digital essay competition 2021

This year you are asked to include TWO digital photographs that you have copied from any of this year's posted topic Reources or similarr resources that has influenced your Proposal. One of the photographs should help support the argument you make in your Proposal as to an issue you believe needs to addressed in providing housing for the disadvantaged. The other photograph should help support the argument you make for the proposed response. A brief caption - 50 words maximum - should accompany the photograph telling us what the photo represents and the source of the photograph.  Please post the photograph at a minimum 500 pixels wide, and in .jpg format. No more than two photographs will be accepted.

NOTE: The Readers are instructed not to add or detract points from their evaluation because of the quality of the photograph itself, nor whether it is the students' work or an archival photograph. The Readers, however, will evaluate how the photographs help support the argument you have made in your Proposal.

Judging for the essay competition is on a numeric system. The members of the BERKELEY PRIZE Committee are asked to evaluate each essay in terms of the following criteria:

Each criterion is given a score of 1 to 5 (5 being the highest). The approximately 25-28 top-scoring Proposals become Semifinalists, who will be offered the opportunity to write a 2500-word Essay based on the Proposal..

There is a total prize of 35,000USD, minimum 8,500USD first prize.  The remaining purse is to be allocated at the discretion of the Jury.

By submitting your essay, you give the Berkeley Prize the nonexclusive, perpetual right to reproduce the essay or any part of the essay, in any and all media at the Berkeley Prize’s discretion.  A “nonexclusive” right means you are not restricted from publishing your paper elsewhere if you use the following attribution that must appear in that new placement: “First submitted to and/or published by the international Berkeley Undergraduate Prize for Architectural Design Excellence ( www.BerkeleyPrize.org ) in competition year 20(--) (and if applicable) and winner of that year’s (First, Second, Third…) Essay prize.” Finally, you warrant the essay does not violate any intellectual property rights of others and indemnify the BERKELEY PRIZE against any costs, loss, or expense arising out of a violation of this warranty.

Registration and Submission

You (and your teammate if you have one) will be asked to complete a short registration form which will not be seen by members of the Berkeley Prize Committee or Jury.

REGISTER HERE.

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300+ Writing Contests You Need to Enter in 2021

• on Dec 17, 2020
• in Writing Tips
• Last update: January 3rd, 2024

Note: Don’t forget to check out the 2024 list of writing contests !

If there’s one thing we need these days, it’s consistency. Something that proves not everything has changed. Something that gives you a bout of comfort given the current circumstances. So what better way to do that than to know 2021 comes with a host of writing contests for people of all ages from all around the world?

Whatever your writing niche or preferred writing genre, there’s bound to be a contest for you. From short stories to poems and even essays, this year we’ve expanded our list more than ever. All you need is one chance, right? You never know, this might be the contest that helps you further your writing career!

The 2020 Exeter Novel Prize

Eligibility & Restrictions

To apply, submit a 10,000 word novel in English. The novel can’t have been published by a traditional publishing house. Anyone above 18 can enter. All genres excluding children’s, but including Young Adult and New Adult, are acceptable.

St. Martin’s Minotaur/ Mystery Writers of America First Crime Novel Competition

Anyone above 18 can enter. All Manuscripts submitted must be original works between 220 typewritten pages or approximately 60,000 words written in English. They also must be written solely by an unpublished entrant. The story should be about murder or another serious crime or to at least have a crime at the heart of the story.

Mississippi Review Contest

The contest is open to all writers in English except current or former students or employees of The University of Southern Mississippi. Fiction and non-fiction entries should be 1000-8000 words; poetry entries should be three to five poems totaling ten pages or less.

Stacy Doris Memorial Poetry Award

Anyone can enter. Minimum 3 pages; maximum 10 pages. You can only submit one entry. Submission must be previously unpublished material. Students currently enrolled at San Francisco State University are ineligible.

James Knudsen Prize for Fiction

Anyone can enter. Submissions must be original, previously unpublished work of fiction, no longer than 7500 words. UNO students and alumni are ineligible. All current and former Bayou staff, previous contest winners, and current or former students of the judge are ineligible to submit.

Kay Murphy Prize for Poetry

Anyone can enter. Submissions must be original, previously unpublished poetry. You may enter up to three poems per entry. UNO students and alumni are ineligible to submit. Previous contest winners, along with current or former students of the judge are also ineligible to submit.

Seaborne Magazine: Call for submissions about the sea

Anyone can enter. They are looking for rich, atmospheric fiction, non-fiction, poetry and visual artwork about the sea. Submissions must be formatted to UK spelling. They do not accept previously published submissions, in other magazines, websites or personal blogs. Fiction should be between 2,000-5,000 words for short stories, and 300 words for vignettes. Creative non-fiction should be between 800-1,500 words.

The Crank Poetry Competition

Anyone can enter. Must submit four previously unpublished poems.

The Hunger Winter Poetry Contest

Anyone can enter. You may submit up to 3 poems; please include them all in the same file. Multiple submissions are allowed with a separate entry fee for each submission.

Gemini Magazine Poetry Contest

Anyone can enter.

The Tony Hillerman Prize For Best First Mystery Set In the Southwest

Anyone above 18 and is a resident of one of the US, the District of Columbia or Canada can enter. Entries must be unpublished, publication on an entrant’s website of a single one-chapter excerpt from a work is eligible. The Manuscript must be written in English and must be approximately 60,000 words or 220 pages. The theme is murder or another serious crime and should focus on the solving of the crime(s) rather than the details of such crime(s).

Jacobs/Jones African-American Literary Prize

Entry must be short prose by African-American writers in North Carolina. Entries may be fiction or creative non-fiction, but must be unpublished, no more than 3,000 words, and concerned with the lives and experiences of North Carolina African-Americans. Entries may be excerpts from longer works, but must be self-contained.

San José State University Steinbeck Fellowships in Creative Writing

Anyone can enter. Residency in the San Francisco Bay Area is required during the academic year. Submit a writing sample up to 25, a project proposal for work to be written, a résumé, and three letters of recommendation.

This Sentence Starts The Story

Anyone can enter. Write a story that starts with this sentence: It’s happening tonight. You have the option to put it in quotes (for dialogue) and to change the punctuation at the end for proper grammar.

Books By The Banks Writing Contest

This year’s contest theme is Home. You are encouraged to interpret this theme as literally or figuratively as you desire. Fiction, non-fiction, and poetry are welcome. Submitted work must be original and unpublished. Simultaneous submissions are fine, but please notify us immediately if your work is accepted elsewhere.

5-7-5 Poetry Contest

Anyone can enter. The entry should be a 5-7-5 poem that follows the structure of a Haiku but without any limitation to the topic.

The Mogford Prize for Food and Drink Writing

Anyone above 18 can enter. The English short story should have a maximum of 2,500 words. Entries must never have been published, self-published, broadcast or published on any website, blog or online forum. Entries must be the sole work of the entrant.

The Henshaw Short Story Competition

Anyone can enter. Entries must be fictional short stories of up to 2000 words on any theme. All entries must be the original work of the author, must not have been published before the date of submission.

BBC Writersroom Script Room 2021

Anyone can enter. Submit one drama or comedy-drama script of at least 30 full pages in length for TV, film, radio, stage or online. No early/first/rough drafts of scripts.

Poetry Kit International Poetry Competition

Anyone can enter. There are no style or length restrictions, but it should be stressed that a short poem is just as likely to be selected as a longer one. This year’s theme: “home” which can be broadly interpreted and presented in any form or style.

Science Writers and Communicators of Canada Book Awards

Authors must be Canadian citizens or a resident of Canada. Entries can be written in French or English. The entry must have been published in Canada during the 2020 calendar year. Entries may deal with aspects of basic or applied science or technology (historical or current) in any area including health, social or environmental issues, regulatory trends, etc. Books must be understandable to the layperson or children, with appropriate clarification of medical and scientific terminology, and an orderly marshalling of facts.

The White Review Poet’s Prize

The Prize is open to residents of the UK and Ireland who have yet to publish a single-authored poetry collection or pamphlet in any language. Entries of poetry portfolios should be 5 – 10 pages per portfolio, as opposed to single-poem entries, and must be written in English. Poems submitted must not have been previously published, either online or in print.

Minute Poetry Contest

Anyone can enter. The Minute Poem is a poem that follows the “8,4,4,4” syllable count structure. It must have 12 lines total and 60 syllables.

Full Bleed Fifth Issue Contest

Anyone can enter. The theme is adaptation. In addition to essays and stories of up to 7000 words, Full Bleed publishes shorter, recurring columns of approximately 800 to 2000 words. Please submit previously unpublished work along with a brief biography and cover letter.

New Guard Fiction Contest

Anyone above 18 can enter. Up to three poems per entry. Submit up to 5,000 words: anything from flash fiction to the long stories. Please submit previously unpublished work only. Simultaneous submissions are accepted, provided they’re notified upon publication elsewhere.

New Guard Poetry Contest

Anyone above 18 can enter. Up to three poems per entry. Up to 150 lines per poem. Please submit all three poems in a single document. Please submit previously unpublished work only. Simultaneous submissions are accepted, provided they’re notified upon publication elsewhere.

Joe Gouveia Outermost Poetry Contest

Anyone can enter. Send up to 5 of your best unpublished poems, any style or subject matter, no more than 7 pages in total.

Colorado Prize for Poetry

The competition is open to anyone, except students, alumni, and employees of Colorado State University. Manuscripts must be at least 48 pages but no more than 100 pages. Manuscripts may consist of poems that have been published, but the manuscript as a whole must be unpublished. Translations are not eligible.

Virginia B. Ball Writing Contest

The contest is open to students in grades 8-11 during the 2020-2021 school year except students enrolled in Interlochen Arts Academy. The pieces must represent at least two of the following genres: fiction, poetry, spoken word, personal essay/memoir, screenwriting, playwriting, comics, and experimental or unclassifiable writing. Applicants who submit so-called “genre” fiction (science fiction, fantasy, etc.) are encouraged to also submit a sample of more realistic fiction. Length: max 4,000 words.

Erewash Festive Fright Writing Poetry and Story Competitions

Anyone can enter. From creepy spec fic to bleak psychological thrillers, whether you make your writing ghostly and/or ghastly, ​put the frighteners on us to win this competition.​ Set it during the festive season in December. Poetry length: up to 40 lines. Story length: max 500 words.

Erewash Festive Fright Writing Short Story Competition

Anyone can enter. From creepy spec fic to bleak psychological thrillers, whether you make your writing ghostly and/or ghastly, ​put the frighteners on us to win this competition.​ Set it during the festive season in December. Short Story length: max 2,500 words.

John F. Kennedy Profile in Courage Essay Contest

Any United States high school students in grades 9-12 may apply. Describe and analyze an act of political courage by a U.S. elected official who served during or after 1917. Length: 1,000 words max with a minimum of 700. Past winners and finalists, employees of John Hancock Financial Services and members of their families are not eligible to participate.

Rattle Chapbook Prize

Anyone can enter. Each poet may submit 15–30 pages of poems in English only (no translations).Individual poems may be previously published in any format, but the manuscript as a whole must be unpublished as a collection.

Calibre Essay Prize

Anyone can enter except ABR staff and board members. Essay length: 2,000 to 5,000 words, written in English. Exclusivity is essential for longlisted essays.

Driftwood Press Short Story Contest

Anyone can enter. The entry should be between 1,000-5,000 words. The work must not have been previously published. Submit works written in English only, no translations.

Driftwood Press Poem Contest

Submitters may send up to five poems in a single document for consideration. Each poem must not exceed sixty lines. Prose poetry, experimental poetry, and poetry with a visual element are all welcome. Any submissions should be written primarily in English.

Reading Works Short Short Story Contest

Anyone can enter. Write a short short story no longer than 100 words. The contest is open to prose, any genre. Topics: ants, bowling, 1940s, water.

DISQUIET Prize

Anyone above 18 can enter. Only previously unpublished work in English can be submitted by authors who have not yet published more than one book. One short story or novel excerpt, maximum 25 (double-spaced) pages per entry.

Anyone above 18 can enter. Only previously unpublished work in English can be submitted by authors who have not yet published more than one book.One piece of non-fiction, maximum 25 (double-spaced) pages per entry.

Anyone above 18 can enter. Only previously unpublished work in English can be submitted by authors who have not yet published more than one book. No more than SIX poems per entry, up to 10 pages total.

Dynamo Verlag Book Contest

This contest is open to all authors who have not published more than one (1) full length book in their primary genre (this does not include self-published works). Current and under-contract Dynamo Verlag authors are ineligible, as are any persons employed or associated with the press.This contest is open to primarily textual poetry or prose, minimum 8,000 words for poetry and maximum 75,000 words for prose.

City Limits Love Is in the Air Poetry Contest

Anyone can enter. All entries must be about love in some form and written in English. A poem in its entirety must be an original work by the person entering the contest.

Rose Post Creative non-fiction Contest

The competition is open to any writer who is a legal resident of North Carolina or a member of the North Carolina Writers’ Network. Theme: Lasting non-fiction that is outside the realm of conventional journalism and has relevance to North Carolinians. Subjects may include traditional categories such as reviews, travel articles, profiles or interviews, place/history pieces, or culture criticism. Each entry must be an original and previously unpublished manuscript of no more than 2,000 words.

William Matthews Poetry Prize

Anyone can enter. Submit 3 poems in a single file, any style, any subject, any length. Previously published work and translations are not eligible. Simultaneous submissions are accepted, but notify us immediately if a poem is accepted for publication elsewhere.

North American Book Award

Anyone can enter. The book of poetry submitted must be the work of a single author, at least 64 pages long, and published in 2020 by an established press. Manuscripts, videos, CDs, chapbooks, and self-published books are not eligible, nor are books that have won awards, including a pre-publication award by the publishing press. It is expected that the book will contain both new and previously published poems.

Rising Writer Prizes

Anyone 36 or younger can enter. Must be the author’s first full-length poetry collection (previous publications of chapbooks are fine). Submissions should be approximately 50-80 pages.

Desert Writers Award

Anyone can enter. Length: no more than 10 pages, double spaced with 1-inch margins. You may submit published, unpublished, or work in progress but it must be an original work.

Magma Poetry Competition

Anyone can enter. Poems may be on any subject, and must be in English and your own original work. They must not have been published, self-published or accepted for publication in print or online, broadcast, or have won or been placed in another competition at any time. Length: 11–50 lines.

Writing Magazine Open Poetry Competition

Anyone can enter. Entries should be no longer than 40 lines. Entries must be the original and unpublished work of the entrant which is not currently submitted for publication nor for any other competition or award. There is no limit to number of entries. Entrants retain copyright in their manuscripts.

