Start-up Funding | |
Start-up Expenses to Fund | $34,000 |
Start-up Assets to Fund | $226,000 |
Total Funding Required | $260,000 |
Assets | |
Non-cash Assets from Start-up | $157,500 |
Cash Requirements from Start-up | $68,500 |
Additional Cash Raised | $0 |
Cash Balance on Starting Date | $68,500 |
Total Assets | $226,000 |
Liabilities and Capital | |
Liabilities | |
Current Borrowing | $0 |
Long-term Liabilities | $200,000 |
Accounts Payable (Outstanding Bills) | $0 |
Other Current Liabilities (interest-free) | $0 |
Total Liabilities | $200,000 |
Capital | |
Planned Investment | |
Investment by Dave & Kayle Moore | $50,000 |
Investment by Ray Himes | $10,000 |
Additional Investment Requirement | $0 |
Total Planned Investment | $60,000 |
Loss at Start-up (Start-up Expenses) | ($34,000) |
Total Capital | $26,000 |
Total Capital and Liabilities | $226,000 |
Total Funding | $260,000 |
We have chosen a site at Ladera Shopping Center on Coors Blvd. near I-40 for several reasons:
All of the above qualities are consistent with MusicWest’s goal of providing a fresh approach to musical instrument retailing. We are looking at leasing approximately 3,500 sq.ft. of space, which will allow sufficient room for up to six lesson studios, a repair area and necessary storage and office space. We expect usable selling space to end up being around 2,400 sq.ft.
MusicWest will be a partnership. The principles of the business are Kayle and David Moore. Kayle Moore will assume the position of President/Office Manager, while David Moore will assume the duties of Store Manager.
We will offer a “state of the art” music lesson program featuring top degreed instructors, as part of our overall focus on educating our customer base. This program will include private and group lessons, as well as outreach to local schools. We will also develop music clubs geared to children and seniors, to further serve our local community.
Although offering school band and orchestral instruments, service and lessons will be our main competitive advantage, guitars will remain the primary revenue producer for musical instrument stores for the foreseeable future.
MusicWest will offer several name brand instruments such as:
In addition to complete repair services for our products, we will emphasize upgrades and customization items to develop other income streams our competitors have not considered. When carrying a brand name item conflicts with giving the customer the best all-around value, we will always pursue the product that best suits our client’s interest.
MusicWest is different from its competitors in several key areas:
Musical instruments cannot be fully enjoyed without knowledge and experience. Unfortunately, we cannot sell these products at a higher price just because we offer repair and instructional services; the market does not support dealers who have tried this. We must offer varied services and product mixes and be competitively priced as well, in order to survive in this new economy. In addition to educating our customer base, we are committed to providing the best product value.
Accessories are the highest profit center for the store and we have to expose our competitors’ weakness in this area if we wish to expand market share from day one of operations. Competitors that do not stock the necessary accessories will send their customers to competing stores, from which customers may not return. We must keep our accessory department well-stocked to take advantage of our competitors’ flaws, and avoid this pitfall ourselves.
When feasible, MusicWest will buy its inventory directly from the manufacturer in order to obtain the lowest price possible. We will make use of one or two jobbers that sell a large variety of small goods that would be impractical to obtain directly. We will frequently compare prices of these distributors to ensure we are getting the very best price possible per item. That said, MusicWest will always put the quality/value of the product we pass on to the consumer ahead of price. The majority of our competitors buy by the piece rather than by the box or case lot. We intend to buy our key , best-selling items in bulk, to obtain a pricing advantage over our direct competitors. Common discounts in the industry consist of free freight, repayment term incentives, additional free merchandise or incremental percentage discounts on quantity purchases.
Although we will buy key items in bulk when practical, we will also remind ourselves that sometimes a better deal for the sake of lower prices is not the best move for our bottom line. We should not risk over-stocking new or unproven merchandise just to get a small advantage in price over competitors.
The Music Industry is currently riding a trend toward high-tech electronics in several product areas, most notably in guitar related effects and multi-track recording hard/software. Sales increases in these areas are due to the slashing of the price barrier in the home recording market, and the pace at which new products become obsolete. This high tech boom has increased the M.I. market substantially.
Digital keyboards are also seeing increased market share as technology becomes more accessible. These units offer families state-of-the-art sounds and capabilities without a huge learning curve. For instance, digital piano sales are currently the fastest growing segment of the total piano market in the U.S., and sales have increased 450% over the last ten years.
One downside of technological innovations is that prices in this industry are dropping sharply, lowering revenues per unit. It is therefore essential that the Musical Instrument retailer of today bundle products together as packages, to increase profits and build sales.
MusicWest will rotate its stock so that new products are always available. The store will balance what is popular today with what will be popular tomorrow. We will institute the following programs in order to ensure expansion of the store:
Key sales areas related to our business model are:
In the musical instrument industry, consumers are looking for wide selections, prompt and knowledgeable service, good product value, and music lessons to further their understanding and enjoyment of the products. They prefer to find stores offering these benefits through word of mouth.
The musical instrument market has recently been driven by a number of low-cost, high-selection Internet and mail order companies, which has caused prices to level out, by giving consumers comparison shopping at their fingertips. In response, various large chains have tried to offer similarly wide selections in their physical retail spaces, at the expense of staff training and customer service. However, the high-profile advertising generated by these chains has rippled down even to small stores, as more and more musicians at all levels start to seek out the missing elements of these sales model. MusicWest has the experience, prices, and focus on customer service to fill these gaps.
The following market segmentation table is based on the finding that roughly 46% of the general population are “musicians” of some form or another. Within that group, there are different segments, ranging from professionals, to semi-professionals, to hobbyists and novices. It is very difficult to make a single demographic profile of the typical consumer for this industry, as within each instrument or client type, the figures for age and income will vary drastically. The market analysis numbers show the 46% of the local population around MusicWest who will serve as our potential customer base.
Listed directly below are the latest industry figures relating for New Mexico in total Musical Instrument sales:
Sales Rank – National | 38 |
2002 total music sales | $41.4 million |
2001 total music sales | $40.8 million |
2002 number of music stores | 59 |
2001 number of music stores | 57 |
2002 sales per store | $701,694 |
2001 sales per store | $715,789 |
2002 population | 1,829,146 |
2002-2001 population change | +.56% |
% of Pop. under 5 years old | 7.2% |
% of pop. 6-18 years old | 28% |
% of pop. over 65 years old | 11.7% |
2001 median income | $35,254 |
Per capita spending – all retail | $8697 |
Per capita spending – music only | $22.63 |
Population rank | 37 |
Market Analysis | |||||||
Year 1 | Year 2 | Year 3 | Year 4 | Year 5 | |||
Potential Customers | Growth | CAGR | |||||
Musicians in Albuquerque | 3% | 280,050 | 288,452 | 297,105 | 306,018 | 315,199 | 3.00% |
In Rio Rancho | 5% | 23,920 | 25,116 | 26,372 | 27,690 | 29,075 | 5.00% |
In Los Ranchos | 1% | 2,308 | 2,331 | 2,354 | 2,378 | 2,402 | 1.00% |
In Corrales | 3% | 3,051 | 3,143 | 3,237 | 3,334 | 3,434 | 3.00% |
Total | 3.14% | 309,329 | 319,041 | 329,068 | 339,420 | 350,109 | 3.14% |
We intend to target musical novices , hobbyists , and semi-professionals . These groups include the largest percentage of musicians, with the greatest amount of disposable income. These market segments can generally be approached with the same marketing techniques, and can be very loyal when treated properly.
We have chosen not to make professional musicians our focus for several reasons. Professional musicians require a great deal more attention and require much less profitable pricing, and they prefer a more exclusive shopping environment away from the novice consumers (ego).
Our target clientele, though varied, can be approached in very much the same manner. Their most important market needs are:
Most musicians need support and service. The instruments that we sell can be difficult or impossible for end users to service. Potential clients tend to seek stores that can fulfill these services through word of mouth referrals and/or direct shopping experiences. These musicians come back time after time if they feel they are getting a fair deal.
One of the most common complaints from musicians in our market is the high turnover of sales staff at other dealers, and the resulting inconsistencies in their shopping experiences from day to day. Consumers like to see the same faces on each visit and this business is one that thrives with the personal relationships salespeople develop with their clientele.
In addition, female customers have traditionally been treated poorly by this male dominated field. By reversing this trend, reinforced by ongoing sales training and with unbiased customer interaction by our sales staff, we can further exploit the weaknesses of our top local competitors.
The musical instruments market is currently being driven by mail order and internet retailers. Although such companies are known for low pricing and large selection, their prices have bottomed out at a level the smaller stores can offer, while still remaining financially sound. Retail mega-stores such as Guitar Center and Sam Ash are growing at a steady pace, but appear to be affecting the market in a positive manner. Their high level of advertising drives in more consumers, who in turn will seek out other music stores for comparison-shopping, and for the music lessons and personal service not offered by most of the mega-stores.
Consumers increasingly expect the music stores they deal with to offer a clean, high-tech and comfortable shopping environment, and more personal service to explain the ever-increasing levels of technology in musical instruments. Consumers generally want all this and expect to see prices consistent with the mega-stores. In short, they want a one-stop shopping experience. We have shopped these major chain stores, and find that they have poor customer service, and that their average employee is under-trained in sales and technical aspects unique to this industry. Another trend that benefits this industry is that as production moves to other nations such as China (due to lower cost of manufacturing), prices go down and units sold go up, increasing revenue opportunities.
The musical instrument market has seen steady growth over the last ten years, with revenue increasing from $4.2 billion in 1995 to $7.1 billion in 2000. 2003 sales were down to $6.9 billion, still the second highest year in industry history. These numbers were reached in spite of the difficulties with the economy and turmoil on Wall Street. The most dramatically declining product was acoustic pianos, a product we are not interested in at the present time. The market had seen steady growth of around 4% over the last few years, despite other key industries being down (for example, automobiles down 7%, personal computers down 3% and new home construction down 1.8%). In addition, 10-year growth patterns for the last decade show incredible gains in key instrument categories. We expect these trends to continue as the economy strengthens.
Musical instrument retailing is accomplished through a variety of outlets:
Musical instrument re-sellers are supplied by a variety of means:
Consumers expect to walk into a clean, well-stocked shopping environment. The consumers do shop between stores, as buying a musical instrument is a big purchase for most. Price tends to be a huge influence on most musical instrument buyers; if they feel your pricing is out of line with the market they will usually walk right out. On the other hand, if they feel your price is in line with the market they tend to look to what else your store offers, such as lessons, repair facilities, knowledgeable staff, etc. Growing percentages of customers are price-driven only, and want to be handled in a direct and efficient manner without lengthy price negotiations. Accessory buyers tend to find the store closest to their home or place of work for the sake of convenience.
There are several local retailers that will compete with us on some level. In the following segments, we will attempt to give a consumer view of the main competitors, from largest to smallest, and a brief description of the others. For school band instruments, our two main competitors are Music World and Baum’s Music, and for guitars and amps Marc’s Guitar and, to a lesser extent, Guitar Center and Grandma’s Music and Sound. Grandma’s and Guitar Center are the two largest stores, but they do not sell school band or orchestral instruments. There are only three band instrument purveyors in Albuquerque, and all are small-scale operations.
Marc’s Guitar Center, 2324 Central Avenue SE, Albuquerque, NM 87111
Hours Mon-Fri: 10-6 | Sat: 10-5:30
Marc’s Guitar Center is a small shop catering to beginning players. This store offers a very limited selection of electric and acoustic guitars and amplifiers at generally average market prices. The store has two full-time teachers and its proximity to the University of New Mexico is a prime factor in its success. Marc’s does only small local advertising in its general vicinity and relies on the yellow pages and word of mouth for its expansion. The store is in its 25th year of business. Although the location is its greatest asset, many people do not like to visit the university area, due to its exaggerated reputation for high traffic and crime. The store carries some name brands and a few “B” brands.
Music World of Albuquerque, 7017 Menaul NE, Albuquerque, NM 87110
Hours Mon-Sat: 9-6
Music World is a full line retailer going through severe changes. Three years ago, Don Johnson, the owner of Music World, bought the two King Music Stores that had been in Albuquerque since the 1950s, and then opened a second Music World location in Santa Fe around the same time. Within one year’s time he had 100% employee turnover at the King locations, and as of this plan he has closed all three stores and moved his last remaining Music World store into the old King Music building on Menaul. The store carries a few name brands augmented by basic accessory lines. The King Music stores, at their peak, were generating approximately $1.8 million between the two locations, but sales had fallen off by more than half when Mr. Johnson purchased them. The stores have always had the reputation for high prices and have always pushed the idea that they provide more service than most. In fact, the stores offered little more service than one normally expected to receive. Music World is extremely out of date in their sales and marketing techniques, and is on the declining slope of technology. These stores sell basic items available anywhere. The store recently lost its largest piano line (Baldwin/Wurlitzer). As of the date of this plan, Music World is experiencing severe cash flow problems and is in litigation for discriminatory employment practices with former employees. A second lawsuit has been filed by his former landlord for damages done to the premises.
The following are additional but smaller competitors:
Lesman’s Music – Specializes in dj and recording gear and rentals. Lesman’s recently downsized from a full line retail operation. They have a very poor reputation but still fulfill a need to the community. The store recently moved to a new location that, oddly, has no storefront parking.
Baum’s Music – School band instruments only. They have a good reputation and loyal clientele. Baum’s offers instrument rentals. The store primarily stocks a few entry-level instruments and has a large repair department.
Rio Rancho Music – School band instruments only. They call on school band directors as a means to drive the business. They offer rentals but have a very poor reputation in the community. The store has been for sale for over five years.
