first sentences for essays

36 Engaging opening sentences for an essay

Last Updated on July 20, 2022 by Dr Sharon Baisil MD

An essay’s opening sentence has a tremendous impact on the reader. It doesn’t matter if you’re writing an argumentative essay, a personal narrative, or a research paper; how your text begins will affect its tone and topic. You can write about anything as long as it is relevant to your thesis—starting with an engaging opening sentence may be the difference between a successful and unsuccessful essay.

An introduction is the first section of any paper that allows you to introduce your thesis and provide an overview of your argument or discussion. A good introduction should grab your audience’s attention and entice them to read on, summarising what you’re trying to say concisely. It’s a good idea to think of your introduction as a hook, writing an opening sentence that will leave your reader wanting more.

Writing a thesis statement is the first thing you need to do when planning your paper. Although there are multiple strategies for creating a thesis statement, you must express yourself clearly and answer three simple questions: What is the main idea of my essay? Why is it important? How do I plan to prove it in a paper?

There are countless ways to begin an essay or a thesis effectively. As a start, here are 36 introductory strategies accompanied by examples from a wide range of professional writers.

1. “Is it possible to be truly anonymous online?”

This is an engaging opening sentence because it immediately poses a problem that the reader will likely want answered. It’s also interesting that this question applies directly to internet usage, something everybody has experience with. The subject of the opening sentence is “online anonymity,” which allows the writer to discuss two related concepts.

2. “I was shocked to awake one morning to find I had turned into a snail.”

The opening sentence immediately grabs the reader’s attention with its play on words, leaving them unsure if it’s meant as a joke. It continues to entertain by combining an unlikely image (a person turning into a snail) with waking up more common. The sentence also establishes the essay’s tone, which is humorous and personal.

3. “I didn’t want to study abroad.”

This opening sentence immediately intrigues the reader because it presents an opinion that contradicts what would be expected in this type of assignment. The writer then follows with a statement about their decision to study abroad, discussing the reasons for this choice and explaining their position on the matter.

4. “The three dogs had been barking for over an hour before my neighbor finally came out to investigate.”

This opening sentence introduces a narrative about something that happened in the past, starting with dogs barking at night. The next sentence provides background information by revealing that the neighbor came out after an hour and then reasons for this delay. The fact that the writer does not reveal why this is significant until later on makes the opening sentence even more effective because it keeps the reader engaged with what will happen next.

5. “I have always been interested in fashion.”

This opening sentence immediately sets the topic for the entire paper by discussing interest in fashion. It also establishes the tone, clearly portraying the writer’s voice while informing the audience about their personal experience with the subject matter.

6. “I remember when I first realized I didn’t have a home.”

This opening sentence begins a personal narrative about a time before moving out of their family home when the writer realized they didn’t live there anymore. It uses flashbacks to set up the rest of the essay by showing what happened before they moved out and how this made them feel.

7. “When I was in middle school, my dad told me not to get into fights.”

This opening sentence establishes a relationship between the writer and the subject of their essay, creating a more personal tone. It also establishes an expectation for what will be discussed by telling something that happened in the past. The sentence ends with a twist, so it’s more interesting than just stating something that was told to them, making this opening sentence effective.

8. “When I first sat down to write this essay, I was absolutely certain of the thesis.”

This opening sentence immediately introduces conflict because it tells about something that didn’t occur as expected. It also implies that there will be an alternate solution or angle for this paper that will be explored in the following paragraphs. The vocabulary (like “absolutely”) suggests more certainty in this opening paragraph than presented, making it interesting to read.

9. “I remember the first time I killed a man.”

This opening sentence offers an unexpected statement that intrigues the reader and immediately draws them into the essay, wanting to know more about what happened. This type of sentence is called a gripping opener because it does just that. The sentence is also effective because it creates suspense and anticipation in the reader’s mind about what will happen next in this story .

10. “There are two sides to every story: my side and your side.”

This opening sentence introduces a topic that will be revisited multiple times throughout the essay, making it effective for an introduction. It also creates a sense of mystery about the two sides and how they relate to each other, which will be resolved later on once it becomes clear that there are three sides.

11. “I should start this essay by introducing myself.”

This opening sentence includes an explanation for why this paragraph is being written (to introduce oneself) before it ends with a question (“who am I?”). This is effective because it gets the reader to think critically about who the writer is and what they want to say. It also permits them to stop reading after this sentence if they don’t feel like it, making it one of the less intimidating opening sentences.

12. “At the age of seven, I knew my life was going to be amazing.”

This opening sentence establishes a confident, optimistic tone by mentioning something that happened in the past. It also implies that the writer had this positive outlook before anything particularly special happened to them yet, which will likely be mentioned later on, making it more interesting to read.

13. “I don’t know when I lost my sense of excitement for learning.”

This opening sentence presents a conflict that the writer will likely try to resolve in this essay, which gives the reader something to look forward to. It also establishes voice by expressing how they feel about their education so far and suggesting what could be done about it.

14. “Coming home after a long day of school and work is like walking into a warzone.”

This opening sentence creates a sense of conflict that will likely be discussed later on and establishes voice because it shows the writer’s attitude towards their environment. It provides an example of why this subject has been brought up by describing what happens during this “warzone” of a day.

15. “I’ve always loved school.”

This opening sentence is effective because it provides an example of how their life used to be before the issue was introduced (in the next few sentences), making it more interesting to read. It also creates a sense of nostalgia about how good things used to be, making it more engaging.

16. “I feel like I’m losing my mind.”

This opening sentence is effective because it creates a voice by describing the writer’s experience and establishes conflict, so the reader knows what to expect in this essay. It provokes an emotional response in the reader, making them more interested.

17. “On day two of our honeymoon, my wife passed out.”

This opening sentence creates suspense by mentioning what happens before revealing why this is significant. It also establishes conflict because it implies that the writer’s wife’s health will be an issue throughout the essay. This leads to a likely discussion about whether or not they should continue their honeymoon, making it engaging for the reader.

18. “I’m a college student, and I hate it.”

This opening sentence establishes conflict for the rest of the essay because it implies that something negatively affects their education. It also establishes voice by showing what they think about being a student and how they feel about college so far, which makes it more interesting to read.

19. “The first time I heard the word ‘stan’ was when Eminem released his song in 2000 by the same name.”

This opening sentence establishes conflict for what will likely be discussed later on and also creates a sense of nostalgia because it takes the reader back to a significant point in recent history that they might remember (rare for essays). It also establishes voice because it shows the writer’s knowledge about rap music.

20. “I used to hate when people asked me what I wanted to be when I grew up because I never knew how to answer them.”

This opening sentence helps the reader understand why this essay was written to tie into their own experiences. It also establishes conflict by revealing something that the writer used to be troubled by. It also makes them seem relatable because everyone has problems with their future at one point or another.

21. “All my life, I’ve been told I was destined for greatness.”

This opening sentence establishes that the writer had difficulties in their life despite being seen as destined for greatness so far. It also creates a sense of conflict because it implies that they will have to convince the reader otherwise, making it more interesting to read.

22. “My friend once told me that I should never say ‘I’m just being honest when discussing our differences, but I always do.”

This opening sentence creates conflict by showing the reader that there is always tension between the writer and their friend because of this issue. It also establishes voice because it shows how honest they are about their differences, which makes them more relatable. This makes it engaging for the reader to read on.

23. “I’ve never been one to keep my emotions bottled up, and now that I’m pregnant, that’s been amplified.”

This opening sentence establishes emotion from the writer because it shows that they are uncomfortable keeping their emotions to themselves and continue to do so even when they become pregnant. It also creates a sense of conflict because the reader will probably wonder how this lack of emotional inhibition might affect them later on.

24. “The first time I read ‘To Kill a Mockingbird,’ it changed my life.”

This opening sentence grabs the reader’s attention and shows what impact this book has had on the writer so far. It also establishes how passionate the writer is towards literature and makes them more relatable because many people have been affected by great works of literature in some way. This is engaging for the reader to read on.

25. “As I walked out of class one day, my professor asked me what I wanted to do with my future.”

This opening sentence establishes conflict by showing that there was a time when the writer did not have an answer to this question despite being capable of doing anything in their mind. It also establishes voice by showing that the writer can stand up for themselves when pushed and makes them seem more relatable because everyone struggles with thinking about their future at some point or another. This is engaging for the reader to continue reading.

26. “I’ve always been taught that it’s impolite to talk about money, but I want to share my experience with you.”

This opening sentence establishes voice by showing that the writer does not abide by this code of conduct because they believe it’s more important to be open and honest. It also creates a sense of conflict so that the reader might have their own contrasting opinions, which will create tension while reading. This is engaging for the reader to continue reading.

27. “Growing up, I never liked math, and it wasn’t until college that I realized why.”

This opening sentence establishes voice because it shows how passionate the writer was about their dislike of math despite not knowing why. It also creates conflict because they will have to explain their reasoning to the reader, which makes it more interesting to read, and it is engaging for the reader to read on.

28. “There are so many factors that go into determining how much someone should be paid, but I believe that everyone deserves equal pay.”

This opening sentence establishes conflict because the writer believes in something that not many people support, and they will have to explain their reasoning. It also establishes voice because it shows that the writer is passionate about this belief and makes them more relatable for other people who share the same opinion. This is engaging for the reader to read on.

29. “Many things have been said about Millennials, but no one has asked us what we think.”

This opening sentence creates a sense of conflict because the reader might be wondering what this person thinks as a Millennial. It also establishes voice by using “us” to show that they are not alone in their beliefs and makes them seem more relatable. This is engaging for the reader to read on.

30. “I finally found a job that I love, and as it turns out, it’s located in a city that has been my dream destination since I was little.”

This opening sentence establishes voice because it shows how the writer feels about their new job and makes them sound passionate about their work which makes the reader want to read on. This is engaging for the reader to continue.

31. “It was the summer of 2001 when I first came across an anime dubbed in French.”

This opening sentence establishes voice through personal experience and makes it relatable because many people have watched their favorite movies or shows in another language. It also creates a sense of conflict by making the reader wonder why they continued watching even though they didn’t understand much of what was being said. This is engaging for the reader to read on.

32. “For years, I thought my life was perfect, until one day when I realized that there’s nothing more important than your mental health.”

This opening sentence establishes voice by showing that the writer used to have this belief but then had a heart change, making them more relatable because everyone’s beliefs change over time. It also creates a sense of conflict by questioning what the reader believes about their mental health, which will make them want to continue reading. This is engaging for the reader to read on.

33. “As children, it’s easy to dream about becoming an astronaut or a firefighter, but I never imagined that my greatest passion would be writing.”