Writing Magazine Open Short Story Competition

Anyone can enter. Entries should be 1,500-1,700 words. The choice is yours for this competition – any story, any style, any genre. Entries must be the original and unpublished work of the entrant which is not currently submitted for publication nor for any other competition or award. There is no limit to number of entries. Entrants retain copyright in their manuscripts.

Early Career Awards

Anyone above 18, lives in England at time of application and until at least June 2022, and has not published a debut novel or full short story collection can enter. Submit a sample of work of up to 2,000 words.

Heron Tree Volume 8

Anyone can enter. Poems that have previously appeared online (temporarily or permanently, on your own or a third-party site) should not be submitted, nor should work that has already been published electronically or in print. Simultaneous submissions are welcome with timely notification of acceptance elsewhere.

Four Line Poem

Anyone can enter. Write a four line poem that has a specific syllable count. The subject can be anything.

Vassar Review: Protest, Prophecy, Play

Anyone can enter. Art: 15 works/ Fiction or Literary non-fiction: 30 pages/ Poetry: 6 poems, or 10 pages/ Reviews: 2 works/ Digital Media: up to 5 digital works.

Novella-in-Flash Award

Anyone above 16 can enter. Entries can be on any theme or subject but must be original, unpublished previously, not have won a prize, and written in English between 6,000 and 18,000 words long.

Waxing & Waning Tennessee Tempest Edition

Anyone can enter. Poetry: 1-5 poems, up to 3,000 words. Fiction / creative non-fiction: 100-5,000 words (if any longer, it should be good enough to merit the space it will take up).

Women’s Prize Trust Novel Discoveries

All women in the UK or Ireland above 18 can enter. It is open to any genre of adult fiction, and you only need to submit the first 10,000 words of your novel plus a synopsis (and you’re allowed a very generous 1000 words ).

The Phare Write Words Poetry Competition

Anyone 18 or above can enter. Entries must not have been previously published in print or online, been broadcast, or won a prize. They can be on any theme or subject but must be written in English. Non-fiction and fiction/poetry written for young adults or children is not eligible. Length: 40 lines max.

The Phare Write Words Short Story Competition

Anyone 18 or above can enter. Entries must not have been previously published in print or online, been broadcast or won a prize. They can be on any theme or subject but must be written in English. Non-fiction and fiction/poetry written for young adults or children is not eligible. Length: 3000 words max.

The Phare Write Words Flash Fiction Competition

Anyone 18 or above can enter. An entry can only be made by the work’s individual author. Entries must not have been previously published in print or online, been broadcast or won a prize. They can be on any theme or subject but must be written in English. Non-fiction and fiction/poetry written for young adults or children is not eligible. Length – 1000 words max.

The Nine Dots Prize

Anyone above 18 can enter. Entries should respond in English to this question: “What does it mean to be young in an ageing world?” Length: 3,000 words max. Joint entries and UK sanctioned country entrants will be considered.

Bethesda Essay Contest

Residents of Montgomery County, MD and Upper NW Washington, D.C. (20015 and 20016 ZIP codes) are eligible. The contest will take entries in two categories: High School (grades 9-12) and Adult (ages 18+). Essays must be limited to 500 words or less about a topic of the writer’s choosing. Only one entry per person. Stories must be limited to 4,000 words or less.

Poetry Society of Virginia 2021 Contest

Anyone can enter. All entries must be in English, typed, unpublished, origi­nal, and not scheduled for publication before May, 2020. All entries not in compliance with category specifications will be disqualified.

Stage It! 10-Minute Plays Competition

Anyone can enter. Plays should be in generally-accepted script format and in English. Length: 10 pages or a 10 minutes read.

Past Search Prize for Non-Fiction

Anyone can enter. Maximum 2,000 words.

Free Verse Poetry Contest

Anyone can enter. No restrictions.

Lazuli Literary Group Writing Contest

Anyone can enter. Fiction, non-fiction, poetry, essays, philosophical ruminations, stageplays, fragments, chapters, and excerpts are all acceptable.

Black Inc. Anthology Contest

Anyone who has spent a substantial part of your life can enter. This year’s theme: Growing Up in Country Australia. Submissions can be in any manner, tone or style, but should not be academic or scholarly. Length: between 1000 and 4000 words.

The Royal Society of Literature Encore Award

The Award is open for any published second novel, which must be a full-length work of fiction. The writer must have been resident in the United Kingdom (UK) or the Republic of Ireland (RoI) for the past three years. Novellas or children’s books are ineligible. Books published with vanity publishers are not eligible.

The 15th Annual Short Story Challenge

Horror writing contest.

Anyone can enter. Put your readers on edge or terrorize them.

Sixfold Short Story Competition

Anyone 18 and above can enter. Must be unpublished and original, simultaneous submissions accepted. Length 20 pages (5,000 words) max.

Sixfold Short Poetry Competition

Anyone 18 and above can enter. Must be unpublished and original, simultaneous submissions accepted. Length 10 pages max.

8th Ó Bhéal Five Words International Poetry Competition

Anyone can enter. Poems cannot exceed 50 lines in length (including line breaks), and must include all five words listed during this week. A modicum of poetic license is acceptable. Poems should be newly written, during the relevant 7-day period.

The Bournemouth Writing Prize

Anyone above 16 can enter. Short Story length: Up to 3000 words maximum. It can be about any topic and in any style. Poetry length: Up to 42 lines. We are looking for poetry that is fresh and unexpected. All entries should be in English and be accompanied by a short (75 word) biography of the author and postal address. Entries must be entirely the work of the entrant and must never have been previously published, or broadcast or won a prize in another writing competition.

20 Line Poem

Anyone can enter. Write a poem that has exactly 20 lines. Any format.

SWAMP Writing

Anyone enrolled in a postgraduate program in any university across the globe can enter. Entries must be unpublished poetry, short fiction, creative non-fiction and memoir. This year’s theme: Reflection.

Two Line Poem

Anyone can enter. Write an essence poem. The poem should be of two lines with six syllables per line, each containing an internal rhyme and an ending rhyme.

Fan Story Hate to love Contest

Anyone can enter. The topic for this contest is: A hate to love story. The story does not have to be specifically about the topic. But should clearly incorporate the topic into the story. Minimum length 700 words. Recommended length 2,000 – 3,500 words.

Parracombe Prize 2020

To enter, simply submit a short story of no more than 2,020 words. Entries must be in English, your own original work, must not have been published or accepted for publication elsewhere.

Fiction Factory Flash Fiction Writing Competition

Anyone above 16 can enter. Stories must be original and unpublished in print or websites. Must in English and a maximum of 1,000 words. All genres will be accepted except children’s and young adult fiction.

Cambridge Autumn Festival Short Story Competition

Anyone can enter. The word limit is 1500 words.The theme for this year’s competition is “Lockdown”.

The Kent and Sussex Poetry Society Open Competition

Anyone can enter. Poems must be in English, unpublished, not accepted for publication, and must be your original work. They must be no longer than 40 lines.

Caine Prize for African Writing

Submissions can only be made by publishers and the prize winner has to be an African national and the entry has to be in English. Unpublished and self-published work is not eligible for the Caine Prize. Works not eligible for entry include stories for children, factual writing, plays, biography.

Young Authors Writing Competition

The contest is open to students attending grades 9-12. Each individual entry has a limit of ten pages. The number of words is not fixed, but each work cannot exceed 10 pages. No previously published entries. Simultaneous submissions are allowed for our contest, but you must notify them immediately if the piece is accepted elsewhere.

Driftwood Poetry Collections

Anyone can enter. It should be between 40-100 pages of poetry. Experimental poetry, hybrid work, poetry with a visual element, prose poetry, and any avant-garde poetry are welcomed! Submissions should be primarily in English, but collections with a moderate bilingual component will of course be considered.

The Winter Anthology

Anyone can enter. Please send as much poetry or prose of which you are the sole author and that were not written earlier than 1999.

Fish Publishing Short Memoir Prize

Anyone can enter. The entries can’t have been previously published. Maximum number of words is 4,000 in English.

Sentinel Literary Quarterly Poetry Competition

Anyone can enter. This competition is for original, previously unpublished poems in English, on any subject, in any style up to 50 lines long. Poems posted on members-only non-public groups for review/critique as part of the creative process are not deemed to have been previously published.

GCWA Writing Contest

Anyone can enter. Youth category: 11-17; adult category: above 18. Your entry must be original, in English, unpublished, and unproduced, not accepted by any other publisher or producer before April 1, 2021. Fiction/non-fiction/children’s —1500 words maximum. Poetry – 40 lines maximum.

Blackwater Press short story contest

Anyone can enter. Word limit should be between 1000 words to 10,000 words.

Michael McLaverty Short Story Competition

Entrants must have been born in, or are citizens of, or resident in Northern Ireland/Republic of Ireland. Entries must not exceed the maximum of 3,000 words. Entries must not have been, by the date of submission, published or broadcast in any medium.

Mighty Pens Winter Short Story Competition

Anyone can enter. Theme: short story about winter. Entries must be between 500 and 1,000 words. Each entry must be the exclusive work of the author, in English, and must not have been published or appeared anywhere else, including any placement in another competition.

Cheshire Prize for Literature

The writer must have been born, live or have lived, study or have studied, work or have worked, in Cheshire. Entry must be an original and previously unpublished piece of creative work in one of four categories themed around all aspects of the pandemic including “lockdown”: poetry, short fiction, children’s literature and scriptwriting.

Oxford Flash Fiction Prize

Anyone can enter. All entries must be the work of the person entering and must not have been published anywhere online (including blogs and websites) or accepted for publication elsewhere. It must be in English. The copyright remains with the author. Length: 1000 words, no minimum word limit.

The Chaucer Tales Writing Competition

The competition is open to all students of school age including not only those in schools and college communities (ages 5-18), but also students who are home educated and in any other young people’s community organisations. The maximum word count is 500 words in English. The special theme of the competition this year is Be Careful What You Wish For!

First Chapter Competition

Anyone can enter. International entries are welcome but first chapters must be written in English and can be up to 3,500 words (no minimum word count) and on any theme and subject (except children’s fiction). The novel should be unpublished and not have been accepted by a publisher.

Cranked Anvil Short Story Competition

Anyone can enter. The competition is open to any theme or genre, but your story must be a maximum of 1,500 words and must be written in English. Entries must be the original and unpublished work of the entrant. This includes publication online, including (but not limited to) personal blogs or websites. Each entry must not be currently submitted for publication nor for any other competition or award.

Annual Fifteen Stories High Short Story Competition

The contest is now open to all Ontario resident writers. Stories must be unpublished fiction and creative non-fiction and be between 1, 000 and 3,000 words in length. Each piece must be original, unpublished, not submitted elsewhere for publication or broadcast, nor accepted elsewhere for publication or broadcast, nor entered simultaneously in any other contest or competition for which it is also eligible to win a prize.

Lancashire Authors’ Association Open Competition

Anyone 16 or above can enter. The story must be exactly 100 words. Entries must be original, unpublished work which is not currently submitted for publication or entered into any other competition or award.

Teignmouth Poetry Festival Open Poetry Competition

Anyone can enter. Poems may be on any subject, must be the original work of the entrant, unpublished and not accepted for publication in any medium. They must not have been awarded a prize in any other competition. Poems should be in English and not exceed 36 lines of text, no minimum.

Teignmouth Poetry Festival Devon residents Poetry Competition

Residents of Devon can enter. Poems may be on any subject, must be the original work of the entrant, unpublished and not accepted for publication in any medium. They must not have been awarded a prize in any other competition. Poems should be in English and not exceed 36 lines of text, no minimum.

The Big Moose Prize

Anyone can enter. The Big Moose Prize is open to traditional unpublished novels as well as novels-in-stories, novels-in-poems, and other hybrid forms that contain within them the spirit of a novel. Manuscripts should be 90-1,000 pages in length.

The over 90s Short Story Prize

Anyone who lives in the UK around 90 years of age or over on the 1st September 2020 can enter. Write a short story with a maximum of 500 words on the theme of childhood memories.

The British Haiku Society Poetry competition

Anyone can enter. Submissions must be in English, unpublished and not concurrently entered for any other competition, and remain unpublished until the results are declared. Submissions should not appear in any print or online publication, social media (Facebook, Twitter, etc.) or forums as the competition is anonymous. There is no limit on the number of submissions per competitor.

Stringybark Open Short Story Award

Anyone can enter. It should be about Australia. Length: Up to 1500 words. Written for an audience aged 16 and above.

Dark Tales Short Story Competition

Anyone can enter. Each entry must be no longer than 5000 words, must be the original, unpublished work of the stated author.

The Masters Review Short Story Award For New Writers

Anyone can enter. Previously unpublished stories only. Simultaneous and multiple submissions allowed. Emerging writers only (Writers with novels published with a circulation of fewer than 5000 copies can also submit.) Length: under 6000 words.

Arachne Press Opportunity for Deaf writers

Submissions are open for UK writers who are deaf only. Deaf writers may submit by video in BSL. No erotica, or horror of any kind, gore or torture. No sexist stereotypes and derivative plotlines, sloppy writing and clichés, romance and chick-lit. Stories and poems must be your own work, written in English, up to 2000 words long and unpublished except for The Story Sessions.

The Danuta Gleed Literary Award

All entries must be Canadian-authored titles published in English between January 1, 2020 and December 31, 2020 and available through bookstores and libraries. Submission must be a first collection/first edition of short fiction, no co-authored entries, no posthumously published works, electronically published works not eligible, submission must be made by a publisher. Translations from other languages into English are eligible if all other criteria are met.

The Brucedale Press Annual Acrostic Story Contest

Anyone under 18 can enter. Stories entered must be original, unpublished work created by the entrant, not previously entered in this contest. Stories may not be longer than 26 sentences. The first sentence must begin with “Because I can…”. Any subject or theme is acceptable, provided there is no profanity, obscenity, ageism, racism or sexism.

The Word Guild 2021 Fresh Ink Student Writing Awards

This contest is designed to encourage student writers in 2 age categories: high school and college/university. Enter original works in 5 categories. Short stories, no-fiction and poetry must be 1500 words or less, first three chapters of an unpublished novel 15 pages or less and short script (screen or stage) 45 pages or less.

Amazon First Novel Award

Anyone between 13-17 and is a citizen or permanent resident of Canada can enter. The Youth Short Story Category invites authors between the ages of thirteen and seventeen to submit a short story under 3,000 words.

Little Tokyo Historical Society Short Story Contest

Anyone can enter. Fiction: 5,000 words. Poetry: single poems or multi-poem cycles. Stories must be set in a current, past or future Little Tokyo in the City of Los Angeles, California.

