CREATIVE WRITING IN CLASSROOM: A REAL STORY

  • Ghulam HAIDER Deputy Director (Planning & Development) National Vocational & Technical Training Commission (NAVTTC) Punjab, Lahore, Pakistan https://orcid.org/0000-0002-5457-5286
  • Rabia SALEEM Civil Judge-I High Courts, Lahore, Pakistan https://orcid.org/0000-0002-1124-9624

The article discusses the real story of creative writing in Pakistan creative writing in Pakistan lacks a big work both inside a class room and outside a class room. In Pakistan writing instruction still depends on a typical product oriented approach. That is why the trends in the pedagogical setting support product-oriented approach to writing. Pakistan possesses a rich heritage of all sorts of genres that are supporting features for creative writing yet lack of research in this area has pushed it at the secondary place. Teaching of literature is a much focused area in colleges but it lacks creative writing. The role of examination board(s) is also not so much effective .There is no any systematic program of evaluating the written product. Rather non standardized scoring guides are used to evaluate the written pieces of the students. That is why error is considered a mistake in spite of a way to learning.  This condition can be made better if writing teachers start considering that ‘creativity flourishes where there is a systematic strategy to promote it. In addition, they must suggest approaches to teaching such as the genre approach or the process approach for developing creative writing.

Keywords: Creative writing; Process Model of Writing; Diversity in Writing Style; Assessment of writing

Arnold, R. (1991). Writing Development . Philadelphia: Open University Press.

Barnes, J. (2001). Creativity and Composition. In C. Philpott, & C. Plummeridge (Eds.), Issues in Music Teaching . London: Routledge.

Brown, S., & Pickford, R. (2006). Assessing skills and Practice. London: Routledge.

English Grammar and Composition for Matriculation. (2009). Lahore: Punjab Textbook Board.

Evernett, N. (2005). Creative Writing and English. The Cambridge Quarterly, 34(3), 231-242.

Grainger, T., Goouch, K., & Lambirth, A. (2005). Creativity and Writing: Developing voice and verve in the classroom . London: Routledge.

Hanke, V. (2002). Improvisations around the National Literacy Strategy. Reading Literacy and Language, 36(2), 80-7.

Hooker, J. (1997). Developing creativity: The place of the imagination in the academy. Writing in Education , 11, 4-7.

HMIE Report. (2006). Emerging Good Practice in Promoting Creativity. Available:                 http://www.hmie.gov.uk/documents/publication/hmieegpipc.html (March 3, 2009)

HMIE Report. (2006). Promoting Creativity in Education: Overview of National Policy. Available: http://www.hmie.gov.uk/documents/publication/hmiepcie.html (April 25, 2009)

Humaira, Khan. (2011). Testing Creative Writing in Pakistan: Tensions and Potential in    Classroom Practice. International Journal of Humanities and Social Science, 1 (15) 111-119 .      Retrievedfrom http://www.ijhssnet.com/journals/Vol_1_No_15_Special_Issue_October_2                011/14.pdf

Laevers, F. (2000). Forward to basics: deep level learning and the experimental approach. Early years , 20(2), 20-9.

Marshall, S. (1974). Creative Writing . London: Macmillan Education Ltd.

Model Test Papers of English for Class Tenth. (2009). Lahore: Kashmir Kitab Ghar.

Moss, P. (2001). The Otherness of Reggio. In L. Abbott, & C. Nutbrown (Eds.) Experiencing Reggio Emilia, Implications for Pre-school Provision . Buckingham: Open University Press.

Myhill, D. (2001). Crafting and Creating. English in Education, 35(3), 13-20.

Nadeem, M. (2007). Pakistan Land of Rich Literary Heritage. Available: http://www.uelowermall.edu.pk.com (August14, 2009)

National Education Policy. (1992). Islamabad: Ministry of Education Press.

O’Rourke, R. (2005). Creative Writing: Education, Culture and Community. Plymouth: Latimer Trend. Past English Papers. (2008). Lahore: Urdu Bazar Publishers.

Robinson, K. (2001). Out of our Minds: Learning to be creative . Oxford: Capstone: Publishing.