Encore Music – Very small retailer that specializes in vintage gear and some new guitars and amps. They have a decent reputation. They do some minor repairs. This store is rumored to be having cash flow issues.
Robertson’s & Sons – Specializes in orchestral instruments. The store has average pricing on most items. They have a very good reputation and are world renowned for their repair department.
Music Go Round – Franchised used musical instrument dealer.
Apple Mountain Music – Folk instruments are their focus. They offer music clubs on ethnic instruments; open part time.
Studio D – A pawn shop/music store; some new, mostly used, gear.
Luchetti Music – Recently out of business; was a drum specialty store.
Mail order catalogs : There are several mail order providers on the national scene. The biggest of these is Musician’s Friend (owned by Guitar Center ) out of Medford, Oregon. These low cost competitors drive the market. They have large inventories and offer all of the latest products to hit the market, usually before the local storefront dealers. These mail order shops are taking a large bite out of the local dealers’ market, but also contribute to educating the public on new items, and assist in growing the overall market on a national level. Service can be less than ideal, and shipping and handling fees are involved. Other catalog dealers are Venemans Music Emporium , American Music Supply , and International Musician’s Supply .
Grandma’s Music and Sound, 800 S-T Juan Tabo NE, Albuquerque, NM 87123
Hours Mon-Fri: 9-6 | Sat: 10-5
Grandma’s Music is Albuquerque’s largest musical instrument retailer, with over 13,500 sq. ft.
This store is a pro shop that carries state-of-the-art technology within its pro audio department. Grandma’s carries guitars, drums, sound reinforcement, pro audio, dj and general accessories. The store stocks a huge amount of name brand gear. The store also has a large presence in the mail order and Internet sales areas. The store operates on aggressive pricing and high volume sales and is generating approximately $6 million in sales per annum. Grandma’s has a poor reputation with the average non-professional musician, in terms of customer service. All customers are definitely not treated alike here. The store has repair facilities and a large staff, but again suffers from apathy toward non-professional shoppers. The stores pricing is adjusted to the knowledge level of the customer. The store in general is very well laid out and has state of the art lighting and displays, but is also very cluttered, with hazardous audio cables strewn about the floor where one might trip over them. As of this plan, Grandma’s is relocating to the Westside at the intersection of Paseo Del Norte and Coors Blvd. They have no plans to add teachers at the new location.
Guitar Center 6001 Menaul Blvd. NE, Suite B, Albuquerque, NM 87110
Hours Mon-Fri: 11-7 | Sat: 10-6 | Sun: 12-6
Guitar Center is the nations largest musical instrument retailer with local space over 13,000 sq. ft.
Guitar Center is the nation’s leading retailer of guitars, amplifiers, percussion instruments, keyboards and pro-audio and recording equipment. They presently operate 128 Guitar Center stores, with 108 stores in 46 major markets and 20 stores in secondary markets across the U.S., including Albuquerque. Guitar Center is also the largest direct response retailer of musical instruments in the U.S. through its wholly owned subsidiary, Musician’s Friend, Inc. Its catalog and website, www.musiciansfriend.com, opened in Albuquerque in March, 2004.
Superstores are a growing presence in the larger markets. These stores benefit from national advertising, economies of scale, and volume buying, and carry the latest name-brand items. The aggressive pricing and selection of the superstores threaten the smaller local stores.
These local stores are generally mom and pop stores that are under-capitalized and suffer from an outdated management philosophy. Unless these stores can adjust to the superstores’ way of marketing and selling, they run the risk of increasingly losing key lines and eventually the core of their customer base.
Many small to medium companies who have adapted to this new way of doing business are increasing their business even with the superstores in their immediate vicinity. These smaller stores are able to offer services and support that the giants cannot, and have focused their stock in order to compete on a more level playing field. MusicWest intends to fit in this category.
We will build strong relationships with our customers by providing stellar personal service and by exceeding our customers’ expectations on each visit. We will provide unique programs to reward them and gain repeat business. MusicWest intends to attract customers away from the mail order firms and bring them back to the local market. It will not be easy, but with a commitment to offer our customers an exciting educational environment along with up front, fair pricing, and excellent before and after the sale service, we can succeed.
Our main strategy is to out-serve the competition. We will accomplish this through strong personal sales/service, educational aspects, and proper product selection. Programs such as our “ 100% of purchase price trade up guarantee ” and our “ You play, we pay ” incentive programs will support these areas of concentration. In addition, we intend to build strong relationships with key consumers who have influence on the purchasing decisions of others, be they teachers, clergy or performing musicians. These individuals are important to the long-term success of the business. We will take advantage of the great clinics and concerts provided by our manufacturers and suppliers to bring excitement and energy to our customer base; we will also bring in local stand-out musicians. We will follow up on these events with call-backs and surveys to maximize their potential for future sales.
MusicWest offers the novice to semi-professional musician the convenience of a wide selection, unique offers, experienced and reliable staff, and an educationally-focused community center, all in one location. These values more than offset our lack of usefulness to the professional musician market segment.
Our most critical competitive edge will be the way we treat our customer base. We must deliver greater interaction and satisfaction than our peers to every consumer from the start, in order to win their trust and earn their repeat business. Musical instrument consumers in the Albuquerque area are used to poor service and the apathy of local dealers. We must break this chain if we are to differentiate ourselves from the competition and excel. Our unique marketing plans and repair/customization services will also make us stand out from the crowd. We will have a multi-faceted plan of attack in place to accommodate our prospects from the beginning to the end of their shopping experience. We will also go a step further through our customer retention plans, by keeping our store in the minds of these customers after they leave, so they will want to return. None of our local competitors actively does this.
The marketing strategy is as follows:
The industry is going through a period of adjustment in regards to pricing. Many manufacturers have instituted MAP pricing (minimum advertised price) which has stabilized margins to some degree; however, they also sell at lower prices to the big box stores, which places smaller dealers at a distinct disadvantage. Consumers have also become more knowledgeable and continue to hunt for low prices. Our research has shown that many of these consumers buy for price, but then when they find the after-sale service lacking, look for alternative vendors, who may not have the lowest price but do have the service to back the sale. Novice buyers are generally more concerned with the value and quality of items they are buying than with price. MusicWest will address these issues with a multi-faceted plan on pricing.
Our plan requires that all of our merchandise be clearly marked with fair, street-value prices. These prices will be appealing to 85% of our customers. For those consumers requiring deeper discounts, our entire sales staff will be empowered to negotiate discounts if the sales representative deems it in the best interest of the store. Value adding and margin boosting merchandise will be bundled with low margin bestsellers to keep net margins acceptable. For all of this to come about, we must first approach and give thorough sales presentations to each potential customer that walks through our door, and we must interrogate them to find out any pricing issues that may affect the buying decision. Additionally, we must actively pursue adding non-traditional means of income to each major ticket sale; i.e. upgrades/customization, service contracts, rentals. This will allow us to not only gain our customers’ confidence, but will give us additional revenue streams the average Musical Instruments dealer has not even considered.
MusicWest will target our desired customer base using Radio, Direct Mail, Newspapers and word of mouth. Radio is the greatest vehicle to reach musicians for the simple reason that the love of music is what drives us to become musicians. Direct Mail will target consumers who are budget or coupon minded. Newsprint reaches a large portion of the public, letting them see what we have to offer before making a trip to the store. Word of mouth is the one area we really hope to see develop, as a personal endorsement by a customer is worth more to us than what any advertisement can achieve.
MusicWest will always promote itself as an education oriented store, offering private and group lessons for all the instruments we sell. Our motto is “ Stop Dreaming, Start Playing! “
Our critical marketing program will be the grand opening, so we will place our initial advertising to give the greatest coverage. Our specific goal for the event is to create the biggest buzz the local music community has ever seen regarding a new store. The base budget we have set for this event is $5,000. We will have other events that will have no direct cost, such as performing bands and contests.
We will review our efforts by canvassing targeted ZIP codes to see if we achieved the desired coverage of our target markets. After the initial grand opening, we will have ongoing promotions that will coincide with the N.A.M.M. (National Association of Music Merchants) calendar of events. For example, N.A.M.M. has named April of each year, “International Guitar Month.” N.A.M.M provides sales kits to promote these events at little or no cost to the dealer. Different staff members will handle these sales on a rotating schedule, so that all of us are involved personally with the promotion of our store.
For our target clientele, including those who feel abandoned by the local retailers, MusicWest will provide a complete one stop shopping experience that will address all the needs of the aspiring musician. By offering repairs and unique marketing programs such as our “ You play, we pay ” and our “ 100% of purchase price trade up policy ” we can exceed the local client base’s expectations of what a music store can be. Unlike the vast majority of our competitors, MusicWest will more selectively stock products with value in mind and not just the lowest price, and we will always strive to provide the highest level of attention to our customers in order to gain their trust and purchasing power.
MusicWest will always operate under the assumption that any customer who enters our store is potentially a customer of our competitors. We will always strive to give each client our utmost attention and will try to accommodate whatever need brought him or her to us. We will make every effort to win them over in a low-pressure relaxed atmosphere, while stimulating their senses with modern eye-catching displays designed to maximize impulse buying. MusicWest will always bend to the type of customer we are serving, whether he or she is a professional, novice, parent, or child. We want the largest market share we can get and must do anything in our power to achieve this goal.
In short, nobody walks out unless we are satisfied we did everything possible to gain his or her business either today or in the future!
Our projections are largely based on Dave Moore’s experiences as manager of King Music and Marc’s Guitar Center, respectively. We believe we can easily meet the projected sales figures for the first year and believe we may be conservative in our projections for the next two years. The fact that there are only two band instrument dealers in our targeted territory and that these two dealers are weak, should provide a great opportunity for garnering instant credibility in the market we serve. Mr. Moore has compiled a list of over 4,000 musicians he has helped during his tenure in the Musical Instrument market. This will allow us to save time and money by drawing in proven customers for the opening of the store, and a client base to operate from during the initial months.
Sales Forecast | |||
Year 1 | Year 2 | Year 3 | |
Sales | |||
Guitar Sales | $195,000 | $263,500 | $283,000 |
Band and Orchestral Instruments | $58,144 | $79,000 | $85,000 |
Amplifiers, Keyboards etc. | $27,600 | $26,200 | $27,500 |
Accessories | $196,274 | $243,000 | $259,000 |
Print & DVD | $15,550 | $13,500 | $14,000 |
Rentals | $4,950 | $4,950 | $5,900 |
Repair Labor | $17,260 | $20,000 | $22,500 |
Total Sales | $514,778 | $650,150 | $696,900 |
Direct Cost of Sales | Year 1 | Year 2 | Year 3 |
Guitar Sales | $117,000 | $158,100 | $169,800 |
Band and Orchestral Instruments | $29,072 | $39,500 | $42,500 |
Amplifiers, Keyboards etc. | $16,560 | $15,720 | $16,500 |
Accessories | $78,510 | $97,200 | $103,600 |
Print & DVD | $9,330 | $8,100 | $8,400 |
Rentals | $4,950 | $4,950 | $5,900 |
Repair Labor | $2,589 | $3,000 | $3,375 |
Subtotal Direct Cost of Sales | $258,011 | $326,570 | $350,075 |
MusicWest will offer several programs designed to increase sales and reward customer loyalty:
MusicWest will become a member of N.A.M.M. (National Association of Music Merchants). This organization plans many events throughout the year, such as, “International Guitar Month.” We intend to follow this group’s promotion schedule and to tie it in to our own advertising campaigns. No local storefront is currently taking full advantage of these offerings. By taking advantage of this trade organization’s expertise, we can save ourselves time and money on developing an effective advertisement campaign from day one. Some manufacturers also have advertising co-ops that we will use when feasible. In addition, these manufacturers provide nationally known musicians on a fee basis to their dealers, to use in informational/instructional clinics and to drive additional sales opportunities.
MusicWest will have an informational based website containing hyper-links to our main manufacturers’ home pages. We will also offer promotional coupons to entice Web surfers to visit our storefront. We haven purposely chosen to avoid a sales engine, as we believe our major Web competitors could easily beat our local price. The User Interface we envision will be easy to page through, with exciting graphics and again it will be geared toward steering visitors to our storefront.
We will work with an outside website design and hosting service to create and maintain our website.
MusicWest will initially maintain a small staff of over-achievers in order to take advantage of the higher overhead of our key competitors. We will operate with a staff of four full-time employees and one to three part-time employees as needed. It is our philosophy that each employee should be empowered to make crucial decisions on the spot where it benefits our approach to customer satisfaction. This staffing approach allows us the need for only one manager for day-to-day decisions needing a final word, keeping hierarchy to a minimum. MusicWest will be very selective in future hiring, and will reward employees as the store prospers in future years. It is crucial to our business that we keep employee turnover at a minimum, as consumers in this business like to develop long-term relationships with their sales representative. Our key employees will be experienced musicians known in the community.
MusicWest will require its staff to be multi-skilled. Each employee will likely oversee many aspects of the business on a given day. Our main divisions will be Sales, Service and Administration. Our focus on customer service will depend on all of our employees knowing as much about each area of the business as possible. A complete book of structures and policies, along with successful actions, will be created and maintained from the date of opening to streamline the process of adding new employees as they become necessary. Ongoing training for all employees will be necessary in order to keep our edge on the competition.
Kayle Moore – Co-Owner Operations Manager
Qualifications:
Kayle is a 16-year veteran of the wholesale jewelry industry where she worked her way from an entry-level shipping clerk to the CEO/COO position with Shube’s Manufacturing. Over her 16-year tenure, Kayle took the company from 60 to over 300 employees and from $1 to over $15 million dollars in sales. Kayle’s strengths are writing and carrying out sales programs, and keeping a company within its financial limitations. Kayle, who plays the clarinet, has had a lifelong interest in music and plans to translate that enthusiasm, along with her management skills, into making MusicWest a successful long-term investment.