Bad Betty Press: Pamphlet & Collection Manuscripts

Anyone can enter. Submit 10 pages of poetry from a full collection/pamphlet manuscript.

Bluefire 1000-Word Short Story Contest

Anyone in school grades 6-12 can enter. Entries must be original and not previously published. Length: exactly 1000 words. Previous grand prize winners are not eligible to submit in the same grade category (6-8, or 9-12) in which they have won.

EngineerGirl Essay Contest

Anyone in school (grades 3-12) can enter. Submit a piece of writing that salutes engineering’s role in meeting and defeating the challenges presented by COVID-19. Check guidlines for your category. Grades 3-5: 600 words limit. Grades 6-8: 650 words limit. High school: 700 words limit.

Accenti Writing Contest

Anyone can enter. Submissions for original and unpublished English prose texts only. Maximum length: 2000 words. No poetry, plays, reviews, and scholarly essays. No footnotes and endnotes. No pseudonyms. Submissions can be an English translation of the author’s unpublished original work in another language.

River of Words: Youth Art and Poetry Inspired by the Natural World

The contest is open through to 12th grade students, ages 5-20. Students must be enrolled in school to be eligible. All entries must be submitted by a parent, guardian, educator, or facilitator unless the student is 18 years old or older. Poems can be in English and Spanish. All poems must be original work and should not exceed 32 lines in length (written) or 3 minutes (signed).

Spread The Word Life Writing Prize

Entrants must be based in the UK, above 18, unpublished (unless self-published), and currently unagented. The entry should be up to 5000 words.

The BookLife Prize

Anyone can enter. Both unpublished or self-published books in the English language are eligible for the BookLife Prize. Entries must contain 40,000 to 100,000 words.

Accenti Poetry Contest

Anyone can enter. Submissions are open for entries unpublished and not under consideration by any other publication. Maximum length: 40 lines. Submissions can be an English translation of the author’s unpublished original work in another language.

SCWC Poetry Award

Anyone above in Australia 18 can enter. Entries must be single poems of no more than 50 lines. For entries not primarily written in English, an English translation should be provided for the judges. Entries must be original and unpublished works written by an individual author. Entries should not be on offer to other publications or prizes for the duration of the competition. This year’s theme is ‘every body’.

St. Gallen Symposium Esay Competition

Anyone enrolled in a graduate or postgraduate programme (master level or higher) and born in 1991 or later can enter. Essay should be in English and length should be max. 2,100 words. The essay must be written exclusively for this contest.

The Crucible First Novel Award

Anyone can enter. Submit the first 5,000 words of their manuscripts, along with a 150 word ‘elevator pitch’. Manuscripts which have been published in any form, either traditionally or self-published, are ineligible to enter. Entries which fall within the genres of crime, mystery, thriller, or their sub-genres are eligible.

William Van Dyke Short Story Prize

Anyone can enter. The short story must be 5,500 words or less. Entries must be previously unpublished. Regular Ruminate blog contributors, past first-place winners of any Ruminate Prize, past judges of any Ruminate prize, and friends or family of the Ruminate staff can’t enter.

Dialogue Only Writing Contest

Anyone can enter. Write a story using only dialogue. No narration or descriptions. Sentence tags are optional. No length requirements.

2021 Newcastle Short Story Award

All Australian citizens or permanent residents above 18 can enter. Length: 2,000 words max. Entries must be the original work of the applicant and must not be published in any form or currently offered for publication.

Room 204 Writer Development Scheme

Entrant should have a 2-year writing history with up to 3 writing examples, a max of 3,000 words total.

Arizona Mystery Writers Mary Ann Hutchison Memorial Story Contest for Youths

Writers from 9-16 years of age. Submission must be up to 2500 words (about 10 double-spaced pages).

Jim Baen Memorial Short Story Award

Anyone can enter. Submit a short story of no more than 8,000 words, that shows the near future (no more than about 50-60 years out) of manned space exploration.

The Marten Bequest Scholarships

Australian citizens aged 21-35 can enter. The scholarships provide financial support under the writing categories: poetry and prose. You can’t apply if: 1) you received a grant, or administered a grant, from the Australia Council in the past and that grant has not been satisfactorily acquitted; 2) you owe money to the Australia Council; 3) you were previously awarded a grant through The Marten Bequest.

Kathleen Mitchell Award

Anyone under 30 years, have been born in Australia or the United Kingdom, or are currently Australian citizens or have been living in Australia for the 12 months preceding the closing date can enter. Entries must be novel or novella and they must have been published or accepted for publication within the 2 years prior to the Award closing date. This can be demonstrated by the providing an ISBN or letter of confirmation from the publisher as part of your entry.

Dal Stivens Award

Anyone under 30 years, Australian citizens, or have been permanent residents in the two years preceding the closing date. Entries must be a short story or essay between 3,000 and 10,000 words and they must have been published or accepted for publication within the 12 months prior to the Award closing date.

The National Federation of Press Women’s Communications Contest for Professionals

All members of the National Federation of Press Women can enter. High school students may enter the professional contest if they are acting in a professional capacity. Entrants from Missouri, Nebraska and North Dakota must be NFPW members to enter. All work must have been published or broadcast between January 1, 2020, and December 31, 2020, to be eligible for entry.

Ottawa Travel Writing Contest

Anyone can enter. Eligible entries include items in English or in French that have appeared in magazines, newspapers, or online media in 2020 that highlight Ottawa as a travel destination.

The Elmbridge Literary Competition

All entries must be in English and previously unpublished. Short stories length: 1000 words (8-13 years) or 1500 words (14+). Poems length: 30 lines. Little Rhymes and Stories for the 5-7 years group should be no longer than 20 lines (Rhymes) or 500 words (Stories) and can be hand written (but must be legible).

3 Line Poetry Contest

Anyone can enter. The poem has to have a syllable count of either 5-7-5 or 5-7-7. It shouldn’t rhyme. But the poem must address a loved one.

Bath Flash Fiction Award

Anyone above 16 can enter. Entries can be on any theme or subject but must be original and written in English. They must also be for adult or young adult readers. Non-fiction and fiction written for children under 13 years are not eligible. Max length is 300 words. Entries must not have been previously published in print or online, been broadcast or won a prize.

The National Federation of Press Women’s Communications Contest for High School Students

All high school students in the US can enter. All 2021 contest entries must have been published, e-published, broadcast, or issued between February 1, 2020, and January 31, 2021. Entries must be produced by a current high school student or a recently graduated student who produced the work in their senior year after February 1, 2020.

Fan Story Faith Poetry Contest

Anyone can enter. The theme for this poetry contest is “faith”.

Globe Soup Winter Flash Fiction Competition

Anyone 18 and above can enter. The entries should be no more than 800 words. All entries must be written for adult or young adult readers. Flash Fiction stories aimed at children are not allowed. Entries must be the participants’ own, original work. They must not have been published, self-published, published online or made public on social media or featured among the winners in any other competition. Entries must not include photographs or illustrations.

Next Generation Indie Book Awards

The 2021 Next Generation Indie Book Awards is open to all indie book authors and publishers who have a book, a manuscript, or a galley proof written in English and published in 2019, 2020 or 2021 or with a 2019, 2020 or 2021 copyright date.

Writers’ & Artists’ Short Story Competition

Anyone can enter. Submit a short story (for adults) of no more than 2,000 words.

The Lucy Cavendish Fiction Prize

The competition is for novel manuscripts in any genre by unpublished women writer residents in the UK and Ireland. Literary and genre fiction are equally welcomed, and novels for children and young adults may be entered as long as they are primarily word-based. Picture books are not accepted. To enter, send the first 30 to 50 pages and a synopsis between three and five pages.

Short Prose Competition

Any Canadian citizen or resident can enter. Writer must have had no more than one book published (traditionally or self-published) and currently be under no contract for a second book. Piece must be unpublished, original, won no prize before, in English. Length: max 2,500 words.

Fan Story Future Flash Fiction Contest

Anyone can enter. Write a flash fiction story that takes place in the future. Maximum length 500 words.

Hippocrates international Open Prize and Health Professional Prize

Anyone can enter. Poems must be no more than 50 lines in length and not have previously been published in any form. They must be written in English on a medical subject and should not be translations of another writer’s work.

Adventures in Fiction Spotlight First Novel Award

Anyone can enter. To enter, submit the first page of your novel and a one-page synopsis. The winner should be prepared to submit the manuscript of their novel in hard copy (12pt, double-spaced, single side of the paper only) to Adventures in Fiction by the beginning of April. Prize: A Stage One Mentoring package for a novel of up to 550 pages/170,000 words including a full manuscript appraisal, a development strategy and two consultations and a dedicated page on the Adventures in Fiction website including a profile of you and your novel.

IndieReader Discovery Awards

Only books that have been either self-published or published by an independent publisher and have an ISBN or ASN can enter.

Achievement Awards in Writing

All 11th grade students in the current academic school year are eligible to be nominated by their school’s English department. Schools in the United States, Canada, Virgin Islands and American Schools Abroad are eligible. Nominating schools must be US accredited. Participating students submit two types of writing: themed writing (AWA prompt) and best writing. 2021 prompt: My Community. Writing options include poetry, short story, personal narrative, essay, or graphic storytelling. Themed Writing: max 4 pages. Best Witing: max 6 pages.

Promising Young Writers Program

All 8th grade students in the current academic school year are eligible to be nominated by their school’s English department. Schools in the United States, Canada, Virgin Islands and American Schools Abroad are eligible to nominate juniors. Nominating schools must be US accredited. Participating students submit two types of writing: themed writing (AWA prompt) and best writing. 2021 prompt: Change; Amidst isolation in 2020. You may produce any genre, or kind, of writing. Themed Writing: max 4 pages. Best Witing: max 6 pages.

Anchorage Annual Statewide Creative Writing Contest

The contest is open to Alaska residents. College students who maintain Alaska residency may enter. Work published previously in any copyrighted newspaper, magazine, book or other medium is ineligible. Writing for school publications may be entered. Entries must be original. Contestants may enter one work of fiction (not to exceed 5,000 words), one work of non-fiction (not to exceed 5,000 words), and up to three poems. A contestant may enter all categories in his or her age group.

Ambroggio Prize

Any US citizen or resident for the ten-year period prior to the submission deadline can enter. Poets are not eligible to apply if they have studied with the judge in full-time accredited courses within the last three years The manuscript must be originally written in Spanish and accompanied by a translation in English. Poets may translate their own work or collaborate with a translator who may or may not be a poet. The poet and translator must share the $1,000 prize. Poems may have been previously published in periodicals or chapbooks, but the collection must not have been previously published, including self-publications and e-books. The original manuscript in Spanish must contain original poetry by one poet and must be between 48 and 100 pages, typed single-spaced, unless the poems are meant to be presented using nonstandard spacing.

Writing Magazine Dialogue Only Short Story Competition

Anyone can enter. Entries should be 1,500-1,700 words. Entries must be the original and unpublished work of the entrant which is not currently submitted for publication nor for any other competition or award. There is no limit to the number of entries. Entrants retain copyright in their manuscripts.

Morton and McCarthy Prizes

Open to any short fiction writer in English. Employees and board members of Sarabande Books, Inc. are not eligible. Submissions may include a collection of short stories, one or more novellas, or a short novel. Works that have previously appeared in magazines or in anthologies may be included.

Hachette Children’s Novel Award

Anyone above 18 and is a permanent resident in the North of England can enter. The Hachette Children’s Novel Award is open to debut writers of middle-grade children’s fiction and early teen fiction. Must be English language fiction for children aged 7-11 (the word count can be 15-40K), or teen fiction for readers aged 11-13 (50-65K words), this should still exclude high-end or explicit content including swearing, sex and drugs. The initial work entered for this award will be a submission of 3000-4000 words. Applicants are not eligible if the work that they are submitting is currently part of a book deal that they have received a publishing contract and advance for.

Northern Writers’ Awards for Poetry

Anyone above 18 and is a permanent resident in the North of England can enter. This award is for English language works of poetry that can be considered as being in progress. Your application can include poems that have been previously published in magazines and anthologies. To enter poets should submit up to 30 poems or an equivalent amount of longer sequences.

Northern Debut Awards: Poetry

Anyone above 18 and is a permanent resident in the North of England can enter. This award is for English language works of poetry that can be considered as being in progress. Poets who have published pamphlets or in magazines and anthologies may apply if they have not published, or are not contracted to publish, a full collection. For prose writers we expect to see an extract of work supported by a synopsis that fully describes the book that you are working to complete. Poets should submit up to 30 poems or an equivalent amount of longer sequences.

Northern Writers’ Awards for Fiction and Narrative Non-Fiction

Anyone above 18 and is a permanent resident in the North of England can enter. You may submit novels, novellas and collections of short stories, but not individual short stories. Work that fits in this category includes biography, memoir, nature writing and non-fiction with a strong literary intent. Works of factual, technical, journalistic and scientific writing, local history, travel writing or translation are not eligible for entry. The work that you enter for the awards must be your current work in progress. Length: a sample of 3000–6000 words and a synopsis of up to 600 words.

Northern Debut Awards: Fiction and Narrative Non-Fiction

Anyone above 18 and is a permanent resident in the North of England can enter. You may submit novels, novellas and collections of short stories, but not individual short stories. Narrative non-fiction has stylistic and structural similarities to fiction but deals instead with factual or mostly factual subject matter. Works of factual, technical, journalistic and scientific writing, local history, travel writing or translation are not eligible for entry. Writers previously published in other genres such as poetry, academic writing and writing for children may apply for this award. Writers who have self-published full-length works are not considered debut authors for this award. The work that you enter for the awards must be your current work in progress. Length: a sample of 3000–6000 words and a synopsis of up to 600 words.

Sid Chaplin Award

Anyone above 18 and is a permanent resident in the North of England can enter. We accept fiction and narrative non-fiction for this award. Submissions may be on any theme or topic and can include young adult writing, memoir, novels and short story collections, and works of literary essays. They accept fiction from any genre, including literary fiction, crime, science fiction, romance and fantasy. You may submit novels, novellas and collections of short stories, but not individual short stories. Works of factual, technical, journalistic and scientific writing, local history, travel writing or translation are not eligible for entry. The work that you enter for the awards must be your current work in progress. To enter writers should submit a sample of 3000–6000 words and a synopsis.