Siddiqui, S. (2007). Rethinking Education in Pakistan: Perceptions, Practices, and Possibilities. Lahore: Paramount Publishing Press.

Warsi, J. (2004). Conditions under which English is taught in Pakistan: An Applied Linguistic Perspective. Sarid Journal . Available: http:// www. sarid.net/sarid-journal (May 10, 2009)

Wilson, S. and Ball, D.L. (1997). Helping teachers meet the standards: new challenges for teacher educators. The Elementary School Journal, 97(2), 121-138.

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Exploring the Features of Pakistani English Creative Writing: An In-depth Study of Language use, Reader Engagement, Voice, Quality, Originality and universality in the Works of Akhtar, Tahir, and Sidhwa

  • Amna Waheed PhD Scholar, Department of English, Division of Arts & Social Sciences, University of Education, Lahore, Punjab, Pakistan
  • Dr. Humaira Irfan Associate Professor, Department of English, Division of Arts and Social Sciences, University of Education, Lahore, Punjab, Pakistan
  • Dr. Ahsan Bashir Professor, Department of English, Division of Arts and Social Sciences, University of Education, Lahore, Punjab, Pakistan

This research explores the distinctive features of Pakistani creative writing and its important role in developing creativity, promoting critical thinking, crafting uniqueness, shaping and developing the structure of Pakistani English (PakE). PakE has evolved into a unique linguistic form by blending English with indigenous vocabulary, idioms, themes, and linguistic features. Through creative writing Pakistani writers are promoting their rich cultural heritage and enriching the language, making it a vibrant medium for literary and linguistic expressions. This study explores features of Pakistani creative writing through a qualitative analysis of select texts—poems by Rizwan Akhtar, short stories by M. Athar Tahir, and Bapsi Sidhwa's novel “The Bride”—this research applies a theoretical framework for assessing creativity in writing. The study uncovers the use of language, reader engagement, distinctiveness, voice, originality, and universality among other aspects. The findings reveal a dynamic interplay of language techniques, emotive engagement, and thematic depth across the selected works, presents the uniqueness and versatility of PakE in capturing the essence of Pakistani culture and heritage. Pakistani English creative writing reflects postcolonial identity, linguistic creativity, and cultural diversity. It affirms the contribution of creative writing in shaping the structure and development of Pakistani English.

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what is the status of creative writing in pakistani english classroom

CREATIVE WRITING IN CLASSROOM: A REAL STORY

Rabia Saleem Ghulam Haıder

The article discusses the real story of creative writing in Pakistan creative writing in Pakistan lacks a big work both inside a class room and outside a class room. In Pakistan writing instruction still depends on a typical product oriented approach. That is why the trends in the pedagogical setting support product-oriented approach to writing. Pakistan possesses a rich heritage of all sorts of genres that are supporting features for creative writing yet lack of research in this area has pushed it at the secondary place. Teaching of literature is a much focused area in colleges but it lacks creative writing. The role of examination board(s) is also not so much effective .There is no any systematic program of evaluating the written product. Rather non standardized scoring guides are used to evaluate the written pieces of the students. That is why error is considered a mistake in spite of a way to learning. This condition can be made better if writing teachers start considering that ‘creativity flourishes where there is a systematic strategy to promote it. In addition, they must suggest approaches to teaching such as the genre approach or the process approach for developing creative writing.

Anahtar Kelimeler

Creative writing , process model of writing , diversity in writing style , assessment of writing.

