movie reviews beautiful mind

A Beautiful Mind

The Nobel Prize winner John Forbes Nash Jr. still teaches at Princeton, and walks to campus every day. That these commonplace statements nearly brought tears to my eyes suggests the power of “A Beautiful Mind,” the story of a man who is one of the greatest mathematicians, and a victim of schizophrenia. Nash’s discoveries in game theory have an impact on our lives every day. He also believed for a time that Russians were sending him coded messages on the front page of the New York Times.

“A Beautiful Mind” stars Russell Crowe as Nash, and Jennifer Connelly as his wife, Alicia, who is pregnant with their child when the first symptoms of his disease become apparent. It tells the story of a man whose mind was of enormous service to humanity while at the same time betrayed him with frightening delusions. Crowe brings the character to life by sidestepping sensationalism and building with small behavioral details. He shows a man who descends into madness and then, unexpectedly, regains the ability to function in the academic world. Nash has been compared to Newton, Mendel and Darwin, but was also for many years just a man muttering to himself in the corner.

Director Ron Howard is able to suggest a core of goodness in Nash that inspired his wife and others to stand by him, to keep hope and, in her words in his darkest hour, “to believe that something extraordinary is possible.” The movie’s Nash begins as a quiet but cocky young man with a West Virginia accent, who gradually turns into a tortured, secretive paranoid who believes he is a spy being trailed by government agents. Crowe, who has an uncanny ability to modify his look to fit a role, always seems convincing as a man who ages 47 years during the film.

The early Nash, seen at Princeton in the late 1940s, calmly tells a scholarship winner “there is not a single seminal idea on either of your papers.” When he loses at a game of Go, he explains: “I had the first move. My play was perfect. The game is flawed.” He is aware of his impact on others (“I don’t much like people and they don’t much like me”) and recalls that his first-grade teacher said he was “born with two helpings of brain and a half-helping of heart.” It is Alicia who helps him find the heart. She is a graduate student when they meet, is attracted to his genius, is touched by his loneliness, is able to accept his idea of courtship when he informs her, “Ritual requires we proceed with a number of platonic activities before we have sex.” To the degree that he can be touched, she touches him, although often he seems trapped inside himself; Sylvia Nasar , who wrote the 1998 biography that informs Akiva Goldsman’s screenplay, begins her book by quoting Wordsworth about “a man forever voyaging through strange seas of Thought, alone.” Nash’s schizophrenia takes a literal, visual form. He believes he is being pursued by a federal agent ( Ed Harris ), and imagines himself in chase scenes that seem inspired by 1940s crime movies. He begins to find patterns where no patterns exist. One night he and Alicia stand under the sky and he asks her to name any object, and then connects stars to draw it. Romantic, but it’s not so romantic when she discovers his office thickly papered with countless bits torn from newspapers and magazines and connected by frantic lines into imaginary patterns.

The movie traces his treatment by an understanding psychiatrist ( Christopher Plummer ), and his agonizing courses of insulin shock therapy. Medication helps him improve somewhat–but only, of course, when he takes the medication. Eventually newer drugs are more effective, and he begins a tentative re-entry into the academic world at Princeton.

The movie fascinated me about the life of this man, and I sought more information, finding that for many years he was a recluse, wandering the campus, talking to no one, drinking coffee, smoking cigarettes, paging through piles of newspapers and magazines. And then one day he paid a quite ordinary compliment to a colleague about his daughter, and it was noticed that Nash seemed better.

There is a remarkable scene in the movie when a representative for the Nobel committee ( Austin Pendleton ) comes visiting, and hints that he is being “considered” for the prize. Nash observes that people are usually informed they have won, not that they are being considered: “You came here to find out if I am crazy and would screw everything up if I won.” He did win, and did not screw everything up.

The movies have a way of pushing mental illness into corners. It is grotesque, sensational, cute, funny, willful, tragic or perverse. Here it is simply a disease, which renders life almost but not quite impossible for Nash and his wife, before he becomes one of the lucky ones to pull out of the downward spiral.

When he won the Nobel, Nash was asked to write about his life, and he was honest enough to say his recovery is “not entirely a matter of joy.” He observes: “Without his ‘madness,’ Zarathustra would necessarily have been only another of the millions or billions of human individuals who have lived and then been forgotten.” Without his madness, would Nash have also lived and then been forgotten? Did his ability to penetrate the most difficult reaches of mathematical thought somehow come with a price attached? The movie does not know and cannot say.

(Note: For Nash’s autobiographical statement, go to www.nobel.se/economics/laureates/1994/nash-autobio.html)

Roger Ebert

Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.

Judd Hirsch as Helinger
Paul Bettany as Charles
Jennifer Connelly as Alicia
Russell Crowe as John Nash
Ed Harris as Parcher
Christopher Plummer as Dr. Rosen

Directed by

Based on the book by.

Sylvia Nasar

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A beautiful mind.

Common Sense Says
Parents Say 9 Reviews
Kids Say 26 Reviews

Common Sense Media Review

By Nell Minow , based on child development research. How do we rate?

Oscar-winning biopic is too intense for tweens.

Parents Need to Know

Why Age 14+?

Some strong language.

Includes some crude references.

Tense scenes, including a shoot-out, a child in peril, and domestic violence.

Any Positive Content?

Main character, who copes with mental illness, is successful and respected.

Drinking, Drugs & Smoking

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Sex, Romance & Nudity

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Violence & Scariness

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Positive Role Models

Parents need to know the material might be very upsetting for kids, or for anyone who has relatives with mental illness or who knows very little about it. There are some strong scenes of family tension and peril, including a child in jeopardy, scuffles, and potential domestic abuse. There are graphic scenes of shock therapy and self-destructive behavior. A character is in peril involving shooting. There is also some crude language with sexual references. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails .

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Parent and Kid Reviews

Parents say (9)
Kids say (26)

Based on 9 parent reviews

Celebrates neurodiversity

What's the story.

A man sees what no one else can, and we call him a genius. A man sees what no one else does, and we call him crazy. This Academy Award-winner for Best Picture is about a man who was both. It's the true story of genius John Forbes Nash, Jr., who revolutionized mathematics and struggled with mentally illness. More than 40 years later, as he edged back into sanity, his contribution was recognized by academics in Sweden. They awarded him the Nobel Prize.

Is It Any Good?

This is an extraordinary story, and it has been made into an extraordinary movie. Crowe is, as always, simply magnificent in a role that would provide irresistible temptation for showboating for most actors. There are superb performances by everyone in the cast, including Connelly (an Oscar-winner for Best Supporting Actress), Paul Bettany , Ed Harris , Christopher Plummer , Judd Hirsch , and a dozen others.

What is really special here is the way that screenwriter Akiva Goldman and director Ron Howard have found a way to present both Nash's genius and his mental illness in such compelling, cinematic, and accessible terms. Both in essence become characters in the story as we go inside his head and wonder with Nash what to believe. This is what makes the movie more than a disease-of-the-week special with color-by- numbers "heartwarming" moments of triumph over adversity. This is what makes the movie itself a true work of art.

Talk to Your Kids About ...

Families can talk about mental illness, about how people with mental illness need to be treated, and about what is different now in the way we treat the mentally ill from the days depicted in the movie. Families who want to know more should check the Web site for the National Alliance for the Mentally Ill.

Movie Details

In theaters : December 21, 2001
On DVD or streaming : May 27, 2003
Cast : Ed Harris , Jennifer Connelly , Russell Crowe
Director : Ron Howard
Studio : Universal Pictures
Genre : Drama
Run time : 135 minutes
MPAA rating : PG-13
MPAA explanation : intense thematic material, sexual content and a scene of violence.
Last updated : April 26, 2024

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A Beautiful Mind Reviews

When I think of the phrase “Oscar bait,” an expression I’m honestly not fond of, Ron Howard’s A Beautiful Mind is the first movie I always think of.

Full Review | Jun 27, 2023

Nash's character is perfectly suited to Crowe's ability to charm and confuse at the same moment.