The Literary Consultancy Free Reads

Anyone above 18 and is a permanent resident in the North of England can enter. We accept poetry, fiction, including children’s and young adult, and narrative non-fiction for these awards. You may submit novels, novellas and collections of short stories, but not individual short stories. Narrative non-fiction has stylistic and structural similarities to fiction but deals instead with factual or mostly factual subject matter. Works of factual, technical, journalistic and scientific writing, local history, travel writing or translation are not eligible for entry. The work that you enter for the awards must be your current work in progress. Length: a sample of 3000–6000 words and a synopsis of up to 600 words.

Arvon Award

Anyone above 18 and is a permanent resident in the North of England can enter. We accept works of fiction of all genres, children’s fiction and creative non-fiction for this award. Narrative non-fiction has stylistic and structural similarities to fiction but deals instead with factual or mostly factual subject matter. Works of factual, technical, journalistic and scientific writing, local history, travel writing or translation are not eligible for entry. The work that you enter for the awards must be your current work in progress. Length: a sample of 3000–6000 words and a synopsis of up to 600 words.

Northumbria University Student and Alumni Award

Anyone above 18, is a permanent resident in the North of England, and is a final-year student or graduate from any discipline at Northumbria University can enter. They accept English language works of poetry, fiction of all genres, children’s fiction, creative non-fiction and graphic novels for this award. Works of factual, technical, journalistic and scientific writing, local history, travel writing, translation or self-publishing projects are not eligible for entry. The work that you enter for the awards must be your current work in progress. To enter writers should submit a sample of 3000–6000 words and a synopsis of up to 600 words.

Word Factory Apprentice Award

Anyone above 18, is a permanent resident in the North of England, and is a final-year student or graduate from any discipline at Northumbria University can enter. They accept English language works of poetry, fiction of all genres, children’s fiction, creative non-fiction and graphic novels for this award. Works of factual, technical, journalistic and scientific writing, local history, travel writing, translation or self-publishing projects are not eligible for entry. The work that you enter for the awards must be your current work in progress. Length: a sample of 3000–6000 words and a synopsis of up to 600 words.

Young Northern Writers’ Awards

Anyone currently living full-time in the North of England and is a young person in Year 7 upwards (up to a maximum of 18 years of age) can enter. There are two age categories, Year 7-9 and Year 10+. Entrants must be 18 years or under on Thursday 26 November 2020 when the awards open. Young writers can submit creative work in any form including prose, poetry, scriptwriting, blogging, songwriting and rap.

Matthew Hale Award

Anyone currently living full-time in the North of England and is a young person in Year 7 upwards (up to a maximum of 18 years of age) can enter. The Matthew Hale Award is open to young writers who show promise but have had limited opportunities to pursue their talent. Young writers can submit creative work in any form including prose, poetry, scriptwriting, blogging, songwriting and rap.

True Story Contest

Anyone can enter. Share a true story from your life. Write a story that shares a moment, an object, a feeling, etc. This does not have to be a profound memory, but should allow readers insight into your feelings, observations and/or thoughts. Use at least 100 words. No poetry.

SPJ/JEA High School Essay Contest

All 9-12 high school students in the US can apply. The essay should be 300-500 words of original work. Entrants must write about: “Why must journalists strive to improve diversity and representation in both their coverage and in their newsrooms, and how might this happen?”

Willow Run Poetry Book Award

Anyone can enter. Must be an unpublished English book length collection of poetry of 75 to 100 pages.

Tanka Poetry Contest

Fan story non-fiction writing contest.

Anyone can enter. Submit literary works of non-fiction on any topic. It doesn’t matter if it’s spiritual, political, intellectual, emotional, funny, serious, or an essay about your DVD player. New entries only. Minimum length 500 words. Maximum Length 7,000 words. Recommended length 2,000 – 3,500 words.

Allen & Unwin Crime Fiction Prize

All residents of Australia and New Zealand can enter. Manuscripts must be crime or thriller genres between 60,000 and 120,000 words. The manuscript must be an original work, entirely by the entrant and it must be written in English. It cannot be under consideration by any other publisher or entered into any other award. No more than 10% of the manuscript can have been previously published in print form, or in electronic form, on a commercial basis.

Margery Allingham Short Mystery Competition

Anyone can enter. The international competition is open to all – both published and unpublished authors from all over the world – and is for short stories of up to 3,500 words. The story cannot have been previously published anywhere, or shortlisted for this competition.

Acumen International Poetry Competition

Anyone can enter. Poems must be original, have a title, be unpublished or not accepted for publication. They should be written in English and not exceed 50 lines.

The Writing Wizardry Competition

Anyone 11 years or under can enter. All you have to do is send us a poem or story of fewer than 500 words.

Inkshares All-Genre Manuscript Contest

Anyone can enter. All genres are accepted.

The Exeter Writers Short Story Competition

The competition is open to anyone (except members of Exeter Writers) writing in any genre except children’s. Stories must not have been previously published nor won a prize in any other competition. If the story has previously been self-published, it must be out of circulation or public reach for the whole of the duration of the competition, up until the winners are announced. You may re-enter a non-winning story that was submitted to the competition in a previous years, but it must have been significantly and substantially revised. Previous prize-winning stories are not eligible for re-entry. Length: 3,000 words max.

Flash 500 Short Stories competition

Anyone can enter. Stories should range between 1,000 and 3,000 words, with strong characters, a well-crafted plot and realistic dialogue (where used).

Fish Publishing Flash Fiction Prize

Anyone can enter. Maximum number of words is 300 and it must be in English. The winning stories must be available for the Fish Anthology and, therefore, must not have been published previously. Fish will hold publishing rights for one year only after publication.

Dream One Quest Poetry Contest

Anyone can enter. Previously published poems in other contests, books, magazines, etc. are accepted and welcomed as long as they are original works created by the contest entrant(s). All entries must be composed or translated into the English language. Poems must be 30 lines or fewer.

Dream One Quest Writing Contest

Anyone can enter. Previously published short stories in other contests, books, magazines, etc. are accepted and welcomed as long as they are original works created by the contest entrant(s). All entries must be composed or translated into the English language. Any fiction, non-fiction, creative non-fiction, essays, diary, journal entries, and short stage-plays and screenplays are accepted within a maximum of (5) pages or less.

Blinkpot Flash Fiction Awards

Anyone above 18 can enter. The entry must be in English and must have been written by the person making the submission. Entries must not have been previously published, broadcast or won a prize. Entries can be on any theme or subject. Maximum entry length is 100 words and minimum length 80.

Reflex Fiction Flash Fiction Competition

Anyone above 16 can enter. Entries must be in Enflish and must be the work of the entrant and must not have been published or accepted for publication elsewhere in print or online including blogs or personal websites. Entries must be fiction but can be on any subject, and written in any style or form. No fan fiction or use of copyrighted material, characters, song lyrics etc.

Writing Magazine and QuoScript Novel writing competition

Adult crime fiction and YA fiction authors can enter. Submit your book synopsis, a covering letter and the first chapter of your novel only. Submissions must be wholly your own work, not contain obscene or libellous material, or derive from the work of other authors.

Southword Poetry Prize

Anyone can enter. All poems must be previously unpublished. Works of translation where the original author is still in copyright will require the bios of both the original author and the translator. There is a suggested limit of 40 lines per poem.

The annual Lancaster Writing Award

All students in year 12-13 can enter. Categories: criticism, fiction, poetry, script and screen writing. Students may enter in more than one category and write in any style they wish. The word limit for criticism and fiction is 1500 words.The limit for poems is 25 lines. The limit for screenplays is 8 pages.

Scottish Arts Trust Short Story Competition

Anyone above 16 can enter. Length: 2,000 words or fewer. The entry should not have been previously published, online or in print. Short stories entered for the competition may be on any topic. Stories do not have to be set in Scotland or on Scottish themes but they must be in English.

The Isobel Lodge Award

Anyone above 16, is unpublished, and a resident of Scotland or studying in Scotland can enter. Entry can be published online or in print without compensation can qualify for the Isobel Lodge Award. Writers also qualify if they have self-published a work of fiction. Length: 2,000 words or fewer. The story should not have been previously published, online or in print. Stories do not have to be set in Scotland or on Scottish themes but they must be in English.

Nick Blatchford Occasional Verse Contest

Any Canadian (citizen or resident) can enter. Topic: poems written in response to an existing occasion, personal or public, or poems that make an occasion of something ordinary or by virtue of the poet’s attention. No word limit, must be unpublished nor accepted for publication elsewhere.

15 Syllable Poem

Anyone can enter. Write a poem with exactly 15 syllables.

International Essay Contest for Young People

Guidelines for the 2021 International Essay Contest for Young People will be announced on this website and through the Goi Peace Foundation’s mailing list and facebook page in mid-March 2021.

Nature and Place Poetry Competition

Anyone above 18 can enter. Poems must be no more than 40 lines in English. Poems must be the original work of the entrant and must not have been published, self-published or published on online or broadcast.

Hippocrates Young Poets Prize for Poetry and Medicine

Young Poet entrants should be aged 14-18. Poems must be no more than 50 lines in length and not have previously been published in any form. They must be written in English on a medical subject and should not be translations of another writer’s work.

Waxing & Waning Screenplay Contest

Anyone can enter. Screenplays or plays can be up to 25 pages (may be a part of a whole).

City Limits Suspense/Thriller Novel Contest

Anyone can enter. Original work of fiction or non-fiction in English that must be previously unpublished. Word count per chapter should not exceed 3,000 words. Overall, 30,000 word minimum.

City Limits Romance Novel Contest

Elyne mitchell photo story award competition.

Anyone can enter. The theme of the contest is ‘the gathering’. With a maximum of 200 words. Entries must be the entrants original work, unpublished and not acknowledged in any other competitions, and not submited elsewhere until the judging stage.

Bridgend Writers’ Circle Short Story Competition

Anyone above 18 can enter. Story length: 1,500 and 1,800 words. Entries will be accepted provided that they have not previously been broadcast or published in any form and that the story is entirely original, entirely the entrant’s own work and does not infringe the copyright or any other right of any third party. Entries should not be sent for consideration, for publication or broadcast elsewhere during the period of the competition.

The Christopher Tower Poetry Competition

Open to submissions from students between 16-18 years of age who are educated in the UK. Entries must be on written in English, and be no more than 48 lines in length. Entrants must be in full or part-time education at a school, college or other educational institution in the United Kingdom. Each poem must be the entrant’s own work, joint authorship is ineligible.

Deep Wild 2021 Undergraduate Poetry Contest

Anyone can enter. The entry should be a single poem of up to 70 lines.

100 Word Flash Fiction

Anyone can enter. The entry should be exactly 100 words.

Geographies of Justice: Call for Submissions

Anyone can enter. Poetry/Lyric: no more than 50 lines. Fiction, essays, creative non-fiction and other prose: up to 4000 words. Must hold the rights to the work and must be unpublished.

Stella Kupferberg Memorial Short Story Prize

Anyone can enter. Entrees should be 750 words or less. They do not accept work that has been previously published in print, online, or any other medium and works in translation.

Fowey Festival Short Story Competition

Anyone above 16 can enter. The title for the competition is “Breaking Point”. Length: max 1500 words. Entries must be entirely the work of the entrant and must never have been previously published, commended, long-listed or short-listed in another writing competition.

Rhyming Poetry Contest

Anyone can enter. Write a poem that has a rhyme scheme. How it rhymes is up to you.

Evesham Festival of Words Short Story Competition

Anyone above 16 can enter. Any genre or subject, must be unpublished and original, aimed at adults only. Length: max 2,500 words.

Fan Story Flash Fiction Contest

Anyone can enter. Entry should be exactly 150 words.

Nelligan Prize for Short Fiction

Anyone can enter. The stories must be at least 10 pages (or 2500 words) but no more than 50 pages (12,500 words). Stories must be previously unpublished.

Zizzle Literary Flash Fiction Contest

Anyone can enter. All entries must be in English and unpublished previously. Must be aimed at young readers from age 11 and above. Length: 500 to 1,000 words. Simultaneous submissions allowed, only if you notify Zizzle.

Apprentice Writer

Only high school students can enter. You can submit poetry, chorepoetry, spoken word submissions, graphic fiction and non-fiction, and prose.

Eludia Award

All women age 40 and above, who do not yet have a book-length publication of fiction, can enter. The author must be unpublished and the entry should be in English.

Fan Story Write A Script Contest

Anyone can enter. Write a script of any size (can be a small script as shown in the example) for any medium on any topic.

New Welsh Writing Awards

Writers from the UK and Ireland as well as those who have been educated in Wales for over six months can enter. Entries should be prose with a Welsh theme or setting and should be an unpublished book (between 5,000 and 30,000 words) in English. Entries this year may vary across the categories, from short form Welsh-themed- or Welsh-set non-fiction to a novella or short story collection set in Wales or with a Welsh theme.

Fan Story Haiku Poetry Contest

Anyone can enter. Only haiku poems.

Never Such Innocence 2020/21 Competition

Anyone aged 9-18 can enter. The theme is ‘The Unheard Voices of Conflict: Stories from Around the World’. There are four category awards: Poetry, Art, Speech and Song. All poems must have a title and must not exceed 40 lines in length. Speeches must be no longer than 5 minutes (roughly between 625-750 words). All works may be written in any language and should consist of the contestant’s own work and should not infringe any copyrights or any other rights of any third parties.

Fan Story ABC Poetry Contest

Anyone can enter. Write a one-stanza, five-line poem.

Fan Story 80 Word Flash Fiction Contest

Anyone can enter. The submitted work must be between 78 – 82 words.

Fan Story 6 Word Poetry Contest

Anyone can enter. Write a poem with only 6 words.

The Edna Staebler Personal Essay Contest

All Canadians (citizen or resident) can enter. No word limit (2,000 – 2,500 expected), must be unpublished nor accepted for publication elsewhere.

Rubery Book Award

Anyone can enter. Your entry must be a book that is either self-published or published by an independent press.

The Caterpillar Poetry Prize 2021

Anyone above 16 can enter. The poem has to appeal to children aged 7-11 and it must be original and previously unpublished.

National Indie Excellence® Awards (NIEA)

Open to all English language printed books available for sale, including small presses, mid-size independent publishers, university presses, and self-published authors. All titles must have an ISBN and be published books available on Amazon.com or wherever good books are sold. No ebooks.

Gemini Magazine Short Story Contest

The ernest hemingway short fiction prize.

Anyone can enter. Entries should be approximately 1500 words or less. Submissions should be unpublished.

The Blue Mountain Novel Award

Anyone can enter. Entries must be original, and in English. It must be of a published novel of any length.

The Writers Of The Future

All amateur writers can enter. Entries must be original works by the entrant, in English. No excessive violence or sex. Entries may not have been previously published in professional media. Entries must be works of prose, up to 17,000 words in length. No poetry, or works intended for children.