  • Arnold, R. (1991). Writing Development. Philadelphia: Open University Press.
  • Barnes, J. (2001). Creativity and Composition. In C. Philpott, & C. Plummeridge (Eds.), Issues in Music Teaching. London: Routledge.
  • Brown, S., & Pickford, R. (2006). Assessing skills and Practice. London: Routledge.
  • English Grammar and Composition for Matriculation. (2009). Lahore: Punjab Textbook Board.
  • Evernett, N. (2005). Creative Writing and English. The Cambridge Quarterly, 34(3), 231-242.
  • Grainger, T., Goouch, K., & Lambirth, A. (2005). Creativity and Writing: Developing voice and verve in the classroom. London: Routledge.
  • Hanke, V. (2002). Improvisations around the National Literacy Strategy. Reading Literacy and Language, 36(2), 80-7.
  • Hooker, J. (1997). Developing creativity: The place of the imagination in the academy. Writing in Education, 11, 4-7.
  • HMIE Report. (2006). Emerging Good Practice in Promoting Creativity. Available: http://www.hmie.gov.uk/documents/publication/hmieegpipc.html (March 3, 2009)
  • HMIE Report. (2006). Promoting Creativity in Education: Overview of National Policy. Available: http://www.hmie.gov.uk/documents/publication/hmiepcie.html (April 25, 2009)
  • Humaira, K. (2011). Testing Creative Writing in Pakistan: Tensions and Potential in Classroom Practice. International Journal of Humanities and Social Science, 1 (15) 111-119. Retrievedfromhttp://www.ijhssnet.com/journals/Vol_1_No_15_Special_Issue_October_2 011/14.pdf
  • Laevers, F. (2000). Forward to basics: deep level learning and the experimental approach. Early years, 20(2), 20-9.
  • Marshall, S. (1974). Creative Writing. London: Macmillan Education Ltd.
  • Model Test Papers of English for Class Tenth. (2009). Lahore: Kashmir Kitab Ghar.
  • Moss, P. (2001). The Otherness of Reggio. In L. Abbott, & C. Nutbrown (Eds.) Experiencing Reggio Emilia, Implications for Pre-school Provision. Buckingham: Open University Press.
  • Myhill, D. (2001). Crafting and Creating. English in Education, 35(3), 13-20.
  • Nadeem, M. (2007). Pakistan Land of Rich Literary Heritage. Available: http://www.uelowermall.edu.pk.com (August14, 2009)
  • National Education Policy. (1992). Islamabad: Ministry of Education Press.
  • O’Rourke, R. (2005). Creative Writing: Education, Culture and Community. Plymouth: Latimer Trend. Past English Papers. (2008). Lahore: Urdu Bazar Publishers.
  • Robinson, K. (2001). Out of our Minds: Learning to be creative. Oxford: Capstone: Publishing.
  • Siddiqui, S. (2007). Rethinking Education in Pakistan: Perceptions, Practices, and Possibilities. Lahore: Paramount Publishing Press.
  • Warsi, J. (2004). Conditions under which English is taught in Pakistan: An Applied Linguistic Perspective. Sarid Journal. Available: http:// www. sarid.net/sarid-journal (May 10, 2009)
  • Wilson, S. and Ball, D.L. (1997). Helping teachers meet the standards: new challenges for teacher educators. The Elementary School Journal, 97(2), 121-138.

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First page of “The Effect of Teaching English through Literature on Creative Writing at HSSC Level in Pakistan”

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The Effect of Teaching English through Literature on Creative Writing at HSSC Level in Pakistan

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2017, International Journal of English Linguistics

Creative writing means the ESL/EFL learners’ capacity to respond vividly and spontaneously, and to convey responses freely in their writing. This study brings to light the fact that teaching English through literature does not render any positive pay off in developing and honing the EFL/ESL learners’ creative writing. In the Pakistani context, literature seems to be inadequate and improper language teaching tool at HSSC level. To achieve the set objectives of this study, the researcher went for the quantitative research methodology. So, a questionnaire comprising of 15 items encompassing the different aspects of creative writing was designed to collect data from 600 subjects (male/female) of intermediate level. The researcher also conducted an achievement test so that a correlation might be drawn between their attitude towards “developing creative writing through literature” and the score of their achievement test. The collected data were analyzed through software package (SPSS XX)....