This opening sentence establishes voice by showing how the writer is passionate about what they are currently doing. It also creates a sense of conflict because the reader may have different interests, making it more interesting to read. This is engaging for the reader to continue reading on.

34. “If you would’ve asked me a few months ago, I wouldn’t have said that my life was perfect. However, after some time and perspective, I’m grateful for the twists and turns.”

This opening sentence establishes voice by showing how this person’s perspective has changed over time. It also creates a sense of conflict because it questions what the reader thinks and makes them want to read on. This is engaging for the reader to read on.

35. “Everyone has goals in life, whether it’s saving up enough money to buy a house or finally writing that book.”

This opening sentence establishes conflict because it questions the reader’s goals and shows how they may be different from the writer’s. It also creates a sense of connection because many people share the same goals and make them want to keep reading. This is engaging for the reader to read on.

36. “I’m not sure if I’ve ever told you this, but my favorite show as a child was A Little Princess.”

This opening sentence establishes voice by showing that the writer shares a secret and makes them sound like they’re talking directly to someone. It also creates a sense of conflict because it’s difficult to imagine that the reader doesn’t know this information and makes them want to read on. This is engaging for the reader to read on.

Final Words

To conclude, there are countless ways to begin an essay or a thesis effectively. These 36 opening sentences for an essay are just a few examples of how to do so. There is no “right way” to start, but it will become easier to find your voice and style as you continue writing and practicing. Good luck!

Harvard University

Purdue University

Royal Literary Fund- Essay Writing Guide

University of Melbourne

Amherst College

Most Read Articles in 2023:

Hi, I am a doctor by profession, but I love writing and publishing ebooks. I have self-published 3 ebooks which have sold over 100,000 copies. I am featured in Healthline, Entrepreneur, and in the Massachusetts Institute of Technology blog.

Whether you’re a busy professional or an aspiring author with a day job, there’s no time like now to start publishing your ebook! If you are new to this world or if you are seeking help because your book isn’t selling as well as it should be – don’t worry! You can find here resources, tips, and tricks on what works best and what doesn’t work at all.

In this blog, I will help you to pick up the right tools and resources to make your ebook a best seller.

Leave a Comment Cancel reply

Save my name, email, and website in this browser for the next time I comment.

Use These Sentence Starter Tips to Strengthen Your Writing

In general, a sentence starter is a quick word or phrase at the beginning of a sentence to help the reader transition, such as the phrase “in general.” Without them, writing can be disorganized, disconnected, and therefore hard to read. But knowing which ones to add—and when —is not always obvious. 

In this article, we discuss sentence starters quite similar to “in this article.” We explain a bit about when and how to use them, and then give specific examples of sentence starters you can use in your writing, divided into categories for quick reference like “topic sentence starters for essays” or “good sentence starters for emphasis.” 

Here’s a tip: Want to make sure your writing shines? Grammarly can check your spelling and save you from grammar and punctuation mistakes. It even proofreads your text, so your work is extra polished wherever you write.

Your writing, at its best Grammarly helps strengthen your academic writing Write with Grammarly

What is a sentence starter?

Sentence starters are the words or phrases that introduce the rest of the sentence, typically set apart by commas. The words that start a sentence are some of the most important in writing: They introduce what the sentence is about so the reader knows what to expect. 

In longer academic writing texts, sentence starters are essential for unifying the entire work. Because each sentence essentially has its own individual topic, these writings frequently jump from point to point, sometimes abruptly. Sentence starters help ease the process for the reader by smoothing over jarring transitions and preparing the reader for the next topic. 

That principle also applies to paragraphs , which jump from topic to topic. Paragraph starters fulfill that same role, typically providing an organizational signpost via introduction sentence starters to bridge the gap between the previous and current topics. 

Although they’re common in fiction, sentence starters are most useful for nonfiction, in particular essay writing . While fiction unifies the writing through the narrative, nonfiction often incorporates a variety of facts, which sentence starters coalesce for the reader. In other words, if you think nonfiction is dry, imagine if it were merely a list of facts! 

When to use sentence starters

Sentence starters are not necessary for every sentence. In fact, using them too much can distract your reader. Here are some situations where a sentence starter works best: 

• It’s unclear how one sentence is connected to others.
• You’re introducing a new idea, such as at the beginning of an essay or of a paragraph
• You’re presenting a conclusion or summary, for instance at the end of an essay.
• You want to add emphasis to a particular sentence or point.
• You want to write a hook to captivate readers.
• The sentence requires certain context, such as background information.

There’s no hard rule for when to use sentence starters and when to avoid them. If you’re having trouble deciding, try rereading your last few lines and see how they sound. If your sentences flow together nicely, you don’t need sentence starters. If something seems off, jarring, or missing, try adding one to see if it helps. 

Below you’ll find examples of sentence starters relevant to specific contexts.

Topic sentence starters for essays

Topic sentences are like the sentence starters of an entire essay—they introduce what the paragraph or entire text is about so the readers know what to expect. 

• This paper discusses . . .
• In this paper . . .
• Here, we discuss . . .
• Below, you will find . . .

Conclusion sentence starters for essays

Conclusions and summaries always act a little differently than other sentences and paragraphs because they don’t present new information. When you’re writing a conclusion , remember that sentence starters can cue the reader that you’re about to “wrap things up” so they don’t expect any new points or evidence. 

• In summary . . .
• To summarize . . . 
• Putting it all together . . .
• In conclusion . . .
• To wrap things up . . .
• To review . . .
• In short . . . 
• All in all . . .
• All things considered . . .
• By and large . . .
• Overall . . .
• On the whole . . .

Good sentence starters for sequences or lists

Sentence starters are quite useful for lists of instructions or explaining a series of events. These items aren’t always related in obvious ways, but sentence starters link them together, and in the right order, so that your reader can organize them properly in their head. 

• First . . ., Second . . ., Third . . ., etc. 
• Subsequently . . .
• After that . . .
• Afterwards . . .
• Eventually . . . 
• Later . . .
• Moving on . . .

Good sentence starters for comparisons

Use sentence starters to show that two things are related or alike. Although the topics may be similar to yours, your reader may not yet understand the connection. 

• Similarly . . .
• In the same way . . .
• Along those lines . . .
• Likewise . . .
• Again . . .

Good sentence starters for elaboration or adding new points

For times when one sentence isn’t enough to fully explain your point, adding sentence starters to the subsequent sentences can tie them all together. 

• Additionally . . .
• Moreover . . .
• Furthermore . . .
• Even more important . . .
• Just as important . . .

Good sentence starters for introducing examples

Especially for essays, you want to use evidence to support your claims. Sentence starters ease the transition from explaining the big picture to showing those same ideas at work in the real world. 

• For example . . .
• For instance . . .
• To illustrate . . .
• Specifically . . .
• We can see this in . . .
• This is evidenced by . . .
• Consider the [case/example] of . . .

Good sentence starters for contrasts and abrupt transitions

Sentence starters work best at times when you must change topics abruptly. Without them, the text becomes jarring and scattered, so use them to keep your reader on the right path, especially when contrasting topics. 

• However . . .
• Although . . .
• Otherwise . . .
• On the other hand . . .
• On the contrary . . .
• Nevertheless . . .
• Then again . . .
• Conversely . . .
• Notwithstanding . . .
• In contrast . . .
• Despite that . . .
• Rather . . .
• Still . . .
• Instead . . .

Good sentence starters to establish cause and effect

It’s common to use two different sentences to discuss a cause-and-effect relationship, as in something making something else happen. Sentence starters can make this relationship clear and show which sentence is the cause and which is the effect. 

• As a result . . .
• Accordingly . . .
• Consequently . . .
• Due to . . .
• For this reason . . .
• Hence . . .
• Therefore . . .
• This means that . . .
• That is why . . .

Good sentence starters for emphasis

In some situations, sentence starters aren’t necessary, but they help make a point stand out. Save these for the sentences you really want your readers to remember above all else. 

• Above all . . .
• As usual . . .
• Certainly . . .
• Indeed . . .
• Undoubtedly . . .
• Of course . . .
• Obviously . . .
• Namely . . .
• Generally speaking . . .

Good sentence starters for references

If you’re citing an idea other than your own, like in research papers, it saves space to put the attribution in the words to start a sentence. Use these sentence starters before a quote or concept from another work. 

• According to . . .
• Based on the findings of . . .
• As seen by . . .
• As explained by . . .
• With regards to . . .

Good sentence starters for historical or generally accepted concepts

Some sentences don’t make sense without context. This could be a popular, mainstream idea that the reader is unaware of, or some historical background that is not common knowledge. In these instances, sentence starters can provide that context without becoming a tangent. 

• Traditionally . . .
• Historically . . .
• Customarily . . .
• In the past . . .
• Conventionally . . .
• Initially . . .
• Recently . . .
• Until now . . .

Good sentence starters to show uncertainty or doubt

If you’re writing about facts, your reader will assume everything you write is a fact. In situations where something is unproven or uncertain, it helps to mention that there’s room for doubt so as not to misinform the reader. 

• Perhaps . . .
• Although not proven . . .
• It’s possible that . . .
• It may be that . . .
• Arguably . . .
• While debatable . . .

Ensure your sentences flow

In addition to using strong sentence starters, you want your entire essay to read smoothly and coherently. Grammarly can help. Our writing suggestions flag confusing sentences and provide feedback on how to make your writing clearer, helping you put your best ideas forward.

89 Sentence Starters to Grab Your Reader's Attention

Do you ever sit down to write only to find yourself stuck on the first sentence? You're not alone.

Finding the right words to start can be hard, whether you're crafting a blog post, an academic essay, or scripting your next film . This is where sentence starters come into play.

They are the bridge that connects your ideas smoothly, making your writing more engaging and easier to read. From introducing new points to wrapping things up with a powerful conclusion, sentence starters are essential tools in a writer's toolkit.

In this blog, we'll dive into a list of sentence starters that will grab your reader's attention, ease transitions, and add quality to your writing.

Get ready to spark your creativity and give your writing the strong start it deserves!