Full Review | Original Score: 3/5 | Jul 26, 2021

Its inspirational qualities to read more about the real John Nash (and all the things omitted from this biopic) might be the only lasting effect.

Full Review | Original Score: 4/10 | Sep 25, 2020

Howard's A Beautiful Mind works because it is not a film about mental illness, but a film about John Nash.

Full Review | Original Score: 3.5/4.0 | Sep 2, 2020

Profoundly, exhaustingly mediocre, a fussily overdone bit of mindless prestige filmmaking.

Full Review | Original Score: 2/5 | Feb 24, 2019

Granted, it's uplifting to see mental illness portrayed on the screen in a humane fashion and world-class intellectuals elevated to heroic status. But A Beautiful Mind feels contrived from beginning to end, a paint-by-the-numbers biography.

Full Review | Original Score: C- | Feb 21, 2019

This is stirring and absorbing stuff.

Full Review | Original Score: 5/5 | Feb 21, 2019

As competent, affecting biopics go, Mind won't win any prizes, but you've earned yourself the right for more awards consideration, mate.

Full Review | Feb 19, 2019

A Beautiful Mind isn't really interested in Nash's thoughts, let alone anyone else's.

Ultimately the message is banal and rather repellent: brainwork wrecks your health.

Full Review | Feb 28, 2018

Jennifer Connelly [works]. [Full Review in Spanish]

Full Review | Original Score: 3/5 | Feb 27, 2018

You've gotta hand it to Howard. He and A Beautiful Mind got me (and I bet will get you) interested in this subject for the first time since "new math" ruined it for most of us in high school.

Full Review | Original Score: 3.5/4 | Feb 27, 2018

Crowe is called upon to do not much more than stare solicitously at the heavens, from where inspiration duly arrives, to the accompaniment of some predictably celestial music.

Full Review | Oct 21, 2014

You're well into the story before you can sift the facts from the hallucinations, a process that's made compelling by Russell Crowe's performance in the lead.

The second, idealised, sentimentalised half of the film is torture, as we plod through the routine I'm-here-to-help psychiatrist, the walls plastered with cut-up newspapers and the what-happens-when-he-stops-taking-the-medicine stuff.

The story also comes up with a clever way for Nash to fight his problem: He uses his mind. His illness is a puzzle, after all, and he's good at figuring out puzzles. You'll root for him.

Despite problems of structure and tone, and some crucial omissions from Nash's actual life, A Beautiful Mind has emerged as one of the season's most enjoyable and popular films.

A Beautiful Mind is Howard's best movie, and easily one of the best movies of the year.

Full Review | Feb 4, 2014

A Beautiful Mind is the best film yet from director Howard.

Full Review | Original Score: 4/4 | Feb 4, 2014

It's not a crime for the script to gloss over the thornier aspects of Nash's story, but the film seems totally unconvincing, squeezing a real life into a formula that's simultaneously more palatable and less interesting.

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FILM REVIEW

FILM REVIEW; From Math To Madness, And Back

By A. O. Scott

Dec. 21, 2001

IN ''A Beautiful Mind,'' her biography of the mathematician John Forbes Nash Jr., Sylvia Nasar quotes one of his colleagues: ''All mathematicians live in two different worlds. They live in a crystalline world of perfect platonic forms. An ice palace. But they also live in the common world where things are transient, ambiguous, subject to vicissitudes.'' Mr. Nash, whose life is a case study in the difficulty -- and also the wonder -- of living in both, now inhabits a third: the treacle palace of middlebrow Hollywood moviemaking, in which ambiguity is dissolved in reassuring platitudes and freshly harvested tears.

The tears, and the dazzled glow that accompanies them, feel honestly earned. The paradox of Ron Howard's new film, from a script by Akiva Goldsman, is that the story that elicits these genuine emotions is almost entirely counterfeit.

At one point, Alicia Larde (Jennifer Connelly), the M.I.T. student who will marry Nash, breezes into his office, brandishing a proof she has devised for a fiendishly difficult hypothesis. Her professor and future husband looks up from the paper coffee cup he is chewing on and glances at her work. ''It's elegant, but wrong,'' he says, delivering a verdict that could just as well apply to ''A Beautiful Mind.''

Let's work backward, from wrong to elegant. Mr. Nash, now 73, an inordinately gifted, deeply awkward man, possesses one of the most extraordinary mathematical intellects of his generation. By his early 30's, when mental illness overwhelmed his creative powers, he had done important work in a number of fields, including game theory, quantum mechanics and number theory. After three decades of struggle with schizophrenia, he was granted what seemed like a miraculous remission. In 1994 he was awarded the Nobel Memorial Prize in economic science for work he had done as a graduate student at Princeton in the late 1940's.

In outline then Mr. Nash's life has the perfect three-act structure of a screenplay: a sparkling career derailed by adversity and redeemed by a triumph of the spirit. In detail the life, as recounted by Ms. Nasar, a former economics reporter for The New York Times, is a trove of fascinating, troubling information. In a profession whose members have a reputation for oddness, Mr. Nash was a prime number. He was notorious among his colleagues for his antisocial temperament and his predilection for cruel put-downs and dangerous practical jokes.

Before he married Alicia, with whom he had a son named John, he fathered another child, also named John, with a woman named Eleanor Stiers, and abandoned both mother and child to poverty. He formed a number of intense, apparently sexual bonds with other men, and he lost his security clearance and his position at the RAND Corporation after he was arrested for soliciting sex in a men's room in Santa Monica, Calif. When his illness became intractable and his behavior intolerable, Alicia divorced him. (They remarried last June.)

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A Beautiful Mind Review

22 Feb 2002

136 minutes

A Beautiful Mind

Playing the mentally ill has always been a fast-track to critical and Oscar success, and so it proved for Russell Crowe, who bagged a third successive nomination for his performance as mentally-ill maths genius John Nash in Ron Howard's glossy biopic, which won Best Picture in 2002.

Crowe's off-screen contretemps with a Bafta official apparently cost him the chance to follow up on his Gladiator gold and follow in the footsteps of Geoffrey Rush ( Shine ), Daniel Day-Lewis ( My Left Foot ) and Dustin Hoffman ( Rain Man ), but there's no denying that his crowd-pleasing performance is this movie's trump card.

Essentially it's that old chestnut, the inspirational biopic and Howard skilfully yomps us along the well-worn path of early promise (success at sums!), catastrophic downfall (going bonkers!), and a final, emotionally-charged triumph over adversity (winning the Nobel Prize!). The problem is that, even if you haven't read the book on which it's based, you're left with the niggling suspicion that this is all too neat to be anything near the whole story. As indeed turns out to be the case.

Nash's bisexuality, a child out of wedlock and a divorce are all AWOL, while the feel-good ending neatly skips over the horrible, irreparable reality of a professional and personal life effectively ruined by insanity. Of course, any biopic smoothes the edges and has to construct a story out of the messy realities of life, but here there's a sense that the manipulation borders on dishonesty.

None of which is to deny that there are very good things as well. Crowe marshals his tics with showy aplomb, Howard displays his usual facility for smoothly-engineered filmmaking, and Akiva Goldsman's (yup, he of Batman & Robin ) screenplay delivers the necessary dramatic wallop and a craftily shocking reversal.

Support is generally good, especially from Paul Bettany, last seen whooping it up as Geoffrey Chaucer in A Knight's Tale , and the movie's only Oscar-winning performance from Bettany's future missus, Jennifer Connelly, here playing the put-upon and long-suffering Mrs. Nash. But in the end, Howard's film's undoubted effectiveness conceals a disappointingly cynical heart.

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A Beautiful Mind (2001)

John Nash goes through life making connections, but not with other people. He sees meaningful patterns where the rest of us see only unintelligible randomness. Ideas are as real as people to him. Maybe more so. Eventually the ideas become too real — or the people not real enough — and Nash withdraws inexorably into the tangles of his own incandescent mind.