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Raza, N.A., Coombe, C. (2022). Volume Introduction: English Language Teaching in Pakistan: Theory, Research, and Pedagogy. In: Ali Raza, N., Coombe, C. (eds) English Language Teaching in Pakistan. English Language Teaching: Theory, Research and Pedagogy. Springer, Singapore. https://doi.org/10.1007/978-981-16-7826-4_1

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Improving University Students’ Writing Skills in Pakistan

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Comparison of English Writing Skill between Public and Private Sector Schools Students at Secondary Level: In Pakistani Perspective

  • Umm e Habiba Punjab School Education Department, Lahore, Pakistan
  • Tahira Batool Assistant professor, Department of STEM Education, Lahore College for Women University, Lahore, Pakistan
  • Sayeda Ayesha Punjab School Education Department, Lahore, Pakistan

Purpose: The objective of the study was to compare the English writing skills of English in the classroom at secondary level.

Design/Methodology/Approach: The study was carried on sample of hundred students of secondary level drawn from simple randomly selected from five private and five public secondary schools of Lahore. Self-structured test was used to compare English writing skill at secondary level. There were two sections of test, essay type and translation of ten sentences into English. The data collected was analyzed by using percentage and results obtained were converted to descriptive findings.

Findings: The result showed English writing skill of private school students is better than public schools students because majority of the private school students have correct sentence structure, Subject verb agreement in essay writing, correct Translations of Urdu sentences into English as compared to the public school students. In addition, most of the public schools student’s spelling, use of tenses and uses of auxiliaries are good and correct in essay writing rather than the private school students.

Implications/Originality/Value: So it is concluded that exercises for the English writing skill may be maximized in both public and private schools by using various teaching techniques.

Ahmed, A. (2010).Students’ problems with cohesion and coherence in EFL essay writing in DOI: https://doi.org/10.20533/licej.2040.2589.2010.0030

Egypt: Different perspectives. Literacy Information and Computer Education Journal (LICEJ), 9(1), 219-221

Ayodele, V., Akinkurolere, S., Ariyo, K., Mahmud, O., & Abuya, E. (2017). The Teaching of

Essays, Articles and Letter Writing: Cooperative Teaching Approach. Asian Research Journal of Arts & Social Sciences, 4(2), 1-7. doi: 10.9734/ARJA SS/ 2017/35161 DOI: https://doi.org/10.9734/ARJASS/2017/35161

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Essay: pakistan’s english writing: who is it for.

what is the status of creative writing in pakistani english classroom

In the preface to his masterpiece of poetry, Madojazr-i-Islam [Flow and Ebb of Islam], the acclaimed Urdu poet Maulana Altaf Hussain Hali writes that everything — even poetry — gets divided into castes and classes when it reaches the Indian Subcontinent. Initially, this assertion did not seem very well-founded, or applicable for that matter, vis-à-vis Pakistan’s English literature, but the changing dynamics of Pakistan’s society and literary outlook are proving it to be correct. English-language fiction produced by Pakistani writers often finds itself a subject of debates on language, storytelling, target audiences, representation, class and identity.

While numerous Pakistani writers producing English-language writing have garnered international fame and recognition through their published works of prose and poetry, there is still a very large percentage of the Pakistani population that remains unaware of who these writers are and what they have written. The other, smaller, group in the population that is aware of English-language fiction and its authors also has mixed reactions to this literature being produced — some run to literature festivals to listen to their favourite authors speak, while others don’t pay attention to such events and talks even in the news or their social circles.

Author Kamila Shamsie said in an interview that “even the most engaged readers in Pakistan would be hard-pressed to name more than a dozen writers writing in English.” On the other hand, Maniza Naqvi, another Pakistani English-language fiction writer, holds that “the numbers are increasing exponentially and about 100 Pakistani writers have over 150 novels and many anthologies.” Both these observations are nothing but true and, when taken collectively, are indicative of a number of realities.

English-language fiction from writers of Pakistani origin has certainly seen a boom in the last two decades, with more and more novels, short stories and anthologies being produced, but it is not something new. Fiction has been emerging from Pakistanis writing in English for more than 50 years, with authors such as Zulfikar Ghose and Bapsi Sidhwa writing The Murder of Aziz Khan (1967) and The Crow Eaters (1978) respectively. However, it also remains a fact that, to this day, a large portion of the Pakistani population does not know many of these writers or their writings.

