paul and Nosich, 1993; Paul, 2004). According to this view, critical thinking instruction should not be relegated to one or two disciplines or departments with discipline specific language and conceptualizations. Rather, critical thinking instruction should be explicitly infused in all courses so that critical thinking skills can be developed and reinforced in student learning across the curriculum. The use of a common approach with a common language allows for a central organizer and for the development of critical thinking skill sets in all courses.

• SACS & QEP
• Planning and Implementation
• Why Focus on Critical Thinking?
• Paul-Elder Critical Thinking Framework
• Culminating Undergraduate Experience
• Community Engagement
• Frequently Asked Questions
• What is i2a?

Copyright © 2012 - University of Louisville , Delphi Center

• Corpus ID: 18027278

Critical Thinking : A Literature

• Emily R Lai
• Published 2011
• Education, Philosophy

15 Citations

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Teaching critical thinking for transfer across domains. Dispositions, skills, structure training, and metacognitive monitoring.

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Assessing the Effectiveness of Critical Thinking Instruction

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Critical Thinking: The Nature of Critical and Creative Thought

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