Artistic/Entertainment Value

Moral/spiritual value, age appropriateness, mpaa rating, caveat spectator.

There are any number of ways a movie like this can go wrong, but director Ron Howard skillfully avoids them all, aided by compelling performances from Russell Crowe ( Gladiator ) and Jennifer Connelly ( Requiem for a Dream ). Partly based on Sylvia Nasar’s 1998 biography of the brilliant but schizophrenic mathemetician John Forbes Nash Jr — who is still alive and teaching at his alma mater, Princeton University — A Beautiful Mind is engrossing, heartbreaking, and ultimately redemptive without being oversimplistic.

Individuals who are both gifted and disturbed are often made by the movies into holy innocents, poor defenseless saints victimized by unscrupulous ordinary people (cf. Shine , Rain Man , etc.). Not here. John Nash (Crowe), almost refreshingly, is a jerk. Smug and arrogant as a graduate student at Princeton, he regularly blows off all his classes, declaring that they “dull your mind, destroy the potential for true creativity.” Even when he loses a board game to another student, he can only stammer a self-vindication: “You should not have won. I had the first move. My play was perfect. The game is flawed.”

The story of an arrogant jerk, though, can be alienating and unaffecting. What keeps us caring here is Alicia Larde (Connelly), a lovely student who knows how to talk to John, and winds up marrying him. Alicia, who suffers with John through his dark night of the mind, could have been a mere assemblage of virtuous stereotypes; but instead she emerges as a mature, sensible, intelligent individual. Because she cares about her husband — and because he, even in the midst of his delusions, cares about her — what happens to him matters to us. Alicia provides the audience’s emotional anchor in the story; she also turns out to be John’s emotional anchor to reality.

Before meeting Alicia, Nash cares about only one thing: coming up with a truly original idea. We see his early struggle, and ultimately his success at the age of 21, though the nature of Nash’s revolutionary idea (which would ultimately win him a 1994 Nobel Prize for economics) is barely touched upon. (The movie whimsically depicts Nash coming up with his breakthrough approach to non-cooperative game theory while chatting with friends at a bar about strategies for picking up girls; the summary he actually gives is about on the level of the description of chaos theory we get from Jeff Goldblum holding Laura Dern’s hand in Jurassic Park .)

But that hardly matters. A Beautiful Mind is not about ideas per se , but about the experience of living in a world defined by ideas. Howard has good ideas about bringing his protagonist’s inner world to life: Numbers and words literally jump off the page at Nash as he makes connections, and the fitted-glass windows of Princeton’s ivy-covered halls become Nash’s extended blackboards, filled with closely scribbled white characters as he writes as it were in the air.

But it’s the depiction of the extent of Nash’s delusions that represents the film’s real master-stroke. With startling boldness A Beautiful Mind draws the audience in to Nash’s world — then yanks the rug from under our feet. It’s a frightening moment; and the frightfulness of Nash’s condition never really goes away. First there’s the horror of institutionalization and radical drug therapy, then the numbness of daily medication that leaves Nash intellectually and physically impotent. For a time it seems his only alternatives are life with schizophrenia or mere existence deprived of the things that make life worth living. Eventually, he learns that his condition can be managed, though he may never be cured.

All of this is of course a nightmare for Alicia as well, but she chooses to continue to love her husband in spite of what has happened to him. “I look at him,” she tells someone else, “and I force myself to see the man I married. And he becomes someone I love; and I become someone who loves him. It’s not all the time… but it’s enough.” In this simple declaration is more wisdom and virtue than in many another film. Decades later, in his Nobel Prize acceptance speech, the aging Nash credits Alicia as the reason he’s been able to go on: “You are all my reasons.”

As might be expected, Howard’s film oversimplifies several aspects of the real Nash’s life — though not nearly as much as many false allegations against Nash and the film’s accuracy would suggest. For example, charges of antisemitism, adultery, and even experimentation with homosexuality have all been roundly denounced by Nash himself, by his wife, and by his biographer, Sylvia Nasar.

Another charge, that in contrast to the solidly committed if highly strained marriage depicted in the film, the Nashes were actually divorced decades ago, is also misleading. Alicia did divorce John in the 1960s — but then a few years later took him back, and they lived together for almost 40 years before recently remarrying. Perhaps the film’s portrait of the redemptive and enduring love betwen these two people isn’t untrue to life, even if it has been smoothed over somewhat.

Russell Crowe is outstanding in a role that will easily win him a third straight best-actor Oscar nomination; it’s a pity he won last year for Gladiator , since it means he probably won’t win this year, even though this is a stronger performance in a stronger film. (Last year probably should have gone to Tom Hanks for Cast Away .)

In the hands of a lesser actor, Nash could have been all tics and eccentric behavior, but Crowe distills a character from the emotions: the arrogance and awkwardness, the burning ambition, the fearful paranoia, the sad determination. He may not give us much insight into what makes his character tick — perhaps that’s something no one can know — but Crowe does create an indelible impression of it would have been like to know the man.

Jennifer Connelly, who provides the movie’s heart, is equally dazzling. If Crowe submerges himself into the opacity of his character, Connelly plays hers with utter transparency. She hardly seems to be acting at all. Ed Harris ( Pollock ) and Paul Bettany ( A Knight’s Tale ’s Chaucer) provide sturdy support as, respectively, a mysterious G-man who needs Nash’s help and a bohemian roommate who takes an odd liking to Nash.

Ron Howard directs solidly, turning in his best work since Apollo 13 in what is his most mature film to date. He seems an entirely different director from the man who only last year gave us the soulless Grinch . Give this man more serious human drama, and keep him away from the fantasy. I’d like to see more films cut from the cloth of A Beautiful Mind .

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A Beautiful Mind

I never thought I would willingly watch a movie about math. Frankly, I got quite more than my fill of that in college. Even there I spent more time sleeping than I did engaging in the art of equations. But somehow, director Ron Howard has found a way to do what no college professor ever could… make math interesting.

A Beautiful Mind stars Russell Crowe as genius mathematician John Nash. Based on a true story, Nash is diagnosed as a paranoid-schizophrenic. With the help of his wife Alicia ( Jennifer Connelly ) he struggles against his madness and wins the Nobel Prize for his truly original theories. Most movies about mental illness generally tend to be less concerned with telling a powerful story, than they are in garnering rivers of tears. Sickly forced sweetness and artificial sadness are not the order of the day in the stunning story of John Nash.

A Beautiful Mind is not some sort of Forest Gump meets Einstein outing. John Nash, despite his eccentricities and lack of tact, is an engaging and intelligent character. Nor is it some kind of contrived bit of romance, where boy meets girl, girl saves boy’s soul. At its heart, A Beautiful Mind IS a romance, but one born out of the depth of deep lasting relationships and realistic, true love.

This a journey of discovery, magic, and heart carried along on the wings of dark personal tragedy. The film is gripping and emotional, but without any of the forceful fanfare of so many modern movies. In fact, it’s really quite low-key in tone throughout. Really, the viewer’s deep investment in Beautiful Mind’s characters only sneaks up on you when your back is turned. Ron Howard’s film grabs your heart when you aren’t looking and leaves you gasping and crying for characters you didn’t know you loved.

This is a cast firing on all cylinders with truly Oscar winning performances. John Nash couldn’t possibly be further from Crowe’s pumped up Maximus from last year’s dubious Oscar winner Gladiator . But Crowe is superb and convincing. There is little that one could ask from him here that hasn’t already been delivered. Connelly, to no one’s surprise, shines just as brightly as Alicia Nash as she does in ANY role she’s given.

Strangely enough, this really is a film centered around math. Why didn’t it put me to sleep? I had a bad time keeping my head off my desk in dear old Mrs. Kemp’s high school Algebra class. In college, Calculus sent me screaming. But for A Beautiful Mind , I spent hours willingly watching a mathematician work. In fact, some of the most enjoyable and singular moments of the film are spent watching Nash SOLVE PROBLEMS! Howard’s style is thrilling and entertaining. Nash’s work is engrossing, but only because Howard makes it so.