English-language writers of Pakistani origin may very well be receiving awards for their books, becoming fellows of literary programmes and teaching writing to students in English-speaking countries, but they remain unknown in the very country whose name they use in their writings as well as in their introductions across the globe. Some analysts also claim that the awards and recognition that Pakistani-origin English-language writers get are more because of their celebrity status and less for their writings.

Why are the country’s English-language fiction writers more celebrated abroad than at home?

What is a Pakistani-origin English-language fiction writer? Who are these writers? Who reads the fiction written by them? Can these writings be categorised as Pakistani fiction? Does this fiction matter to audiences in Pakistan? If yes, to what strata of the population? If no, then to whom does it matter? Who are the intended target audiences of this fiction? Does this fiction give a true picture of Pakistan? Does fiction have to give a true picture of any place? Is this fiction a form of art or a tool for information? Do these fiction writers come from a specific social class? And, most of all, why is English increasingly being chosen as a creative medium by Pakistani or Pakistani-origin writers?

Writers producing fiction in English and getting read in the West but not in their own countries are using narratives that are not purely for artistic engagement, but for portraying a society or a nation in a certain way. When these writers are asked why their writings are overtly dominated by the contemporary or historical, social and political issues of the country and why they are using English solely as the medium of expression, they take refuge in the historical aspect of the language being used effectively to counter narratives, bend stereotypes and act as a bridge. Whether this attempt has been able to simplify the complex realities or has, instead, further complicated simple things remains a question to be explored.

The question of getting to a wider audience appears very simple to Pakistani-origin writers of English-language fiction; they speak of it as a normal phenomenon to want their voice heard by as many people as possible. However, to the readers of fiction in particular and to the people of Pakistan (irrespective of them being avid readers or not) in general, it is not as easy or simple, an issue from which they can shrug responsibility by a wave of the hand. This has numerous intended and unintended causes and effects.

In his book Writing Pakistan: Conversations on Identity, Nationhood and Fiction, Mushtaq Bilal states that “there exists a huge gap between the expectations of Pakistani readers of English fiction and the works of Pakistani writers.” It does not need an in-depth study to tell what Pakistani readers expect and what they get. Pakistan is just another country in the world, with ordinary people living the same lives as others on this planet. They get a morning, they get up, they do their work; they get a night, they sleep and the cycle repeats.

Every country has its own geo-political, socio-cultural, religious and economic realities, but that doesn’t necessarily reflect as frequently and overtly when it comes to Pakistani English-language fiction. Pakistanis read Jane Austen and Harper Lee the same way as people from other countries do and they enjoy the nuances, quibbles, romance and dialogues the same way as other people do. They can relate to the thought processes of Elizabeth in Pride and Prejudice and with the lovable relationship of siblings Jem and Scout in To Kill a Mockingbird. It pains them when they cannot relate to characters in Pakistani English-language fiction.

Karachi, for example, has much more to its city life than robberies and bombs; people from urban places don’t necessarily get involved with the spouses of their best friends; every feudal family does not abuse its female servants and the separation of the Subcontinent, the fall of East Pakistan and the so-called war on terror are not the only things affecting the lives of Pakistanis. The people of Pakistan expect artistic engagements with literature as much as people of other countries do. They also expect their fiction to be relatable to them. They also want to experience fiction as a storytelling phenomenon instead of an information providing medium.

The unintended — and, to some extent, unwanted — consequences of the current wave of Pakistani English-language fiction outnumber the direct benefits of the same, if any in the first place. The only benefits of this fiction being produced have been to the authors in them being recognised and known internationally. Some of the books have been widely translated and some are now part of university curricula in the West and at limited institutes in Pakistan.

The writers claim to have brought Pakistan and its culture, society, politics and people to the international spotlight by writing extensively on them. This, however, is highly debatable if this spotlight has done more harm than good to Pakistan and its people, and if this extensive mention has improved the stereotypes about Pakistan by any degree.