An Axe To Grind Flash Short Story Fiction

Anyone can enter. Stories must not exceed 1000 words. Only original, unpublished work may be submitted.

The Restless Books Prize for New Immigrant Writing

The contest is open to first-generation immigrants of their country. Entries should be unpublished and in English (translations welcome). Fiction manuscripts must be complete, a minimum of 45,000 words. non-fiction submissions must consist of either a complete manuscript, or a sample of at least 25,000 words and a detailed proposal.

Fish Publishing Poetry Prize

Anyone can enter. Maximum number of words is 300 and it must be in English. The winning poem must be available for the Fish Anthology and, therefore, must not have been published previously. Fish will hold publishing rights for one year only after publication.

WOW! Women on Writing Creative non-fiction Essay Contest

All women can enter. Entries should be creative non-fiction in English. Maximum words: 1000. Minimum words: 200.

Ada Cambridge Poetry Prize

Anyone above 18 who lives in the state of Victoria can enter. Poems may be in any form about any topic, up to 30 lines. The work must be original, written in English and not have been previously published. It should not have won a prize in any other competition.

Ada Cambridge Biographical Prose Prize

Anyone 18 and above who lives in the state of Victoria can enter. Stories must be biographical. Stories must be between 1000 to 3000 words. The work must be original, written in English and not have been previously published. It should not have won a prize in any other competition.

Young Adas short story prize

Anyone aged 14-18 and living, working or studying in the western suburbs of Melbourne can enter. Enter an original short story up to 1000 words in length. The work must be original, written in English and not have been previously published. It should not have won a prize in any other competition.

Cinnamon Press Poetry Pamphlet Prize

Anyone can enter. Submit 15–25 poems of up to 50 lines each. Individual poems may have been published online or in magazines provided the writer retains the copyright.

Southword Fiction Story Prize

Anyone can enter. There is an upper limit of 5000 words for short stories. Only unpublished work.

Wergle Flomp Humor Poetry Contest

Anyone can enter. Length limit: 250 lines maximum. Authors from all countries eligible except Syria, Iran, North Korea, and Crimea (due to US government restrictions). The poem you submit should be in English.

Zone 3 Creative Non-Fiction Book Award

Anyone can enter. The competition is open to all authors writing original works in English. Manuscript should be 120-250 pages.

Zone 3 First Book Award in Poetry

Anyone can enter. Only unpublished work of a full-length collection of poems (48 pages or more) is eligible; those with chapbooks may participate. Manuscript should be 48-80 pages.

Fan Story Cinquain Poetry Contest

Anyone can enter. Entries must adhere to the contest’s syllable specifications.

The Orison Prizes in Poetry & Fiction

Anyone can enter. Must be book-length manuscripts. Submissions should be of full-length poetry and fiction (minimum 30,000 words) manuscripts. Original English work only; no translations.

The American Foreign Service Association’s National High School Essay Contest

Students whose parents are not in the Foreign Service are eligible to participate if they are in grades 9 – 12 in the US, the District of Columbia, the U.S. territories, or if they are U.S. citizens attending high school overseas including home-schooled students. Previous first-place winners and immediate relatives of directors or staff of the AFSA and Semester at Sea are not eligible to participate. Length: 1,250 words max.

H.E. Bates Short Story Competition

Anyone can enter. Must be unpublished (except social media) and original and won no prize before. Length: max 2,000 words.

Fan Story Love Poem Poetry Contest

Anyone can enter. But it must clearly be a love poem.

Fan Story Dribble Flash Fiction Contest

Anyone can enter. The submitted work must be between 48 – 52 words.

Etel Adnan Poetry Prize

Anyone of an Arab heritage can apply. Only first or second full-length books of poetry written in English may be submitted. Chapbooks are not considered as a previous publication in this regard. Manuscripts must be between forty-eight and ninety pages. Individual poems may have been published in chapbooks, journals, and anthologies. Work in translation is not accepted.

Fan Story New Arrival Poetry Contest

Anyone can enter. This is a “New Arrival” contest which is designed to welcome new members to the site.

The Colin Sutton Cup for Humour

Anyone can enter. Any genre is acceptable. Each piece should be funny. The first piece should be exactly 1,000 words long. The second piece should be exactly 100 words long. The third piece will be exactly 10 words long. The 4th piece should be exactly one word long. Work to be unpublished and not entered into previous Circle competitions.

Fan Story 20 Word Poem Contest

Anyone can enter. Write a poem with only 20 words.

Fan Story New Arrival Flash Fiction Contest

Anyone can enter. Write a story that uses exactly 100 words.

Marsh Hawk Press Poetry Prize

Anyone can enter. Manuscripts must be between 48 – 84 pages in length. Individual poems from the manuscript may have been previously published in magazines, anthologies, or chapbooks of less than 25 pages, but the collection, as a whole, must be unpublished.

The Claudia Ann Seaman Awards For Young Writers

High School students from anywhere in the world are eligible to submit original work written in English. Creative writing that was not previously published, can be submitted in the categories of poetry, fiction and creative non-fiction. Submit a maximum of three pieces across the three genres. Poetry, up to 80 lines. Fiction and creative non-fiction must be 1,800 words or less.

Tom Howard/John H. Reid Fiction & Essay Contest

Anyone can enter. All countries eligible except Syria, Iran, North Korea, and Crimea (due to US government restrictions). You may submit stories and essays on any theme, up to 6,000 words each. Entries must be in English.

Ware Poets Open Poetry Competition

Anyone 16 and above can enter. Poems should be in English, must not have been published either in print or on a website, nor be currently submitted or accepted for future publication. They must not previously have been awarded a prize in any other competition. Poems must be your own original work and may be on any subject. Length: no longer than 50 lines

Ver Poets Open Competition

Anyone 16 and above can enter. Poems should not have been published, or accepted for publication, in print or online. They should not have won prizes in other competitions, be simultaneously entered for other competitions or be translations of other poets’ work. Poems must be your own original work and may be on any theme. Length: no longer than 30 lines.

FAPA President’s Book Awards

Any English writing author can enter. All entries must be books with a copyright date from 2019 to 2021. Ebooks should be submitted in PDF format

Fan Story Rhyming Poem Contest

Anyone can enter. Write a poem of any type. But there must be a rhyme scheme.

World Historian Student Essay Competition

Only students enrolled in grades K–12 in public, private, and parochial schools, and those in home-study programs can apply. Past winners may not compete in the same category again. The entry should be approximately 1,000 words.

The Peseroff Prize Poetry Contest

Anyone can enter. There are no restrictions on content or form. Poems should be previously unpublished. Please do not submit your work if you are associated with the MFA program at the University of Massachusetts, Boston or the Finalist Judge.

The Hunger Spring Prose Contest

Anyone can enter. The theme, topic, and style of stories or essays you may submit are completely open. You can submit one story, essay, or hybrid prose piece of up to 5,000 words.

Bristol Short Story Prize

Anyone above 16 can enter. The maximum length of submissions is 4,000 words in English. Stories can be on any theme or subject and are welcome in any style including graphic, verse or genre-base .Entries must be entirely the work of the entrant and must never have been previously published, in print or online, or broadcast or won a prize in another writing competition.

Fan Story Loop Poetry Contest

Anyone can enter. Loop Poetry requires that the last word of each line becomes the first word of the next line. The rhyme scheme is abcb.

Fan Story My Faith Poetry Contest

Anyone can enter. Share a poem that is about your faith or how faith has impacted your life. Any type of poem accepted.

James Laughlin Award

Any US citizen or resident for the ten-year period prior to the submission deadline can enter. Book must be under contract with a U.S. publisher and scheduled to be published between January 1, 2021, and December 31, 2021.Must be published by December 31, 2021. The author must have published one book of poetry in a standard edition (48 pages or more). Entries must be an English. Submissions are welcome from small presses, university presses, and trade publishers that have previously published at least four books of poetry. Translations and new editions of previously published books are not eligible.

Fan Story Take A Photo Poetry Contest

Anyone can enter. Write a poem about a photo you’ve taken.

Fan Story 20 Syllable Poem Contest

Anyone can enter. Write a poem that has exactly 20 syllables. Any format.

The Peter Hinchcliffe Fiction Award

All Canadians who haven’t published either a first novel or short story collection can enter. No word limit (2,000 – 5,000 expected), must be unpublished nor accepted for publication elsewhere.

The Bridport Novel Prize

Writers above 16 living in Britain and Ireland and British writers living overseas can enter. Entries must be an exclusive effort and writers must not have previously published a novel, (although self-published and ebooks are accepted). Novel entrants who have had other types of books traditionally published e.g. poetry, memoir, non-fiction, are eligible to submit. Length: between 5,000 to 8,000 words.

The Bridport Short Story Prize

Writers above 16 writing in English can enter. Entries must be entirely the work of the entrant and must not have been published, self-published, published on any website, blog or online forum, broadcast nor winning or placed in any other competition. Short story length: 5000 words max.

The Bridport Poetry Prize

Writers above 16 writing in English can enter. Entries must be entirely the work of the entrant and must not have been published, self-published, published on any website, blog or online forum, broadcast nor winning or placed in any other competition. Poetry length: 42 lines max.

The Bridport Flash Fiction Prize

Writers above 16 writing in English can enter. Entries must be entirely the work of the entrant and must not have been published, self-published, published on any website, blog or online forum, broadcast nor winning or placed in any other competition. Flash fiction length: 250 words max.

Fan Story 3-6-9 Poem Contest

Anyone can enter. This poem has three stanzas. The subject can be anything.

Jane Austen Society Essay Contest

All students in school, university, or graduate school can apply.

Farnham Flash Fiction Competition

Anyone can enter. Story length: 500 words.

Anyone over 16 years old can enter. Entries can be on any theme or subject but must be original and written in English. Only non-fiction and fiction work targeting adults and young adults is eligible. Max length is 300 words. Entries must not have been previously published in print or online, been broadcast or won a prize.

Season Themes Contest

Story should be unpublished, from 300 to 1,000 words long.

Writers’ Digest Annual Poetry Writing Competition

Anyone can enter. Due to U.S. Government restrictions they don’t accept entries from Syria, Iran, North Korea, or Crimea. All entries must be in English. Only original works that have not been published (at the time of submission) in print, digital or online publications will be considered. Self-published work in blogs, on social media, etc. will be considered. Length: 32 lines maximum.

Writers’ Digest Annual Writing Competition

Anyone can enter. All entries must be in English. Only original works that have not been published (at the time of submission) in print, digital or online publications, Self-published work, unproduced scripts. Entries in the Print or Online Article category may be previously published.

Fan Story Nonet Poetry Contest

Anyone can enter. It has to be a nonet, but it can be on any subject and rhyming is optional.

Ocean Awareness Contest

All students aged 11 – 18 can apply. All entries must be original work in English and not previously submitted. Students ages 11-14 may enter the Junior Division (Creative Writing: up to 750 words; Poetry & Spoken Word: no more than 1 page). Students ages 15-18 may enter the Senior Division (Creative Writing: up to 1,250 words; Poetry & Spoken Word: no more than 2 pages).

Fan Story Share A Story In A Poem Contest

Anyone can enter. In this contest you are challenged to write a poem that tells a story and also rhymes.

Fan Story 2-4-2 Poetry Contest

Anyone can enter. Write a 2-4-2 syllable poem. The subject can be anything.

7 Day Story Writing Challenge

All participants must follow the same theme with a short story of no more than 2,000 words, written in the genre assigned to them. Participants have exactly 7 days to write and submit their story.

Wild Words Competition

Anybody can enter. The entry should not have been previously published anywhere.

Drue Heinz Literature Prize

Open to writers who have published a novel or a book-length collection of fiction in English. Current University of Pittsburgh employees and students, and former employees and students affiliated with the University within the last three years, are not eligible. Translations are not eligible if the translation was not done by the author. Eligible submissions include an unpublished manuscript of short stories; two or more novellas (a novella may comprise a maximum of 130 double-spaced typed pages); or a combination of one or more novellas and short stories. Novellas are only accepted as part of a larger collection. Length: 150 – 300 pages.

North Street Book Prize

Anyone can enter except those from Syria, Iran, North Korea, and Crimea (due to US government restrictions). Length limit: 200,000 words maximum in English. You may submit a collection of short stories or essays as a single entry.

The Bulwer Lytton Fiction Contest

Anyone can enter. Must be original and unpublished. Each entry must consist of a single sentence. The entry shouldn’t go beyond 50 or 60 words.

Flash 500 Flash Fiction Competition

Anyone can enter. Submit manuscripts up to 500 words.

All amateur writers can enter. Entries must be original works written in English. No excessive violence or sex. Entries may not have been previously published in professional media outlets. They must be works of prose of up to 17,000 words in length. No poetry, or works intended for children.

#GWstorieseverywhere

Anyone can enter. Your story must be no longer than 25 words, with a max of 280 characters, including spaces and the hashtag #GWstorieseverywhere. Your stories (which can be true or made up) will be inspired by what you see, know, or do, and they should relate in some way to June’s theme: Split second.

Geek Partnership Writing Contest

All entries must be original unpublished works by nonprofessional (amateur) authors. Entries must be science fiction, fantasy, horror, supernatural, and alternate history in short fiction, poetry, or comics. You may only enter one short fiction division.

The Orison Chapbook Prize

Anyone can enter. Must be manuscripts of 20-45 pages, in any genre (poetry, fiction, non-fiction, or hybrid). Original English work only; no translations. Individual poems, stories, or essays—or excerpts—may have been previously published in periodicals and/or chapbooks, but the manuscript as a whole must not have been published in book form, whether digital or in print. Self-published manuscripts are not eligible.

Story should be unpublished and from 300 to 1,000 words long.

She Writes Press and SparkPress Toward Equality in Publishing

Open to any woman over the age of 18 from Canada and the US.

Student Book Scholars Contest

The contest is open to students upto 8th grade. Each book must be between 20 and 30 pages. One book entry per team. Both the text and art must be solely created by the students. Each entry must incorporate the theme of Anti-Bullying. Student teams can have a minimum of one and a maximum of ten students per project.

Narrative’s Annual Poetry Contest

The contest is open to all poets. Each entry may contain up to five poems. The poems should all be contained in a single file. You may enter as many times as you wish.

Anthology Magazine Short Story Competition

Anyone can enter. Stories submitted must be on the theme of ‘Memories’ in English. To enter, submit an original, unpublished short story, written in English on the subject of ‘Memories’ with a maximum of 1,500 words.