Related Management Strengths:
David Moore – Co-Owner Store Manager
Dave is currently the Store Manager of Marc’s Guitar Center in Albuquerque. Dave was previously Store Manager for King Music’s Westside location, where he was able to turn around a declining location and outsell the company’s flagship store for two years straight, despite fewer customers and staff. Dave has been a musician for over 23 years and toured professionally in the 80’s. Dave has been involved in sales and sales management since the age of eight. Dave has taken many sales/management courses and has had full profit and loss experience. Dave was the co-owner of a 7,500 sq.ft. retail furniture store in the early 1980’s.
Related, industry-specific strengths:
Additional Qualifications:
C. Ray Himes Service Department – Manager
We believe we have assembled an excellent team of employees that will complement each others’ knowledge and skill levels. We feel weakest in is the band instrument repair department. As soon as finances permit, a knowledgeable repairman with this background would be highly desirable. We already know of one excellent candidate, who is currently working for Albuquerque public schools. The addition of this person will be a huge benefit for our store.
The personnel plan highlights our intent to hire as few employees as possible, in order to keep control over how our customers are treated during the crucial first stages of our business. We will have two full-time salespeople and two to three part-time employees to call upon as traffic demands. In addition, all key employees have agreed to work at lower pay structures to keep personnel costs at minimum during the critical first two years.
Personnel Plan | |||
Year 1 | Year 2 | Year 3 | |
Dave Moore | $31,000 | $31,000 | $35,000 |
Kayle Moore | $31,000 | $31,000 | $35,000 |
C. Ray Himes | $26,400 | $27,000 | $32,000 |
Full-time Employee #1 | $20,400 | $22,000 | $25,000 |
Full-time Employee #2 | $20,400 | $22,000 | $25,000 |
Part-time Employee #1 | $6,600 | $6,800 | $7,200 |
Part-time Employee #2 | $6,600 | $6,800 | $7,200 |
Seasonal Employee #1 | $1,750 | $2,350 | $2,450 |
Total People | 7 | 8 | 8 |
Total Payroll | $144,150 | $148,950 | $168,850 |
We expect revenues and sales to increase dramatically between the second and fourth years of operation. After that high growth period, we expect growth to be steady and stable for the foreseeable future. This industry is very susceptible to consumers’ judgements about the store based on inventory, brands offered, pricing and staffing. It is crucial that we generate sufficient cash reserves during the growth years to be able to jump on future opportunities, allowing us to increase our market share.
The financial plan depends on certain assumptions, most of which are shown in the following table. The key assumptions are:
General Assumptions | |||
Year 1 | Year 2 | Year 3 | |
Plan Month | 1 | 2 | 3 |
Current Interest Rate | 6.50% | 6.50% | 6.50% |
Long-term Interest Rate | 6.50% | 6.50% | 6.50% |
Tax Rate | 30.00% | 30.00% | 30.00% |
Other | 0 | 0 | 0 |
If we take advantage of the current market conditions in Albuquerque, we can achieve great gains in market share during our start-up year and beyond. Our assumptions for sales are conservative compared to industry averages in similarly sized markets.
Pro Forma Profit and Loss | |||
Year 1 | Year 2 | Year 3 | |
Sales | $514,778 | $650,150 | $696,900 |
Direct Cost of Sales | $258,011 | $326,570 | $350,075 |
Other Production Expenses | $0 | $0 | $0 |
Total Cost of Sales | $258,011 | $326,570 | $350,075 |
Gross Margin | $256,767 | $323,580 | $346,825 |
Gross Margin % | 49.88% | 49.77% | 49.77% |
Expenses | |||
Payroll | $144,150 | $148,950 | $168,850 |
Sales and Marketing and Other Expenses | $51,200 | $55,400 | $58,900 |
Depreciation | $0 | $0 | $0 |
Acountant Expense | $5,200 | $5,500 | $6,000 |
Utilities | $17,120 | $18,000 | $19,000 |
Insurance | $4,800 | $5,200 | $5,700 |
Rent | $30,000 | $30,000 | $30,000 |
Payroll Taxes | $0 | $0 | $0 |
Website Maintenance | $300 | $325 | $350 |
Total Operating Expenses | $252,770 | $263,375 | $288,800 |
Profit Before Interest and Taxes | $3,997 | $60,205 | $58,025 |
EBITDA | $3,997 | $60,205 | $58,025 |
Interest Expense | $11,746 | $9,526 | $7,210 |
Taxes Incurred | $0 | $15,204 | $15,244 |
Net Profit | ($7,748) | $35,475 | $35,570 |
Net Profit/Sales | -1.51% | 5.46% | 5.10% |
For break-even analysis purposes, we are assuming per month running costs as shown below. Payroll on its own is a substantial portion of these costs. The break-even assumptions are based on the personal experience of the co-owner, David Moore, based on his actual experiences as manager of King Music Centers, Inc., and Marc’s Guitar Center for an average month’s need. We believe we can achieve higher than industry average margins by selectively choosing products that allow these margins to be possible, and by value-added marketing of these products and related services.
Break-even Analysis | |
Monthly Revenue Break-even | $42,230 |
Assumptions: | |
Average Percent Variable Cost | 50% |
Estimated Monthly Fixed Cost | $21,064 |
Our cash flow projections show only a slight negative cash flow that our cash “in bank” will easily allow us to cover, without the need for accessing additional lines of credit financing. We will maintain a positive cash balance throughout the foreseeable future.
Pro Forma Cash Flow | |||
Year 1 | Year 2 | Year 3 | |
Cash Received | |||
Cash from Operations | |||
Cash Sales | $514,778 | $650,150 | $696,900 |
Subtotal Cash from Operations | $514,778 | $650,150 | $696,900 |
Additional Cash Received | |||
Sales Tax, VAT, HST/GST Received | $0 | $0 | $0 |
New Current Borrowing | $0 | $0 | $0 |
New Other Liabilities (interest-free) | $0 | $0 | $0 |
New Long-term Liabilities | $0 | $0 | $0 |
Sales of Other Current Assets | $0 | $0 | $0 |
Sales of Long-term Assets | $0 | $0 | $0 |
New Investment Received | $0 | $0 | $0 |
Subtotal Cash Received | $514,778 | $650,150 | $696,900 |
Expenditures | Year 1 | Year 2 | Year 3 |
Expenditures from Operations | |||
Cash Spending | $144,150 | $148,950 | $168,850 |
Bill Payments | $229,463 | $454,298 | $492,649 |
Subtotal Spent on Operations | $373,613 | $603,248 | $661,499 |
Additional Cash Spent | |||
Sales Tax, VAT, HST/GST Paid Out | $0 | $0 | $0 |
Principal Repayment of Current Borrowing | $0 | $0 | $0 |
Other Liabilities Principal Repayment | $0 | $0 | $0 |
Long-term Liabilities Principal Repayment | $35,628 | $35,628 | $35,628 |
Purchase Other Current Assets | $0 | $0 | $0 |
Purchase Long-term Assets | $0 | $0 | $0 |
Dividends | $0 | $0 | $0 |
Subtotal Cash Spent | $409,241 | $638,876 | $697,127 |
Net Cash Flow | $105,537 | $11,274 | ($227) |
Cash Balance | $174,037 | $185,311 | $185,084 |
The projections in the balance sheet are quite solid. We do not anticipate any trouble meeting our debt obligations as long as we follow through with the plans and strategies set forth in this business plan.
Pro Forma Balance Sheet | |||
Year 1 | Year 2 | Year 3 | |
Assets | |||
Current Assets | |||
Cash | $174,037 | $185,311 | $185,084 |
Inventory | $22,460 | $28,429 | $30,475 |
Other Current Assets | $0 | $0 | $0 |
Total Current Assets | $196,498 | $213,740 | $215,559 |
Long-term Assets | |||
Long-term Assets | $7,500 | $7,500 | $7,500 |
Accumulated Depreciation | $0 | $0 | $0 |
Total Long-term Assets | $7,500 | $7,500 | $7,500 |
Total Assets | $203,998 | $221,240 | $223,059 |
Liabilities and Capital | Year 1 | Year 2 | Year 3 |
Current Liabilities | |||
Accounts Payable | $21,374 | $38,769 | $40,646 |
Current Borrowing | $0 | $0 | $0 |
Other Current Liabilities | $0 | $0 | $0 |
Subtotal Current Liabilities | $21,374 | $38,769 | $40,646 |
Long-term Liabilities | $164,372 | $128,744 | $93,116 |
Total Liabilities | $185,746 | $167,513 | $133,762 |
Paid-in Capital | $60,000 | $60,000 | $60,000 |
Retained Earnings | ($34,000) | ($41,748) | ($6,273) |
Earnings | ($7,748) | $35,475 | $35,570 |
Total Capital | $18,252 | $53,727 | $89,297 |
Total Liabilities and Capital | $203,998 | $221,240 | $223,059 |
Net Worth | $18,252 | $53,727 | $89,297 |
The following table shows industry relevant ratios as determined by the standard industry classification index (SIC) under category 5736 – Musical Instrument Stores.
Ratio Analysis | ||||
Year 1 | Year 2 | Year 3 | Industry Profile | |
Sales Growth | 0.00% | 26.30% | 7.19% | 4.64% |
Percent of Total Assets | ||||
Inventory | 11.01% | 12.85% | 13.66% | 37.97% |
Other Current Assets | 0.00% | 0.00% | 0.00% | 27.27% |
Total Current Assets | 96.32% | 96.61% | 96.64% | 79.90% |
Long-term Assets | 3.68% | 3.39% | 3.36% | 20.10% |
Total Assets | 100.00% | 100.00% | 100.00% | 100.00% |
Current Liabilities | 10.48% | 17.52% | 18.22% | 38.59% |
Long-term Liabilities | 80.58% | 58.19% | 41.74% | 14.67% |
Total Liabilities | 91.05% | 75.72% | 59.97% | 53.26% |
Net Worth | 8.95% | 24.28% | 40.03% | 46.74% |
Percent of Sales | ||||
Sales | 100.00% | 100.00% | 100.00% | 100.00% |
Gross Margin | 49.88% | 49.77% | 49.77% | 27.24% |
Selling, General & Administrative Expenses | 48.16% | 42.21% | 42.19% | 12.59% |
Advertising Expenses | 5.63% | 4.92% | 4.88% | 1.79% |
Profit Before Interest and Taxes | 0.78% | 9.26% | 8.33% | 0.84% |
Main Ratios | ||||
Current | 9.19 | 5.51 | 5.30 | 1.81 |
Quick | 8.14 | 4.78 | 4.55 | 0.75 |
Total Debt to Total Assets | 91.05% | 75.72% | 59.97% | 60.09% |
Pre-tax Return on Net Worth | -42.45% | 94.33% | 56.91% | 2.46% |
Pre-tax Return on Assets | -3.80% | 22.91% | 22.78% | 6.17% |
Additional Ratios | Year 1 | Year 2 | Year 3 | |
Net Profit Margin | -1.51% | 5.46% | 5.10% | n.a |
Return on Equity | -42.45% | 66.03% | 39.83% | n.a |
Activity Ratios | ||||
Inventory Turnover | 3.82 | 12.83 | 11.89 | n.a |
Accounts Payable Turnover | 11.74 | 12.17 | 12.17 | n.a |
Payment Days | 27 | 23 | 29 | n.a |
Total Asset Turnover | 2.52 | 2.94 | 3.12 | n.a |
Debt Ratios | ||||
Debt to Net Worth | 10.18 | 3.12 | 1.50 | n.a |
Current Liab. to Liab. | 0.12 | 0.23 | 0.30 | n.a |
Liquidity Ratios | ||||
Net Working Capital | $175,124 | $174,971 | $174,913 | n.a |
Interest Coverage | 0.34 | 6.32 | 8.05 | n.a |
Additional Ratios | ||||
Assets to Sales | 0.40 | 0.34 | 0.32 | n.a |
Current Debt/Total Assets | 10% | 18% | 18% | n.a |
Acid Test | 8.14 | 4.78 | 4.55 | n.a |
Sales/Net Worth | 28.20 | 12.10 | 7.80 | n.a |
Dividend Payout | 0.00 | 0.00 | 0.00 | n.a |
Sales Forecast | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Sales | |||||||||||||
Guitar Sales | 0% | $7,000 | $8,500 | $10,500 | $10,500 | $12,500 | $14,500 | $17,000 | $17,500 | $22,000 | $35,000 | $22,000 | $18,000 |
Band and Orchestral Instruments | 0% | $3,200 | $3,500 | $3,460 | $3,632 | $3,200 | $6,576 | $6,576 | $5,900 | $7,000 | $10,000 | $3,100 | $2,000 |
Amplifiers, Keyboards etc. | 0% | $1,200 | $1,500 | $1,700 | $1,900 | $2,000 | $2,000 | $2,000 | $2,200 | $3,000 | $5,200 | $2,900 | $2,000 |
Accessories | 0% | $9,000 | $11,004 | $11,316 | $13,464 | $13,900 | $13,500 | $18,516 | $17,590 | $20,000 | $30,000 | $22,000 | $15,984 |
Print & DVD | 0% | $300 | $750 | $800 | $1,000 | $1,000 | $1,200 | $1,200 | $1,200 | $2,100 | $3,800 | $1,200 | $1,000 |
Rentals | 0% | $0 | $100 | $250 | $300 | $500 | $500 | $500 | $600 | $600 | $1,000 | $400 | $200 |
Repair Labor | 0% | $350 | $500 | $650 | $700 | $1,005 | $1,400 | $1,755 | $1,500 | $1,900 | $3,500 | $2,500 | $1,500 |
Total Sales | $21,050 | $25,854 | $28,676 | $31,496 | $34,105 | $39,676 | $47,547 | $46,490 | $56,600 | $88,500 | $54,100 | $40,684 | |