When one looks at the number of writers that have now emerged and the number of years that have passed since the initial Pakistani-written English-language fiction came out, it is a pity that there is still no proper publisher of works of fiction in the English language in the country. None of the world renowned writers of ‘Pakistani fiction’ — after getting all the recognition from the world — worked towards establishing such an industry in Pakistan. Similarly, any and all literary journals to which these writers and scholars regularly contribute are also not available in Pakistan for the Pakistanis about whom the books are being published. More and more writers are looking to Indian publishers and some analysts fear that Pakistan might as well become a colony of India as far as the publishing industry is concerned.

The current production of English-language fiction is resonating with Hali’s words. It is coming from the urban elite of the country who have roots and orientation elsewhere in the global world; it is neither representative of the common people nor is it reaching the general public. There are more literary gatherings, more book festivals, more books and more writing workshops, but the level of speaking, reading and writing English among the general population has not increased, their chances of being part of the literary milieu have not improved and their dissociation and disparity from the elite has not decreased.

Thus, literature — that has, in many cases, served as a binding force for nations and a means of bringing people from different strata of society closer — seems to have been drawn on further division on economic, social and ideological lines in Pakistani society; ie the niche of Pakistani English-language fiction.

The writer works with the federal government, is a Fulbright Grantee and will shortly be pursuing a doctoral degree in creative writing

Published in Dawn, Books & Authors, July 12th, 2020

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IMAGES

  1. Testing Creative Writing in Pakistan

    what is the status of creative writing in pakistani english classroom

  2. (PDF) Teaching of creative writing in Pakistani schools

    what is the status of creative writing in pakistani english classroom

  3. (PDF) The Effect of Teaching English through Literature on Creative

    what is the status of creative writing in pakistani english classroom

  4. Narrating Pakistan: An anthology of contemporary creative writing

    what is the status of creative writing in pakistani english classroom

  5. (PDF) INVESTIGATING THE CREATIVE WRITING OF PAKISTANI ESL LEARNERS: AN

    what is the status of creative writing in pakistani english classroom

  6. (PDF) Creative Thinking in Pakistani Public Schools: A Qualitative

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COMMENTS

  1. PDF CREATIVE WRITING IN CLASSROOM: A REAL STORY

    Creative writing was known as literature including the variety of its genres (Humaira, 2011, p.112). In Pakistan, creative writing is widely recognised in schools, but it is important to note that 'creative writing has been reduced to a set of formulae taught through a series of exercises' (Myhill, 2001, p. 19).

  2. PDF Testing Creative Writing in Pakistan: Tensions and Potential in

    This paper explores that in Pakistan, although creative writing is widely recognised in schools and English literature is taught, the students are not being provided with sufficient classroom practice in various genres of creative writing. It is observed that the assessment system in Pakistan has marred students' ability in creative writing.

  3. PDF Testing Creative Writing in Pakistan

    The book entitled 'Testing Creative Writing in Pakistan' is aimed at discovering the impact of creative writing tests on classroom practice in Pakistan. All National Education Policies in Pakistan since 1959 have expressed grave concern at the deteriorating standard of Board Examinations but no significant steps have been taken to improve the

  4. PDF Status Of Teaching English Regarding Effective Writing Skills At

    have poor writing skills in English subject (S. Ali, Ahmad, Manzoor, & Naseer, 2014).Creative writing in Pakistani schools is widely acknowledged as the main tool to increase the academic writing skills of the learners. It has been examined that the condition of creative writing ability is not satisfactory among elementary school students.

  5. PDF English Teachers' Perceptions about Creativity and Teaching Creative

    textbooks and explain them for writing in the classroom. The evidence shows that English teachers are confused about strategies needed in rousing learners' interest in creative writing. Thus, in Pakistan, English teachers must be encouraged and trained to engage in activities that are essential for enhancing creativity and creative writing.

  6. Creative Writing in Classroom: a Real Story

    The article discusses the real story of creative writing in Pakistan creative writing in Pakistan lacks a big work both inside a class room and outside a class room. ... (2009). Lahore: Punjab Textbook Board. Evernett, N. (2005). Creative Writing and English. The Cambridge Quarterly, 34(3), 231-242. Grainger, T., Goouch, K., & Lambirth, A ...