Love story, or math problem, A Beautiful Mind is without a doubt one of the finest, most genuine films of 2001.

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DVD & Streaming

A Beautiful Mind

Content caution.

In Theaters

Russell Crowe as John Nash; Jennifer Connelly as Alicia; Ed Harris as William Parcher; Paul Bettany as Charles Herman; Christopher Plummer as Dr. Rosen; Josh Lucas as Hansen; Judd Hirsch as Professor Helinger

Home Release Date

Distributor.

Universal Pictures

Movie Review

As a graduate student at Princeton in 1947, math whiz John Nash won’t set foot in a classroom for fear of dulling his creative genius. Instead he spends his time scribbling formulas on windowpanes in search of a truly original and revolutionary idea. Nash isn’t the most popular fellow on campus, which is largely his own fault. He admits, “I’m quite well balanced; I have a chip on both shoulders. I don’t like people much and they don’t like me.” But even if moviegoers don’t exactly like this cold fish at the start, we learn to appreciate his quirky intellect. Apparently, so does William Parcher, an agent with the Department of Defense. After Nash experiences his scientific breakthrough and proves himself an expert code-breaker, Parcher enlists him to scour magazines in search of imbedded Soviet messages to operatives threatening to detonate a nuclear warhead on American soil.

It’s now the early 1950s. Nash courts and marries Alicia, a pretty coed who finds even his unromantic technospeak charming. Unable to share the top-secret activities that occupy his mind, he struggles with the secrets he must keep from her. But things come to a head when dark-clad figures close in on Nash during a speaking engagement. It seems the Russians have found him. Claiming to be a psychiatrist eager to help Nash, a man named Dr. Rosen sedates him and commits him to a psychiatric ward. Rosen tells Alicia that her husband is schizophrenic, and that the people and activities consuming his energy are merely fantastic conspiracy theories and paranoid delusions. Are they? Or is Nash a pawn in an intricate Cold War political plot? Despite these uncertainties, Alicia stands by her man to the very end, proving that a beautiful mind is surpassed only by a devoted heart. In Nash’s own words, “The most important discovery of my life . . . is that only in the mysterious equation of love can any logic and reason be found.”

positive elements: Despite being a drinker and womanizer, Nash’s college roommate, Charles, is a faithful companion and constant source of encouragement. A loving uncle, Charles explains that he accepted custody of his young niece when his sister was killed in a car crash. Nash refutes Adam Smith’s law of governing dynamics, suggesting that a group does not always benefit from each member’s selfish ambition, but that cooperation can yield positive benefits for all involved. Taking control of his thought life, Nash states, “Like a diet of the mind, I choose not to indulge certain appetites,” a great (if unintentional) illustration of 2 Corinthians 10:5. Similarly, Charles tells Nash, “Mathematics won’t lead you to higher truth.” Alicia gives her beau a handkerchief for good luck, to which the ever-logical Nash replies, “I don’t believe in luck, but I do believe in assigning value to things” as he pockets the gift. Nash wants to serve his country as a code-breaker, but worries about how his covert activities might impact his wife and unborn child. Feeling the net tightening around him, he insists that Alicia seek shelter at her mother’s home. She assures the safety of their infant son, but refuses to leave her husband’s side (throughout the ordeal she is patient, loyal, sensitive and nurturing toward Nash). Hansen turns out to be a pretty decent guy when, decades after his rivalry with Nash, he shows mercy by giving the ostracized genius a chance to rejoin the Princeton community.

spiritual content: Alicia concludes “God must be a painter” because He created so many colors. When a colleague sees Nash and invokes the name of Christ in an inappropriate manner, Nash replies glibly that his “savior complex” hasn’t quite aspired to that level.

sexual content: Nash and his buddies are preoccupied with finding willing sexual partners. Right after being introduced to a girl, Nash forgoes even the most basic social graces and asks what it will take for her to sleep with him. It seems to be his style. He later propositions Alicia during a date, saying, “I tend to expedite information flow by being direct. All I really want to do is have intercourse with you as soon as possible.” She’s turned on by his forthrightness and it’s implied that they have sex. After they’re married, Alicia reaches beneath the covers in an unsuccessful attempt to put her husband in the mood. Charles makes a crass sexual remark. Nash’s Nobel Prize-caliber breakthrough occurs as a result of calculating how all of his friends can “get laid” by being “selfless.” The way it works is that they approach one beautiful blond, then bypass her altogether in favor of her four less attractive friends.

violent content: In frustration, Nash bangs his head against a window, cracking the glass and bloodying his forehead. He punches Dr. Rosen. A car chase involving an exchange of gunfire ends with Nash and Parcher’s bullet-riddled pursuers driving into a river. Elsewhere, characters brandish guns in a threatening manner. Newsreel footage shows the devastating power of a nuclear blast. Rosen’s people perform violent shock therapy on Nash. Several people are slapped. Alicia snaps under the stress, hurling a glass against a wall and smashing a mirror. To prove his story and his sanity, Nash gouges his arm to retrieve an implanted security device (lots of blood). There’s an intense scene in which a baby nearly drowns in a bathtub.

crude or profane language: Two dozen profanities include several s-words and 10 misuses of God’s name (five are exclamations of Jesus’ name). At one point, Charles employs crass anatomical slang in a sexual context. A young man uses a derogatory term for Japanese people.

drug and alcohol content: Many characters smoke cigarettes. We meet Charles after he has had a bit too much Johnny Walker (shortly thereafter, the free-spirit offers a flask to Nash and the two share a slug). At a campus bar, guys drink beer on several occasions. Nash and Charles both proclaim a deep “respect for beer.” Champagne is used to toast Nash’s success, and later appears at a formal party. Charles makes a reference to a drunk driving fatality. Dr. Rosen keeps Nash heavily medicated with substances ranging from Thorazine and pills to insulin shocks.

other negative elements: Nash is not an easy protagonist to embrace. In addition to admitting he doesn’t like people, he’s extremely arrogant. He despises having to share face time on a magazine cover with peers he calls “hacks.” As a teacher, he tells sweltering students wishing to let in fresh air and accompanying street noise, “Your comfort comes second to my ability to hear my own voice.” He resents sharing a scholarship with Hansen and belittles the man’s achievements as “derivative.”

conclusion: This is a very well-made, well-acted film guaranteed to get attention at Oscar time. But as taut and beguiling as A Beautiful Mind may be as a political thriller/psychological drama, the film’s themes of marital devotion and one man’s obsessive quest for personal significance left the greatest impression. It’s the kind of movie mature viewers will enjoy discussing long after the lights come up. Unfortunately, it seems any time Hollywood tackles “grown up” subject matter, it feels the need to toss in unnecessary content that can undermine the experience. Here the culprits are language and sexual immorality. Frustrating. Calculating viewers who factor in those variables will likely come to a singular conclusion: A Beautiful Mind is an intriguing, yet imperfect formula for a night out at the movies.

Positive Elements

Spiritual elements, sexual & romantic content, violent content, crude or profane language, drug & alcohol content, other noteworthy elements.

Bob Smithouser

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Posted by Dan Stasiewski on Jan 4, 2002 in Movie Review | 31 comments

A Beautiful Mind (2001)–****

I’ve never really liked the biopic sub-genre. Rarely can a film telling the story of a real person, regardless of its star, feel like anything more than a made-for-TV movie. In A Beautiful Mind , Ron Howard explores the life of Noble Prize winner John Nash. This biopic can be considered a profile of a schizophrenic or a tale about the enduring power of love. Either way, A Beautiful Mind translates into a first rate biopic and one of the best film’s of the year.

After entering Princeton, John Nash (Russell Crowe) goes looking for the one idea that will distinguish him from the other students. With encouragement from his roommate Charles (Paul Bettany) and a lot of jeering from other math students, Nash discovers a revolutionary economic theory. The monumental discovery gets him a position at MIT’s Wellers Defense Lab.

