new york times movie reviews archives

You Gotta Believe

In the 1970s, New York Mets pitcher Tug McGraw made “Ya Gotta Believe” the catch phrase adopted by the fans as the Mets went on a historic run to end the 1973 season. It is an…

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Rating T-Meter Title | Year Review
(2005) With development pressure covering so many areas (including parts of the Eastern Shore) with bland McMansions and golf-course compounds, it’s heartening to see there’s still room for a scruffy community that’s actually a community. | Posted May 31, 2024
(1921) An occasionally effective but none the less depressing German production... Fritz Lang produced this weird, symbolical picture about five years ago, and it seems as if the American cutter had been forced to draw its dramatic teeth. | Posted Dec 19, 2023
(1924) This is a beautiful show for children and one which will be a source of pleasure to parents, who will undoubtedly derive no end of joy from watching the effect the passing shadows have upon the mentality of their youngsters. | Posted Dec 19, 2023
(1918) The audience applauded wildly when a young German Captain, resenting an insult of the Kaiser, laid the monarch low with a right-hand uppercut to the jaw. | Posted Dec 05, 2023
(1923) Harold Lloyd's latest effort is filled with laughs and gasps. When people are not rocking in their seats at the strand they will be holding on to the chair arms to keep them down. | Posted Feb 21, 2023
(1923) Harry Beaumaunt has brought out in the first three reels more than was anticipated by many, but it's a pity that this photoplay was permitted to run so long, as it drags and becomes tedious before it ends. | Posted Jan 25, 2023
(1919) [Mabel Normand] is in trouble most of the time and most of her troubles are laughable. There is not enough in the farce, however, to make all of its five or six reels entertaining. | Posted Jun 02, 2021
(1921) As you look it over, you may notice that nowhere does Truth appear in it. Consistency, Logic and Sincerity are also absent. Tediousness and Triteness are present from the beginning, however. | Posted May 19, 2021
(1916) [Theda Bara and Harry Hilliard] proved creditable attempts to translate to the screen the greatest romance of the ages. | Posted Mar 05, 2021
(1912) What was seen and heard last night went far to emphasize that the moving picture under certain circumstances... may be capable of providing entertainment to be taken seriously by audiences which have never seen the inside of a "movie" house. | Posted Feb 26, 2021
(1916) [Bara] has vampired so much that she has lost her sense of values and caricatures a type of woman she formerly gave a vivid portrait of... The fault is really the director's for making her repeat so often a thing that was exaggerated in the beginning. | Posted Feb 06, 2021
(1924) A brilliant pictorial effort which draws laughter with a lump in one's throat and makes one smile through tears. | Posted Feb 05, 2021
(1916) An example of good motion picture photography without any evidences of the advance for which one must watch with interest in the handling of this new art form. | Posted Nov 20, 2020
(1919) All through the photoplay there is symbolism, and some of it is impressive and peculiar to the power of motion pictures. And, let it be repeated, the story, as a story, grips and holds the interest as few photo stories do. | Posted Nov 10, 2020
(1920) Those least familiar with Stevenson's story will enjoy it most, because, while it has many excellent scenes and some good acting, it falls so far short of its original that any comparison of the two must emphasize its defects. | Posted Nov 05, 2020
(1919) Nothing can make The Unpardonable Sin pleasant. It is unpleasant to no purpose, and there its unpleasantness is unjustified. | Posted Nov 05, 2020
(1929) When the picture gets away from railroad procedure. Mr. Chaney seems admirable. | Posted Nov 05, 2020
(1919) Melodramas do not have to obey many laws, but they ought to hold together, and this one does not. | Posted Nov 04, 2020
(1927) Apparently it is merely meant to be enjoyed by those looking for entertainment and coolness on a hot day.Yesterday afternoon's audience seemed to think so, anyhow. | Posted Nov 03, 2020
(1920) The melodrama's use of airplanes for midnight mail deliveries, highway, or rather highair, robberies, and battles between the forces of law and lawlessness adds excitement. | Posted Oct 22, 2020
(1920) [The laughs] prove worth waiting for. This is principally because of Reid, but is also due to clever complications in the story, which is such an involved arrangement of nonsense that no satisfactory outline of it can be given in the space available. | Posted Oct 21, 2020
(1921) There are some really irresistible scenes in A Connecticut Yankee. Its main idea, of course, offers many opportunities for hilarious fun, and a good number of these have been seized. | Posted Oct 21, 2020