Direct Cost of Sales | Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | |
Guitar Sales | $4,200 | $5,100 | $6,300 | $6,300 | $7,500 | $8,700 | $10,200 | $10,500 | $13,200 | $21,000 | $13,200 | $10,800 | |
Band and Orchestral Instruments | $1,600 | $1,750 | $1,730 | $1,816 | $1,600 | $3,288 | $3,288 | $2,950 | $3,500 | $5,000 | $1,550 | $1,000 | |
Amplifiers, Keyboards etc. | $720 | $900 | $1,020 | $1,140 | $1,200 | $1,200 | $1,200 | $1,320 | $1,800 | $3,120 | $1,740 | $1,200 | |
Accessories | $3,600 | $4,402 | $4,526 | $5,386 | $5,560 | $5,400 | $7,406 | $7,036 | $8,000 | $12,000 | $8,800 | $6,394 | |
Print & DVD | $180 | $450 | $480 | $600 | $600 | $720 | $720 | $720 | $1,260 | $2,280 | $720 | $600 | |
Rentals | $0 | $100 | $250 | $300 | $500 | $500 | $500 | $600 | $600 | $1,000 | $400 | $200 | |
Repair Labor | $53 | $75 | $98 | $105 | $151 | $210 | $263 | $225 | $285 | $525 | $375 | $225 | |
Subtotal Direct Cost of Sales | $10,353 | $12,777 | $14,404 | $15,647 | $17,111 | $20,018 | $23,578 | $23,351 | $28,645 | $44,925 | $26,785 | $20,419 |
Personnel Plan | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Dave Moore | 0% | $2,500 | $2,500 | $2,500 | $2,500 | $2,500 | $2,500 | $2,500 | $2,500 | $2,500 | $3,500 | $2,500 | $2,500 |
Kayle Moore | 0% | $2,500 | $2,500 | $2,500 | $2,500 | $2,500 | $2,500 | $2,500 | $2,500 | $2,500 | $3,500 | $2,500 | $2,500 |
C. Ray Himes | 0% | $2,200 | $2,200 | $2,200 | $2,200 | $2,200 | $2,200 | $2,200 | $2,200 | $2,200 | $2,200 | $2,200 | $2,200 |
Full-time Employee #1 | 0% | $1,700 | $1,700 | $1,700 | $1,700 | $1,700 | $1,700 | $1,700 | $1,700 | $1,700 | $1,700 | $1,700 | $1,700 |
Full-time Employee #2 | 0% | $1,700 | $1,700 | $1,700 | $1,700 | $1,700 | $1,700 | $1,700 | $1,700 | $1,700 | $1,700 | $1,700 | $1,700 |
Part-time Employee #1 | 0% | $450 | $450 | $450 | $450 | $450 | $450 | $450 | $550 | $750 | $950 | $750 | $450 |
Part-time Employee #2 | 0% | $450 | $450 | $450 | $450 | $450 | $450 | $450 | $550 | $750 | $950 | $750 | $450 |
Seasonal Employee #1 | 0% | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $700 | $700 | $350 | $0 |
Total People | 7 | 7 | 7 | 7 | 7 | 7 | 7 | 7 | 8 | 8 | 8 | 7 | |
Total Payroll | $11,500 | $11,500 | $11,500 | $11,500 | $11,500 | $11,500 | $11,500 | $11,700 | $12,800 | $15,200 | $12,450 | $11,500 |
General Assumptions | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Plan Month | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
Current Interest Rate | 6.50% | 6.50% | 6.50% | 6.50% | 6.50% | 6.50% | 6.50% | 6.50% | 6.50% | 6.50% | 6.50% | 6.50% | |
Long-term Interest Rate | 6.50% | 6.50% | 6.50% | 6.50% | 6.50% | 6.50% | 6.50% | 6.50% | 6.50% | 6.50% | 6.50% | 6.50% | |
Tax Rate | 30.00% | 30.00% | 30.00% | 30.00% | 30.00% | 30.00% | 30.00% | 30.00% | 30.00% | 30.00% | 30.00% | 30.00% | |
Other | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Pro Forma Profit and Loss | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Sales | $21,050 | $25,854 | $28,676 | $31,496 | $34,105 | $39,676 | $47,547 | $46,490 | $56,600 | $88,500 | $54,100 | $40,684 | |
Direct Cost of Sales | $10,353 | $12,777 | $14,404 | $15,647 | $17,111 | $20,018 | $23,578 | $23,351 | $28,645 | $44,925 | $26,785 | $20,419 | |
Other Production Expenses | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Total Cost of Sales | $10,353 | $12,777 | $14,404 | $15,647 | $17,111 | $20,018 | $23,578 | $23,351 | $28,645 | $44,925 | $26,785 | $20,419 | |
Gross Margin | $10,698 | $13,077 | $14,272 | $15,849 | $16,994 | $19,658 | $23,969 | $23,139 | $27,955 | $43,575 | $27,315 | $20,265 | |
Gross Margin % | 50.82% | 50.58% | 49.77% | 50.32% | 49.83% | 49.55% | 50.41% | 49.77% | 49.39% | 49.24% | 50.49% | 49.81% | |
Expenses | |||||||||||||
Payroll | $11,500 | $11,500 | $11,500 | $11,500 | $11,500 | $11,500 | $11,500 | $11,700 | $12,800 | $15,200 | $12,450 | $11,500 | |
Sales and Marketing and Other Expenses | $6,400 | $3,400 | $3,400 | $3,400 | $5,900 | $3,400 | $3,400 | $2,400 | $4,500 | $5,700 | $5,900 | $3,400 | |
Depreciation | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Acountant Expense | $800 | $400 | $400 | $400 | $400 | $400 | $400 | $400 | $400 | $400 | $400 | $400 | |
Utilities | $1,040 | $1,040 | $1,130 | $1,380 | $1,790 | $1,460 | $1,370 | $1,460 | $1,760 | $2,210 | $1,400 | $1,080 | |
Insurance | $400 | $400 | $400 | $400 | $400 | $400 | $400 | $400 | $400 | $400 | $400 | $400 | |
Rent | $2,500 | $2,500 | $2,500 | $2,500 | $2,500 | $2,500 | $2,500 | $2,500 | $2,500 | $2,500 | $2,500 | $2,500 | |
Payroll Taxes | 15% | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
Website Maintenance | $25 | $25 | $25 | $25 | $25 | $25 | $25 | $25 | $25 | $25 | $25 | $25 | |
Total Operating Expenses | $22,665 | $19,265 | $19,355 | $19,605 | $22,515 | $19,685 | $19,595 | $18,885 | $22,385 | $26,435 | $23,075 | $19,305 | |
Profit Before Interest and Taxes | ($11,968) | ($6,188) | ($5,083) | ($3,756) | ($5,521) | ($27) | $4,374 | $4,254 | $5,570 | $17,140 | $4,240 | $960 | |
EBITDA | ($11,968) | ($6,188) | ($5,083) | ($3,756) | ($5,521) | ($27) | $4,374 | $4,254 | $5,570 | $17,140 | $4,240 | $960 | |
Interest Expense | $1,067 | $1,051 | $1,035 | $1,019 | $1,003 | $987 | $971 | $955 | $939 | $923 | $906 | $890 | |
Taxes Incurred | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Net Profit | ($13,035) | ($7,239) | ($6,118) | ($4,775) | ($6,524) | ($1,014) | $3,404 | $3,299 | $4,631 | $16,217 | $3,334 | $70 | |
Net Profit/Sales | -61.92% | -28.00% | -21.33% | -15.16% | -19.13% | -2.56% | 7.16% | 7.10% | 8.18% | 18.32% | 6.16% | 0.17% |
Pro Forma Cash Flow | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Cash Received | |||||||||||||
Cash from Operations | |||||||||||||
Cash Sales | $21,050 | $25,854 | $28,676 | $31,496 | $34,105 | $39,676 | $47,547 | $46,490 | $56,600 | $88,500 | $54,100 | $40,684 | |
Subtotal Cash from Operations | $21,050 | $25,854 | $28,676 | $31,496 | $34,105 | $39,676 | $47,547 | $46,490 | $56,600 | $88,500 | $54,100 | $40,684 | |
Additional Cash Received | |||||||||||||
Sales Tax, VAT, HST/GST Received | 0.00% | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
New Current Borrowing | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
New Other Liabilities (interest-free) | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
New Long-term Liabilities | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Sales of Other Current Assets | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Sales of Long-term Assets | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
New Investment Received | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Subtotal Cash Received | $21,050 | $25,854 | $28,676 | $31,496 | $34,105 | $39,676 | $47,547 | $46,490 | $56,600 | $88,500 | $54,100 | $40,684 | |
Expenditures | Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | |
Expenditures from Operations | |||||||||||||
Cash Spending | $11,500 | $11,500 | $11,500 | $11,500 | $11,500 | $11,500 | $11,500 | $11,700 | $12,800 | $15,200 | $12,450 | $11,500 | |
Bill Payments | $408 | $12,118 | $8,819 | $8,898 | $9,220 | $11,923 | $9,168 | $9,466 | $21,860 | $45,992 | $73,103 | $18,487 | |
Subtotal Spent on Operations | $11,908 | $23,618 | $20,319 | $20,398 | $20,720 | $23,423 | $20,668 | $21,166 | $34,660 | $61,192 | $85,553 | $29,987 | |
Additional Cash Spent | |||||||||||||
Sales Tax, VAT, HST/GST Paid Out | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Principal Repayment of Current Borrowing | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Other Liabilities Principal Repayment | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Long-term Liabilities Principal Repayment | $2,969 | $2,969 | $2,969 | $2,969 | $2,969 | $2,969 | $2,969 | $2,969 | $2,969 | $2,969 | $2,969 | $2,969 | |
Purchase Other Current Assets | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Purchase Long-term Assets | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Dividends | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Subtotal Cash Spent | $14,877 | $26,587 | $23,288 | $23,367 | $23,689 | $26,392 | $23,637 | $24,135 | $37,629 | $64,161 | $88,522 | $32,956 | |
Net Cash Flow | $6,173 | ($733) | $5,388 | $8,129 | $10,416 | $13,284 | $23,910 | $22,355 | $18,971 | $24,339 | ($34,422) | $7,728 | |
Cash Balance | $74,673 | $73,940 | $79,328 | $87,457 | $97,873 | $111,157 | $135,067 | $157,422 | $176,392 | $200,732 | $166,310 | $174,037 |
Pro Forma Balance Sheet | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Assets | Starting Balances | ||||||||||||
Current Assets | |||||||||||||
Cash | $68,500 | $74,673 | $73,940 | $79,328 | $87,457 | $97,873 | $111,157 | $135,067 | $157,422 | $176,392 | $200,732 | $166,310 | $174,037 |
Inventory | $150,000 | $139,648 | $126,871 | $112,467 | $96,820 | $79,710 | $59,692 | $36,114 | $25,686 | $31,510 | $49,418 | $29,464 | $22,460 |
Other Current Assets | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
Total Current Assets | $218,500 | $214,321 | $200,811 | $191,795 | $184,278 | $177,583 | $170,848 | $171,181 | $183,108 | $207,902 | $250,149 | $195,773 | $196,498 |
Long-term Assets | |||||||||||||
Long-term Assets | $7,500 | $7,500 | $7,500 | $7,500 | $7,500 | $7,500 | $7,500 | $7,500 | $7,500 | $7,500 | $7,500 | $7,500 | $7,500 |
Accumulated Depreciation | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
Total Long-term Assets | $7,500 | $7,500 | $7,500 | $7,500 | $7,500 | $7,500 | $7,500 | $7,500 | $7,500 | $7,500 | $7,500 | $7,500 | $7,500 |
Total Assets | $226,000 | $221,821 | $208,311 | $199,295 | $191,778 | $185,083 | $178,348 | $178,681 | $190,608 | $215,402 | $257,649 | $203,273 | $203,998 |
Liabilities and Capital | Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | |
Current Liabilities | |||||||||||||
Accounts Payable | $0 | $11,825 | $8,522 | $8,594 | $8,820 | $11,617 | $8,866 | $8,764 | $20,361 | $43,492 | $72,491 | $17,750 | $21,374 |
Current Borrowing | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
Other Current Liabilities | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
Subtotal Current Liabilities | $0 | $11,825 | $8,522 | $8,594 | $8,820 | $11,617 | $8,866 | $8,764 | $20,361 | $43,492 | $72,491 | $17,750 | $21,374 |
Long-term Liabilities | $200,000 | $197,031 | $194,062 | $191,093 | $188,124 | $185,155 | $182,186 | $179,217 | $176,248 | $173,279 | $170,310 | $167,341 | $164,372 |
Total Liabilities | $200,000 | $208,856 | $202,584 | $199,687 | $196,944 | $196,772 | $191,052 | $187,981 | $196,609 | $216,771 | $242,801 | $185,091 | $185,746 |
Paid-in Capital | $60,000 | $60,000 | $60,000 | $60,000 | $60,000 | $60,000 | $60,000 | $60,000 | $60,000 | $60,000 | $60,000 | $60,000 | $60,000 |
Retained Earnings | ($34,000) | ($34,000) | ($34,000) | ($34,000) | ($34,000) | ($34,000) | ($34,000) | ($34,000) | ($34,000) | ($34,000) | ($34,000) | ($34,000) | ($34,000) |
Earnings | $0 | ($13,035) | ($20,274) | ($26,392) | ($31,166) | ($37,690) | ($38,704) | ($35,300) | ($32,001) | ($27,369) | ($11,152) | ($7,818) | ($7,748) |
Total Capital | $26,000 | $12,965 | $5,726 | ($392) | ($5,166) | ($11,690) | ($12,704) | ($9,300) | ($6,001) | ($1,369) | $14,848 | $18,182 | $18,252 |
Total Liabilities and Capital | $226,000 | $221,821 | $208,311 | $199,295 | $191,778 | $185,083 | $178,348 | $178,681 | $190,608 | $215,402 | $257,649 | $203,273 | $203,998 |
Net Worth | $26,000 | $12,965 | $5,726 | ($392) | ($5,166) | ($11,690) | ($12,704) | ($9,300) | ($6,001) | ($1,369) | $14,848 | $18,182 | $18,252 |
Fill-in-the-blanks and automatic financials make it easy.