Four years pass, and finally, Nash gets a job he sees worthy of his talents. Department of Defense Officer Parcher (Ed Harris) recruits the genius performs communist code breaking. While he works for the government, he falls for Alicia (Jennifer Connelly), an MIT student. Even as their relationship blooms, Nash’s government work causes extreme paranoia. His behavior results in hospitalization for schizophrenia where he learns much of his life, his government work and his roommate Charles, are all delusions. With the realization of his problem, Nash begins a long battle to live and love with his disease.

A Beautiful Mind is a rare type of biopic. While remaining loyal to the man it was based on, the film doesn’t neglect to be as exciting as it is intelligent. Screenwriter Akiva Goldsman fabulously puts together a clever and heartening biography. Witty one-liners and a harrowing love story combine to make an extraordinarily engaging drama, while the movie flows through Nash’s life with spectacular ease. Even if parts of his life were pushed far into the background, the film feels more complete than most biopics.

Director Ron Howard not only has a marvelously written film on his hands, but this often-unappreciated talent (Academy, this means you) puts together a directorial triumph no one can ignore. Its not just technical achievement like making the codes leap from the page and screen, but he has the audience inside the mind of a schizophrenic. When an audience member can question the existence of certain characters right up until the end, the question shouldn’t be if Ron Howard would finally get the Oscar nomination. Rather, we should ask if the Academy could afford not to nominate him.

A Beautiful Mind continues its superiority in the biopic sub-genre with an irreplaceable and unforgettable cast. No one but Russell Crowe could have starred in this movie. The actor who brought an emperor to his knees, took on big tobacco, and overcame a crooked cop crime lord just becomes more impressive with each new film. From the startling schizophrenic outbursts of paranoia to the little idiosyncrasies like face rubbing, Russell Crowe’s transformation into John Nash is unquestionably his best work to date. With dexterity like Russell Crowe’s, he could star in any film and make it at least a good movie. A film like A Beautiful Mind , however, is a genuine masterpiece with Crowe as the star.

Playing opposite Crowe is Jennifer Connelly. Mostly remembered as the big sister who makes a regrettable wish in Labyrinth , Connelly has showed an astounding level of maturity with Alicia Nash. While not quite as haunting as her role in Requiem for A Dream , Connelly’s performance is emotionally provoking and sincerely touching. She brings a natural elegance to the screen and doesn’t sacrifice it when her character is pushed to the limit. Connelly even manages to keep up with the tremendous talent of Russell Crowe, a feat his co-stars usually can’t claim.

A Beautiful Mind is truly original and undeniably beautiful. It entertains; it enlightens; it’s just an outstanding film. Since A Beautiful Mind is a biopic, the film shouldn’t be this close to perfection. But it is.

Movie Review: Harry Potter and the Order of the Phoenix

31 Comments

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A BEAUTIFUL MIND

"the darker side of genius".

	None	Light	Moderate	Heavy
Language
Violence
Sex
Nudity

What You Need To Know:

(BB, C, H, L, VV, S, AA, D, M) Solid moral worldview contains redemptive elements as wife lays her life down in ultimate commitment to her mentally ill husband; some humanist, elitist, “intelligentia” worldview elements typical of many brilliant, top-educated youths – seen in high-mindedness & arrogance; very mild foul language with 2 obscenities & 1 profanity, though several instances of joking about fornication, etc.; a couple violent scenes include protagonist throwing desk through window in rage, a car chase/shoot-out with bad guys & man gets shock therapy treatments; non-offensive bed scene where wife makes sexual advances toward husband, only to be rejected, mild college-boy joking, speculating about fornication & protagonist tries to pick up co-ed in a bar; no nudity depicted; alcohol use & abuse depicted, smoking depicted; and, theme of mental illness portrayed with disturbing scenes of father leaving baby in tub too long, multiple delusions, shock treatments, & mockery by outsiders.

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A BEAUTIFUL MIND is the story of John Nash, a Carnegie Scholarship genius who attends Princeton University in 1947. John is, of course, brilliant, but he lacks social graces and comes across as rude, insensitive, arrogant, and independent. He skips classes to pursue his theories in the natural environment, but his disdain for academic expectations does not sit well with his instructors, one of whom tells him that he’ll likely not be recommended for placement in a coveted internship at Wheeler Laboratories.

His roommate, Charles Herman, challenges the “chips on both of John’s shoulders,” and John confesses that a childhood teacher once told him that he had “twice the brain but half the heart” he needed. John does manage to hang around with a smart group of guys, and they pontificate about how important Math is but say that it will never lead one to higher truth. John admits that he wants to go beyond this limitation and make his life count for something.

John’s personality continues to be abrasive, and when he loses a board game, he storms off, saying the game is flawed. He horribly botches an attempt to pick up a coed in a bar, and his friends laugh at him mercilessly. His professor continues to deny him internships and John continues to be frustrated at not finding his great Mathematical, world-changing breakthrough. In anger, John and his roommate crash a dresser through the dorm window, and it shatters in the courtyard below.

Finally, one night in a bar, John sees his friends ogling five coeds, one of which is a blonde. Suddenly, his eyes light up. He tells them that the theorist Adam Smith was wrong – that decisions should not be based solely on what’s right for oneself, but rather for self AND the group. He suggests that, if they all went for the blonde, her friends would be mad, and they’d all leave. Therefore, in order for everyone to have a great date, it would be better to ignore the blonde and flirt with the other four girls. The guys are amazed, and John quickly applies his new theory to complex, real-world scenarios. After much work, his professor acknowledges the brilliance of Nash’s work, and he does make the Wheeler Lab recommendation.

Years later, at the Pentagon, our Dr. John Nash, part-time mathematical scientist/part time professor at M.I.T., is called upon to decode a radio transmission from Russia. His brain is able to quickly break a complex code involving the latitude and longitude routing orders across the borders of the U.S. A few weeks later, William Parcher, of the Department of Defense, approaches John. Parcher takes him to an impressive, secret U.S. lab, where he shows him how a Russian faction called “New Freedom” has been imbedding secret messages in newspapers and magazines. Parcher asks John to become a spy for the U.S. – scanning magazines and decoding the enemy’s secrets. John agrees and consents to having an electronic chip embedded into his forearm. The chip will have a number code that will change weekly, enabling him to get past security checkpoints and make important mail drops.

John is busy decoding and teaching when he meets a gorgeous grad student, Alicia. She goes out with him and makes him look very good at parties. They share a romantic date in a courtyard under the stars. He asks her to think of any shape she wants, and he is then quickly able to point out the shape in the galaxy. They soon fall in love and get married. John continues decoding and making his top-secret mail drops.

One night, however, the drop is compromised, and it results in a scary car chase with Parcher leading them in a shoot-out where the bad guys’ car goes down into the lake. John makes it out, but he is terrified, and he shuts out his wife. Parcher tells him later, “I told you attachments were dangerous.” Soon, John is so fearful he wants to quit. Parcher threatens him, so John sends the now-pregnant Alicia away to her mother’s house.

One day, while John is lecturing at Harvard, he sees his old roommate, Charles Herman, and Charles’ newly adopted young niece. He tells Charles about his trouble with the spy-game-gone-wrong, and Charles accompanies him to his lecture. During the lecture, however, John sees men in dark suits, coming to get him. He runs, and the bad guys chase him down. They tell him they’re psychiatrists, and they give him a shot to subdue him.

At the psychiatric hospital, he sees Charles, and realizes that his faithful old roommate has betrayed him. They are all trying to kill him now. Or are they?

A BEAUTIFUL MIND is incredible on many levels. With typical Ron Howard (BACKDRAFT, APOLLO 13, GRINCH) heart-gripping direction, and with the broad acting skills of Russell Crowe (GLADIATOR), who must age from a college kid to an old man, the film is masterfully presented. Based on the true story of John Nash, this is a cleverly-portrayed, sobering look into the mindsets of the mentally ill.