(1919) The picture is significant, though... because it is expressionistic in the general sense that all of its elements, its settings, its plot, its people, are expressive, eloquent, and, for the most part, harmoniously so. | Posted Oct 14, 2020
(1932) The scenario was so bad that the author had to excuse it by pretending it was a dream. | Posted Oct 14, 2020
(1920) Fascinating, exciting to the imagination, and yet so unfamiliar in all of its aspects that it always seems remote, elusive even, when one would like to get closer to its meaning. | Posted Oct 13, 2020
(1918) It is a remarkable picture. | Posted Oct 08, 2020
(1920) Eric von Stroheim, whose Blind Husbands was one of the outstanding cinematographic works of last year, has done another photoplay of exceptional quality. | Posted Sep 30, 2020
(1921) No matter how good it is, and be assured that it is good, no one surely would choose to see it in place of the stage production. | Posted Sep 29, 2020
(1919) Humor, pathos, melodrama and romance are the reliable ingredients of the story, to which William D. Taylor, the director, has added a number of pleasing pictures. | Posted Sep 29, 2020
(1914) In six reels the play is one of action and interesting situations. | Posted Sep 28, 2020
(1927) The plot is all about baseball, with, of course, a timely home run in the end, but it's all tied together with a gay romance and promises to show audience-holding strength. | Posted Sep 16, 2020
(1920) The director, Rolin Sturgeon... must be credited with skillful work, and the story, an adaption of a novel by Sidney McCall, gives opportunities for the acting of an excellent cast, including, especially, Tsuro Aoki, as the heroine. | Posted Sep 14, 2020
(1923) A valiant attempt has been made to render this production effective, and James Kirkwood's performance in certain sequences is unusually good. The story, however, wanders along until it becomes tiresome. | Posted Sep 09, 2020
(1944) Through all this Miss del Rio suffers nobly. | Posted Sep 09, 2020
(1920) Miss Gish's antics cannot enliven five or six reels of film otherwise dull, and Remodeling Her Husband is not, therefore, continuously amusing. | Posted Sep 09, 2020
(1924) Suspense has little place in the various doings of the characters, as one can predict far ahead that hero and heroine are not going to perish for their courage and goodness. The improbable surprises sprung upon one do not help this picture. | Posted Sep 08, 2020
(1918) Mr. Griffith's film seeks to make the war a big reality, to bring as much of it as possible within the four walls of a comfortable Broadway theatre... But the picture is not just a series of photographs of fighting. | Posted Aug 13, 2020
(1897) The views are most realistic. | Posted Aug 03, 2020
(1900) The display was in every respect interesting, and held the attention of the spectators from beginning to end. | Posted Aug 03, 2020
(1915) This second Carmen is an example of excellent motion picture photography, buti ts scenario... is loose and vague, and Miss Bara seems very mechanically seductive when compared, as she must be, with Geraldine Farrar. | Posted Jul 25, 2020
(1928) It is a synthetic Manhattan cocktail without the cherry. | Posted Jul 23, 2020
(1922) The players all do effective work. Mr. Ingram seems to have made another discovery in Ramon Novarro. | Posted Jul 23, 2020
(1922) It is interesting at times, though, to watch Mr. Chaney, and some of Director Worsley's pictures are interesting, too. | Posted Jul 22, 2020
(1918) An enjoyable comedy in which the athletic stunts of the star play a conspicuous and entertaining, though by no means monoplizing, part. | Posted Jul 21, 2020
(1922) [Thirty Days] doesn't get anywhere in particular nor go very fast as a story, but it is a gay piece of foolishness and keeps the spectator in pretty continuous good humor. | Posted Jul 20, 2020
(1922) Certainly somebody is to blame for a story that fails to satisfy as entertainment and means nothing, and yet fills several reels of film. | Posted Jul 19, 2020
(1922) This spiritistic satire is something that could not be attempted on the stage, and it would not be the same thing at all in any printed form. It belongs exclusively to the screen, and on the screen it is a joyful thing. | Posted Jul 18, 2020
(1921) Mr. Ballin has done Charlotte Brontë's novel faithfully, and he has also made a motion picture, a photoplay, at least, that holds the interest mainly through its motion picture scenes. | Posted Jul 17, 2020
(1921) The picture is another effort to win by astonishment. Everything that could be thought of by J. Gordon Edwards, the director, and others that would amaze, startle and shock those eager or able to be shocked seems to have been crowded into it. | Posted Jul 17, 2020
(1922) Although Mr. Berger's psychological satire is sharper on the stage than on the screen, the film stands up well and as motion pictures go is far superior to the general run of stuff. | Posted Jul 16, 2020

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The New York Times Book of Movies: The Essential 1,000 Films to See Hardcover – Illustrated, October 1, 2019

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