No thanks, I prefer writing 40-page documents.
Discover the world’s #1 plan building software
By: Author Tony Martins Ajaero
Home » Business Plans » Entertainment Sector » Music Sector
Are you about starting a music store? If YES, here is a complete sample music store business plan template & feasibility report you can use for FREE . Okay, so we have considered all the requirements for starting a music store. We also took it further by analyzing and drafting a sample music store marketing plan template backed up by actionable guerrilla marketing ideas for music stores. So let’s proceed to the business planning section.
Music has become a universal thing in the world. Good music on the other hand is something that has continued to gain more awareness and acceptance, as the time goes by. For that reason, you may quite as well agree with me that there are a lot of folks who would stop at nothing in purchasing good music.
Over the years we have come to know several distribution channels (online and offline) through which musicians and promoters get their tunes sold. Whilst, some have proved effective over the years, yet others who haven’t been too lucky with the ways their music have done in the market only have tales of disappointments to tell as they have failed to be able to recover the investments that have made.
In recent times, and with major advancements springing up as the world goes global, we have come to see that other viable means of making money whilst selling music has evolved. One of such avenues is through the iTunes. What is iTunes all about ? ITunes is one of the most populous music stores in the whole world. It commenced its digital music revolution and have since recorded and made maximum impact
This is no wonder that it has been said that any music that doesn’t find itself on iTunes, it might just be missing out on over seventy percent of the entire digital music market place. Consequently, enough of reeling out the goodies that you stand to gain on iTunes. Let us talk about how you too can begin to make money on iTunes selling music.
If you have decided to start open a music store, then you must make sure that you carry out thorough feasibility studies and also market survey. This will enable you properly locate the business in a community or city with the right demography; a location that can readily accept your products. Business plan is yet another very important business document that you should not take for granted in the bid to launching your own business.
Below is a sample music store business plan that will help you successfully write yours with little or no stress;
1. industry overview.
Operators in the Music Stores industry primarily retail prerecorded music in soft and hard copies as audio and videotapes, compact discs (CDs), digital video discs (DVDs) and phonograph records. The industry includes both online and offline music stores.
The trend in the Music Stores industry shows that continued shifts in consumer preferences and competition from large discount and digital music retailers have increased consumer demand for the Music Stores industry. In addition, with growing accessibility to high-speed internet, music streaming and less expensive CD-burning hardware, album sales have declined significantly over the last half a decade.
Despite the fact that consumer sentiment is expected to improve going forward, this industry will fail to experience revenue growth. Consumers who are accustomed to digital music are not likely to return to making regular purchases at bricks and mortar music stores.
Statistics has it that the global revenue of the music industry is estimated at 15 billion U.S. dollars in 2013, and that is about the lowest revenue recorded since 2002; of course it is an indication that the record label industry need to become more creative and leverage on the changing tides in the world of technology.
Even the strong growth in streaming revenues was not enough to stop the music industry globally from experiencing income dropping below US $15bn for the first time in recent years in 2014.
The Music Stores industry is indeed a very large industry and pretty much thriving in all the parts of the world. Statistics has it that in the united states of America alone, there are about 3,959 legally registered and licensed music stores (both online and offline)scattered all across the United States responsible for directly employing about 16,581 employees and the industry rakes in a whooping sum of $2 billion annually.
It is important to state that, the industry is expected to experience – 7.3 percent growth within 2010 and 2016. Trans world and iTunes have the lion share in the global market for music, but no single operator has control over the pricing trend, advertising trend, distribution model or customer loyalty et al in the Industry.
The real start- up costs for music stores are low because they require relatively little initial capital outside of renting or buying a location, purchasing musical products and games, computer, internet facility and if desired, security and sound systems. Although the list of what is needed to launch a music store business may be more, but they are low enough to permit non – employers to open a music store with minimal difficulty.
Competition has become the main and perhaps the only barrier to entry into this industry. Just as most retailers face increasing competition from online sales, the Music Stores industry faces the added threat of their goods (music and games) being offered for free online
Over and above, the music store industry is a profitable industry and it is open for any aspiring entrepreneur to come in and establish his or her business; you can choose to start on a small scale in a street corner like the average mom and pop business with no online presence or you can choose to start on a large scale operating a one stop online and offline music store with different genre of music from different musical artist all across the globe.
Penny Wise® Music Store, Inc. is a standard and licensed music store that will be located in a centralized area between a residential neighborhood and a busy business district in downtown Los Angeles – California. We have been able to secure a well – located store facility with a long term lease agreement that is favorable to us.
We conducted thorough feasibility studies and market survey and we came to the conclusion that Los Angeles is the right location to open our music store.
We are in the music stores line of business to make profits at the same to give our customers value for their money and time whenever they patronize our products. We want to give people who visit our music store the opportunity to choose from a large collection of different genre of music and videos both in hard and soft copies. We will engage in retailing prerecorded music, retailing prerecorded videos, retailing audio book and other related merchandise.
We are aware that there are several small music stores and large music stores all around Los Angeles, which is why we spent time and resources to conduct thorough feasibility studies and market survey so as to enable us locate the business in an area that will support the growth of the business and also for us to be able offer much more than our competitors will be offering.
We ensured that our facility is easy to locate and our outlet is well secured and equipped with the various payment options available in the U.S. Beyond retailing quality and affordable music and video game in our music store (both offline and online), we will ensure that our customer care is second to none in the whole of Los Angeles – California.
We know that our customers are the reason why we are in business which is why we will go the extra mile to get them satisfied and get what they are looking for whenever they visit our book store and also to become our loyal customers and ambassadors in and around our neighborhood.
At Penny Wise® Music Store, Inc. our client’s best interest come first, and everything we do will be guided by our values and professional ethics. We will ensure that we hold ourselves accountable to the highest standards by delivering excellent and neat jobs and also meeting our client’s needs precisely and completely.
We will cultivate a working environment that provides a human, sustainable approach to earning a living, and living in our world, for our partners, employees and for our clients. We will ensure that we get our customers involved in the selection of music and video games that will be in our store and also when making some business decisions that will directly or indirectly affect them.
Penny Wise® Music Store, Inc. is owned by Stanley Mosley and his immediate family members. Stanley Mosley has successfully managed several retail stores and online stores both in Los Angeles and New York prior to opening Penny Wise® Music Store, Inc. Stanley Mosley has a Degree in Business Administration and he will run the business alongside her immediate family members.
Penny Wise® Music Store, Inc. is going to operate a standard and registered music store that will retail a wide genre of music and video games (soft copies and hard copies) from both locally and international music artists just like any other registered and standard music store in the United States and in any part of the world.
We are in the music stores industry to make profits and we are going to do all that is permitted by the law in the United States of America to achieve of business goal and objectives. These are some of the products that we will retail in our music store;
Our Business Structure
Penny Wise® Music Store, Inc. do not intend to start a music store business like the usual mom and pop business around the street corner; our intention of starting a music store business is to build a standard music store that will be a one – stop music shop which is why we will ensure that we put the right structure in place that will support the kind of growth that we have in mind while setting up the business.
We will ensure that we only hire people that are qualified, honest, customer centric and are ready to work to help us build a prosperous business that will benefit all the stake holders (the owners, workforce, and customers).
As a matter of fact, profit-sharing arrangement will be made available to all our management staff and it will be based on their performance for a period of five years or more especially when we start selling our franchise or running chains of music stores. In view of that, we have decided to hire qualified and competent hands to occupy the following positions;
Merchandize Manager
Sales and Marketing Manager
Information Technologist
Chief Executive Officer – CEO (Owner):
Store Manager:
Accountant / Cashier
Client Service Executive
Our intention of starting just one outlet of our music store in Los Angeles – California is to test run the business for a period of 2 to 5 years to know if we will invest more money, expand the business and then open other chains of music stores all over California and perhaps also sell franchise through the United States of America and Canada.
We are quite aware that there are several music stores all over Los Angeles and even in the same location where we intend locating ours, which is why we are following the due process of establishing a business. We know that if a proper SWOT analysis is conducted for our business, we will be able to position our business to maximize our strength, leverage on the opportunities that will be available to us, mitigate our risks and be welled equipped to confront our threats.
Penny Wise® Music Store, Inc. employed the services of an expert HR and Business Analyst with bias in retailing to help us conduct a thorough SWOT analysis and to help us create a Business model that will help us achieve our business goals and objectives.
This is the summary of the SWOT analysis that was conducted for Penny Wise® Music Store, Inc.;
Our location, the business model we will be operating on (one stop physical store and online music store), varieties of payment options, wide genre of music from local and international musical artists and our excellent customer service culture will definitely count as a strong strength for Penny Wise® Music Store, Inc. So also our management team members are people who have what it takes to grow a business from start – up to profitability with a record time.
A major weakness that may count against us is the fact that we are a new music store in Los Angeles and we don’t have the financial capacity to engage in the kind of publicity that we intend giving the business.
The fact that we are going to be operating our music store in one of the busiest residential estates with the right demographic composition in Los Angeles – California and also on online platform provides us with unlimited opportunities to sell our items to a large number of people.
We have been able to conduct thorough feasibility studies and market survey and we know what our potential customers / residence within the location where our music store will be located will be looking for when they visit our music store. We are well positioned to take on the opportunities that will come our way.
We are quite aware that just like any other business, one of the major threats that we are likely going to face is economic downturn. It is a fact that economic downturn affects purchasing power. Another threat that may likely confront us is the arrival of a new music store in same location where ours is located.
One notable trend in the retailing cum music store industry is the ever changing consumer behavior and of course increasing competition from e-commerce and alternative retailers like mass merchandisers et al. This trend is part of what is responsible for the decline in the revenue generated by bricks and mortar music stores without online platform.
Although these trends are forecast to continue over the next 5 years, some music stores will benefit from increasing demand for new technologies, such as online music stores / soft copies. Beyond every reasonable doubt, the music store companies that can successfully flow with the trend and keep up with consumer and technology trends will definitely fare well in the coming years, while the continued decline in bricks and mortar music store will keep the overall industry in steady decline.
If you keep tab with music store business and retailing business generally, you would have noticed that It is now a common phenomenon for music stores to leverage on technology to effectively predict consumer demand patterns and to strategically position their store to meet their needs; in essence, the use of technology helps retailers to maximize supply chain efficiency. No doubt data collected from customers goes a long way to help retail stores serve them better.
Lastly, a major trend in the Music Stores industry shows that continued shifts in consumer preferences and competition from large discount and digital music retailers have increased consumer demand for the Music Stores industry. In addition, with growing accessibility to high-speed internet, music streaming and less expensive CD-burning hardware, album sales have declined significantly over the last half a decade.
When it comes to selling music, audio books, videos and video games, there is indeed a wide range of available customers. In essence, our target market can’t be restricted to just a group of people, but all those who resides in the locations where we intend opening our music store and the online community. One thing is certain, we will ensure that we have a wide gene of music videos and audio books in our music store at all times.
In view of that, we have positioned our music store to service the residence of Los Angeles – California and the online community. We have conducted our market research and we have ideas of what our target market would be expecting from us. We are in business to retail music, video games and audio books to the following groups of people;
Our competitive advantage
Penny Wise® Music Store, Inc. is launching a standard and registered music store that will indeed become the preferred choice for residence of Los Angeles – California and online community. Our music store is located in a corner piece property on a busy road directly opposite one of the largest residential estates in Los Angeles and few meters away from a busy school district. We have enough parking space that can accommodate well over 15 cars per time.
One thing is certain; we will ensure that we have a wide genre of music, video games and audio books both in hard copies and soft copies from various musical artists all across the globe available in our store at all times. It will be difficult for customers to visit our store and not see the genre of music, video game or audio book that they are looking for. One of our business goals is to make Penny Wise® Music Store, Inc. a one stop music store.
Our highly experienced and qualified management team, customer service culture, online store, various payment options and highly secured facility with enough packing space will also serve as a competitive advantage for us.
Lastly, all our employees will be well taken care of, and their welfare package will be among the best within our category (startups music store companies in the United States) in the industry. It will enable them to be more than willing to build the business with us and help deliver our set goals and achieve all our business aims and objectives.
Penny Wise® Music Store, Inc. is established with the aim of maximizing profits in the music stores industry and we are going to go all the way to ensure that we do all it takes to sell a wide range of music products and related products to a wide range of customers.
Penny Wise® Music Store, Inc. will generate income by retailing the following items;
It is important to state that our sales forecast is based on the data gathered during our feasibility studies, market survey and also some of the assumptions readily available on the field.
One thing is common with music store business, the larger a music store the larger the numbers of customers that will patronize them. Although we may not be as large as the biggest music store in the United States, but we will ensure that within our capacity we make available a wide genre of music, video games and audio books from different musical artists all across the globe in our store.
We are well positioned to take on the available market in Los Angeles – California and the online community and we are quite optimistic that we will meet our set target of generating enough income / profits from the first six month of operations and grow the business and our clientele base.