  7. Testing Creative Writing in Pakistan: Tensions and Potential in

    The paper entitled 'Testing Creative Writing in Pakistan: Tensions and Potential in Classroom Practice' aims at discovering the impact of creative writing tests on classroom practice in Pakistan. The data collected from the questionnaire and focus group interview with University of Education postgraduate students - who are also inservice school teachers - discovers that English ...

  8. Exploring the Features of Pakistani English Creative Writing: An In

    This research explores the distinctive features of Pakistani creative writing and its important role in developing creativity, promoting critical thinking, crafting uniqueness, shaping and developing the structure of Pakistani English (PakE). PakE has evolved into a unique linguistic form by blending English with indigenous vocabulary, idioms, themes, and linguistic features.

  9. CREATIVE WRITING IN CLASSROOM: A REAL STORY

    The article discusses the real story of creative writing in Pakistan creative writing in Pakistan lacks a big work both inside a class room and outside a class room. In Pakistan writing instruction still depends on a typical product oriented approach. That is why the trends in the pedagogical setting support product-oriented approach to writing.

  10. Teaching of creative writing in Pakistani schools

    2016. The paper discusses creative writing and its pedagogy in a Pakistani classroom. The quantitative and qualitative data collected from the postgraduate students of a large public sector university- who are also in-service school teachers - determines that English teachers in Pakistan do not teach to develop the creative writing of pupils.

  11. TEACHING OF CREATIVE WRITING IN PAKISTANI SCHOOLS Humaira Irfan

    TEACHING OF CREATIVE WRITING IN PAKISTANI SCHOOLS Humaira Irfan University of Education, Lahore, PAKISTAN ... used as a model for teaching creative writing in classroom? However, these teachers offer some ... Creative writing and English. The Cambridge Quarterly, 34(3), 231-242. Fay, D. (2007). Student storytelling through sequential art.

  12. Teaching of creative writing in Pakistani schools

    The paper discusses creative writing and its pedagogy in a Pakistani classroom. The quantitative and qualitative data collected from the postgraduate students of a large public sector university- who are also in-service school teachers - determines that English teachers in Pakistan do not teach to develop the creative writing of pupils.

  13. CREATIVE WRITING IN CLASSROOM: A REAL STORY

    International Online Journal of Primary Education | Cilt: 8 Sayı: 2

  14. The Effect of Teaching English through Literature on Creative Writing

    That's why the Pakistani EFL learners of intermediate level face problems when they have to do creative writing either in the classroom or in the examination hall. ... Akram & Mehmood (2009). The Status and Teaching of English in Pakistan. Language in India: Strength for Today and Bright Hope for Tomorrow, 7(12). ... Testing Creative Writing ...

  15. Volume Introduction: English Language Teaching in Pakistan: Theory

    While English in Pakistan is used as a second language mostly in formal contexts, there are issues and challenges associated with legitimizing local variants of the language. The authors highlight the status of Pakistani variants of English language at the levels of use, the user, and the mode of use. They assert that there is a need to explore ...

  16. PDF 33 Development of Functional Writing Skills

    The main emphasis of the teaching functional writing skills is to teach the language skills contextually by manipulating the everyday life situation. The development of functional writing skills ...

  17. Improving University Students' Writing Skills in Pakistan

    The education system of Pakistan is not unified. Students mainly attend three types of schools with different languages as medium of instruction; private schools, public schools and religious schools (called locally madrassas). Even though mother tongue education is emphasized in education and literacy circles, Pakistan has not been able to implement policies that would allow all students to ...

  18. Comparison of English Writing Skill between Public and Private Sector

    Abstract. Purpose: The objective of the study was to compare the English writing skills of English in the classroom at secondary level. Design/Methodology/Approach: The study was carried on sample of hundred students of secondary level drawn from simple randomly selected from five private and five public secondary schools of Lahore. Self-structured test was used to compare English writing ...

  19. Essay: Pakistan'S English Writing: Who Is It For?

    Fiction has been emerging from Pakistanis writing in English for more than 50 years, with authors such as Zulfikar Ghose and Bapsi Sidhwa writing The Murder of Aziz Khan (1967) and The Crow Eaters ...