A long list of Sentence starters

1.  Reflecting on this journey,

2.  Diving deeper into the topic,

3.  From the shadows of uncertainty,

4.  Bridging the gap between,

5.  In the heart of the conversation,

6.  Pioneering a new path,

7.  As the sun sets on this idea,

8.  Within the tapestry of history,

9.  Echoing the thoughts of many,

10.  At the crossroads of innovation,

11.  Gazing into the future,

12.  With a blend of excitement and apprehension,

13.  Drawing from a well of experience,

14.  Amidst the whirlwind of events,

15.  Stepping into the spotlight,

16.  When silence speaks volumes,

17.  As we venture beyond the familiar,

18.  Through the lens of hindsight,

19.  Navigating the intricate dance of,

20.  With the dawn of a new era,

21.  Marrying tradition and innovation,

22.  As the puzzle pieces come together,

23.  Venturing into uncharted territories,

24.  On the brink of a revelation,

25.  Weaving a narrative of,

26.  Amid the echoes of the past,

27.  Faced with the mosaic of choices,

28.  Under the canopy of stars,

29.  In the fabric of everyday life,

30.  Balancing on the edge of possibility,

31.  Peering through the veil of mystery,

32.  In the glow of the morning light,

33.  Harnessing the power of silence,

34.  Beyond the realm of imagination,

35.  Echoes of the foregone resonate,

36.  Dancing on the precipice of change,

37.  In the whisper of the wind,

38.  Carving a path through the unknown,

39.  As the pieces fall into place,

40.  Under the guise of night,

41.  In the embrace of the unknown,

42.  Drawing inspiration from the stars,

43.  Nurtured by the rivers of thought,

44.  Amidst the symphony of life,

45.  With the turn of the page,

46.  As the world stands still,

47.  In the quiet moments before dawn,

48.  Charting a course through stormy seas,

49.  In the shadow of giants,

50.  Illuminated by the light of discovery,

51.  On the wings of imagination,

52.  Amid the chaos of creation,

53.  At the junction of past and future,

54.  With the rhythm of the heart,

55.  As the earth whispers secrets,

56.  Under the spell of the moon,

57.  In the echoes of ancient voices,

58.  With a leap of faith,

59.  Across the canvas of the sky,

60.  In the sanctuary of dreams,

61.  Guided by the light of wisdom,

62.  As tales of old unfurl,

63.  Through the mists of time,

64.  Beneath the surface of calm waters,

65.  With the grace of a new beginning,

66.  In the embrace of twilight's serenity,

67.  Following the threads of destiny,

68.  Amidst the garden of ideas,

69.  On the frontier of discovery,

70.  As the chorus of life resounds,

71.  Navigating the labyrinth of the mind,

72.  Under the canopy of an endless sky,

73.  With the brushstrokes of imagination,

74.  In the reflection of the soul's mirror,

75.  Along the journey of self-discovery,

76.  Within the walls of thought,

77.  As the flame of curiosity flickers,

78.  On the cusp of transformation,

79.  Through the veil of dreams,

80.  Amidst the whispers of the morning,

81.  With the courage of conviction,

82.  In the Symphony of the Cosmos,

83.  Beneath the veil of the night,

84.  As the tapestry of fate weaves,

85.  On the breath of inspiration,

86.  With the touch of magic,

87.  In the shadow of the new dawn,

88.  Dancing with the echoes of time,

89.  Across the threshold of adventure,

In conclusion, using the right sentence starters can transform your writing, making it more engaging and effective.

Whether you're writing an academic paper, a blog post, or crafting a story, using a strong sentence starter sets the tone for your entire text.

We've explored a variety of sentence starters that can help introduce new ideas, contrast concepts, and wrap things up neatly. These tools are essential for creating a flow that keeps your readers hooked from beginning to end.

Remember, the best writing doesn't just share information—it connects with the reader. By choosing your words carefully and paying attention to how you begin and transition your ideas, you'll create pieces that are not only informative but also compelling and memorable.

So, use these 89 sentence starters to give your writing the powerful start and strong foundation it deserves.

Frequently Asked Questions about Sentence Starters (FAQs)

What are sentence starters.

Sentence starters are words or phrases used at the beginning of sentences to help improve the flow and clarity of writing or speaking.

They can introduce new ideas, provide transitions, or offer emphasis, making your text more engaging and understandable.

Why should I use sentence starters in my writing?

Using sentence starters can:

Improve the flow of your text, making it more readable.

Help introduce new points and ideas clearly.

Serve as transitions to guide your readers through your argument or story.

Add variety and interest to your writing, keeping your audience engaged.

Can you give examples of good sentence starters?

For introducing an idea: "For instance,"

For contrasting ideas: "On the contrary,"

For adding information: "In addition,"

For conclusions: "In conclusion,"

How can sentence starters be used in academic writing?

Sentence starters play a crucial role in academic writing by:

Introducing evidence and examples to support an argument.

Summarizing findings and highlighting the importance of the research.

Contrasting ideas or comparing studies to establish a context or discussion point.

What are some conclusion sentence starters?

To wrap things up: "In summary,"

To restate your point: "In conclusion,"

To suggest future research: "Looking ahead,"

Can sentence starters help in storytelling or scriptwriting?

Absolutely. In scripts and stories, sentence starters can:

Set the stage with background information or setting the scene.

Introduce a character's thoughts or dialogue effectively.

Transition between scenes or events, maintaining the pace and excitement.

Are there different types of sentence starters?

Yes, there are various types, each serving a specific purpose in your writing:

Introduction: To introduce new ideas or topics.

Transition: To create a smooth flow between points or paragraphs.

Emphasis: To highlight important points or evidence .

Conclusion: To summarize or wrap up the argument or story.

How can I learn to use sentence starters more effectively?

Read widely: Notice how different authors use sentence starters.

Practice: Incorporate various sentence starters in your own writing.

Feedback: Seek feedback on your use of sentence starters for improvement.

Are there any tools or resources to help with using sentence starters?

Many online resources offer lists of sentence starters for different purposes (e.g., academic writing, storytelling). These lists can be a great starting point to diversify your writing.

Can sentence starters be overused?

While helpful, overusing sentence starters can make your writing seem repetitive. The key is balance; use them to improve readability and flow, but don't rely on them excessively.

I help filmmakers sell their ideas, get more clients, and make more money.

30 Unique Limerick Ideas For Creative Inspiration

745+ tribe names you've never heard but should use in your next story.

105 Best Words To Start A Paragraph

Chris Drew (PhD)

Dr. Chris Drew is the founder of the Helpful Professor. He holds a PhD in education and has published over 20 articles in scholarly journals. He is the former editor of the Journal of Learning Development in Higher Education. [Image Descriptor: Photo of Chris]

Learn about our Editorial Process

The first words of a paragraph are crucial as they set the tone and inform the reader about the content that follows.

Known as the ‘topic’ sentence, the first sentence of the paragraph should clearly convey the paragraph’s main idea. 

This article presents a comprehensive list of the best words to start a paragraph, be it the first, second, third, or concluding paragraph.

Words to Start an Introduction Paragraph

The words you choose for starting an essay should establish the context, importance, or conflict of your topic.

The purpose of an introduction is to provide the reader with a clear understanding of the topic, its significance, and the structure of the ensuing discussion or argument.

Students often struggle to think of ways to start introductions because they may feel overwhelmed by the need to effectively summarize and contextualize their topic, capture the reader’s interest, and provide a roadmap for the rest of the paper, all while trying to create a strong first impression.

Choose one of these example words to start an introduction to get yourself started:

• The debate surrounding [topic]…
• [Topic] has garnered attention due to…
• Exploring the complexities of [topic]…
• The significance of [topic] lies in…
• Over the past decade, [topic] has…
• The critical question of [topic]…
• As society grapples with [topic]…
• The rapidly evolving landscape of [topic]…
• A closer examination of [topic] reveals…
• The ongoing conversation around [topic]…

Don’t Miss my Article: 33 Words to Avoid in an Essay

Words to Start a Body Paragraph

The purpose of a body paragraph in an essay is to develop and support the main argument, presenting evidence, examples, and analysis that contribute to the overall thesis.

Students may struggle to think of ways to start body paragraphs because they need to find appropriate transition words or phrases that seamlessly connect the paragraphs, while also introducing a new idea or evidence that builds on the previous points.

This can be challenging, as students must carefully balance the need for continuity and logical flow with the introduction of fresh perspectives.

Try some of these paragraph starters if you’re stuck:

• Building upon previous research…
• As [source] suggests, [topic]…
• Analyzing [topic] through [theory]…
• Considering the impact of [policy]…
• Delving deeper into [topic]…
• Drawing from [author]’s findings…
• [Topic] intersects with [related topic]…
• Contrary to popular belief, [topic]…
• The historical context of [topic]…
• Addressing the challenges of [topic]…

Words to Start a Conclusion Paragraph

The conclusion paragraph wraps up your essay and leaves a lasting impression on the reader.

It should convincingly summarize your thesis and main points. For more tips on writing a compelling conclusion, consider the following examples of ways to say “in conclusion”:

• In summary, [topic] demonstrates…
• The evidence overwhelmingly suggests…
• Taking all factors into account…
• In light of the analysis, [topic]…
• Ultimately, [topic] plays a crucial role…
• In light of these findings…
• Weighing the pros and cons of [topic]…
• By synthesizing the key points…
• The interplay of factors in [topic]…
• [Topic] leaves us with important implications…

Complete List of Transition Words

Above, I’ve provided 30 different examples of phrases you can copy and paste to get started on your paragraphs.

Let’s finish strong with a comprehensive list of transition words you can mix and match to start any paragraph you want:

• Secondly, …
• In addition, …
• Furthermore, …
• Moreover, …
• On the other hand, …
• In contrast, …
• Conversely, …
• Despite this, …
• Nevertheless, …
• Although, …
• As a result, …
• Consequently, …
• Therefore, …
• Additionally, …
• Simultaneously, …
• Meanwhile, …
• In comparison, …
• Comparatively, …
• As previously mentioned, …
• For instance, …
• For example, …
• Specifically, …
• In particular, …
• Significantly, …
• Interestingly, …
• Surprisingly, …
• Importantly, …
• According to [source], …
• As [source] states, …
• As [source] suggests, …
• In the context of, …
• In light of, …
• Taking into consideration, …
• Given that, …
• Considering the fact that, …
• Bearing in mind, …
• To illustrate, …
• To demonstrate, …
• To clarify, …
• To put it simply, …
• In other words, …
• To reiterate, …
• As a matter of fact, …
• Undoubtedly, …
• Unquestionably, …
• Without a doubt, …
• It is worth noting that, …
• One could argue that, …
• It is essential to highlight, …
• It is important to emphasize, …
• It is crucial to mention, …
• When examining, …
• In terms of, …
• With regards to, …
• In relation to, …
• As a consequence, …
• As an illustration, …
• As evidence, …
• Based on [source], …
• Building upon, …
• By the same token, …
• In the same vein, …
• In support of this, …
• In line with, …
• To further support, …
• To substantiate, …
• To provide context, …
• To put this into perspective, …

Tip: Use Right-Branching Sentences to Start your Paragraphs

Sentences should have the key information front-loaded. This makes them easier to read. So, start your sentence with the key information!