We have been able to critically examine the music stores industry and we have analyzed our chances in the industry and we have been able to come up with the following sales forecast. The sales projections are based on information gathered on the field and some assumptions that are peculiar to startups in Los Angeles – California.
Below are the sales projections for Penny Wise® Music Store, Inc., it is based on the location of our business and other factors as it relates to online and offline music store start – ups in the United States;
N.B : This projection is done based on what is obtainable in the industry and with the assumption that there won’t be any major economic meltdown and there won’t be any major competitor offering same products and customer care services as we do within same location. Please note that the above projection might be lower and at the same time it might be higher.
Before choosing a location for Penny Wise® Music Store, Inc., we conduct a thorough market survey and feasibility studies in order for us to be able to be able to penetrate the available market and become the preferred choice for residence of Los Angeles – California and the online community. We have detailed information and data that we were able to utilize to structure our business to attract the numbers of customers we want to attract per time.
We hired experts who have good understanding of the music store industry to help us develop
As a matter of fact, our publicity and advertising strategy is not solely for winning customers over but to effectively communicate our brand to the public. Here are the platforms we intend leveraging on to promote and advertise Aunty Clara Book Store™;
Pricing is one of the key factors that give leverage to music stores and retailing business generally, it is normal for consumers to go to places (music stores) where they can get music, audio books and video games at cheaper price which is why big player in the music stores industry like attract loads of consumers.
We know we don’t have the capacity to compete with other bigger music store, but we will ensure that the prices of all the items (music, audio books and video games) that are available in our music store are competitive with what is obtainable amongst music stores within our level and in our location.
The payment policy adopted by Penny Wise® Music Store, Inc. is all inclusive because we are quite aware that different customers prefer different payment options as it suits them but at the same time, we will ensure that we abide by the financial rules and regulation of the United States of America.
Here are the payment options that Penny Wise® Music Store, Inc. will make available to her clients;
In view of the above, we have chosen banking platforms that will enable our client make payment for farm produces purchase without any stress on their part. Our bank account numbers will be made available on our website and promotional materials to clients who may want to deposit cash or make online transfer for our products.
In setting up any business, the amount or cost will depend on the approach and scale you want to undertake. If you intend to go big by renting a place, then you would need a good amount of capital as you would need to ensure that your employees are well taken care of, and that your facility is conducive enough for workers to be creative and productive.
This means that the start-up can either be low or high depending on your goals, vision and aspirations for your business.
The tools and equipment that will be used are nearly the same cost everywhere, and any difference in prices would be minimal and can be overlooked. As for the detailed cost analysis for starting a music store business; it might differ in other countries due to the value of their money.
When it comes to starting a music store business the major areas that you look towards spending the bulk of your cash is in of course renting or leasing a standard store facility. Aside from that, you are not expected to spend much except for paying of your employees, creating a user – friendly and easy to download website and then stocking of your store different genre of music, audio books and video games.
These are the key areas where we will spend our start – up capital;
We would need an estimate of $250,000 to successfully set up our music store in Los Angeles – California. Please note that this amount includes the salaries of all the staff for the first month of operation.
Generating Funds / Startup Capital for Penny Wise ® Music Store, Inc.
Penny Wise® Music Store, Inc. is a family business that is solely owned and financed by Stanley Mosley and his immediate family members. We do not intend to welcome any external business partners, which is why we have decided to restrict the sourcing of the start – up capital to 3 major sources.
These are the areas we intend generating our start – up capital;
N.B: We have been able to generate about $100,000 ( Personal savings $75,000 and soft loan from family members $25,000 ) and we are at the final stages of obtaining a loan facility of $150,000 from our bank. All the papers and document have been signed and submitted, the loan has been approved and any moment from now our account will be credited with the amount.
The future of a business lies in the numbers of loyal customers that they have the capacity and competence of the employees, their investment strategy and the business structure. If all of these factors are missing from a business (company), then it won’t be too long before the business close shop.
One of our major goals of starting Penny Wise® Music Store, Inc. is to build a business that will survive off its own cash flow without the need for injecting finance from external sources once the business is officially running.
We know that one of the ways of gaining approval and winning customers over is to sell our music, audio books, video games and other book related merchandize a little bit cheaper than what is obtainable in the market and we are well prepared to survive on lower profit margin for a while.
Penny Wise® Music Store, Inc. will make sure that the right foundation, structures and processes are put in place to ensure that our staff welfare are well taken of. Our organizations’ corporate culture is designed to drive our business to greater heights and training and re – training of our workforce is at the top burner.
As a matter of fact, profit-sharing arrangement will be made available to all our management staff and it will be based on their performance for a period of three years or more. We know that if that is put in place, we will be able to successfully hire and retain the best hands we can get in the industry; they will be more committed to help us build the business of our dreams.
Check List / Milestone
Get Going → Events & Entertainment
April 19, 2021
Where to start, the main components of a music business plan, the importance of multiple income streams, subscribe to greenlight by thimble..
Join a community of 50,000+ small business owners and get insights and inspo every other week
Making a living in the music business is the ultimate dream of every serious musician. But out of the countless individuals with a passion for music, only a select few will make a profitable business out of it. That doesn’t mean reaching your goals is impossible. If you want to earn reliable income from your music career, you need to treat it like any other business. That means making a detailed blueprint that will take you from passionate hobbyist to successful professional. This step-by-step guide to developing a music business plan will set you on the right path.
Whether your goal is to have a career as a professional musician, recording artist, producer, or music teacher, documenting the path you’ll take with a music business plan will be helpful to your cause. Your business plan outlines your goals, identifies the practical methods you’ll take to achieve them, and lists the resources you have and will need.
Not only will a concrete business plan keep you on course, it will also demonstrate your credibility in the eyes of others. Potential clients and business partners will see you as a professional and not another starving artist. If you ever need to take out a business loan or raise money for investors, a business plan is a must-have.
Crafting your music business plan isn’t something you can do in one sitting. You’ll need more than an afternoon to get this right. Take your time, bite off piece-by-piece, and chew your thoughts over thoroughly.
Our first piece of advice is as old as time: know thyself.
You need some clarity of purpose before you can craft a useful music business plan. Ask yourself:
Having this understanding will make it easier for you to explain your vision to others and convey your enthusiasm. It will also establish the framework for your music business. This step is crucial if you’ll need people to buy in to help you reach your goals.
The content of your music business plan will vary depending upon whether you’re aiming to start a music school, be a producer, or work as an artist. But the fundamental components are the same either way. Here’s what you’ll need:
Let’s look at each of these in turn.
This can be as short as a few sentences, as long as it adequately describes who you are as an artist or a musical entrepreneur and what you’re trying to accomplish. While this might sound simple, think things through a bit before you try to draft your statement. Everything that follows here will hinge upon it.
The executive summary is a one-page synopsis of your plan. It should include an introduction as well as a description of your endeavors. Details about the funding you already have and what you’ll need in addition to a brief accounting of your plans for putting all of it into play are important too.
Most experts recommend saving the drafting of this part for last. It’s essentially a digest of all the other parts of your plan. Doing it last allows you to draw upon the information you’ve drafted for all of the other steps.
Here’s where you’ll demonstrate your understanding of your target audience. If you’re already performing, teaching, or producing on the side, think about what traits the people who follow you have in common.
If you’re just getting started, find someone doing what you want to do whose style and circumstances are similar to yours, and analyze their target market. Create a demographic sketch of your target audience based on gender, age, location, musical tastes and favorite venues.
Think about the qualities that make you unique. List everything that comes to mind, from technical mastery and creative spark to teaching older demographics and networking. Your skills might not seem extraordinary on an individual level, but combine all your best qualities and you’ll find there isn’t anyone quite like you on the market.
Don’t forget about your weaknesses. Identity these not as qualities to promote, but as areas to work on in the future. Being aware of your shortcomings will also help guide your decision on potential business partners in the future. Let your inner critic loose, but realize that this is an exercise in personal growth, not tearing yourself down.
Had enough reflecting? Let’s take a look at the marketplace. Think about potential gaps in the industry you can exploit. Perhaps your competitors are overlooking a key value and you see a way to provide it both efficiently and effectively. These are your opportunities.
Threats could include technological shifts, cultural changes, the emergence of new artists, competition, and new trends. The music world moves fast, and today’s hot act can end up as yesterday’s news before your can say “more cowbell!” Brainstorm any roadblocks you picture yourself facing over the next few years and strategies you can use to overcome them.
Your marketing plan will detail how you’ll spread the word about yourself. Consider how much money you can reasonably invest into marketing and work out how you’ll spend it to reach as many of the right people as possible. Think about how you’ll grow your online presence—including social media, a press kit, and publicity materials such as a logo and photography.
Get a full account of your current cash flow situation. List how much capital you currently have and estimate how much it’ll take to get your operation up and running. When in doubt, overestimate. Studio time, engineering talent, transportation, legal fee, copyrights and trademarks are all important considerations when projecting your budget.
At what intervals will you go over the financials to see how you’re advancing? What are the milestones by which you’ll mark your achievements?
You’ll also need a method for measuring your impact on the market in terms of the reputation you build. Social media outlets provide analytical tools to help you track these metrics. They can also help you pinpoint the demographics of your audience.
Establishing your key performance indicators (KPIs) can help you set the standards by which you will gauge your success. Sharing this information with others makes you accountable because they can look at your projections and see how much progress you’ve made toward achieving them.
As we mentioned above, once you have all of these areas covered, you can then condense the information each section contains to create your executive summary. After all, how will you know what to put in it until you’ve examined all of these other areas first?
Success in the music industry takes a lot of work and a little luck, but you can stack the deck in your favor by building multiple income streams. That way, if one area slows down, you’ll have another one in play to keep you rolling until the next opportunity presents itself. Revisit your strengths and opportunities and start brainstorming ideas. If you get stuck, here’s a quick list to get you started:
Give music lessons. Chances are if you’ve got the chops to play paid gigs, you’ve got enough skills to pass on to some novice students. Giving music lessons can be a great way to add some extra recurring income.
Start a YouTube channel. With over 2 billion active users, YouTube might just be your biggest source of untapped attention and potential. 1 The platform offers users a chance to learn or be entertained, and as a musician you’re well-positioned to offer both. You could upload instructional videos or footage of yourself performing. You’ll get to keep a portion of any ad revenue your videos make. And if the right person sees your content, it could open the doors to even greater opportunities.
Explore the marketing world. If composition is your thing, you might be overlooking a potentially huge money-maker—marketing and advertising. Brands are in constant need of good video content to market their products, and those videos need music to truly capture attention. If you’ve got a knack for putting together atmospheric instrumentals, creating music for ads could seriously help stabilize your income.
Open your own studio. If you have the capital to invest and live in an area underserved by recording studios, you might want to consider opening your own. While you’re not using it for your own projects, you can rent it out to other local musicians and producers. If there’s enough demand, you could cover the costs of equipment and rent and even have a little profit left over.
Explore session work. Sure, your band is your baby, but if you’ve got time on your hands and musical versatility to boot, why not offer your services as a session musician? Session work is an effective way to boost your income, make new connections and get your name out there as a legit professional. If an artist is truly enamoured with your work, they could invite you to join them on tour.
Another important consideration in your music business plan is protecting your livelihood from the consequences of unintentional accidents. General liability insurance is key to helping you stay focused on your business. Carrying a policy also demonstrates to potential clients that you are a serious professional — whether you’re a musician, DJ , or another kind of entrepreneur in the entertainment industry.
Our editorial content is intended for informational purposes only and is not written by a licensed insurance agent. Terms and conditions for rate and coverage may vary by class of business and state.
It's not every other newsletter. It's every other week, four minutes long, and just for small businesses.
Backed by A-rated Insurance i
Best Insurance for the Smallest Businesses
Accredited Business
Musical instrument store business startup guide.
If you have a passion for music or vast experience in music festivals and the industry, then you should consider starting a music-related business.
One of the music-related businesses you can start is a music store. A music store business is very lucrative and requires low capital to start up.
However, if you really want the business to be successful, then you must make adequate plans before starting it. One of the ways you can do this is by creating a business plan.
If you are intending to create a music store business plan and don’t know how to go about it, then this post is for you. The post is a music store BUSINESS STARTUP GUIDE that you can use as a template to easily create your own.
Here is how to start a music retail business.
BUSINESS NAME: Bubbling Music Store
Table of Content
Executive Summary
Vision Statement
Mission Statement
Business Structure
Products and Services
Startup Cost
Sources of Capital
Bubbling Music Store is a registered company that will be established very close to South Carolina University in the United States.
After carrying out intensive research, we discovered that the residents of our selected location comprise majorly of students of South Carolina University who are passionate about music and there is no standard music store to cater to their music needs.
We decided to tap into this opportunity by opening a top-notch music store in the heart of South Carolina University.
Bubbling Music Store aims to meet the needs of our customers while making good profits in the process. And to achieve this aim, we will ensure all our products are of the very best quality.
Also, we will make sure that we deliver excellent services to our customers in a conducive environment.
We will also make sure that beyond products and services, we sell an amazing experience that will make our customers feel special and make them not only keep coming back but also refer our business to other people.
To make things super easy for our customers, we have decided to have an online e-commerce store where they can make orders for our products and have them delivered to them anywhere they are.
None of our competitors is having an e-commerce store. So introducing this concept will make Bubbling Music Store stand out and favorably compete with its competitors.
Bubbling Music Store will be owned by Mr. Danny Fred and a partner, Mr. Bob Donald. Mr. Danny is a savvy retail store manager who has experience of over 20 years of working for different music retail stores all over the United States.
His superpower is running a highly converting e-commerce music store business for his clients.
He intends to employ this superpower in creating a stellar e-commerce music store for Bubbling Music Store which will serve as the company USP.