Polar Expressions National Poetry and Short-Story Contest

Any Canadian resident or citizen can enter. There are two seperate prize categories: 1) ages 16 and above, and 2) ages 15 and under. All work must be original. Entries should not have been previously published and no simultaneous submissions. Poems must be 48 lines or less. Short stories must be 750 words or less. Fanfiction and essays are not permitted. Entries should be in English or accompanied by an English translation.

Highlands & Islands Short Story Association

Any amateur author can enter. Any theme (unusual story lines preferred), must be unpublished and original and won no prize before. Short Story length: max 2,000 words. Flash Fiction length: max 500 words.

Fiction Factory First Chapter Competition

Anyone over 16 years old can enter. Stories must be original and unpublished in print or websites. Must be written in English with a maximum of 5,000 words. All genres will be accepted except children’s and young adult fiction.

Anyone can enter. Your story must be no longer than 25 words, with a max of 280 characters, including spaces and the hashtag #GWstorieseverywhere. Your stories (which can be true or made up) will be inspired by what you see, know, or do, and they should relate in some way to July’s theme: Staycation.

Spring 2020 Story Contest

Entries must be previously unpublished, no longer than 15,000 words, and must not have been previously chosen as a winner, finalist, or honorable mention in another contest.

The Grindstone Short Story Prize

Anyone above 18 can enter. Writers are asked to submit an English language piece of short fiction between 1000 and 3000 words, of any genre, aimed at adult readers.

Sydney Hammond Memorial Short Story Writing Competition

Anyone can enter. Theme: courage. Length: maximum 1,000 words. Stories can be a fictional tale or a fictional tale inspired by a true story.

The Orison Anthology Awards

Anyone can enter. Submissions are for single works in 3 genres (poetry, fiction, an non-fiction). Submit up to 3 poems (10 pp. max), 1 story (up to 8,000 words), or 1 work of non-fiction (up to 8,000 words). You may submit in multiple genres, and/or submit multiple entries in each genre.

The Annual Diode Editions Poetry Contest

Open to all poets over the age of 18. Length: 25-50 pages.

The Annual Diode Editions Full-Length Book Contest

Open to all poets over the age of 18. Length: 55-85 pages.

Twist & Twain Short Story Contest

Anyone 18 and above can enter. The story must be written originally in the English language and should not exceed the 4000-word limit.

Gemini Magazine Flash Fiction Contest

Anyone can enter. Maximum 1,000 words.

Aesthetica Poetry Creative Writing Award

Anyone can enter. Poetry entries should be no more than 40 lines. They accept works on any theme.

Aesthetica Short Story Creative Writing Award

Anyone can enter. Fiction entries should be no more than 2,000 words. They accept works on any theme.

Anyone can enter. Your story must be no longer than 25 words, with a max of 280 characters, including spaces and the hashtag #GWstorieseverywhere. Your stories (which can be true or made up) will be inspired by what you see, know, or do, and they should relate in some way to August’s theme: Forgiven.

Blue Mesa Review Writing Contest

Anyone can enter. Must be in English, unpublished original work, simultaenous submissions acceptable. Please submit a packet of up to 3 poems or up to 6,000 words of prose.

University of New Orleans Press Lab Prize

Full length works of fiction (novels and short story collections only) are eligible.

Coniston Prize for Women Poets

All women can enter. Submit 3-6 previously unpublished poems in English. This award recognizes an exceptional group of poems.

Tiny Fork Chapbook Series Contest

Anyone can enter. We welcome poetry, prose, and hybrid manuscripts of 15-40 pages. Fiction (1 to 5,000 words), poetry (3-5 poems, in one document), non-fiction (1 to 5,000 words), hybrid/rxperimental (no specified word count).

Impress Prize

Open to all writers. Writers submit a 6,000 word sample of their manuscript, a synopsis, publishing rationale, and author biography to Impress.

Adventures in Fiction New Voices Competition

Anyone can enter. This competition is aimed at writers who have completed at least 50 pages/16,000 words of their manuscript. To enter, submit the first page of your novel and a one-page synopsis.

Robert Watson Literary Prize

Anyone who is an active Greensboro Review subscriber can enter. Entries must be previously unpublished. No simultaneous submissions. Length restrictions: no more than 7,500 words or 25 pages for fiction; up to 500 words for flash fiction; up to 10 pages for poetry.

The Annual SiWC Writing Contest

Short stories in any genre are welcome. Story length must be from 2,500 to 4000 words.

The Lascaux Prize in Creative Nonfiction

Creative nonfiction may include memoirs, chronicles, personal essays, humorous perspectives, literary journalism—anything the author has witnessed, experienced, learned, or discovered. Writers may enter more than once. Length should not exceed 10,000 words. All topics are welcome; pieces should be written in a nonacademic style.

Miller Williams Poetry Prize

Anyone can enter. Length: Manuscripts must be between sixty and ninety pages. The manuscript must be previously unpublished. Individual poems may have been published in chapbooks, journals, and anthologies. Work in translation is not accepted.

Tom Howard/Margaret Reid Poetry Contest

Anyone can enter except those from Syria, Iran, North Korea, and Crimea (due to US government restrictions). Length limit: 250 lines maximum per poem. The entry should be your own original work and in English. You may submit the same poem simultaneously to this contest and to others, and you may submit poems that have been published or won prizes elsewhere. (However, please do not submit work that has previously received recognition at Winning Writers.)

The Grindstone Novel Prize

Anyone above 18 can enter. Writers are asked to submit an English language novel aimed at Young Adult or Adult audiences. To be eligible, the finished (or projected finished) length must exceed 70,000 words. Works in progress are accepted in this competition, and entries may be of any genre. Entrants are asked to submit the opening 3,000 words, accompanied by a short synopsis in the same file.

Embracing Our Differences Quotation Contest

Anyone can enter. Entries can be no longer than 20 words on embracing our differences. Please consider submitting an original quotation.

Benjamin Saltman Poetry Award

Only previously unpublished original collection of poetry are eligible. The entry should be a minimum of 48 pages and not exceed 96 pages.

Flash 500 Novels competition

Anyone can enter. Entries may have appeared online in private (password protected) peer review sites, but should not have been published in any commercial online form including blogs or personal websites or accepted for publication elsewhere. Chapters must not exceed 3,000 words and must be accompanied by a one page synopsis of the balance of the story. Entries must be in English.

Edwin Markham Prize For Poetry

Anyone can enter. Writers may submit up to five (5) poems per submission.

The Gabriele Rico Challenge for Nonfiction

Anyone can enter. Writers may submit pieces of up to 5,000 words.

John Steinbeck Award for Fiction

Daisy pettles women’s writing contest.

All women writers, age 40 or older.

The Lascaux Prize in Short Fiction

Stories may be previously published or unpublished. Simultaneous submissions are also accepted.

The Devon and Cornwall International Novel Prize

Anyone above 18 years old can enter. Entries should be in English and in any genre. Submissions must be unpublished, self-published and independently published by writers worldwide. They should be 5,000 words in addition to a one-page synopsis of the novel’s manuscript. Children genres won’t be accepted.

Anyone can enter. Manuscripts should be up to 500 words long.

Scholastic Art and Writing Awards

Teens in grades 7–12 (ages 13 and up) can apply. Critical essay: 500-3,000 words. Dramatic Script: 500-3,000 word. Flash Fiction: 1,000 words. Humor: 500-3,000 words. Journalism: 500-3,000 words. Novel Writing: Up to 3,000 words. Personal Essay & Memoir: 500-3,000 words. Poetry: 20–200 lines. Science Fiction & Fantasy: 500-3,000 words. Short Story: 500-3,000 words.

Lloyd Davies Philosophy Prize

Entrants should be in Year 12 (or equivalent) at their school or college.

Young Lions Fiction Award

The writer must be age 35 or younger and must be a US citizen. The book must be written for adults (no children’s or YA). The work must be either a novel or a collection of short stories published between January 2020 and December 2020. The publisher must submit all books. Authors may not submit their work on their own.

Princeton 10-Minute Play Contest

All entrants must be students in the eleventh grade in the U.S. (or international equivalent of the eleventh grade).

We the Students Essay Contest

All students who are legal US residents or citizens, older than 14 and younger than 19, may apply. Stay tuned for updates on the 2021 contest prompt.

The Alpine Fellowship Academic Writing Prize

Anyone 18 and above can enter. Awarded for the best piece of academic essay writing on the theme of the 2021 Alpine Fellowship. A maximum of 4000 words per entry. Text must not have been published, self-published or accepted for publication in print or online, or have won or been placed in another competition at any time.

The Alpine Fellowship Writing Prize

Anyone 18 and above can enter. Awarded for the best piece of writing on the theme of the 2021 Alpine Fellowship Annual Symposium. All genres permitted. A maximum of 2,500 words per entry. Text must not have been published, self-published or accepted for publication in print or online, or have won or been placed in another competition at any time (including the Alpine Fellowship Academic Writing Prize).

This year we’ve done you one better and increased the writing contests we found. So if you find yourself struggling to write, or lacking in recognition, here are 300 reasons to be more motivated to write. Yes, they might not all be for you, but one of these might just give you the inspirational kick you’ve been searching for.

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This a brilliant resource. Thank you. I’ve shared it on Twitter and on my FB author page.

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Queen’s Commonwealth Essay Competition 2021 for Aspiring Young Writers (Win a Trip to London)

Deadline: June 30, 2021

Applications are invited for the Queen’s Commonwealth Essay Competition 2021 . The Queen’s Commonwealth Essay Competition is the world’s oldest international writing competition for schools, established in 1883. With thousands of young people taking part each year, it is an important way to recognise achievement, elevate youth voices and develop key skills through creative writing.

For 2021 the Competition theme is Community in the Commonwealth. With the global spread of COVID-19, we’ve seen the lives of many Commonwealth citizens affected. However, through adversity, societies came together and stories of growth, community and hope continue to emerge.

Each year, aspiring young writers are asked to submit their pieces in response to a theme. Recent themes have included  Climate Action in the Commonwealth  (2020),  A Connected Commonwealth  (2019),  Towards a Common Future ( 2018 ), A Commonwealth for Peace  (2017 ) and ‘An Inclusive Commonwealth’ ( 2016 ) ; drawing out innovative ideas for positive change and encouraging entrants to consider new perspectives. The theme is rooted in Commonwealth values, providing an interesting introduction to the network and allowing young people to explore their own connection to the Commonwealth, whilst fostering an empathetic and open-minded world view.

Senior Category

Born between July 1, 2002 and June 30, 2007 (14-18 years of age)

• Discuss the following: “The greatness of a community is most accurately measured by the compassionate actions of its members.” – Coretta Scott King
• Keeping connected through COVID-19. It’s been 30 years since the end of the COVID-19 pandemic, what does the world look like
• Imagine you are the Head of a Commonwealth nation heavily affected by COVID-19 and giving a national address at the end of the pandemic. What would you say to your community?

Junior Category

Born on or after 1 July 2007 (under 14 years of age)

• The year is 2050 and you’ve been asked to write about the coronavirus pandemic for a museum. What story would you tell?
• Tell a story of how you, or someone you know, helped others during the pandemic.
• ‘We will be with our friends again. We will be with our families again. We will meet again’ – HM Queen Elizabeth II After the pandemic, you are seeing a friend for the first time. What new hobbies would you share with them?
• What did you miss most during the pandemic?
• One winner and runner-up will be chosen from each category.
• Winners and runners-up will be brought to London for a week of educational and cultural events, culminating in a special Awards Ceremony.
• A number of Gold, Silver and Bronze Awards will be given in both the Senior and Junior categories, rewarding excellence in writing.
• All successful entries will receive a Certificate of Participation

Eligibility

• Open to nationals and residents of all Commonwealth countries and territories aged 18 and under are eligible to enter the competition, including entrants from Zimbabwe.
• All entries must be written in English
• Entries are accepted from residents of non-Commonwealth countries who submit through their local RCS branch.
• Entrants can be presented in any form/method of creative writing. Pictures/Illustrations are particularly encouraged in the Junior Category.

Application

At the end of the online submission process, you will receive a notice that your entry has been successfully submitted. This notice will contain a unique identification number, which will also be emailed to your nominated email address. If you are encountering difficulties, please email  [email protected]  for assistance.

Click here to enter the competition

For more information, see FAQs and visit QCEC .

Jude Ogar is an educator and youth development practitioner with years of experience working in the education and youth development space. He is passionate about the development of youth in Africa.

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UBA Foundation’s National Essay Competition (NEC) 2021 ready to receive digital applications

• Opens Portal for NEC 2021;
• Prizes increase in value by 33%

UBA Foundation, the corporate social responsibility arm of the United Bank for Africa (UBA) Plc, has announced the commencement of the 2021 edition of its annual National Essay Competition (NEC) in Nigeria with a call for entries.

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The National Essay Competition (NEC) is part of UBA Foundation’s education initiative which is aimed at promoting literacy and encouraging healthy and intellectual competition amongst senior secondary school students in Nigeria and across the African continent.

This year’s edition, which is its 11 th , has been modified to ensure ease of access and the increased participation of students from Senior Secondary School across Nigeria, who can submit their entries from the comfort of their homes and schools through the UBAF NEC digital submission portal www.ubagroup.com/national-essay-competition .

Like the previous year, the prizes for the NEC 2021 winners have increased in value considerably by 33%. The first prize winner will receive an educational grant of N3 million to study at any African university of their choice, up from the N2.5 million in 2020.

The second and third prizes now stand at N2.5 million and N2 million educational grants respectively. Winners of the 12 best essays will also go home with state-of-the-art Laptops to help them with their tertiary research work and other studies.

The Chief Executive Officer, UBA Foundation, Mrs. Bola Atta , said that the Foundation scaled up the prizes for the second year in a row in order to accommodate the adverse effects of the Covid-19 pandemic and also the fluctuation in the currency levels.

She explained that with the digital submission portal, more students in secondary schools across the country will have the opportunity to scan and send in their entries and compete to win educational grants for study at any university of their choice on the African continent.

“At UBA Foundation, it is imperative that our programmes continue to impact lives in meaningful ways. We realise that the use of technologically driven initiatives is part of the modern day. We want to be able to reach the students where they are and this is mostly online.

"The digital portal for online submission has made it more comfortable for students to send in their applications and compete with ease. For those who do not have access to computers or data, we are going to make this competition inclusive by allowing them access to any UBA branch near them to submit their entries digitally.

Every student who wishes to, will be able to enter for the NEC 2021 and stand a chance to win a fully funded University education through the UBA Foundation," said Atta.