To understand this, you need to understand two contrasting types of sentences:

• Left-branching sentences , also known as front-loaded sentences, begin with the main subject and verb, followed by modifiers, additional information, or clauses.
• Right-branching sentences , or back-loaded sentences, start with modifiers, introductory phrases, or clauses, leading to the main subject and verb later in the sentence.

In academic writing, left-branching or front-loaded sentences are generally considered easier to read and more authoritative.

This is because they present the core information—the subject and the verb—at the beginning, making it easier for readers to understand the main point of the sentence.

Front-loading also creates a clear and straightforward sentence structure, which is preferred in academic writing for its clarity and conciseness.

Right-branching or back-loaded sentences, with their more complex and sometimes convoluted structure, can be more challenging for readers to follow and may lead to confusion or misinterpretation.

Take these examples where I’ve highlighted the subject of the sentence in bold. Note that in the right-branching sentences, the topic is front-loaded.

• Right Branching: Researchers found a strong correlation between sleep and cognitive function after analyzing the data from various studies.
• Left-Branching: After analyzing the data from various studies, a strong correlation between sleep and cognitive function was found by researchers.
• The novel was filled with vivid imagery and thought-provoking themes , which captivated the audience from the very first chapter.
• Captivating the audience from the very first chapter, the novel was filled with vivid imagery and thought-provoking themes.

The words you choose to start a paragraph are crucial for setting the tone, establishing context, and ensuring a smooth flow throughout your essay.

By carefully selecting the best words for each type of paragraph, you can create a coherent, engaging, and persuasive piece of writing.

• Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd-2/ 10 Reasons you’re Perpetually Single
• Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd-2/ 20 Montessori Toddler Bedrooms (Design Inspiration)
• Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd-2/ 21 Montessori Homeschool Setups
• Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd-2/ 101 Hidden Talents Examples

Leave a Comment Cancel Reply

Your email address will not be published. Required fields are marked *

Anne R. Allen's Blog... with Ruth Harris

Writing about writing. Mostly.

April 28, 2018 By Anne R. Allen 53 Comments

How to Write a Great First Sentence—with 22 Inspiring Examples

First sentences from classic and contemporary literature analyzed.

by Ruth Harris

No matter what genre you write, your first sentence is a seduction. It can be in the form of an invitation. A declaration. A tease. A promise. A jolt. A shock.

You must be shameless and your first sentence must be irresistible. It must induce curiosity and promise the answer to an urgent question.

You must do whatever you can to lure your reader into the web you’ve woven by writing a sentence so provocative and so powerful that s/he is compelled to continue.

You’re the master of ceremonies and in your first sentence you must present yourself and your book with confidence and authority. If you’ve written a thriller, your first sentence must promise thrills. If you’ve written a romance, your first sentence must promise romance.

Just like a nothingburger cover or a  meh  blurb, a clunky or poorly-conceived first sentence that’s inconsistent with your genre, will turn readers off and cause them to skip your book.

Whether you’re writing fiction or non-fiction, romance or sci fi, a thriller or a mystery, the first sentence of your book must achieve one goal: compel the reader to read on.

Stephen King has said that he spends “months and years” creating that first line. He goes on to say: “An opening line should invite the reader to begin the story. It should say: Listen. Come in here. You want to know about this.”

The question is, how do we accomplish all this in one sentence? From  Moby Dick ’s “ Call me Ishmael”  to  Charles Dickens’  “ It was the best of times, it was the worst of times ,” some first sentences have become famous classics. So, too, Jane Austen’s “ It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.”

A deeper look into the breadth of masterful first sentences offers a wide array of the ways writers draw readers into their stories and inspiring examples of how much information can be conveyed in a single sentence.

The First Person Introduction.

In a memoir or a novel written in the first person, the author puts himself in the mind of the central character and, in one way or another, tells us that we are about to get the real deal. No BS here, the sentence promises, just the honest, unvarnished truth about someone we want to know more about.

Sylvia Plath uses the first sentence of  The Bell Jar , to establish the nervous, dark mood that hovers over the character and the story. Her story begins—

“It was a queer, sultry summer, the summer they electrocuted the Rosenbergs, and I didn’t know what I was doing in New York.”

Plath’s use of the word  electrocuted  provides an unexpected jolt and mention of the  Rosenbergs  sets a time (June 1953).  Sultry summer  sets an uncomfortable season,  New York  establishes a place, and the final phrase conveys the uncertainty of a young woman struggling to find an identity and a place in life.

Vladimir Nabokov uses the first nine words of  Lolita  to convey the note of obsessive erotic desire that pulses through the entire novel.

“Lolita, light of my life, fire of my loins.”

Nabokov begins by naming the object of his passion, the word  light  expresses her transformative influence on the narrator, the word  loins  promises that we will be reading a story about sex, and the repetition of the letter  l  creates the feeling of an incantation.

In  Ghostwriters In The Sky , Book 1 of The Camilla Randall Mysteries, Anne uses her first sentence to introduce the MC, locate the place (the subway can only mean NYC), and refer to the season (sweaty indicates hot, most likely summer).

“The subway car was so crowded I couldn’t tell which one of the sweaty men pressing against me was attached to the hand now creeping up my thigh.”

The phrase “creeping up my thigh” indicates a level of unwanted personal attention which places the character in an uncomfortable, if rather ludicrous situation—a theme that will be repeated in different variations throughout the novel.

In  Catcher In the Rye , J.D. Salinger uses an effective but contradictory combination of bravado and vulnerability to establish a unique voice as he introduces us to preppy Holden Caulfield.

“If you really want to hear about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth. 

We read on because Salinger’s confessional tone makes us want to know more about his  lousy childhood  and find out why he doesn’t feel like going into it.

The Third Person Introduction.

In  Goldfinger , Ian Fleming introduces 007 in the first sentence.

“James Bond, with two double bourbons inside him, sat in the final departure lounge of Miami airport and thought about life and death.”

Fleming has told us in only a few words that his MC is a drinking man, one who travels, and one who contemplates the larger questions of existence. Where, we wonder, is Bond going, what is he going to do once he gets there, and why does he need to down  two double bourbons  before he boards his flight?

In  The Hobbit , JRR Tolkien simply tells us where his MC lives, but in such a startling way that we feel compelled to read on.

“In a hole in the ground there lived a hobbit.”

A hobbit? A story about a creature who lives in a hole? Who or what is this hobbit and why does he live in a hole. Curious, we read on.

I introduce DeeDee Dahlen, the MC in  Love And Money , Book 1 of the Park Avenue Series with a brief, declarative sentence.

“Her name was DeeDee Dahlen and she was famous from the day she was born.”

How can a newly-born infant be famous?, the reader wonders. What rewards—and penalties—does unasked-for celebrity impose? What secrets and scandal will shadow her future?—urgent questions that will reverberate throughout the entire novel.

Graham Greene, in  Brighton Rock , compels us to want to know more.

“Hale knew, before he had been in Brighton three hours, that they meant to murder him.”

Who are the ‘they?’ we wonder. And what has Hale done? Why do ‘they’ want to kill him?

Gabriel Garcia Marquez begins  One Hundred Years of Solitude  with this famous sentence—

“Many years later, as he faced the firing squad, Colonel Aureliano Buendia was to remember that distant afternoon when his father took him to discover ice.”

The author uses a shocking situation—a man facing a firing squad—plus a long-ago memory to pique our curiosity. Who is the Colonel and what had he done that he ends up facing a firing squad? What was there about the discovery of ice that it has lodged so forcefully in his memory? Compelling questions to which we must find the answer and, thus, we continue to read.

Whether classic literature, hard-boiled pulp fiction, or cyberpunk scifi, the first sentence establishes a theme that will continue throughout the story. If the book does not follow through on the promise of that first sentence, the disappointed reader will feel cheated.

In his first sentence, Leo Tolstoy in  Anna Karenina  tells us that we are about to read a story about an unhappy family.

“All happy families are alike; each unhappy family is unhappy in its own way.”

Why, we ask ourselves, are they unhappy? What has happened to them and what will they do? Powerful questions the reader wants answered.

James Matthew Barrie establishes the theme of  Peter Pan  with a brief, declarative statement.

“All children, except one, grow up.”

Which child, we wonder. Why not? And what will happen to a child who doesn’t grow up?

A far different theme is set by Franz Kafka in his posthumously published 1925 novel,  The Trial.

Someone must have slandered Josef K., for one morning, without having done anything truly wrong, he was arrested.

Kafka’s first sentence thrusts us immediately into the MC’s waking nightmare of terror and paranoia that will be sustained throughout the story.

William Gibson’s  Neuromancer  was the first novel to win the Nebula Award, the Philip K. Dick Award, and the Hugo Award. The chilling first sentence, said to have been written at the last minute, sets the novel’s theme of a burnt-out computer hacker adrift in a dystopian near future governed by artificial intelligence.

“The sky above the port was the color of television, tuned to a dead channel.”

Hunter S Thompson, starts his novel,  Fear and Loathing in Las Vegas , by establishing a place, a mood, and a theme (a disenchanted retrospective look at the 1960s) in the first sentence.

“We were somewhere around Barstow on the edge of the desert when the drugs began to take hold.”

A Tease, a Shock, a Jolt.

A skillfully written first sentence containing a tease, a shock or a jolt can introduce a character, establish a tone or a setting, and dare the reader not to continue.

The first sentence of  Nineteen Eighty-Four,  George Orwell’s dystopian novel, often considered one of the best one hundred books of the 20 th  Century, tells us immediately that something—time itself—is awry in a future world of Big Brother, doublethink and government surveillance.

“It was a bright cold day in April, and the clocks were striking thirteen.”

Joe Konrath pulls us right into the action in the first sentence of his mystery thriller,  Dirty Martini , Book 4 of the Jacqueline “Jack” Daniels Mystery series.

“No security cameras this time, but he still has to be careful.”

What is he doing, we wonder? In his first sentence, Konrath lets us know that whatever it is, it’s something he’s done before. Something risky, perhaps dangerous, and, even though experienced, he still has to be careful. Of what? Of whom?

In his legal thriller,  The Firm , John Grisham uses his first sentence to tell us that this unnamed and mysterious senior partner will indeed find something to dislike about Mitchell Y. McDeere who, the word  résumé  indicates, is being considered for a job.

“The senior partner studied the résumé for the hundredth time and again found nothing he disliked about Mitchell Y. McDeere, at least not on paper.”

What kind of job, we wonder, and what will the senior partner find to dislike? Grisham’s tease promises evil doings and the reader is lured on.