It is also the story of how all of heaven rallies to bring an individual out of his off-putting, rough-edged personality to be shaped into the image of God’s true purposes. John Nash moves from abrasiveness to gentleness . . . from haughtiness to humility. At the end he says, “I’ve reached a level of honesty that borders on stupidity.”

On another level, Christians will see the insidious nature of mental illness and the delusional “voices” which to many would constitute demonic activity. It is interesting that once John turns from the voices, acknowledges that they are not his own, and refuses to answer them, he begins to find his healing. Similarly, the Psalmist talks about how the entrance of God’s truth brings light and life. In the movie, John’s doctor tells him, “Like all dreams and nightmares, you’ve got to keep feeding them to keep them alive.” John refuses to keep alive the negative, debilitating thought-life that eventually could lead to death.

The most significant aspect of the film was perhaps the incredible, self-sacrificial commitment demonstrated by John’s wife, Alicia, played by the beautiful Jennifer Connelly. In a day where many, if not most, wives would have crumbled under the weight of caring for a mentally ill spouse, Alicia takes up “her cross” and supports her husband – truly through thick and thin, for better and worse. At the end, John’s Nobel Prize speech is laden with praise for such a faithful companion who persevered under unfathomable trials. He ends with, “Only in the mysterious equation of love can the logical be found.”

The only negatives in the film were the few sexual references and the disturbing portrayal of mental illness. The middle of the film felt a bit tedious and nerve-wracking, but the ending delivers a fine payoff. This movie will likely give great hope and help to those suffering from mental, spiritual and even academic challenges.

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A Beautiful Mind

A mathematical genius, John Nash made an astonishing discovery early in his career and stood on the brink of international acclaim. But the handsome and arrogant Nash soon found himself on a harrowing journey of self-discovery.
From the heights of notoriety to the depths of depravity, John Forbes Nash, Jr. experienced it all. A mathematical genius, he made an astonishing discovery early in his career and stood on the brink of international acclaim. But the handsome and arrogant Nash soon found himself on a painful and harrowing journey of self-discovery. After many years of struggle, he eventually triumphed over his tragedy, and finally - late in life - received the Nobel Prize. — Universal Pictures and DreamWorks Pictures
At Princeton University, John Nash struggles to make a worthwhile contribution to serve as his legacy to the world of mathematics. He finally makes a revolutionary breakthrough that will eventually earn him the Nobel Prize. After graduate school he turns to teaching, becoming romantically involved with his student Alicia. Meanwhile the government asks his help with breaking Soviet codes, which soon gets him involved in a terrifying conspiracy plot. Nash grows more and more paranoid until a discovery that turns his entire world upside down. Now it is only with Alicia's help that he will be able to recover his mental strength and regain his status as the great mathematician we know him as today. — rmlohner
John Nash goes through a myriad of highs and lows from his time as a Mathematics student in graduate school at Princeton in the late 1940's to his Nobel Prize win for Economics in 1994. A brilliant but somewhat arrogant and antisocial man, Nash preferred to spend his time with his thoughts, which were primarily of seeing mathematical formula associated with everyday occurrences, than with people. Two people he did make a connection with were Charles, his roommate at Princeton, and Alicia Larde, one of his students when he was teaching at M.I.T. in the early 1950's. He and Alicia eventually marry. As time goes on, Nash lives more and more within himself which causes major problems in his life. But Alicia stands by her husband to his redemption to the Nobel Prize win. Nash learns that his graduate school colleagues, with whom he had a cordial but somewhat distant relationship, are closer friends than he imagined, although in his later life he really does miss Charles' company more than anything despite knowing that spending time with Charles is not in his or anyone's best interest. — Huggo
In 1947, John Nash (Russell Crowe) arrives at Princeton University. He is a co-recipient, with Martin Hansen (Josh Lucas), of the prestigious Carnegie Scholarship for mathematics. At a reception, he meets a group of other promising math and science graduate students, Richard Sol (Adam Goldberg), Ainsley (Jason Gray-Stanford), and Bender (Anthony Rapp). He also meets his roommate Charles Herman (Paul Bettany), a literature student. Nash is under extreme pressure to publish, but he wants to publish his own original idea. His inspiration comes when he and his fellow graduate students discuss how to approach a group of women at a bar. Hansen quotes Adam Smith and advocates "every man for himself," but Nash argues that a cooperative approach would lead to better chances of success. Nash develops a new concept of governing dynamics and publishes an article on this. On the strength of this, he is offered an appointment at MIT where Sol and Bender join him. Some years later, Nash is invited to the Pentagon to crack encrypted enemy telecommunications. Nash can decipher the code mentally, to the astonishment of other Decrypters. He considers his regular duties at MIT uninteresting and beneath his talents, so he is pleased to be given a new assignment by his mysterious supervisor, William Parcher (Ed Harris) of the United States Department of Defense. He offers Nash a job, in which Nash would help him to decode the messages to detect a bomb the Soviets had been hiding. The code is said to be found in normal magazines, newspapers and such. He is to look for patterns in magazines and newspapers in order to thwart a Soviet plot. Nash becomes increasingly obsessive about searching for these hidden patterns and believes he is followed when he delivers his results to a secret mailbox. Meanwhile, a student, Alicia Larde (Jennifer Connelly), asks him to dinner, and the two fall in love. On a return visit to Princeton, Nash runs into Charles and his niece, Marcee. With Charles' encouragement, he proposes to Alicia, and they marry. Nash begins to fear for his life after witnessing a shootout between Parcher and Soviet agents, but Parcher blackmails him into staying on his assignment. While delivering a guest lecture at Harvard University, Nash tries to flee from people he thinks are foreign Soviet agents, led by Dr. Rosen (Christopher Plummer). After punching Rosen in an attempt to flee, Nash is forcibly sedated and sent to a psychiatric facility he believes is run by the Soviets. Dr. Rosen tells Alicia that Nash has paranoid schizophrenia and that Charles, Marcee, and Parcher exist only in his imagination. Alicia investigates and informs Nash that the Department of Defense does not have a "William Parcher" working for them and reveals the unopened documents he had delivered to the secret mailbox. Nash is given a course of insulin shock therapy and eventually released. Frustrated with the side effects of the anti-psychotic medication he is taking, which makes him lethargic and unresponsive, he secretly stops taking it. This causes a relapse, and he "meets" Parcher again. Shortly afterward, Alicia discovers Nash is once again working on his "assignment" in an abandoned shed not far from their house. Realizing he has relapsed, Alicia rushes into the house to find Nash had left their baby unsupervised and nearly submerged in the bathtub, which had been filling with water. Nash claims that Charles was watching the baby. Alicia calls Dr. Rosen, but Nash believes Parcher is trying to kill her. He rushes in to push Parcher away, and accidentally knocks Alicia and the baby to the ground. As Alicia flees the house with their baby, Nash jumps in front of Alicia's car affirming to her: "Marcee can't be real! She never gets old!". Nash tells her that he realizes that he has never seen Marcee age, even though he has known her for three years. He finally accepts that Parcher and other figures are hallucinations. Against Dr. Rosen's advice, Nash decides not to restart his medication, believing that he can deal with his symptoms himself. Alicia decides to stay and support him in this. Nash returns to Princeton and approaches his old rival, Hansen, now head of the mathematics department. Hansen grants Nash permission to work out of the library and to audit classes. Over the next two decades, Nash learns to ignore his hallucinations. By the late 1970s, he is allowed to teach again. In 1994, Nash wins the Nobel Prize for his revolutionary work on game theory, and is honored by his fellow professors, including Hansen. At the Nobel ceremony, he dedicates his prize to his wife, saying "I'm only here because of you." The movie ends as Nash, Alicia, and their son leave the auditorium in Stockholm; and although Nash sees Charles, Marcee, and Parcher standing to one side and watching him, he looks at them only briefly before departing.