Mr. Bob is a business administrator who has carved a niche in the music industry. He has worked with various Music Companies and helped them to accelerate their business growth.
His experience in this area will greatly aid the growth of Bubbling Music Store.
To have become one of the leading music stores in the music industry in the United States. We also have vision 2020 which is to have 20 music stores all over Universities in the United States within 20 years.
To establish a solid reputation for selling affordable but quality products. We also intend to always come up with creative ways of serving our customers that will always make us be on top of the game.
We know that to fully realize the vision we have for Bubbling Music Store; we need to put a solid business structure on the ground.
To this end, we are going to make sure we hire workers who are not only dedicated and passionate about the business but also competent and excellent. Our business structure will comprise of:
To fully satisfy our customers, Bubbling Music Store will provide a wide range of products and services which will include:
The amount of money needed to start up the kind of music Store business we are projecting is estimated to be $250,000.
This will cover everything ranging from the cost of acquiring a business facility to the cost of equipment, cost of marketing both online and offline.
It will also cover the salaries of staff for the first three months of operation.
The founders have already pooled their resources together and raised the total sum of $100,000.
They are already working on raising $50,000 soft loans from friends and family and applying for a bank loan to raise the remaining $100,000.
The business plan above is a Music Store BUSINESS STARTUP GUIDE that users can use as a guideline when they want to start their own music store business.
Your email address will not be published. Required fields are marked *
Need a business plan? Call now:
Talk to our experts:
Published Dec.29, 2020
Updated Apr.23, 2024
By: Jakub Babkins
Average rating 5 / 5. Vote count: 3
No votes so far! Be the first to rate this post.
Table of Content
Do you want to start a music business? Well, that’s a really alluring and one of the most profitable businesses.
To run a music business, you need to hire the services of music artists, musicians, record producers, and composers on a temporary or permanent basis. The business can include creating songs, music sheets, stock music, and theme music. And can also be extended to cover events, ceremonies, and concerts.
The business is exciting, however, due to the large competition in the market, one has to put very much effort in the beginning to earn recognition. Like any other business, the first step would be to create a business plan for music industry. The professional business planning should cover all aspects of the business like workforce, work area, expenses, services, sales strategy, etc.
To give you an idea of how your business plan should look like, we are giving here the business plan of a music business startup, Hymns & Beats.
2.1 the business.
Hymns & Beats will be a licensed music business based in Atlanta. The business will comprise artists and musicians who will work to create new music pieces. The business will utilize the talent of various singers to release stock music, record labels, and theme music for corporates, events, TV shows, movies, and game developers.
A music company needs efficient management in all the areas such as reaching out to singers, making arrangements for concerts, making sure that the edit effects are perfect, etc. Realizing that she would not be able to supervise everything on her own, Amelia decided to hire a manager to help her.
If you are looking for how to start a music business you should study different music business plans. While exploring business plans on how to set up a music business, try to also explore the ways others use to manage multiple tasks of a business at the same time.
Our primary customers will be the television shows and film industries who will seek our services for creating tunes, theme music, and songs. Besides, corporate, institutes, companies, game developers, and event organizers will also be our customers.
Our target is to become one of the most renowned music businesses. We aim at releasing at least 10 albums within six months of the launch. We also aim at achieving a rating above 4.7 within a year of the launch. Our profit goals to be achieved within the three years of our launch are summarized here:
3.1 company owner.
Amelia Stiles will be the owner of Hymns & Beats. Amelia got her degree in Bachelor of Music from the Oberlin Conservatory of Music, Ohio.
During her schooling, she composed two music pieces that earned her national level fame.
Amelia wanted to become a playback singer. She learned and practice music all her life and still couldn’t succeed in getting more than a few singing projects. Owing to her optimistic nature, she decided to find new ways to invest her passion for music. She decided not to sing but just compose the music pieces.
Realizing her creativity and skills in the music composing area, she decided to start her own music business. Now Amelia hires music artists and glorifies people’s lives with exceptional tunes and melodic voices.
Since there are many already established music industries in Atlanta, you should study different examples of music business plans. Exploring as many examples of music business plans as you can, will enable you to come up with unique ideas. Analyzing various music business plan samples will allow you to identify the areas where demand is high despite the large competition.
Hymns & Beats will be started in one of Amelia’s properties in Atlanta. Amelia will hire a home renovating professional to turn her property into a structure for the music business. Meanwhile, she will hire a professional business plan writer to make a comprehensive plan for her business.
Then Amelia will purchase the required musical instruments and other equipment like speakers, cables, amplifiers and microphone stands, etc. After which the startup will start its hiring phase. Staff like audio engineers, musicians, and DJs will be employed after strict testing and interviewing. Meanwhile, the company will ensure to establish a strong web and social media presence to get introduced to the target audience.
The costs for startup are as follows:
The startup requirements are as follows:
Legal | $248,000 |
Consultants | $0 |
Insurance | $38,000 |
Rent | $27,000 |
Research and Development | $31,000 |
Expensed Equipment | $63,000 |
Signs | $3,500 |
Start-up Assets | $325,000 |
Cash Required | $376,000 |
Start-up Inventory | $58,000 |
Other Current Assets | $212,000 |
Long-term Assets | $250,000 |
Start-up Expenses to Fund | $410,500 |
Start-up Assets to Fund | $1,221,000 |
Assets | |
Non-cash Assets from Start-up | $1,604,000 |
Cash Requirements from Start-up | $387,000 |
Additional Cash Raised | $48,000 |
Cash Balance on Starting Date | $33,500 |
Liabilities and Capital | |
Liabilities | $31,000 |
Current Borrowing | $0 |
Long-term Liabilities | $0 |
Accounts Payable (Outstanding Bills) | $44,000 |
Other Current Liabilities (interest-free) | $0 |
Capital | |
Planned Investment | $1,631,500 |
Investor 1 | $0 |
Investor 2 | $0 |
Other | $0 |
Additional Investment Requirement | $0 |
Loss at Start-up (Start-up Expenses) | $366,000 |
Before making a music business plans template, you should be very clear about the services you are going to provide your customers. In this sample plan, we are listing the services of Hymns & Beats. However, to get a broader idea of services that can be provided in this domain, you should study many other music industry business plans too.
1.Creating Production Music
Our primary service will be to produce music pieces that can be used in television, movies, and other media platforms after getting licensed to the buyers. Those music pieces will cover nearly all music genres such as classical, electronic dance, folk, and disco, etc.
This service will also include producing specific music pieces according to the client’s requirements.
2.Record Labels
We will also release albums and songs made with the collaboration of our team with top-class singers and songwriters.
3.Theme Music For TV Shows, Movies, Trailers & Video Games, Commercials
Our third primary service will be to create instrumental and theme music to be used in the background of movies, trailers, video games, commercials, and reality shows, etc.
4.Corporate Background Music
We will also create professional music themes to be used by companies and corporates in their presentations.
5.Hosting Concerts, Music Festivals & Parties
This will be one of our major services. We will host music nights, concerts, events, and parties. We will also offer the service of presenting music and songs in ceremonies according to the nature of the gathering.
The most important component of starting a music studio business plan is marketing analysis. It includes a detailed study of your target market to understand the areas where competition is high or to identify the domains where the demand for your services can be more.
Thus, before you start a music business you should study the dynamics of the marketplace where you will be offering your services. In this music business plan concept pdf we are listing market analysis and market segmentation done by Hymns & Beats for their business. If you are looking for how to write a music business proposal or how to create an efficient marketing plan, you can take help from here.
According to IBISWorld, the average growth that has been reported in the music industry in the last five years is 5.5%. Moreover, Statista reports that the annual revenue generated by the U.S. music industry was recorded to be $21.5 billion in 2019 alone. Simply put, the music industries have always been in demand. To succeed, you just need to be proactive in reaching target customers and creative enough to meet their expectations.
5.2 marketing segmentation.
The detailed marketing segmentation of our target audience is as follows:
5.2.1 TV Programs & Film Industries: Our primary customers will be the television shows and programs that need different background music for different segments and for transitions of one segment to another.
Besides, film producers will require our services to create music pieces for trailers and songs. We also expect this group to avail of our services of producing background and themed instrumental music.
5.2.2 Commercials (TV ads) Production Companies: The second group of our target customers will comprise of commercials producing companies. We expect to get projects from this category from the very beginning as video ad creators usually don’t need music producers with past experience.
5.2.3 Video Game Developers, Corporates & Event Organizers: The third category of our target customers consists of video game developers who need music to be played in the background. This category also includes corporates who need professional background music for their presentations.
Apart from them, we also expect to be called by events and party organizers for playing music, singing songs, and setting up musical nights. We also look forward to being invited to cultural ceremonies for displaying the skills and talent we have.
Potential Customers | Growth | ||||||
TV Programs & Film Industries | 39% | 39,000 | 41,000 | 44,000 | 49,000 | 53,000 | 10.00% |
Commercials (TV ads) Production Companies | 29% | 28,000 | 30,000 | 32,000 | 35,000 | 38,000 | 10.00% |
Video Game Developers, Corporates, Event Organizers | 32% | 30,000 | 33,000 | 36,000 | 39,000 | 43,000 | 11.00% |
10% |
Our business targets are:
Since we are not selling any discrete products therefore we can’t define a strict product pricing strategy. Our prices will vary with the required mastery, the difficulty level of the track and music, etc.
However, in the beginning, we will offer massive discounts on our services of hosting musical events and ceremonies and also in our theme music creation service.
Like marketing analysis, sales strategy for business is also an important component of a music business marketing plan. Sales strategy enables you to attract your potential customers, and compete with your already-established competitors.
From this music business proposal sample, you can learn the competitive aspects and advertisement strategy of Hymns & Beats.
Although we have tough competition, we have entered the market with several competitive aspects. Firstly, we have an excellent team that will help us develop unique music pieces. Secondly, we are collaborating with top singers and songwriters to come up with exclusive albums.
Moreover, we will be offering background music production services for video games and trailers online. So that will enable us to reach a wider audience.
Unit Sales | |||
Creating Production Music & Record Labels | 40,000 | 42,400 | 44,944 |
Theme Music for TV Shows/ Movies/ Commercials | 35,000 | 37,100 | 39,326 |
Corporate Background Music | 18,000 | 19,080 | 20,225 |
Hosting Concerts, Music Festivals & Parties | 36,000 | 38,160 | 40,450 |
Unit Prices | Year 1 | Year 2 | Year 3 |
Creating Production Music & Record Labels | $53.00 | $61.48 | $71.32 |
Theme Music for TV Shows/ Movies/ Commercials | $48.00 | $55.68 | $64.59 |
Corporate Background Music | $30.00 | $34.80 | $40.37 |
Hosting Concerts, Music Festivals & Parties | $37.00 | $42.92 | $49.79 |
Sales | |||
Direct Unit Costs | Year 1 | Year 2 | Year 3 |
Creating Production Music & Record Labels | $47.00 | $51.00 | $54.00 |
Theme Music for TV Shows/ Movies/ Commercials | $42.00 | $44.00 | $47.00 |
Corporate Background Music | $24.00 | $27.00 | $30.00 |
Hosting Concerts, Music Festivals & Parties | $39.00 | $41.00 | $42.00 |
Direct Cost of Sales | |||
excellent work, competent advice. Alex is very friendly, great communication. 100% I recommend CGS capital. Thank you so much for your hard work!
Your business is just a collective representation of your staff and managers. So before proceeding to other steps, you should create your personnel plan in a template for writing a music business plan.
Here we are only listing the permanent staff of the company. The singers and songwriters whose services will be hired temporarily for record albums are not mentioned in this list.
General Manager | $16,000 | $17,600 | $19,360 |
Cashier | $13,000 | $14,300 | $15,730 |
DJs | $31,000 | $34,100 | $37,510 |
Musicians | $45,000 | $49,500 | $54,450 |
Audio Engineer | $14,000 | $15,400 | $16,940 |
Software Expert | $12,000 | $13,200 | $14,520 |
IT Expert | $12,000 | $13,200 | $14,520 |
Sales Executive | $13,000 | $14,300 | $15,730 |
General Assistants | $20,000 | $22,000 | $24,200 |
Receptionist | $10,000 | $11,000 | $12,100 |
Making a music business plan is a little tricky as you have to devise a plan to manage your permanent as well as temporary resources. For example, while creating a financial plan for the music business, you have to consider fluctuations in the price of services. The albums that need to be sung or written by high paid singers and songwriters will require you to reserve a bigger than usual budget.
It is recommended to seek professional help in creating the financial plan for your business. To give you an example of how it would look like, we are providing here the sample financial plan of Hymns & Beats.