In  L.A. Confidential,  James Ellroy’s first sentence introduces a main character, sets a theme, and tells us exactly what we are about to read. Ellroy uses a knowledgable tone and vernacular language to let us know that he knows what he’s talking about.

“An abandoned auto court in the San Berdoo foothills; Buzz Meeks checked in with ninety-four thousand dollars, eighteen pounds of high-grade heroin, a 10-gauge pump, a .38 special, a .45 automatic, and a switchblade he’d bought off a pachuco at the border—right before he spotted the car parked across the line: Mickey Cohen goons in an LAPD unmarked, Tijuana cops standing by to bootsack his goodies, dump his body in the San Ysidro River.”

Dennis Lehane, in his short story,  Until Gwen  pulls us in with the use of the second person combined with the promise of drugs and sex.

“Your father picks you up from prison in a stolen Dodge Neon, with an 8-ball of coke in the glove compartment and a hooker named Mandy in the back seat.”

The Rule Breakers.

Although writers are often cautioned about starting a book with a character’s dream, that rule was effectively broken in the classic first sentence of Daphne DuMaurier’s famous gothic mystery,  Rebecca .

“Last night I dreamt I went to Manderley again.”

Marie Force begins her Gansett Island romance,  Meant For Love , with a reference to a dream.

“The dream was always the same, the last perfect moment before life as Jenny Wilks knew it changed forever.”

Both dreams refer to emotionally significant aspects of the characters’ pasts. The reader wonders why the unidentified first-person narrator of  Rebecca  dreams of a place and Jenny Wilks of a “perfect” life now gone forever. The authors use dreams to provoke interest in their characters and in the events of the story to come.

The passive tense is usually considered to be another no-no. Charles McCarry, in  TheTears Of Autumn, considered to be one of the best espionage thrillers of the 20 th  Century, uses the passive tense to introduce American intelligence officer, Paul Christopher, who is investigating the assassination of John F. Kennedy.

“Paul Christopher had been loved by two women who could not understand why he had stopped writing poetry.”

McCarry’s elegant use of the passive tense to introduce his MC sets the theme of the book: an exploration of glittering promise that results in the wreckage of unintended consequences—the end of poetry and the end of Camelot.

Your first sentence is your opportunity to let your creativity shine. Whether you decide to go for a tease or a jolt, a theme or a rule breaker, a first person or third person introduction, remember what Mom always said: You never have a second chance to make a first impression.

For more info on beginnings, Anne and I have both opined about first chapters. For  Anne’s take . For  Ruth’s take .

by Ruth Harris (@RuthHarrisBooks) April 29, 2018

What about you, scriveners? Do you have a favorite first line? Do you find your first line hard to write? (I usually write mine last.) Do you have a dynamite first line for a book you haven’t written yet? 

This week Anne is Poisoning People for Fun and Profit again. This time she’s talking about Gelsemium , a pretty plant that may be growing in your own backyard. And is so deadly it’s the drug of choice of many professional assassins. It also nearly killed Arthur Conan Doyle.

BOOK OF THE WEEK

OPPORTUNITY ALERTS

Central Coasters: Don’t miss the “Writers in Action: From Idea to Publication” Workshop  on May 19th! 1-day workshop by Sisters in Crime, Central Coast at the PG&E Energy Center in San Luis Obispo. Should be a lot of fun. Here’s a link to the application form and lunch menu.

Red Hen Press annual Nonfiction Contest.    $25 entry FEE. $1,000 prize and publication by the prestigious Red Hen Press. They’re looking for an essay collection, memoir, or book of narrative nonfiction. Florencia Ramirez will judge. Using the online submission system, submit a manuscript of at least 150 pages.  Deadline April 30

CRAFT Literary Short Story contest. $20 FEE .  Short fiction up to 6000 words. $2000 first prize; the two runners-up will receive $500 and $300, respectively. plus publication in CRAFT  Literary Magazine. Deadline April 30th.

Mad Scientist Journal: Battling in All Her Finery.  Genre : Speculative fiction stories about women leaders in any field.  Payment : 2 cents/word.  Deadline: April 30, 2018.

13 Imprints of Big 5 publishers who take unagented submissions. From the good people at Authors Publish Magazine.

Supernatural Fiction Award : $1000 prize + publication in The Ghost Story magazine. Not just ghost stories. Any paranormal story welcome. 1500-10,000 words   $20 entry fee. Deadline April 30 th .

Prophecy Creek Book Award for Speculative Fiction . Prize $1,000 and publication by Hidden River Publishing.  Any length novel that includes elements of science fiction, supernatural fiction, or fantasy. $22 fee. Deadline May 15.

Smokelong Quarterly Flash Fiction contest. $13 Fee.  Under 1000 words. Nominates for Pushcart. Must never have been published (including on blogs.) $1500 prize plus publication. Runner-up prizes, too. Deadline May 20th. 

Nowhere Spring Travel Writing Contest   $10 Fee.  800-5000 words showing a powerful sense of place: Fiction or nonfiction. Previous publication okay. $1000 prize plus publication in Nowhere magazine. Deadline May 31st

Share this:

Blog archives, search anne & ruth’s blog.

About Anne R. Allen

Anne writes funny mysteries and how-to-books for writers. She also writes poetry and short stories on occasion. Oh, yes, and she blogs. She's a contributor to Writer's Digest and the Novel and Short Story Writer's Market.

Her bestselling Camilla Randall Mystery RomCom Series features perennially down-on-her-luck former socialite Camilla Randall—who is a magnet for murder, mayhem and Mr. Wrong, but always solves the mystery in her quirky, but oh-so-polite way.

Anne lives on the Central Coast of California, near San Luis Obispo, the town Oprah called "The Happiest City in America."

April 29, 2018 at 10:27 am

I didn’t fully appreciate the importance of the first line until after my first book. I am proud of the first lines of the next three books, especially the two that say so much about the character. Those are excellent examples and a good breakdown as to why they work. Knowing that is half the struggle.

April 29, 2018 at 12:54 pm

Alex—Thanks! Congratulations on your quality first lines….knowing what and where the target is makes it so much easier to score!

April 29, 2018 at 11:10 am

Couldn’t agree more Ruth, and it’s one of my favorite topics to cover with aspiring authors on the library-circuit. It’s one of those things a newish writer hasn’t truly considered, but they light up when you show examples like these gems (we overlap with several!). I would suggest there’s also the out-and-out lunatic opening to consider, like Ian Banks who set the bar pretty high with his opening to “The Crow Road” (1992):

“It was the day my grandmother exploded.”

Tell me who’s going to put that one back on the rack!

April 29, 2018 at 12:56 pm

Will—Love the Ian Banks first line. Thanks for the great addition!

April 29, 2018 at 11:28 am

Excellent! I particularly like the constellation of 1st person examples: Plath, Nabokov, Salinger, & Allen! Well-chosen, indeed. And, as I am big-idea person more than an analytical person, I love seeing these split into categories — I simply wouldn’t think to do that to these fine examples, but it helps me conceptualize it all. Thanks again.

April 29, 2018 at 12:59 pm

CS—Thanks and happy to hear my category breakdown helped. There are infinite ways to write a great first sentence!

April 29, 2018 at 1:39 pm

I love the topic you chose for today, Ruth, and the way you take a close, illuminating look at each one. Thanks so much for the insight.

I think you had one or two short story first lines in the mix, and I’m glad for that.(I write short stories.) I think an awesome first line is every bit as important in short stories. (Last line too.)

Tolstoy’s Anna Kerenina first line is also an example of what I think has the potential to be powerful: A truism, or a simple philosophical (sort of) statement. He certainly nails it with this one!

An article on great last lines would be a fascinating complement to this one.

April 29, 2018 at 4:32 pm

Tricia—thanks! Yes, the Dennis Lehane first sentence was from a short story. First sentences matter!

April 29, 2018 at 2:35 pm

My favourite opening line is from J.G. Ballard’s ‘High-Rise’:

“Later, as he sat on his balcony eating the dog, Dr Robert Laing reflected on the unusual events that had taken place within this huge apartment building during the previous three months.”

It sets tone, character, place…and the opportunity to decline an invitation to proceed.

April 29, 2018 at 4:34 pm

Patricia—that’s just great! Thanks!

April 29, 2018 at 3:44 pm

I used my favorite first line in an email signature that earned me a visit from the President of the college; he never made me take it down, but I knew somebody had asked about it nonetheless. From James Crumley’s Last Good Kiss: “When I finally caught up with Abraham Trahearne, he was drinking beer with an alcoholic bulldog named Fireball Roberts in a ramshackle joint just outside of Sonoma, California, drinking the heart right out of a fine spring afternoon.” I can smell that wasted, lost afternoon, I know the likes of Abraham Trahearne right up front, and one day I’m going to name my new bulldog Fireball Roberts.

April 29, 2018 at 4:38 pm

Ruthie—thanks for another fabulous first line! Wonder if anyone would name a kitten Fireball Roberts? Nah, don’t think so. 😉

April 29, 2018 at 4:35 pm

Sorry to be picky, but there are two typos in this article…which, by the way, is great. This a wonderful collection of first lines, some of which I’ve never seen before. ‘auto court’, I think, rather than ‘auto cout’ – although maybe this is a type of area I’ve not come across before! And Mr Grisham gets spelt as Grosham at one point….

April 29, 2018 at 4:47 pm

Mcrow—Thanks for your eagle eye! I wondered about “cout” but that’s how it came up in my research so I decided to go with it. Maybe a regionalism? Grissom is just a plain vanilla typo. (As I type this, tho, autocorrect turns it into Grissom.) lol

April 30, 2018 at 8:53 am

This is such a great post. I love to look at the first line of a book. It really does either pull you in … or not. I really liked ““All children, except one, grow up.” I’ve never read the book. Maybe now I will. I always try to write a first line or at least the first few lines in a way that the reader will wonder what’s going to happen next and what’s going on. Thanks for this.

April 30, 2018 at 11:24 am

Patricia—thanks for the kind words. First lines are well worth the effort.:)

April 30, 2018 at 10:01 am

First lines are tough and hard to make appealing to a large group of people–even within our own genres.

One I like is: This is the way the world ends – not with a band or a whimper, but with zombies breaking down the back door. – Hollowland by Amanda Hocking

I love the call back to Eliot with a fantasy twist.

April 30, 2018 at 11:27 am

HR—thanks for another good example and fine analysis!

April 30, 2018 at 5:48 pm

Thanks so much for this insightful look into first lines, Ruth. A good reminder to go over some of my old favs and revisit first lines in particular. 🙂

May 1, 2018 at 6:11 am

Dg—appreciate your kind words. Have fun with your old faves!