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Beautiful Mind, A (United States, 2001)

A Beautiful Mind is a beautifully written, effectively acted, and meticulously crafted effort that is likely to remind many viewers of a simple axiom: a movie doesn't have to be groundbreaking to be compelling. Originality is a prized commodity because there is so little of it in Hollywood these days, but, when filmmakers do such a skillful job with familiar elements, their efforts should be acknowledged. Affecting without being overtly manipulative, A Beautiful Mind tells the life story of John Nash, a Nobel prize winner who struggled through most of his adult life with schizophrenia. As directed by Ron Howard, this becomes a tale not only of one man's battle to overcome his own disability, but of the overreaching power of love - a theme that has been embraced by films as diverse as It's a Wonderful Life and Rocky .

A Beautiful Mind may have been developed to be a crowd-pleaser as well as a tear-jerker, but genuine craft is evident in the way the pieces were assembled. The movie never becomes cloying, nor does it threaten to drown us beneath an outpouring of false sentiment. This is no Patch Adams , filled with saccharine-coated artificiality. The characters are effectively drawn and their plight touches an emotional chord. A Beautiful Mind offers a catharsis without insulting the intelligence. Sadly, too few movies these days can make a similar claim. This film argues that there are still instances when Hollywood-produced, big budget movies are worth a viewer's investment of time and money.

A Beautiful Mind purports to tell the true story of Professor John Nash (Russell Crowe), but, while the gross facts may be accurate, one must expect embellishment of the details. Narrative features are not constrained by the same rules that limit documentaries. We first meet Nash as a student at Princeton in 1947. He is brilliant but erratic - a mathematical genius who lacks social skills. He is aided in making it through those difficult years by his roommate, Charles (Paul Bettany). Years later, following an astounding breakthrough that revolutionizes economics, John is teaching at M.I.T. and doing code-breaking work for a shady government agent, William Parcher (Ed Harris). It's at this time that John meets, falls in love with, and marries Alicia (Jennifer Connelly). But his happy world soon starts to crumble. John is afflicted with paranoid hallucinations; by the time he is taken to a mental hospital under the care of the mysterious Dr. Rosen (Christopher Plummer), he is diagnosed as having an advanced case of schizophrenia.

For Russell Crowe, the winner of last year's Best Actor Oscar, this is another opportunity to broaden his range. Crowe successfully buries his personality beneath Nash's, allowing the character to come to the fore (a necessity, considering the actor's current load of off-screen baggage). Much as he did in The Insider , Crowe shows no difficulty inhabiting the skin of a real-life individual who has a stronger intellect than physique. And, when it comes to the sequences depicting Nash battling his demons, Crowe's performance is utterly convincing. Meanwhile, Jennifer Connelly is luminous as Alicia. Although the showier performance belongs to Crowe, it is Connelly's complex work, depicting a woman torn by love for and fear of the same man, that elevates the film to a higher level. The actress was unjustly overlooked for Requiem for a Dream ; hopefully, the Academy will not repeat that mistake. Solid support is provided by Ed Harris and Christopher Plummer.

A viewer certainly doesn't have to be a mathematical expert to appreciate what A Beautiful Mind offers, although those with a strong left-brain component may relate better to John Nash than right-brainers. The movie tosses mathematical theories and theorems in the audience's direction, but explains them simply and lucidly; no one is going to become lost or bored. A Beautiful Mind isn't about mathematics except as a symbol. It's about human frailty and the ability to triumph over it. Nash could just as easily be a doctor, a lawyer, or a construction worker and the essence of the story would not change.

The strength of the writing and production values elevate A Beautiful Mind far above "disease of the week movie" quality. At the core of the picture lies the relationship between John and Alicia, and the tribulations that the strength of their bond allows them to overcome. On one occasion, a friend asks Alicia how she can continue to stay with her stricken husband, and she replies with a succinct explanation that everyone who has ever been in love will understand. A Beautiful Mind defies the conventional Hollywood wisdom that love is passion and romance. For John and Alicia, it is painful, heartbreaking work. And, while hearts and flowers are great for a fantasy, this is the kind of expression of emotion that touches a deeper chord.

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A Beautiful Mind Parent Guide

Based on the tortured life of mathematician John Forbes Nash Jr., director Ron Howard champions the man who teeters on greatness, falls victim to a mental illness and fights back to accept the Nobel Prize in 1994.

Release date January 5, 2002

Run Time: 135 minutes

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The guide to our grades, parent movie review by kerry bennett.

DIRECTOR RON HOWARD delves into the delusional world of paranoid schizophrenia in A Beautiful Mind. Based on the tortured life of mathematician John Forbes Nash Jr., Howard champions the man who teeters on greatness, falls victim to a mental illness and fights back to accept the Nobel Prize in 1994.

Battling his delusions and fears with snippets of humor and a penchant for logic, Nash struggles to bring reason and value to a life haunted by unseen demons and in time learns to trust in the exponential and intuitive power of love.

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Kerry Bennett

A beautiful mind parents' guide.

What are some examples of Nash using humor to deal with his illness? Do you think humor can assist in the healing process?

How did Alicia deal with her husband’s schizophrenia? How does her commitment to their marriage affect the way she reacts to her husband’s plight? Do you think her choices affected the outcome of Nash’s illness?

To read Nash’s own brief account of his life’s experiences, go to www.nobel.se/economics/laureates/1994/nash-autobio.html . For a general overview of what schizophrenia is and what symptoms accompany the disease, see www.schizophrenia.com/family/schizintro.html

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A Beautiful Mind Essay

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Introduction

Directed by Ron Howard, A Beautiful Mind is an inspiring American movie, which explores the story of a successful young Mathematician, John Nash. In the story, Nash tries to find an original idea while in a graduate school where he interacts with many people most of whom he does not like.

He later gets a high profile job where he falls in love with Alicia whom he later marries. Nash begins to have a problem of paranoia and he later discovers that he is suffering from Schizophrenia. He tries to cope with his medical condition. At one point, he attempts to pluck out an implant in his arm. At another instance, he refuses to take medicine because he claims that the medicine has side effects.

This condition brings suffering in Nash’s life as he watches in pain how much his condition burdens his wife as well as his friends. The rest of the movie talks about Nash’s abilities and achievements as he tries to overcome his condition while he brings out his genius self. By using the events in Nash’s life and his condition, the movie accurately depicts schizophrenia, which will be the major subject of interest in the review of this movie.

Schizophrenia is a mind disorder in which the sufferer experiences periods of hallucinations and delusions. The movie successfully manages to create global awareness about Schizophrenia, a mental illness, which people had hitherto considered a mystery. The movie effectively underscores different issues about Schizophrenia including what happens in the sufferer’s mind by handling it as one of the major themes.

Nasar argues that the decision of Howard to showcase Nash as a sufferer of Schizophrenia who is able to overcome this mental disorder is quite admirable since besides encouraging the sufferers of this mental illness, he also overshadows the world wide myths about this condition (1998, p.78) .

The film shows how Nash suffers from his childhood, gradually learns to overcome this condition and manages to bring out his genius self as a mathematician. According to Goldsman, the hallucinations and delusions experienced by Nash as this condition plagues him from his childhood is an attempt by Psychiatrists to guide and educate people about the symptoms of this mental illness ( 2002, p.52).

Like Nash, everyone, if not most of the people suffering from Schizophrenia are bound to experience hallucinations and delusions. The violent nature of Nash that causes his wife to flee with her baby in fear of her security further shows that choleric is another symptom of Schizophrenia. There may however be small variations in the intensity these symptoms amongst the sufferers.

After undergoing insulin therapy, the Physician gives Nash antipsychotic drugs that after taking part of the dose he experiences damaging fallouts that sever emotional and sexual links with his wife. This prompts him to stop taking the drugs, which affects his intellect. By painting this picture of Nash, the director tries to create awareness about the side effects of schizophrenia medication.

On the other side, many myths exist in the public domain about this condition. One such myth asserts that schizophrenics exhibit two or more personalities. For instance, Nash assumes one personality as a sufferer of Schizophrenia and the other as a genius in mathematics who wins Nobel prizes.