The essay topic for this year is: “What is the role of technology in educating the African Youth?” All essays must be handwritten and students have up until October 29, 2021 to upload the scanned copies of their handwritten entries as well as their IDs on the digital portal at www.ubagroup.com/national-essay-competition . No physical copies will be accepted this year.

The submissions will be evaluated by judges who are professors from reputable Nigerian Universities. These judges select the top 12 finalists who will take home consolation prizes including personal computers.

The 12 finalists will write another supervised essay where the top three winners will be announced at the grand finale to be held on November 30 th at UBA’s head office in Lagos, Nigeria.

The UBA Foundation’s National Essay Competition has been rolled out in 4 other countries where UBA operates, with plans in place to cover 19 African countries in the next couple of years.

UBA Foundation embodies the UBA Group’s CSR objectives and seeks to impact positively on societies through several laudable projects and initiatives.

The Foundation through its Education pillar, has donated hundreds of thousands of books to students across Africa under the ‘Read Africa’ initiative aimed at encouraging and promoting the reading culture in African youths.

Students can apply for the National Essay Competition 2021 at: www.ubagroup.com/national-essay-competition

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Rhetoric Student Essay Contest

Each semester, we hold an essay contest to honor our students' hard work. Winners receive a $75 award and the opportunity to be published in I Write , the Rhetoric textbook. Students may submit Narrative Essays, Rhetorical or Source Analyses, Argumentative or Position Essays, Multimodal or Multigenre projects, reflective writing, and exploratory work. Submissions are welcome throughout the semester, but are limited to one per student. To submit, visit go.illinois.edu/rhetcontest .

2023–2024 Academic Year

Rachel Perkins, "Analyzing Rhetorical Strategies used in Alternative Responder Program Advocacy"  Zach Simon

Anonymous, “Position Essay on a Solution in Palestine” Jade Williams ​​​​

Randolph Miguel Ayala, “Reporting on Food Insecurity in Colleges: Audience and Approach” Julie Kraft 

Natalie Barrera, “Decentering Whiteness from Social Work” Michael Odom

Amy Choi, “The Psychological Effects of Attending Forest Schools on Children” Erin Stoodley 

Drew Farmer, “Oregon's Drug Decriminalization” Hannah Thorpe 

Austin Gabis, “Understanding the Danger Associated with Anabolic Androgenic Steroids’ Presence in Social Media” Barry Hudek 

Sophie Gies, “Eco-Anxiety and its Effects on the Young Adult Population” Krista Roberts 

Avah Hitchcock, “Societal Implications of Gene Editing Technology” Calgary Martin 

Yuno Kimura, “Dance as a Form of Social Activism” Curtis Dickerson 

Rachel Li, “The Damaging Effects of Ballet on Mental Health” Katie Menendez 

Yusen Liang, “Dive into Traditional Culture: My Supercut of 2023 Traditional Chinese Culture Carnival” Mary Hays 

Stella Liao, “Atlantic Cod: What is There to Save?” Mary Rose Cottingham  

Mary McQuaid, “Bridging Eastern and Western Medicine” Syamantak Basu 

Alexander Pacheco, “Our Voices Matter: Exploration of an Accessible Higher Music Education" Mary Rose Cottingham 

Simon Radford, “Capitol Records or Record Capital: Defining Post-Revival Market Values” David Foley 

Aubrey Tate, “To Binge or Not To Binge” Jason Pfister 

Briana Varghese, “Ethical Considerations of Family Vlogging” Megi Mecolli  

Tryggve Vilaseca, “Scavenger Hunt for Belonging: The Road Not Taken” Julie Kraft 

Lily Windmiller, “TikTok Made Me Buy It: A Research Proposal on the Influence of Social Media on Purchasing Habits” Patrick Fadely 

Weili Xu (徐纬立), “Toward Cultural and Environmental Preservation Through Asian Heritage Food: A Research Proposal and Annotated Bibliography” Mary Hays 

Christine Yuan, “K-Pop Fan Culture and the Perpetuation of Parasocial Relationships via Digital Platforms” Barry Hudek 

Boyue Zhang, “Multimodal Genre Revision: Production of a Hypothetical Campaign Speech by Biden” Barry Hudek 

• Aashay Patel,  “To What Extent Should AI be Implemented in the Education System to Mitigate the Dangers it Poses to Learning?”  Cyanne Topaum  
• Allie Burke,  “Struggles With Sleep Deprivation in College”  Julie Kraft   
• Annie Mak,  “Artificial Intelligence’s Role in Healthcare”  Barry Hudek  
• Erdem Amarsaikhan,  “Bilingualism and its Effects on Cognitive Abilities”  Shawn Gilmore  
• Evan McPheron,  “The Causes of and Solutions to the Loneliness Epidemic”  Patrick Fadely  
• Fei-Hsi Ko,  “Single Use Plastics”  Mark Gunter  
• Felix Romero,  “Virtual Reality in the Medical Field (Infomercial)”  Deon Robinson  
• Flynn Ma,  “Mindfulness in Treating Procrastination and Bridging Social Divides”  Barry Hudek  
• Hannah Sundararajan,  “Deconstructing the Debate Surrounding Guerilla Gardening”  John Claborn  
• Isabella Rivera,  “Oncolytic Virotherapy: A New Lens”  Jess Williard  
• Jacqueline Shin,  “Truth Behind the Problem”  Hannah Charity  
• Jenny Zhu,  “STEM + Feminism = STEMinism”  Heather McLeer  
• Karolina Mikulec,  “An Examination of the Intricate Relationship between Working Students and Academics”  David Foley  
• Kaya Ganko,  “My Little Secret”  Michael Hurley  
• Lydia Oesterling,  “English as a Second Language Pedagogy”  Hannah Thorpe  
• Marianna Tarpley,  “Sip Smart Drink Tracker to Reduce College Binge Drinking”  Krista Roberts  
• Marin Flynn,  “Gender Inequalities in Sports: A Solution”  Gabriella Hoggatt  
• Nicholas Militello,  “The Reality of Plastic Recycling”  Syamantak Basu  
• Nicolette Amundsen,  “The Detrimental Effects of the Standard American Diet on Brain Function”  Kristi McDuffie 
• Olivia Green,  “What is Hidden Behind the Stage: Feminist Standpoint Against Ballet”  Mary Rose Cottingham 
• Rain Seriosa,  “Edutainment’s Influence on the Youth’s Perception of Depression”  Patrick Fadely  
• Rebecca Cohen , “Art Therapy and Well-being Among College Students”  Madeline Furlong  
• Robin Kasput,  “Social Media Data and its Uses During Disasters”  Callan Latham  
• Sonny Steinhauer,  “The True Cost of Luxury Student Housing”  Julie Kraft  
• Victoria Bogusz,  “Research on Environmental Impact of Pharmaceuticals in Water”  Jordan Sellers    

2022–2023 Academic Year

• Alex Fallaw,  “Genre and Platform: A Happy Medium”  Kristi McDuffie
• Ella Phalen,  “Competition in Youth Sports and its Effect on Mental Health and Development”  Cyanne Topaum
• Alexandra Way , “Miscarriage Matters”  Jordan Sellers
• Ariah Booker , “How Do You See Me: The Gendered Portrayal of African Americans”  Dana Smith
• Ava Brancato , “Project Proposal: Exploring Benefits and Potential Eligibility for Physician-Assisted Suicide”  Barry Hudek
• Cecilia Lopez , “The Power of Paint: How Murals Shape Politics of Pilsen”  Mary Rose Cottingham
• Christian Zlatarski , “A Revitalization of Personal Finance Classes in U.S. High Schools”  Brian Landes
• Christopher Taylor , “Source Analysis Essay on Artificial Intelligence’s Impact on Society”  Mary Rose Cottingham
• Ellie Rohe , “Bioconcrete’s Feasibility”  Matt Schering
• Emma Guarni , “Animal Captivity Awareness”  Jenn Lee
• Grace Yoon , “Research Proposal: The Potential Negatives Associated with Code Switching”  Krista Roberts
• Isabella Chon , “Environmental Racism: An Injustice that Must Be Acknowledged”  Calandra Warren
• Jamaira Williams , “A Letter Rewritten:  The Institutionalized Conviction of Blackness Within the Biosphere of Society”  Marie Rivera Lopez
• Jocelyn Gama , “Poetry on the Lives of Immigrants at the Border”  Marie Rivera Lopez
• Karah McCarl , “Why United States Figure Skating Must Change”  Tessa Crosby
• Kyle Zhou , “Moving is Not the Solution: Resolving Rural Housing Vulnerability from a Public Housing Perspective”  Dana Smith
• Luke Gauer , “The Impact of AI”  Zachariah McVicker
• Margaret Wei , “The Role of Socioeconomic Status and the Associated Risk Factors in Nicotine Addiction Development Among Adolescents”  Erin Hoffman
• Nicole Wee , “Racism and Vegans: What’s the Connection?”  Marie Rivera Lopez
• Sangjun Ko , “The Dual Nature of Hallyu and K-Pop”  Zach Simon
• Shelby Bushong , “Service Dog Therapy”  Jordan Sellers
• Zhen Yan,  “Use New Words to Treat Living Beings as Families: Let’s Use the Toulmin Analysis Method and Rhetorical Triangle”  Mary Hays
• Rawda Abdeltawab , “Pilot Shortage: A Massive Challenge for the Aviation Industry” Meg Morrow
• Amari Anderson , “Racial Prejudice in Healthcare” Yoonsuh Kim
• Aera Boateng , “Overlooked: Why Neurodivergent BIPOC Aren’t Getting Help” Cyanne Topaum
• Nia Brass , “Psychopathy within ASPD: A Perspective on Treatment” Zach Simon
• Roy Chang , “The Relationship Between Remote Learning and Mental Health” Yoonsuh Kim
• Elliot Finn , “Viability of a Novel Cancer Treatment Modality” Krista Roberts
• Macy Hull , “Annotated Bibliography and Synthesis on Revenge Porn” Curtis Dickerson
• Rebeca Jacobs , “The Impact of Security Cameras Regarding Campus Safety” Mary Lindsey
• Riley Millsap , “The Cost of Plastics” Kathryn O’Toole
• Daniel Odicho , “You Are Missing Out on the Flipped Learning Model” Mary Rose Cottingham
• Martin Pouliot , “Should Human Development in Floodplains be Prohibited?” Calandra Warren
• Anaya Prasad , “Genre Remix and Reflection: PTA Newsletter” Jordan Sellers
• Jenna Quafisheh , “Importance of Special Education” Andrea Sielicki
• Srijana Sapkota , “The Impact of Monetary Support on Poverty and Mental Health” Hannah Charity
• Zhuoyang Shen , “’Romantic Dream in Garden’ -The Wonderful Experience at the 2022 Traditional Chinese Culture Carnival” Mary Hays
• Josh Steinfink , “Implementing Music at Home” Jordan Sellers
• Olivia Thompson , “Social Media’s Effects on Female Body Image: A Poison to Our Youth” Marie Rivera López
• Li Tianxin , “Reasons that Social Media is a Great Communication Tool for NGOs” Victoria Millen
• Victoria Titus , “Letters Concerning the Atlanta Child Murders” Lily Dawn
• Dev Rishi Udata , “Drilling Deeper: The Harmful Effects of Hydraulic Fracturing” Shawn Gilmore
• Kotryna Vaitkevicius , “Infographic for Persons Using Opioids in the Chicago Area” Krista Roberts
• Miles Wood , “Psilocybin: A Revolutionary New Treatment for People Suffering from Depression” David Miller
• Boyang Zhao , “The Regulation of Cryptocurrency” Carrie Johnson
• Xicheng Zhu , “The revolution has not yet succeeded” John Claborn
• Yu Ziheng , “Present to a Peer” Ryan Flanagan

2021–2022 Academic Year

• Alyssa Marmolejo, “Censorship: A Matter of Public Influence or Corporate Benefit?” Instructor Daniel Myers
• Anne Schmidt, “The Effects of Media on Sustainable Fashion,” Instructor Patrick Fadely
• Arnav Motwani, “The Psychology of Procrastination,” Instructor Curtis Dickerson
• Brian Pau, “Is Solar Energy the Future for Developing Nations?” Instructor Mary Rose Cottingham
• Daniel Wang, “Object Ethnography for the Real World,” Instructor Neal Liu
• Elaine Wei, “Commercialization: The Death or Renaissance of Classical Music?” Instructor Mary Lindsey
• Elisabeth Zamora, “Pressure on BIG 10 and NCAA athletes and its Mental Effects,” Instructor Andrea Sielicki
• Emily Lee, “Synthesis and Annotated Bibliography on Cultural Impacts on Mental Health,” Instructor Mary Lindsey
• Haddon Lybarger, “Ad Campaign: Social Media and Its Effects on Adolescents' Mental Health,” Instructor Naomi Taub
• Jaya Ashrafi, “The Political and Psychological Impacts of Negative Advertising,” Instructor Naomi Taub
• Jazmin Villagomez-Guzman, “Source Analysis: The Relationship Between Social Media and Eating Disorders,” Instructor Erin Hoffman
• Jonathan Gao, “Revelations in Film: Asian American Representation,” Instructor Jade Williams
• Madelyn Pawyza, “Exploratory Essay,” Instructor Erin Hoffman
• Madison Helms, “The Scariest Mask of All: Autistic Camouflaging in Females,” Instructor Meg Morrow
• Riya Patel, “New Beginnings,” Instructor Kirsten Dillender
• Saneea Malik, “Analyzing Factors Affecting Implementation of the Sustainable Product Life-Cycle in the Cosmetics Industry,” Instructor Mary Rose Cottingham
• Sophia Gardner, “Shortcomings of University Mental Health Resources,” Instructor Victoria Millen
• Sophia Talbert, “Modern Problem: United States Teacher Shortage,” Instructor Erin Hoffman
• Tallulah Trezevant, “Drug Decriminalization: Put That in Your Pipe and Smoke It!” Instructor Zach Simon
• Zaina Anarwala, “Can we 3D Print the Future of Housing?” Instructor Meg Morrow
• Zhijun Zhao, “Sino-US Cooperation for Creative Ideas on Campus Lifestyle,” Instructor Mary Hays
• Zixuan Zhang, “Marino's Abuse of Empathy: Walked a Long Way, but Forgot Why to Start,” Instructor Ryan Flanagan
• Acosta, Michael, “The Benefits of Implementing Restorative Justice into our Prison System,” Instructor Sielicki, Andrea
• Agarwal, Yash, “Research on Waste Segregation and Composting in India,” Instructor Myers, Daniel
• Anand, Rishikesh, “Restructuring American Foreign Policy by Analyzing American Interventionism,” Instructor Dillender, Kirsten
• Aso, Mayu, “The Successful Use of Rhetoric in Sources Related to Medical Cadaver Research,” Instructor Williams, Jade
• Babu, Sanjana, “The Impact of the Caste System on Non-Hindu Populations,” Instructor Johnson, Carrie
• Bui, Sydney, “Research on Western Violence Against Asians during COVID-19,” Instructor Furlong, Madeline
• Funk, Rachelle, “Examining the Link Between the COVID Vaccine and POTS through Two Different Genres,” Instructor Odom, Mike
• Gadde, Akhil, “Weighing the Benefits against Ethical Constraints of Nanotechnology in Medicine,” Instructor Cottingham, Mary Rose
• Garcia Lopez, “Sandra, Drug Decriminalization,” Instructor Garcia Marquez, Issy
• Gu, Rachael, “Alternative Energy Sources for a Sustainable Future (Nuclear Energy),” Instructor Shuger, Alixandra
• Heersche, Jeremiah, “The U.S. Criminal Injustice System: The Mass Incarceration Era,” Instructor Short, Cassidy
• Hosey, Grace, “Synthesizing and Annotating Sources on the History and Ethics of Greek Life,” Instructor Dickerson, Curtis
• Junzhou, Fang, “Photographs Taken in My Writing Life,” Instructor Hays, Mary
• Moody, Amaris, “Snowfall, Masculinity, and Drugs,” Instructor Nyikos, Dani
• Murillo, Daniella, “The Mental Health of Undocumented Children,” Instructor Stewart, Catie
• Ovalle, Stephanie, “The Embark of My Journey With Writing,” Instructor Hurley, Michael
• Park, Michael, “Research on the Correlation Between Wealthy Students and Standardized Tests,” Instructor Weber, Rebecca
• Phatak, Mukta, “The Effects of Principals on Dual Language Education,” Instructor Morrow, Meg
• Renteria, Camila, “Developing a Better Bilingual Education,” Instructor Short, Cassidy
• Sauer, Isabella, “Comparative Source Analyses on Arguments Regarding Critical Race Theory,” Instructor Bacon, Dustin
• Soni, Keya, “Fast Fashion Position Essay,” Instructor Bishop, David
• Turner, Linnea, “Sustainable Coastal Management in Growing Coastal Areas,” Instructor Furlong, Madeline
• Yang, Owen, “Left-Behind Children Research Proposal Essay,” Instructor Sellers, Jordan
• Zhang, Alex, “Modern Technology and Their Impacts on Youth,” Instructor Dillender, Kirsten
• Zielke, Josiah, “Deutschland and the Future,” Instructor Hurley, Michael