April 30, 2018 at 6:41 pm

Thanks for this article! I was inspired to re-check out some first lines. I’m pretty happy with the first lines of my two fantasy novels…the second one took a long time. The whole first chapter and especially the first paragraph went through a dozen false starts before I managed to like one I tried. But the first line of Stephen King’s “The Gunslinger” is wonderful–and it must be, as it begins not only a novel, but an epic seven-book series. The line: “The man in black fled across the desert, and the gunslinger followed.”

May 1, 2018 at 6:15 am

Fred—*only* a dozen tries? Wow! Speedy. ;-). Thanks for the excellent Stephen King addition. Much appreciated!

May 6, 2018 at 4:32 pm

Not really speedy. I had it published about twenty-two years after I finished the first draft. I’m finishing a paranormal romance and beginning a fantasy series. Thanks to your article I re-examined, and changed, the first sentence of each one. And of course I may do so again before I’m finished. My thanks to you and Anne both for all these great helpful blogs.

May 1, 2018 at 6:47 am

Wow, those are some great first lines. I’ve always found first lines hard to write and this post has really motivated me to make sure the promise I’m making to my audience is there inside it.

One of my favorite first lines is from the manga Fullmetal Alchemist (English Translation):

“Teachings that do not speak of pain have no meaning…for humankind cannot gain anything without first giving something in return.”

May 1, 2018 at 7:25 am

Amy—happy to hear the post helped. 🙂 thanks,too, for the excellent addition to our first lines!

May 1, 2018 at 7:30 am

I often write my first lines after the first draft. Rather, I should say, I “rewrite” my first line a gazillion times after the first draft. Great post, Ruth. Thanks for the inspiration!

May 1, 2018 at 11:06 am

Sue—yes! It’s not the writing. It’s the rewriting. + the revisions. Facts of life! 😉

May 1, 2018 at 10:17 pm

I love, love, love first sentences. I’ve written hundreds of them! If only I had completed stories to go with all with my first lines….heavy sigh. Enjoyed the post.

May 2, 2018 at 4:13 am

Tammy—ditto and thanks. Maybe find the love for second sentences? 😉

May 6, 2018 at 8:26 am

A great article, Anne.

May 6, 2018 at 12:20 pm

Robbie–The thanks go entirely to Ruth. Not only did she write the piece. but she chose the image this time too. I thought it was perfect!

May 6, 2018 at 4:52 pm

Robbie—glad to learn you enjoyed the post!

May 6, 2018 at 10:31 am

3 greatest are from Moby Dick, Old Man and Sea and Tale of 2 Cities. Oh, and that “In the beginning…” one is pretty famous too.

May 6, 2018 at 1:10 pm

Carl—thanks for the suggestions. We should also add “once upon a time.” 🙂

May 7, 2018 at 3:55 am

Yes, of course !

May 6, 2018 at 4:50 pm

Fredwaiss—22 years? Definitely not speedy! I stand corrected. 🙂 Pleased to learn the post encouraged you to go back and review your first lines. Anne and I work with the goal of helping writers avoid the mistakes we made!

May 8, 2018 at 12:23 pm

Great post, thanks! It was a dark and stormy night…?????

May 8, 2018 at 12:52 pm

M. L.—Perfecto! A truly worthy addition! 🙂

May 8, 2018 at 1:08 pm

Great article Ruth! I have a harder time with LAST lines but reading this reminded me of an unread book I peeked at while unpacking last week that made me want to sit in the pile boxes to keep reading:

“Even before I push the fucking door open I know.” First line of IN SIGHT OF THE STARS by Gae Polisner.

I’m a little envious of that opening…

May 8, 2018 at 2:06 pm

Eldonna—Thanks. 🙂 Thanks, too, for adding another great first sentence!

May 10, 2018 at 3:17 pm

What a fun post – and great comments with more first lines – love it! Thanks for this.

My favorite for description is from IN COLD BLOOD by Truman Capote because of the contrast with the title:

“The village of Holcomb stands on the high wheat plains of western Kansas, a lonesome area that other Kansans call ‘out there.’ ”

and my favorite for ‘you had me at the first line’ (technically, 3 sentences, they could have been separated by commas… but it would change the rhythm) still, it got me and I read this one, then pretty much all his other books in a 2-month binge. It’s in STRAIGHT by Dick Francis:

“I inherited my brother’s life. Inherited his desk, his business, his gadgets, his enemies, his horses and his mistress. I inherited my brother’s life, and it nearly killed me.”

May 10, 2018 at 5:58 pm

Msmartha—Thanks for the kind words—and for two great suggestions! I recall a lengthy dick Francis binge, too. 🙂

June 3, 2018 at 3:09 pm

I don’t have a favorite first line, sorry! I opened an email from you and saw this as title as one of your previous posts and was intrigued. Fantastic post! I’m starting my new WIP today and you’ve inspired me to nail down that first line of my WIP. Thanks!

June 3, 2018 at 4:16 pm

Fiona—Ruth Harris here. Glad you enjoyed the post! Even happier to learn it was inspiring. Good luck with your great first sentence!

October 7, 2018 at 3:21 pm

“If there were a way, if I could, I would write this book in sign language.” Ruth Sidranski’s first line in her memoir entitled In Silence.

October 7, 2018 at 4:48 pm

Katherine—excellent! Thank you.

October 28, 2019 at 8:58 am

I read and try to write romance. This is my favorite opening line from a romance novel, The Best Man by Kristan Higgins:

“On a beautiful day in June, in front of literally half the town, wearing a wedding dress that made her look like Cinderella and holding a bouquet of perfect pink roses, Faith Elizabeth Holland was left at the altar.”

It was my first book by Kristan Higgins, but I can assure you it wasn’t my last!

October 28, 2019 at 10:24 am

Dena Jo—Wonderful! Thanks for a great addition to the list of compelling first lines. Appreciated! 🙂

November 21, 2019 at 6:54 am

First lines–yes! I waffled when I started to write my first book. (A fantasy novel based on a D&D scenario I wrote.) I decided to self-publish it after an agent who had taken me on tried to get me to publish with a publisher who asked for a lot of money. At least it was a lot to me. I was proud of that book, but it took far too long to get to the story proper. I wrote part 2 of the series and published it. Then I found a publisher for my next book, who wanted to take on my previously published books, so I took the opportunity of rewriting the beginning. I cut at least the first 4 chapters and began where the protagonist and his friends were given their quest. A much better beginning,I think.

November 21, 2019 at 1:34 pm

V.M.—Thanks for the great comment! Sounds like you’re on the right track by cutting your early chapters and starting with the quest. And yes, indeed, sometimes getting a book right does take “too long.” Frustrating but worth it!

June 19, 2020 at 5:30 am

so I wrote a first paragraph and I was hoping that someone might help me with critiquing it “You know that every time I peek my head through this window and see the tower, my heart fills with uneasiness, how it pokes into the sky here in Paris and is quite the centerpiece in the culture. Of course, I was talking about the Eiffel tower, the looming feeling I get measures to about the amount you get when you see the corpse of a person next to a puddle of blood with a 15mm Occitane Pistol floating along slowly to a sewer pipe. When you know whatever caused it can just peek out and get you too, slide its fingers along the side of the trigger, and in seconds your years of life have come to an end. ” by the way, Occitane is a region in France, in the book I am writing it also holds a secret underground gun producing factory.

June 19, 2020 at 6:26 am

Noah—Thanks for taking the time to comment. Anne and I do not offer critique services, but wish you the best of luck with your book.

August 15, 2021 at 4:10 pm

Here’s the first sentence of my second novel, plus the short one that follows:

“Who was that,” Greg asked as he and Josie drove home from the folk dance, “the fiddler, singing, at the end? You know him?” Jealousy tainted his question.

It seems to set up the emotional tension that permeates the book.

Leave a Reply Cancel reply

Anne r allen’s blog with ruth harris.

• Books by Anne R. Allen
• Books by Ruth Harris
• Shirley S. Allen
• Guest Bloggers
• HOW TO GET YOUR BOOK PUBLISHED

How To Start a College Essay: 9 Effective Techniques

This post was co-written by me (Ethan) and Luci Jones (Brown University, CO ‘23).

How to start a college essay TABLE OF CONTENTS

The full hemingway, the mini hemingway, the philosophical question, the confession, the trailer thesis, the fascinating concept, the random personal fun fact, the shocking image.

In anything you do, there’s a special, pivotal moment. 

I don’t mean the moment when inspiration strikes or the last brushstroke is painted or the audience oohs and ahs over the final product. The point in time we’re talking about here is the Moment When You Do The Darn Thing (DTDT for short). It’s when you get off the couch, stop binging Netflix , and take action. It’s when you put pencil to paper, fingers to keyboard, or *insert whatever other analogy feels applicable here.* 

For many, getting started is the hardest part of anything. And that’s understandable. First, because it turns whatever you’re doing into a reality, which raises the stakes. Second, because where you start can easily dictate the quality of where you end up.

College essays have their own special brand of DTDT. Knowing how to begin a college essay is daunting. It can be hard to write an engaging, authentic opener. But without an interesting hook, you risk getting lost in a vast sea of applications. To this end, we’ve put together some techniques about how to start a college essay to make your DTDT moment a little smoother and a little less stressful.

I say “probably” because I’m about to share a few overused techniques that I don’t recommend. Having said that, it is possible to pull them off—they’re just really hard to do well.

The Overly Grand Ambiguous Statement: From a distance, it might seem nice to talk about why all of humankind has felt some type of way for as long as history has existed. (Examples: “Many great thinkers have existed in our nation’s history” or “The key to a successful endeavor is perseverance.”) But these kinds of overly generalized or impersonal grand statements get lost easily in the crowd because they don’t tell the reader much about you. And without a connection to you, there’s not much reason for them to continue reading.

Going Meta: As cool as it may seem to demonstrate to your audience that you are aware of how you’re writing your essay in the moment you’re writing it, it’s less cool to college admissions officers who read meta stuff like that all the time. There are other, more subtle ways to demonstrate self-awareness in your intro rather than to open your essay with some variation of, “I stare at the blank screen...” or, worse, “When I was asked to write this personal statement, at first I wasn’t sure how to begin.”  Note that the meta essay can sometimes work (you’ll see a couple examples below), but has a higher degree of difficulty.

The Quote: While quoting famous people who have said something cool in the past may seem like an appealing way to start your essay, remember that colleges want to hear YOUR thoughts. Don’t use the words of another person to stand in for your own opinions or insights. You have cool things to say. It may just take a little while to discover what those things are.