A Beautiful Mind is one of the movies that have successfully endeavored to create worldwide awareness about Schizophrenia, a mental illness that causes hallucinations and delusions. The movie, through the main character manages to inform its audience that despite being in this condition, the sufferers can overcome it and live up to their expectations.

Goldman, A. (2002). A Beautiful Mind: The Shooting Script. New York: Newmarket Press. Print.

Nasar, Sylvia. (1998). A Beautiful Mind. New York: Touchstone Books. Print.

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COMMENTS

A Beautiful Mind movie review (2001)
A Beautiful Mind. Drama. 129 minutes ‧ PG-13 ‧ 2001. Roger Ebert. December 21, 2001. 5 min read. The Nobel Prize winner John Forbes Nash Jr. still teaches at Princeton, and walks to campus every day. That these commonplace statements nearly brought tears to my eyes suggests the power of "A Beautiful Mind," the story of a man who is one ...
A Beautiful Mind
Rated 4/5 Stars • Rated 4 out of 5 stars 06/28/24 Full Review Alysha S "A Beautiful Mind" represents so much of what a film should be. A remarkable story, heart, warmth, good lighting and top-of ...
A Beautiful Mind (2001)
A BEAUTIFUL MIND (2001) Rating: 10/10. A Beautiful Mind's greatest achievement, in my humble opinion, is the way it makes schizophrenia accessible to "sane" people. The general public knows schizophrenics tend to talk to themselves, repeat certain actions and do things generally at odds with the norm.
A Beautiful Mind Movie Review
Our review: Parents say (9 ): Kids say (26 ): This is an extraordinary story, and it has been made into an extraordinary movie. Crowe is, as always, simply magnificent in a role that would provide irresistible temptation for showboating for most actors. There are superb performances by everyone in the cast, including Connelly (an Oscar-winner ...
A Beautiful Mind
Full Review | Original Score: 4/10 | Sep 25, 2020. Howard's A Beautiful Mind works because it is not a film about mental illness, but a film about John Nash. Full Review | Original Score: 3.5/4.0 ...
A Beautiful Mind
A Beautiful Mind. Metascore ... Generally Favorable Based on 33 Critic Reviews. 72. 67% Positive 22 Reviews. 27% Mixed 9 Reviews. 6% Negative 2 Reviews. ... So many things come together so beautifully in this movie based on the life of John Forbes Nash Jr. that you're likely to find yourself willing to benignly overlook its occasional ...
FILM REVIEW; From Math To Madness, And Back
Of course any movie that traffics in biography must edit, foreshorten, emphasize and condense, but ''A Beautiful Mind'' goes further, becoming a piece of historical revisionism on the order of ''J ...
A Beautiful Mind (2001)
A Beautiful Mind: Directed by Ron Howard. With Russell Crowe, Ed Harris, Jennifer Connelly, Christopher Plummer. A mathematical genius, John Nash made an astonishing discovery early in his career and stood on the brink of international acclaim. But the handsome and arrogant Nash soon found himself on a harrowing journey of self-discovery.
A Beautiful Mind (film)
A Beautiful Mind is a 2001 American biographical drama film about the mathematician John Nash, a Nobel Laureate in Economics, played by Russell Crowe.The film is directed by Ron Howard based on a screenplay by Akiva Goldsman, who adapted the 1998 biography by Sylvia Nasar.In addition to Crowe, the film's cast features Ed Harris, Jennifer Connelly, Paul Bettany, Adam Goldberg, Judd Hirsch, Josh ...
A Beautiful Mind Review
Release Date: 21 Feb 2002. Running Time: 136 minutes. Certificate: 12. Original Title: A Beautiful Mind. Playing the mentally ill has always been a fast-track to critical and Oscar success, and so ...
Review of A Beautiful Mind
It's a pleasure, then, to report that A Beautiful Mind is actually a very good movie. And if it was made on some level as Oscar bait, that's okay too. This is a good story, well told, that never ...
A Beautiful Mind (2001)
Maybe more so. Eventually the ideas become too real — or the people not real enough — and Nash withdraws inexorably into the tangles of his own incandescent mind. 2001, Universal. Directed by Ron Howard. Russell Crowe, Jennifer Connelly, Ed Harris, Paul Bettany, Christopher Plummer, Judd Hirsch. Artistic/Entertainment Value.
A Beautiful Mind
A Beautiful Mind stars Russell Crowe as genius mathematician John Nash. Based on a true story, Nash is diagnosed as a paranoid-schizophrenic. ... Longlegs Review: One Of 2024's Best Movies Has ...
A Beautiful Mind
Movie Review. As a graduate student at Princeton in 1947, math whiz John Nash won't set foot in a classroom for fear of dulling his creative genius. ... But as taut and beguiling as A Beautiful Mind may be as a political thriller/psychological drama, the film's themes of marital devotion and one man's obsessive quest for personal ...
"A Beautiful Mind" Review
The Independent Critic offers movie reviews, interviews, film festival coverage, a short film archive and The Compassion Archive by award-winning activist and writer Richard Propes. ... Ron Howard's Oscar-winning film, "A Beautiful Mind," is, on the surface, an easy film to peg. It is the story of John Nash (Russell Crowe), one of America's ...
Movie Review: A BEAUTIFUL MIND (2001)
A Beautiful Mind (2001)--**** I've never really liked the biopic sub-genre. Rarely can a film telling the story of a real person, regardless of its star, feel like anything more than a made-for-TV movie. In A Beautiful Mind, Ron Howard explores the life of Noble Prize winner John Nash. This biopic can be considered a profile of a schizophrenic or a tale about the enduring power of love.
A BEAUTIFUL MIND
A BEAUTIFUL MIND is incredible. With typical heart-gripping direction by Ron Howard (APOLLO 13), and with the broad acting skills of Russell Crowe, who must age from a college kid to an old man, the movie is masterfully presented.
Movie Reviews for A Beautiful Mind by the Readers of The BigScreen
Movie reviews written by readers of The BigScreen Cinema Guide -- movie enthusiasts, not professional movie critics. ... A Beautiful Mind Academy Award® Winner Based on the true story of John Nash, a brilliant mathematician and Nobel prize winner, who struggled through most of his adult life with schizophrenia.
A Beautiful Mind (2001)
A mathematical genius, John Nash made an astonishing discovery early in his career and stood on the brink of international acclaim. But the handsome and arrogant Nash soon found himself on a harrowing journey of self-discovery. From the heights of notoriety to the depths of depravity, John Forbes Nash, Jr. experienced it all.
Beautiful Mind, A
A movie review by James Berardinelli. A Beautiful Mind is a beautifully written, effectively acted, and meticulously crafted effort that is likely to remind many viewers of a simple axiom: a movie doesn't have to be groundbreaking to be compelling. Originality is a prized commodity because there is so little of it in Hollywood these days, but ...
A Beautiful Mind Movie Review for Parents
Parent Movie Reviewby. DIRECTOR RON HOWARD delves into the delusional world of paranoid schizophrenia in A Beautiful Mind. Based on the tortured life of mathematician John Forbes Nash Jr., Howard champions the man who teeters on greatness, falls victim to a mental illness and fights back to accept the Nobel Prize in 1994.
Movie Review: A Beautiful Mind
A Beautiful Mind is a powerful account of the life of Nobel Prize winner and mathematician John Nash. The movie depicts Nash's journey through life with schizophrenia. Nash displays many characteristic symptoms of schizophrenia, including hallucinations, delusions, fear of persecution, and lack of interpersonal relationships. In the beginning of the movie, Nash is an introverted, focused young ...
A Beautiful Mind Movie Review
Directed by Ron Howard, A Beautiful Mind is an inspiring American movie, which explores the story of a successful young Mathematician, John Nash. In the story, Nash tries to find an original idea while in a graduate school where he interacts with many people most of whom he does not like. Get a custom essay on A Beautiful Mind. 185 writers online.

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