2020–2021 Academic Year

• Willy Choe, “Music: More Than Just an Art Form,” Instructor Suzanne Valentine
• Marina Betancourt, “How does an authoritative style parenting approach breed more benefits in a college student when it comes to their physical health, behaviors, and mental well-being?” Instructor Meg Cole
• Jose Arellano, “The Effects of the BRI on ASEAN Nations,” Instructor Kristi McDuffie
• Madilyn Bernhard, “Are Warehouses Worth the Harm They Produce?,” Instructor Isaac Willis
• Anniston Brant, “Female Serial Murder Research Proposal,” Instructor Jordan Sellers
• TJ Byun, “Pandemic (Deluxe) by COVID-19,” Instructor Tracy Anne Travis
• Isaiah Calaranan, “The African Diaspora and Music in America,” Instructor Neal Liu
• Samar Chehab, “Research Proposal: COVID-19 Lockdown and Eating Disorder Development,” Instructor Jordan Sellers
• Storey Childs, “The Effect of the ERA on US Law,” Instructor Emily Renne
• Xiaoyang Chu, “Cultured Meat:  World-Changing Technology Is on The Way,” Instructor Mary Hays
• Daniela Del Bosque Siller, “The Successful Use of Rhetoric in Sources Related to Gender Discrimination in Healthcare,” Instructor Kristi McDuffie
• Kate Friedman, “What are the influences mass media has on body image of adolescent women of color?”  Instructor Jordan Sellers
• Jeremy Hughes, “Should Everyone Adopt Plant-Based Diets?” Instructor Weston Morrow
• Brenna Hurtado, “Disability Rights in the Workplace, ” Instructor Kristi McDuffie
• Kaden Kirby, “Stigma and The FDA Gay Blood Ban,” Instructor Cassidy Short
• Mayura Kulkarni, “Freshwater Scarcity in Developing Countries,” Instructor Curtis Dickerson
• Mason Mitchell, “A Solution to Mental Disorder Diagnoses: Molecular Genetics,” Instructor Cassidy Short
• Patricia Moreno,  “Synthesizing Sources on the Factors Contributing to Health Disparities amongst Women of Color,” Instructor Alixandra Shuger
• Giselle Munoz, “Use of Rhetoric in Conversation with Bilingual Education,” Instructor Erin Hoffman
• Arisu Oya, “Asynchronous vs. Synchronous Learning,” Instructor Rebecca Weber
• Noah Pogonitz, “Rhetorical Analysis: "What's the Point of College?" Instructor Jordan Sellers
• Emma Prybylski, “Synthesis of Retail Pet Sale Legislation and Puppy Mill Sources,” Instructor Weston Morrow
• Maeli Sanchez, “The Impact of Screentime on the Mental Health of Young People,” Instructor Hollis Druhet
• Jacob Wagner, “An Argument for a Rhetorical Change in Right to Repair,” Instructor Tessa Crosby
• Tianle Wu, “Self-contradiction, Fallacy and Out of Focus: Will Renkl Convince Her Audience?” Instructor Ryan Flanagan
• Caroline Anderson, “Position Essay on Prison Reform,” Instructor Erin Cheslow
• Oneida Byrd, “Multigenre Research on Diversity and Inclusivity in Panhellenic Sororities,” Instructor Dana Kinzy
• Isabella Chacon, “From Internal to External: The Bidirectional Influences on a Child’s Development,” Instructor Dan Zhang
• Xiaoyang Chu, “A Letter to a Friend: Videogames: Angels or Devils,” Instructor Mary Hays
• Joyce Credo, “Source Control during COVID-19,” Instructor Elizabeth Boyle
• Kacie Cusick, “Is Title IX Successful? A Source Analysis,” Instructor Kent Quaney
• Colby Garrard, “Genetic Editing: Is it in the Near Future?” Erin Cheslow
• Emma Glennon, “Annotated Bibliography on Effectiveness of Professional Athlete Protesting,” Instructor Erin Hoffman
• Eyzid Hadi, “Source Synthesis: Autonomous Vehicles and Safety,” Instructor Kent Quaney
• Greta Heinz, “Moral Distress Among Nurses & the Provided Quality of Care for Cancer Patients,” Instructor Jordan Sellers
• Hamza Mohammad Husain, “The Negative Effects of Covid-19 and its Prevention Measures,” Instructor Kristi McDuffie
• Xiaojun Jia, “Why do Chinese International Students Love Chinese Idol Reality Shows?” Instructor Mary Rose Cottingham
• Heeseong Jo, “Climate Change: renewable energy as the ultimate solution,” Instructor Debayudh Chatterjee
• Naomi Lindquist, “Stop Silencing Survivors: Ballerinas and Rape,” Instructor Elizabeth Boyle
• Lauren Moy, “What it Means to Be Asian,” Instructor Tessa Crosby
• Oliver Mucka, “Solutions To Decreasing The Effects of Tourism on National Parks,” Instructor Kathryn O’Toole
• Thomas Nguyen, “Rhetorical Analysis of “On STEM” by Johann Neem,” Instructor Jordan Sellers
• Britney A. Origel, “My Guardian Angel,” Instructor Michael Hurley
• Ania Pupa, “The Truth About Mask Wearing During a Pandemic,” Instructor Mary Rose Cottingham
• Julianne Ross, “We Need More Teachers on Aisle Three: A Shortage that is Seemingly Never-ending,” Instructor Dustin Bacon
• Aria Ruan, “Synthesizing Sources on Ethical Considerations about Neurotechnology Development,” Instructor Kristi McDuffie
• Mia Sabic, “Televising Hatred: How the Media Normalizes Racist Stereotypes,” Instructor Debayudh Chatterjee
• Brea Schorn, “Annotated Bibliography: Teaching Graphic Novels for Inclusivity,” Instructor Jordan Sellers
• Emily Springer, “Direct-to-Consumer Genetic Testing: So Much More Than Just Results,” Instructor Dana Kinzy
• Shulamit Wu, “Promoting Democracy through Cryptocurrency and Blockchain Technology,” Instructor Drew Jennings
• Wenpeng Zhang, “My Shambling Pursuit for Writing,” Instructor Mary Hays

2019–2020 Academic Year

• Caedan Cervantes, “Bro Science Isn’t Science: How Misleading Claims in Fitness Set Harmful Precedents,” Instructor Debayudh Chatterjee
• Qianzhong Chen, “Education and Class Stratification,” Instructor John Maclean
• Lauren Di Stefano, “Whore Online, Madonna Offline: How the Dichotomy of Young Women’s Relationships with Sexualized Social Media Impacts Their Relational Health,” Instructor Suzanne Valentine
• Devon Jackson, “SORRY! (Settler’s Colonialism: Oppression Edition) Game Guide,” Instructor Kathryn O’Toole
• Haruya Kamitani, “Societal Influence on College Major Choice,” Instructor Emily Renne
• Hanifa Mohammed, “Tap Water Versus Bottled Water,” Instructor Mary Lindsey
• Daisy Ruiz, “The Influence of Social Media on the Political Participation of Youth,” Instructor Emily Renne
• Sarvani Upadrasta, “Digital Racism,” Instructor Aidan Watson-Morris
• Mariah Webb, “Mira Con Tus Ojos,” Instructor Jasmine Johnson
• Kathleen Wilkison, “What are the benefits of bilingualism and second language acquisition at an early age?,” Instructor Mary Lindsey
• Fan Yang, “Fisheries Would Hate the Climate Change,” Instructor Mary Hays
• Ushna Zamir, “The Macro Problem of Microplastics,” Instructor Kathryn O’Toole
• Ushna Zamir, “The Debate on Nuclear Fusion as a Viable Source for Renewable Energy,” Instructor Kathryn O’Toole
• Ting Zheng, “Equity Unachieved Of Women In the Music Industry Among Artists, Songwriters, Producers, and Creators,” Instructor Neal Liu

• Oct 5, 2020

The Queen's Commonwealth Essay Competition 2020

Updated: 6 hours ago

The 2020 competition attracted nearly 13,000 entries on the theme: Climate Action and the Commonwealth. 130 volunteer judges, drawn from 40 different countries across the Commonwealth, assessed the entries with the final judging decision taken by an expert panel of authors, journalists and poets, which included the writer Anthony Horowitz; written word poet Suli Breaks; journalist Matthew Parris; novelist Wendy Holden; award-winning YA author Zalika Reid-Benta; and the Commonwealth Writer's Prize winner and poet, Sia Figiel. 

The 2020 Winners and Runners-up were drawn from across the Commonwealth (Singapore, India, Canada and Ghana) and wrote inspiring poems, essays and narratives on the topic 'Climate Action and the Commonwealth'. 

In 2020 we were also delighted to host our first virtual Awards Ceremony. The virtual ceremony revealed the winners and featured readings of their award-winning pieces. The ceremony included notable literary figures, actors, and humanitarians from across the Commonwealth.

Ambassadors of the Royal Commonwealth Society, David Walliams and Alexandra Burke, were joined by British actor and writer, Stephen Fry, and Bollywood actress, Kareena Kapoor, to read extracts from the winning pieces during the ceremony.

The ceremony also featured highlights of workshops that the Winners and Runners-up had with the Society’s Ambassadors, Geri Horner (née Halliwell) and Lewis Pugh, to discuss their pieces on the theme of ‘Climate Action the Commonwealth.’

Senior Winner:

Aditya Choudhury

'Voices from the Blue World'

Aditya Choudhury is a 14-year-old from Singapore. A ninth-grade student of GIIS, Singapore, Aditya is a fan of Star Wars, Marvel comics, Harry Potter, manga and graphic novels (not necessarily in that order!). He enjoys soccer, swimming and basketball, and credits the island’s National Parks for fostering his interest in the natural environment and wildlife welfare.

In his essay titled ‘Voices from the Blue World’, he imagined an underwater Commonwealth Conference of sea creatures in which the keynote speaker, a grouper, which is a native fish of Singapore, assures all the marine creatures of the Blue World that they have a bright future of coexistence with the human world – the Green World. Learning about the work done by Commonwealth nations to protect the oceans and browsing the Commonwealth Blue Charter website has been a hugely inspiring experience, which strengthened his belief that the Blue World of marine creatures and the Green World of humans can live like a wonderful brotherhood. The Queen’s Commonwealth Essay Competition on ‘Climate Action’ has made him value the power of words to unleash change and shape our future!

Senior Runner-Up:

Ananya Mukerji

'The Waters Rise'

Ananya is a student of Grade 11 doing the International Baccalaureate Diploma Program (IBDP) at Dhirubhai Ambani International School. She has been writing creatively since she was 9 years old. Besides being passionate about writing, particularly poetry,

she expresses herself through art and theatre.  She lives in Mumbai with her parents and her 2-year-old cocker spaniel, Tessa.

Junior Winner:

Cassandra Nguyen

'Actions Speak Louder'

Cassandra Nguyen is 13 years old and lives in Ontario, Canada. She is in Grade 8 and currently attends Ashton Meadows Public School in Ontario, Canada.

She has enjoyed both reading and writing stories since she was very young and literature has always been important to her because when she reads a poem or a book, it almost feels like you are being taken to the world that the author created.

Junior Runner-Up:

Eleni Bazikamwe

'The Little Prince comes back to Earth'

Eleni was born on 5 January 2010 in Nairobi, Kenya, and is the daughter of a Belgian mother and a Greek-Burundese father. She has spent the first years of her childhood in Kenya and moved to Accra at the age of 5 where her father is currently working for the EU Delegation to Ghana.

​Eleni joined the Ghana International School where she has made lots of friends and got a wonderful academic education, especially last year with Mrs Amponsah-Tawiah who taught her a lot about how to write great stories.

Throughout her travels across the Kenyan savannahs and the beautiful Ghanaian coast, Eleni has had the opportunity to see how wonderful the environment is, but also how vulnerable it is, which is why she was so happy to participate in The Queen’s Commonwealth Essay Competition. She’s very much inspired by Greta Thunberg, but also enjoys playing the piano, reading Jaqueline Wilson books, playing tennis and baking all sorts of goodies.

• QCEC Winners

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