The Too-Obvious Thesis That Spoils the Ending of the Movie (i.e. Your Essay): What if Avengers: Infinity War had opened with a voiceover from the director saying, “This is a film about how Thanos collects all the infinity stones and destroys half the population.” (Aaaaaand this is your too-late spoiler alert. Sorry. But don’t worry, they go back in time and undo it in Endgame . Oh, also spoiler.) That would’ve sucked. That’s what it feels like, though, if you start your essay with something like, “I want to be a veterinarian because I care about animals and the environment.” I read a sentence like that and I go, “Cool, thanks, now I can save myself the three minutes it would’ve taken to read the essay. Thank you, next.” While you may want to have that sentence in mind so you know what you’re trying to get across (this is called a logline), just don’t give away the whole thing. Instead, start your essay with something to pique our interest. How? We’re about to share 9 ways. 

Want to read a few more college essay tips? Check out this huge list from admissions experts. 

9 WAYS TO START A COLLEGE ESSAY:

An image-based description that focuses on a particular moment and doesn’t explain much—at least not right away. This technique lets dialogue, actions, or details speak for themselves.

(Note that there are many other authors that do this — it’s part of great writing — but my little brother suggested Hemingway and I kinda’ liked the sound of it.)

Example: 

Every Saturday morning, I’d awaken to the smell of crushed garlic and piquant pepper. I would stumble into the kitchen to find my grandma squatting over a large silver bowl, mixing fat lips of fresh cabbages with garlic, salt, and red pepper.

Why It Works: In this intro, the author paints a very visceral picture of waking up in the morning to the smell of her grandmother’s traditional Korean cooking. Through the careful word choice (“piquant pepper,” “fat lips of fresh cabbages,” etc.), we get a sense that something important is happening, even if we don’t know what it is yet. But this one can be difficult to pull off if you don’t help the reader understand why you’ve described what you’ve described. Read the rest of the essay here .

Which brings us to...

An image-based description, perhaps 1-3 sentences in length, that focuses on a particular moment and then follows up with a sentence that explains, comments on, or somehow provides context for what is being described.

Take a look at how this can happen by just adding one sentence to the example above (see bolded line below):

Every Saturday morning, I’d awaken to the smell of crushed garlic and piquant pepper. I would stumble into the kitchen to find my grandma squatting over a large silver bowl, mixing fat lips of fresh cabbages with garlic, salt, and red pepper. That was how the delectable Korean dish, kimchi, was born every weekend at my home.  

Why it Works: This single sentence hints at some of the author’s core values—culture, ritual, family—without giving too much away about where the essay is headed. Like any good intro, this one creates more questions that answers. (Read the rest of the essay here .)

Another example:

They covered the precious mahogany coffin with a brown amalgam of rocks, decomposed organisms, and weeds. It was my turn to take the shovel, but I felt too ashamed to dutifully send her off when I had not properly said goodbye. I refused to throw dirt on her. I refused to let go of my grandmother, to accept a death I had not seen coming, to believe that an illness could not only interrupt, but steal a beloved life.

Why It Works: The author drops us right into the middle of something we know nothing about, yet it invites us to care. How? The specifics. The details she notices and the resistance she’s feeling help to put us in her shoes. This means we don’t just feel sympathy, we feel empathy . And that empathetic connection heightens the stakes for us by raising questions: How did her grandmother die? Why can’t the author let her go? Why is she angry? (Spoiler: It turns out she’s more angry at herself than anyone else. Read the rest of the essay here .)

The author begins with information that creates certain expectations about them before taking us in a surprising direction. 

Growing up, my world was basketball. My summers were spent between the two solid black lines. My skin was consistently tan in splotches and ridden with random scratches. My wardrobe consisted mainly of track shorts, Nike shoes, and tournament t-shirts. Gatorade and Fun Dip were my pre-game snacks. The cacophony of rowdy crowds, ref whistles, squeaky shoes, and scoreboard buzzers was a familiar sound. I was the team captain of almost every team I played on—familiar with the Xs and Os of plays, commander of the court, and the coach’s right hand girl. But that was only me on the surface. Deep down I was an East-Asian influenced bibliophile and a Young Adult fiction writer.

Why It Works: We’re introduced to the author as a basketball superstar, the queen of the court, a sports fanatic—and at this point the reader may even be making assumptions about this author’s identity based on her initial description of herself. However, in one sentence, the writer takes us in a completely unexpected direction. This plays with audience expectations and demonstrates that she has a good degree of self awareness about the layers of her identity. After having our expectations thrown for a loop, we can’t help but wonder more about who exactly this person is (and if you want to know like I did, read the rest of this essay here ).

Another example: 

I am on Oxford Academy’s Speech and Debate Team, in both the Parliamentary Debate division and the Lincoln-Douglass debate division. I write screenplays, short stories, and opinionated blogs and am a regular contributor to my school literary magazine, The Gluestick. I have accumulated over 300 community service hours that includes work at homeless shelters, libraries, and special education youth camps. I have been evaluated by the College Board and have placed within the top percentile. But I am not any of these things. I am not a test score, nor a debater, nor a writer. I am an anti-nihilist punk rock philosopher. And I became so when I realized three things:

Why It Works: He basically tears up his (impressive) resume in the first few sentences and says, “That’s not me! Here’s the real me…” and as a result we wonder, “How does one become an anti-nihilist punk rock philosopher? And what are the three things??” (Read the rest here .)

Ask a question that you won’t (and probably can’t) answer in your essay. This gives you a chance to show how your brilliant brain works, plus keeps us hooked as you explore possible answers/solutions. 

Does every life matter? Because it seems like certain lives matter more than others, especially when it comes to money.

Why it Works: It raises a complex, interesting question and poses a controversial idea: that we treat some lives as though they matter more than others. We wonder: “Is that true? Could it be? Say more…” Heads-up: This one can veer into the “Overly Grand Ambiguous Statement” opening if you’re not careful. Click here to read the rest of the essay mentioned above, which by the way took him a long time to refine—as this approach is not easy to pull off.

Begin by admitting something you might be judged (or judge yourself) for. 

Example:  

I have been pooped on many times. I mean this in the most literal sense possible. I have been pooped on by pigeons and possums, house finches and hawks, egrets and eastern grays. (Read the rest here .)

Why it Works: Shows vulnerability, but also in many cases intrigues us to learn more. 

Here is a secret that no one in my family knows: I shot my brother when I was six. Luckily, it was a BB gun. But to this day, my older brother Jonathan does not know who shot him. And I have finally promised myself to confess this eleven year old secret to him after I write this essay.

Why It Works: This is a super vulnerable to admit and raises all sorts of questions for us: Why did he shoot his brother? Why hasn’t he confessed it to him? What will his brother say once he tells him? (Fun fact: This essay actually breaks the “don’t start with a quote” rule. Here’s the rest if you wanna’ read it.)

A contextualizing 1-2-sentences (often at the end of the first paragraph) to ground the essay by giving us a sneak peek at what’s to come in the essay—but that do NOT give away the ending.

Example (I’ve marked it in bold below at the end of the first paragraph): 

Six years ago, a scrawny twelve year old kid took his first steps into Home Depot: the epitome of manliness. As he marched through the wood section, his eyes scrolled past the options. Red Oak? No, too ubiquitous. Pine? No, too banal. Mahogany? Perfect, it would nicely complement his walls. As days went on, the final product was almost ready. 91 degree angles had been perfected to 90. Drawer slides had been lubricated ten times over. Finally, the masterpiece was finished, and the little boy couldn’t help but smile. A scrawny 12-year-old kid had become a scrawny 12-year-old man. This desk I sit at has not only seen me through the last six years, but its story and the story of the objects I keep on it provide a foundation for my future pursuits.

Why It Works: As we read the first few sentences of this paragraph we might wonder, “Where is this going?” But this sentence sets us at ease and—again, without giving too much away—gives us a sense of what’s to come. We know that we’re going to learn about the author and his future through the objects on his desk. Great! It also signals to the reader “Don’t worry, you’re in good hands. I’m still aware of the task at hand.” 

Begin with a concept that’s unusual, paradoxical, and/or marked a turning point in your thinking. This is often followed up with context explaining where the concept came from and why the author is considering it. 

Crayfish can turn their red blood cells into precursor neuronal cells, I read in shock. The scientific paper, published in Cell 2014, outlined the process where crayfish could regenerate lost eyestalks or olfactory (smell and odor) nerves with their blood – they could see and smell again! It seemed unfair from an evolutionary standpoint. Humans, who were so much larger than a 7-ounce crayfish, couldn’t use their abundant blood to fix their brain damage.

Why It Works: This opening signals to the reader that the author is: a) someone who has read quite a bit, b) curious, and c) knows, as I like to say, “some stuff about some stuff.” In this case, she knows some science stuff.

Do you know some stuff about some stuff? If so, a little geeky language can help signal this to the reader. Don’t overdo it, though, or it can seem showy.

FYI: I see this more often at the start of great essays than personal statements, as this can often lead to an essay that’s more heady/intellectual and less vulnerable/personal. A variation on this that’s a bit more personal is the...

Begin with a strange fact about yourself to grab our attention. Then go on to say why it’s meaningful. Example: 

I subscribe to what the New York Times dubs “the most welcomed piece of daily e-mail in cyberspace.” Cat pictures? Kardashian updates? Nope: A Word A Day.

(Read the rest here .)

Why It Works: It pulls us in by making us think, “Oh, that’s cool!” and then wondering, “Okay, where is this going?”

Grab our attention with an incredibly specific and arresting image or sentence. Then tell us why it matters.

Smeared blood, shredded feathers. Clearly, the bird was dead. But wait, the slight fluctuation of its chest, the slow blinking of its shiny black eyes. No, it was alive.

Why It Works: This style subtly highlights the writing talent of the author without drawing attention away from the content of the story. In this example, the staccatoed sentence fragments convey a sense of halting anxiety and also mimic the movement of the bird’s chest as it struggles to breathe. All sorts of questions come up: What happened to the bird? What will the author do? (Read the rest of the essay here .)

February 2011– My brothers and I were showing off our soccer dribbling skills in my grandfather’s yard when we heard gunshots and screaming in the distance. We paused and listened, confused by sounds we had only ever heard on the news or in movies. My mother rushed out of the house and ordered us inside. The Arab Spring had come to Bahrain.  

(Read the rest of the essay here .)

Bowing down to the porcelain god, I emptied the contents of my stomach. Foaming at the mouth, I was ready to pass out. My body couldn’t stop shaking as I gasped for air, and the room started spinning. (Read the rest of the essay here .)

There are, of course, many more kinds of openings—and I’ll add to this post as I discover new ones. 