Plan Month | 1 | 2 | 3 |
Current Interest Rate | 8.13% | 8.20% | 8.31% |
Long-term Interest Rate | 8.32% | 8.44% | 8.90% |
Tax Rate | 23.95% | 24.68% | 26.50% |
Other | 0 | 0 | 0 |
Monthly Units Break-even | 5290 |
Monthly Revenue Break-even | $133,500 |
Assumptions: | |
Average Per-Unit Revenue | $249.00 |
Average Per-Unit Variable Cost | $0.64 |
Estimated Monthly Fixed Cost | $168,500 |
Other | $0 | $0 | $0 |
TOTAL COST OF SALES | |||
Expenses | |||
Payroll | $170,000 | $187,000 | $205,700 |
Sales and Marketing and Other Expenses | $131,000 | $137,000 | $144,000 |
Depreciation | $2,200 | $2,300 | $2,350 |
Leased Equipment | $0 | $0 | $0 |
Utilities | $2,900 | $3,200 | $3,500 |
Insurance | $1,900 | $2,300 | $2,700 |
Rent | $3,200 | $3,500 | $3,800 |
Payroll Taxes | $37,000 | $39,000 | $42,000 |
Other | $0 | $0 | $0 |
Profit Before Interest and Taxes | $137,800 | $725,471 | $1,590,613 |
EBITDA | $137,800 | $725,471 | $1,590,613 |
Interest Expense | $0 | $0 | $0 |
Taxes Incurred | $27,560 | $145,094 | $318,123 |
Net Profit | $110,240 | $580,377 | $1,272,491 |
Net Profit/Sales | 1.94% | 8.32% | 14.84% |
Cash Received | |||
Cash from Operations | |||
Cash Sales | $55,000 | $59,400 | $64,152 |
Cash from Receivables | $15,000 | $16,200 | $17,496 |
SUBTOTAL CASH FROM OPERATIONS | |||
Additional Cash Received | |||
Sales Tax, VAT, HST/GST Received | $0 | $0 | $0 |
New Current Borrowing | $0 | $0 | $0 |
New Other Liabilities (interest-free) | $0 | $0 | $0 |
New Long-term Liabilities | $0 | $0 | $0 |
Sales of Other Current Assets | $0 | $0 | $0 |
Sales of Long-term Assets | $0 | $0 | $0 |
New Investment Received | $0 | $0 | $0 |
SUBTOTAL CASH RECEIVED | |||
Expenditures | Year 1 | Year 2 | Year 3 |
Expenditures from Operations | |||
Cash Spending | $32,000 | $37,000 | $41,000 |
Bill Payments | $17,000 | $18,000 | $20,000 |
SUBTOTAL SPENT ON OPERATIONS | |||
Additional Cash Spent | |||
Sales Tax, VAT, HST/GST Paid Out | $0 | $0 | $0 |
Principal Repayment of Current Borrowing | $0 | $0 | $0 |
Other Liabilities Principal Repayment | $0 | $0 | $0 |
Long-term Liabilities Principal Repayment | $0 | $0 | $0 |
Purchase Other Current Assets | $0 | $0 | $0 |
Purchase Long-term Assets | $0 | $0 | $0 |
Dividends | $0 | $0 | $0 |
SUBTOTAL CASH SPENT | |||
Net Cash Flow | $16,000 | $17,000 | $19,000 |
Cash Balance | $25,000 | $26,000 | $28,000 |
Assets | |||
Current Assets | |||
Cash | $276,000 | $309,120 | $340,032 |
Accounts Receivable | $24,700 | $27,664 | $31,094 |
Inventory | $3,900 | $4,368 | $4,900 |
Other Current Assets | $1,000 | $1,000 | $1,000 |
TOTAL CURRENT ASSETS | |||
Long-term Assets | |||
Long-term Assets | $10,000 | $10,000 | $10,000 |
Accumulated Depreciation | $17,600 | $19,712 | $22,176 |
TOTAL LONG-TERM ASSETS | |||
TOTAL ASSETS | |||
Liabilities and Capital | Year 4 | Year 5 | Year 6 |
Current Liabilities | |||
Accounts Payable | $16,000 | $17,920 | $20,142 |
Current Borrowing | $0 | $0 | $0 |
Other Current Liabilities | $0 | $0 | $0 |
SUBTOTAL CURRENT LIABILITIES | |||
Long-term Liabilities | $0 | $0 | $0 |
TOTAL LIABILITIES | |||
Paid-in Capital | $30,000 | $30,000 | $30,000 |
Retained Earnings | $62,000 | $67,580 | $74,338 |
Earnings | $201,000 | $219,090 | $240,999 |
TOTAL CAPITAL | |||
TOTAL LIABILITIES AND CAPITAL | |||
Net Worth | $296,000 | $322,640 | $354,904 |
Sales Growth | 7.34% | 8.13% | 9.01% | 3.00% |
Percent of Total Assets | ||||
Accounts Receivable | 9.32% | 10.33% | 11.44% | 9.80% |
Inventory | 5.56% | 6.16% | 6.83% | 9.90% |
Other Current Assets | 2.36% | 2.61% | 2.90% | 2.40% |
Total Current Assets | 150.00% | 152.00% | 153.00% | 158.00% |
Long-term Assets | 11.70% | 11.90% | 12.10% | 12.00% |
TOTAL ASSETS | ||||
Current Liabilities | 4.79% | 4.83% | 4.87% | 4.34% |
Long-term Liabilities | 0.00% | 0.00% | 0.00% | 0.00% |
Total Liabilities | 7.27% | 7.33% | 7.40% | 7.38% |
NET WORTH | ||||
Percent of Sales | ||||
Sales | 100.00% | 100.00% | 100.00% | 100.00% |
Gross Margin | 95.91% | 98.50% | 101.26% | 99.00% |
Selling, General & Administrative Expenses | 94.68% | 97.24% | 99.96% | 97.80% |
Advertising Expenses | 1.69% | 1.74% | 1.78% | 1.40% |
Profit Before Interest and Taxes | 42.01% | 43.14% | 44.35% | 33.90% |
Main Ratios | ||||
Current | 37.7 | 38.4 | 40.6 | 32 |
Quick | 32.7 | 34 | 34.85 | 33 |
Total Debt to Total Assets | 0.27% | 0.24% | 0.17% | 0.40% |
Pre-tax Return on Net Worth | 76.02% | 77.34% | 79.80% | 75.00% |
Pre-tax Return on Assets | 92.50% | 97.13% | 101.98% | 111.30% |
Additional Ratios | Year 1 | Year 2 | Year 3 | |
Net Profit Margin | 33.10% | 34.13% | 35.18% | N.A. |
Return on Equity | 58.50% | 60.31% | 62.18% | N.A. |
Activity Ratios | ||||
Accounts Receivable Turnover | 7.7 | 7.8 | 7.9 | N.A. |
Collection Days | 100 | 100 | 100 | N.A. |
Inventory Turnover | 33 | 34.65 | 36.6 | N.A. |
Accounts Payable Turnover | 16.23 | 16.34 | 16.84 | N.A. |
Payment Days | 27 | 27 | 27 | N.A. |
Total Asset Turnover | 2.5 | 2.6 | 2.6 | N.A. |
Debt Ratios | ||||
Debt to Net Worth | -0.03 | -0.04 | -0.05 | N.A. |
Current Liab. to Liab. | 1 | 1 | 1 | N.A. |
Liquidity Ratios | ||||
Net Working Capital | $227,000 | $239,712 | $253,136 | N.A. |
Interest Coverage | 0 | 0 | 0 | N.A. |
Additional Ratios | ||||
Assets to Sales | 0.83 | 0.85 | 0.88 | N.A. |
Current Debt/Total Assets | 1% | 1% | 0% | N.A. |
Acid Test | 27.9 | 28.5 | 30.5 | N.A. |
Sales/Net Worth | 2.1 | 2.1 | 2.2 | N.A. |
Dividend Payout | 0 | 0 | 0 | N.A. |
Download Music Business Plans Sample in pdf
OGS capital professional writers specialized also in themes such as bowling alley business plan , business plan for bouncy castle , nightclub business plans , starting paintball business , business plan for hotel and resort , roller skating rink business plan and many other business plans.
OGSCapital’s team has assisted thousands of entrepreneurs with top-rate business plan development, consultancy and analysis. They’ve helped thousands of SME owners secure more than $1.5 billion in funding, and they can do the same for you.
Bowling Alley Business Plan Sample
Nightclub Business Plan (2024): A Comprehensive Guide
Rabbit Farming Business Plan
Beverages Business Plan
Private Schools Business Plan
Business Plan for a Lounge
We have been mentioned in the press:
Your email address will not be published. Required fields are marked *
Save my name, email, and website in this browser for the next time I comment.
IMAGES
COMMENTS
Music Business Plan Template. Over the past 20+ years, we have helped over 5,000 entrepreneurs and business owners create business plans to start and grow their music businesses. On this page, we will first give you some background information with regards to the importance of business planning. We will then go through a music business plan ...
Writing a music business plan is a crucial step toward the success of your business. Here are the key steps to consider when writing a business plan: 1. Executive Summary. An executive summary is the first section planned to offer an overview of the entire business plan.
Our musical instrument store business plan is structured to cover all essential aspects needed for a comprehensive strategy. It outlines the store's operations, marketing strategy, market environment, competitors, management team, and financial forecasts. Executive Summary: Offers an overview of your musical instrument store's business ...
12/15/2022 - Finalize personnel and staff employment contracts for the Musicians First Studio management team. 1/1/2023 - Begin build-out of the studio, purchase equipment, and test the acoustics. 1/15/2023 - Begin networking at industry events and implement the marketing plan.
Get the most out of your business plan example. Follow these tips to quickly develop a working business plan from this sample. 1. Don't worry about finding an exact match. We have over 550 sample business plan templates. So, make sure the plan is a close match, but don't get hung up on the details. Your business is unique and will differ from ...
Having this context is key for the reader to form a view on whether or not they believe that your plan is achievable and the numbers in your forecast realistic. The written part of a music store business plan is composed of 7 main sections: The executive summary. The presentation of the company.
A music business plan is crucial for any music industry professional looking to launch or grow their business. It provides a snapshot of the current state of the business and lays out a clear growth plan for the next five years. This is essential for understanding where the business is at and setting achievable goals for the future.
An Ultimate Musical Instrument Store Business Plan PDF Guide provides a framework for launching and managing a successful music retail operation. This comprehensive guide outlines strategies for market analysis, financial planning, inventory management, and marketing.
Grandma's Music and Sound, 800 S-T Juan Tabo NE, Albuquerque, NM 87123. Hours Mon-Fri: 9-6 | Sat: 10-5. Grandma's Music is Albuquerque's largest musical instrument retailer, with over 13,500 sq. ft. This store is a pro shop that carries state-of-the-art technology within its pro audio department.
Musical Instrument Store Business Plan - Free download as Word Doc (.doc), PDF File (.pdf), Text File (.txt) or view presentation slides online. musical instrument
A Sample Music Store Business Plan Template. 1. Industry Overview. Operators in the Music Stores industry primarily retail prerecorded music in soft and hard copies as audio and videotapes, compact discs (CDs), digital video discs (DVDs) and phonograph records. The industry includes both online and offline music stores.
The main components of a music business plan. The content of your music business plan will vary depending upon whether you're aiming to start a music school, be a producer, or work as an artist. But the fundamental components are the same either way. Here's what you'll need: Mission Statement. Executive Summary.
How to Structure A Music Business Plan A music business plan will have six main components. 1. A summary page 2. A description of your business 3. A marketing plan 4. An operations statement 5. A project time-line 6. Financial projections We will look at each in turn. You may want to make a rough outline for your own plan as you read this article.
The business plan might be included in applications for FACTOR or SRIA's new funding programs. Preparation for Writing the Business Plan: • Consider the reader and objectives. • Research all elements of the business plan. • Write the business plan yourself. • Develop an outline of key sections. • Use realistic financial projections.
Renting of Music CDs and DVDs. Startup Cost. The amount of money needed to start up the kind of music Store business we are projecting is estimated to be $250,000. This will cover everything ranging from the cost of acquiring a business facility to the cost of equipment, cost of marketing both online and offline.
2.1 The Business. Hymns & Beats will be a licensed music business based in Atlanta. The business will comprise artists and musicians who will work to create new music pieces. The business will utilize the talent of various singers to release stock music, record labels, and theme music for corporates, events, TV shows, movies, and game developers.
Music_Business_Plan - Free download as Word Doc (.doc), PDF File (.pdf), Text File (.txt) or read online for free. The document is a business plan for a music store that will sell products like CDs and tapes. It outlines the owners and provides a table of contents and executive summary. The executive summary states the business will be a one-stop shop for music and describes the target customers.
Purchased (391) This business plan provides a blueprint for how to start and manage your Music Studio business. Our detailed research and analysis, including interviews with entrepreneurs and stakeholders, will ensure that you plan your future business for success. A business plan is used for various purposes including to (a) Raise funding from ...
3. Edit musical instrument store business plan pdf form. Text may be added and replaced, new objects can be included, pages can be rearranged, watermarks and page numbers can be added, and so on. When you're done editing, click Done and then go to the Documents tab to combine, divide, lock, or unlock the file. 4.
How To Create a Business Plan for Your Digital Product Store (+ Free Template) by Kelsey McLellan · Published Aug 26, 2024. From creating online courses to writing ebooks, selling digital products is quickly becoming one of the most popular — and profitable — ways for content creators and infopreneurs to earn a living today.
Moscow, 1941. by Brian Balmages FJH Music Company - Grade 2. CMP Teaching Plan Chris Gleason. Broad [email protected] Description: Programmatic work exploring painting the picture of Moscow in 1941. Utilizes a common Russian Folk Tune "Meadowlands" or "Cossack Patrol". nt warning sirens Great Chris piece Gleason to explore timbre and over.
994.MoSCoW Prioritisation1 IntroductionIn an Atern project where time has been fixed, understanding the relative importance of things is vital to. making progress and keeping to deadlines. Prioritisation can be applied to requirements, tasks, products, use cases, us. r stories, acceptance criteria and tests. MoSCoW is a techn.
M U S I C COMPANY. N C. Lkt c~j~. ~chooFra. 2525 Davie Road, Suite 360 Fort Lauderdale, Florida 33317-7424 www.flhmusic.com. 2The ComposerBrian Balmages (b. 1975) is an active composer, conductor, producer, and performer. He received his bachelor'sdegree in music from James Madison University and his master'sdegree from the University of Mi.
Find other people that have the same vision and create an action plan. Follow through with the plan and write a report about the success of the plan. You will need to show evidence of the group, mission statement, and positive influence you had. 2) Create a video game or board game that would depict the events that occur in this story.