We get it, writing a standout introduction is easier said than done. Hopefully though, after seeing some examples of dynamic and thoughtful intros that used our techniques, you’re inspired to brainstorm some of your own . You’ve got this. DTDT has never looked so good.

Have a great college essay opening or a new type of opening you’d like to suggest? Share it in the comments below!

This post was co-written by me (Ethan) and Luci Jones (Brown University, CO ‘23).  Luci took my How to Write a Personal Statement course last year. The essay that she produced was so good and her writing was so beautiful, I’ve asked her to help me co-write this blog post with me, create a few techniques for writing a great introduction, and analyze why they work so well.

Sentence Starters: Ultimate List to Improve Your Essays and Writing

By Ashley Shaw

This blog post is going to be about … No. Too boring.

Today, I am going to talk to you about ... No. Too specific.

This is a blog post for all writers ... Nope. Too generic.

Has this ever been you while writing? I get it. Writing a good sentence can be hard, and when you have to string a whole lot of them together, the task can become daunting. So what do you do?

From the first sentence you write to the very last, you want each one to show your style and motivate your reader to keep reading. In this post, we are going to think about how you start your sentences.

What Is a Good Sentence Starter for an Essay Introduction?

What is a good sentence starter for a body paragraph, 25 useful transitions, can i repeat a sentence starter, how can i rephrase "in conclusion".

The first paragraph of a paper can make or break your grade. It is what gets your audience into the topic and sets the whole stage. Because of this, it is important to get your readers hooked early.

The first sentence of a paper is often called the hook. It shouldn’t be anything ordinary. It should have strong language and be a little surprising, with an interesting fact, story, statistic, or quote on the topic.

Because it is designed to pull the reader in and surprise them a little, it is often good to avoid pre-written sentence starter examples when writing your hook. Just get into it here, and worry about the flow later.

Here are some examples:

Spider webs were once used as bandages.

I taught myself to read when I was three. At least, that’s the story my parents tell.

Recent studies suggest that the average person lies at least once in every conversation.

“The world is bleeding and humans wield the knife,” or so says environmental scientist So Andso.

(P.S. Except for example 1, which is true, I just made all of these up to demonstrate my point. So, please don’t quote me on these!)

Once you jump right in with your hook, it is time to start working on ways to move sentences along. Here is where you may need some sentence starter examples.

In your first paragraph, you basically want to connect your hook to your thesis. You’ll do this with a few sentences setting up the stage for your topic and the claim you will make about it. To do that, follow the tips found in the next section on body paragraphs and general sentence starter tips.

Many of the tips I am about to discuss can be used anywhere in a paper, but they are especially helpful when writing body paragraphs.

Let’s start with one of the most important types of sentence starter in essay writing: transition words.

How Do I Use Transitions in an Essay?

If you want to start writing terrific sentences (and improve your essay structure ), the first thing you should do is start using transition words.

Transition words are those words or phrases that help connect thoughts and ideas. They move one sentence or paragraph into another, and they make things feel less abrupt.

The good thing about transition words is that you probably know a lot of them already and currently use them in your speech. Now, you just need to transition them into your writing. (See what I did there?)

Before we get into examples of what a good transition word is, let’s look at a paragraph without any transitions:

I went to the store. I bought bacon and eggs. I saw someone I knew. I said hello. I went to the cashier. They checked me out. I paid. I got my groceries. I went to my car. I returned home.

Yikes! That is some boring writing. It was painful to write, and I am sure it is even worse to read. There are two reasons for this:

• I start every sentence with the same word (more on this later)
• There are no signposts showing me how the ideas in the paragraph connect.

In an essay, you need to show how each of your ideas relate to each other to build your argument. If you just make a series of statements one after the other, you’re not showing your instructor that you actually understand those statements, or your topic.

How do we fix this? Transition words. Roughly 25% of your sentences should start with a transition word. If you can hit that number in your essay, you’ll know that you’ve made meaningful steps towards demonstrating your understanding.

Of course, hitting that number isn’t enough—those transitions need to be meaningful. Let’s look at the different types of transitions and how you can use them.

What Are Words Like First , Next , and Last Called?

You probably already use some transitions in your essays. For example, if you start a paragraph with firstly , you’ve used a transition word. But transitions can do so much more!

Here are 25 common transitional words and phrases that you could use in your essay:

• Additionally / In Addition
• Alternatively / Conversely
• As a result of
• At this time
• Consequently
• Contrary to
• First(ly), Second(ly), etc.
• In contrast
• Nonetheless
• On the other hand
• Particularly / In particular
• In other words

This list isn’t exhaustive, but it is a good start.

These words show different types of relationships between ideas. These relationships fall into four main categories: Emphasis , Contrast , Addition , and Order .

What Are Emphasis Transition Words?

These phrases are used when you want to highlight a point. Examples from my above list include clearly , particularly , and indeed . Want to see some more? Follow my bolded transitions: Undoubtedly , you understand now. It should be noted that you don’t need to worry.

How Do You Use Addition Transitions?

These words add on to what you just said. These are words like along with , moreover , and also . Here are some more: Not only are you going to be great at transitions after this, but you will also be good at writing sentences. Furthermore , everyone is excited to see what you have to say.

How Can I Use Transitions to Contrast Ideas?

This is the opposite of addition, and you use it when you want to show an alternative view or to compare things. Examples from my list include words like nonetheless , contrary to , and besides .

Here are some more: Unlike people who haven’t read this article, you are going to be really prepared to write great sentences. Even so , there is still a lot more about writing to learn.

How Do I Order Ideas in My Essay?

A good first step is using order transition words.

This set of transitions helps mark the passage of time or gives an order to events. From the list, think of things like first and finally . Now for some extras: At this time yesterday , you were worried about starting sentences. Following this , though, you will be an expert.

Now that you get the concept of transitions, let’s go back to that poorly written paragraph above and add some in to see what happens:

This morning , I went to the store. While I was there, I bought bacon and eggs. Then I saw someone I knew. So I said hello. After that , I went to the cashier. At that time , they checked me out. First , I paid. Next , I got my groceries. Following that , I went to my car. Finally , I returned home.

(Notice the use of commas after most of these transitions!)

This isn’t the best paragraph I’ve ever written. It still needs a lot of work. However, notice what a difference just adding transitions makes. This is something simple but effective you can start doing to make your sentences better today.

If you want to check your transition usage, try ProWritingAid’s Transitions report . You’ll see how many of each type of transition word you've used so you can pin-point where you might be losing your reader.

Sign up for a free ProWritingAid account to try it out.

What Are Some Linking Phrases I Can Use in My Essay?

As well as individual words, you can also use short phrases at the beginning of your sentences to transition between ideas. I just did it there— "As well as individual words" shows you how this section of the article is related to the last.

Here are some more phrases like this:

As shown in the example,

As a result of this,

After the meeting,

While this may be true,

Though researchers suggest X,

Before the war began,

Until we answer this question,

Since we cannot assume this to be true,

While some may claim Y,

Because we know that Z is true,

These short phrases are called dependent clauses . See how they all end with a comma? That's because they need you to add more information to make them into complete sentences.

• While some may claim that chocolate is bad for you, data from a recent study suggests that it may have untapped health benefits .
• Since we cannot assume that test conditions were consistent, it is impossible to reach a solid conclusion via this experiment .
• As a result of this, critics disagree as to the symbolism of the yellow car in The Great Gatsby .

The bolded text in each example could stand on its own as a complete sentence. However, if we take away the first part of each sentence, we lose our connection to the other ideas in the essay.

These phrases are called dependent clauses : they depend on you adding another statement to the sentence to complete them. When you use a sentence starter phrase like the ones above in your writing, you signal that the new idea you have introduced completes (or disrupts) the idea before it.

Note: While some very short dependent clauses don’t need a comma, most do. Since it is not wrong to use one on even short ones (depending on the style guide being used), it is a good idea to include one every time.

Along with missing transitions and repeating sentence structure, another thing that stops sentences from being great is too much repetition. Keep your sentences sharp and poignant by mixing up word choices to start your sentences.

You might start your sentence with a great word, but then you use that same word 17 sentences in a row. After the first couple, your sentences don’t sound as great. So, whether it is varying the transitional phrases you use or just mixing up the sentence openers in general, putting in some variety will only improve your sentences.

ProWritingAid lets you know if you’ve used the same word repeatedly at the start of your sentences so you can change it.

The Repeats Report also shows you all of the repeats in your document. If you've used a sentence starter and then repeated it a couple of paragraphs down, the report will highlight it for you.

Try the Repeats Report with a free ProWritingAid account.

Now that you have your introduction sentences and body sentences taken care of, let’s talk a little about conclusion sentences. While you will still use transitions and clauses as in the body, there are some special considerations here.

Your conclusion is what people will remember most after they finish reading your paper. So, you want to make it stand out. Don’t just repeat yourself; tell them what they should do with what you just told them!

Use the tips from above, but also remember the following:

Be unique. Not only should you vary the words you use to start different sentences, but you should also think outside of the box. If you use the same conclusion sentence starter everyone else is using, your ideas will blend in too.

Be natural. Some of the best writing out there is writing that sounds natural. This goes for academic writing, too. While you won’t use phrases like "at the end of the day" in essay writing, stilted phrases like "in conclusion" can disrupt the flow you’ve created earlier on.

Here are some alternatives to "in conclusion" you could use in an essay:

• To review, ... (best for scientific papers where you need to restate your key points before making your final statement)
• As has been shown, ...
• In the final analysis, ...
• Taking everything into account, ...
• On the whole, ...
• Generally speaking, ...

If you’re looking for more ways to rephrase "in conclusion," take a look at our complete list of synonyms you can use.

There may not be a set word or words that you can use to make your sentences perfect. However, when you start using these tips, you’ll start to see noticeable improvement in your writing.

If you’ve ever heard people talk about pacing and flow in academic writing, and you have no idea what they mean or how to improve yours, then this is your answer. These tips will help your writing sound more natural, which is how you help your ideas flow.

Take your writing to the next level:

20 Editing Tips from Professional Writers

Whether you are writing a novel, essay, article, or email, good writing is an essential part of communicating your ideas., this guide contains the 20 most important writing tips and techniques from a wide range of professional writers..

Be confident about grammar

Check every email, essay, or story for grammar mistakes. Fix them before you press send.

Ashley Shaw

Ashley Shaw is a former editor and marketer/current PhD student and teacher. When she isn't studying con artists for her dissertation, she's thinking of new ways to help college students better understand and love the writing process.

Get started with ProWritingAid

Visit our Help Center or let's stay in touch via: